Bert LeBaron Movies

Like so many other films that were once considered "lewd" and "scandalous", The French Line seems as harmless as Pollyanna when seen today. Essentially a remake of The Richest Girl in the World, the film stars Jane Russell as Mary Carson, an incredibly wealthy Texas oil heiress. Lucky in investments but unlucky in love, poor Mary can never keep a fiance: either they're fortune-hunters or they don't want to marry anyone so rich and powerful. Thus, while on an ocean voyage to France, Mary poses as the model of dress designer Annie Farrell (Mary McCarthy), hoping to attract a man who is interested in her for herself, and not her millions. That man turns out to be dashing stage star Pierre (Gilbert Roland), but there's many comic complications and misunderstandings before the happy ending. What shocked the censors in 1954 was Jane Russell's sizzling musical number "Lookin' for Trouble", in which she performed an uninhibited bump-and-grind while wearing nothing more than a seven-ounce glorified bikini. While Ms. Russell herself was offended by her skimpy costume, she saw nothing wrong with the dance itself, pointing out that she intended it as a parody of a "burleycue" number. The professional blue-noses disagreed, however: the film was condemned by the Catholic Legion of Decency and denied a Production Code Seal. Eventually, producer Howard Hughes got the Seal--along with a million dollars' worth of free publicity, which is what he intended all along. Filmed in 3D, The French Line is the film that was ballyhooed with the classically tasteless ad campaign "J.R. in 3D--It'll knock both your eyes out!" ~ Hal Erickson, All Movie Guide

Nineteenth-century saloon gal Roxy McClanahan (Yvonne DeCarlo) manages to inveigle herself into the uppermost rungs of polite New Orleans society. But Roxy has not reckoned with her old friendly nemesis, merchant seaman Frank Truscott (Rock Hudson), whose bankroll Roxy had lifted back in her wilder and woollier days. For a price, Frank agrees not to blow the whistle on Roxy's checkered past. He further agrees to allow her to pass off an orphaned child as her own daughter, the better to maintain her pose as a fabulously wealthy widow. Several rambunctious scenes later, Frank and Roxy finally realize that they're made for each other, and to heck with Society. More fun than most costume melodramas of its kind, Scarlet Angel benefits from attractive production values and a top-flight supporting cast, included future Gunsmoke co-star Amanda Blake as a viper-tongued society belle. ~ Hal Erickson, All Movie Guide

This delightful adaptation of Rafael Sabatini's swashbuckling novel stars Stewart Granger as Andre Moreau, an 18th-century French nobleman who is publicly humiliated by the Marquis de Maynes (Mel Ferrer). Challenged to a sword duel by the Marquis, Andre, who knows nothing about fencing, runs away, taking refuge with a theatrical troupe. He hides behind the personality of Scaramouche, a zany clown, and in his spare time romances his sexy leading lady Lenore (Eleanor Parker). Seeking revenge against de Maynes, Andre takes fencing lessons from swordmaster Doutreval (John Dehner). It isn't long before Andre has developed a reputation as the finest swordsman in France--which, as intended, arouses the ire of de Maynes. The two opponents face off in a deserted theater; the ensuing sword duel, running nearly seven minutes, is one of the best ever committed to film. Before he can plunge his blade into de Maynes, Andre discovers that he and the Marquis are half-brothers. The two men instantly forget their differences, and Andre's honor is fully restored. He ends up not in the arms of the sensuous Lenore but with a woman of his own class, Aline de Gavrillac (Janet Leigh)--while a gag ending reveals that Lenore has found herself a new and highly influential boyfriend. Lewis Stone, star of the 1923 silent version of Scaramouche, appears in the remake in the supporting role of Georges de Valmorin. ~ Hal Erickson, All Movie Guide

Kirk Alyn, erstwhile Superman of the serials, plays government man Dave Worth in the Republic serial Federal Agents Vs. Underworld Inc. Worth is put on the trail of a famous archaeologist who has disappeared. He learns that the far-reaching criminal organization Underworld Inc. wants to get its mitts on the Golden Hands of Kurigal, the key to a huge fortune hidden away in an unknown foreign country. The brains of the bad-guy operation is bad-girl Neela (Carol Forman), a master-or mistress-of disguise. Former Miss America Rosemary LaPlanche portrays Dave Worth's ever-imperiled girl Friday. Federal Agents vs. Underworld Inc managed to sustain audience interest for a full 12 chapters. ~ Hal Erickson, All Movie Guide

Irving Pichel's They Won't Believe Me is the flashback unfolding of Larry Ballentine's (Robert Young) witness-stand testimony in his trial for the murder of girlfriend Verna Carlson (Susan Hayward). Larry is the first to admit he's a parasitic heel, cheating on his rich wife Gretta (Rita Johnson) first with magazine writer Janice Bell (Jane Greer) and then with Verna. Though aware of Larry's affairs, Gretta cannot manage to leave him; rather, she uses her money to keep him in tow. She foils his attempt to run off with Janice by buying him a partnership in a brokerage firm. When she discovers his plan to flee with Verna, she sells her interest, leaving Larry unemployed and penniless. The lovers run off nonetheless, but Verna is killed when a truck crashes into their car. When the authorities assume the charred victim is his wife, Larry gets a sinister idea. He returns home to kill Gretta, but she is already dead, so all he has to do is hide the body. Unfortunately for him, the police come looking for the missing Verna, who they suspect was blackmailing him. They find Gretta's unrecognizable corpse, think it's Verna's, and arrest Larry. The flashback structure of this suspenseful film noir effectively creates a foreboding tension that mounts to a powerful final scene. ~ Steve Press, All Movie Guide

Not quite as exciting as it should be, Stardust on the Sage is still a serviceable Gene Autry vehicle. This time, Gene is teamed up with young Jeff Drew (Bill Henry), who tries to sell mining stock to the local cattlemen. Meanwhile, villain Pearson (Emmet Vogan) plots to steal the mine from Gene and Jeff, using a veritable battalion of muscular hooligans. The finale is a kaleidescope of fistfights, gunfire and dynamite blasts-and none too soon, given the slow-moving passages which preceded it. The female contingent in Stardust on the Sage is handled by former child star Edith Fellows and serial heroine Louise Currie. ~ Hal Erickson, All Movie Guide