William Jeffrey Movies

Allegedly based on two factual works, Bouck White's The Book of Daniel Drew and Matthew Josephson's The Robber Barons, RKO's The Toast of New York is a largely fanciful account of the career of 1870s financier "Jubilee Jim" Fisk. As played by Edward Arnold in his usual "tycoon" mode, Fisk was a likable scoundrel who finagled his way into the upper rungs of Wall Street as much for fun as for profit. The film conveniently ignores Fisk's involvement with the infamous Tweed Ring, and skims over his complicity in 1869's "Black Friday," one of the most disastrous events in American economic history. We are also offered a sanitized version of Fisk's notorious mistress Josie Mansfield, who as played by Frances Farmer is an apple-cheeked lass who regards Fisk only as a loyal friend. Cary Grant is along for the ride as "Nick Boyd," a thinly disguised version of Fisk's actual partner in crime Ned Stokes. Too costly to post a profit, Toast of New York is nonetheless fine non-think entertainment, kept alive by a superb supporting cast ranging from Donald Meek as Daniel Drew and Clarence Kolb as Cornelius Vanderbilt to such bit players as Laurel & Hardy perennial James Finlayson, who plays the inventor of a self-tipping hat! ~ Hal Erickson, All Movie Guide

Radio baritone Joe Morrison was being groomed for stardom by Paramount when he was top-billed in One Hour Late. Morrison is cast as shipping clerk Eddie Blake, whose girlfriend Betty Dunn (Helen Twelvetrees) is secretary to big boss Stephen Barclay (Conrad Nagel). A trusting soul, Betty sees nothing wrong in accepting Barclay's invitation to visit his home for the weekend. But Eddie suspects the worst and tags along to make sure that Betty's virtue remains intact. As it happens, Eddie's fears are groundless -- as are those of Barclay's wife Ellen (Gail Patrick), who was poised to walk out on her husband at the first sign of extramarital hanky-panky. The script contrives to have a radio station located in the building where Eddie works, permitting Joe Morrison to croon a medley of his hit "The Last Roundup." ~ Hal Erickson, All Movie Guide

Consigned to the Warner Bros. "B" unit in the mid-1930s, director Robert Florey must have had a high old time trying to inject some visual dynamics into such unprepossessing projects as Going Highbrow. Guy Kibbee and ZaSu Pitts star as Mr. and Mrs. Matt Upshaw, a nouveau riche couple clearly inspired by Bringing Up Father's Jiggs and Maggie. While Matt prefers to live his life as simply as he'd done before striking it rich, Mrs. Upshaw is bound and determined to crash high society. To appease his wife, Matt hires dimwitted lunch-counter waitress Annie (Judy Canova) to pose as the Upshaw's daughter, thereby qualifying for the upcoming debutante ball. As things turn out, Annie reveals her true identity at the worst possible time, while the Upshaws are clipped for $50,000 by obsequious social "arranger" Augie (Edward Everett Horton). Though Going Highbrow represented Judy Canova's first major role at Warner Bros., the studio was unimpressed and dropped her option; in later years, Canova admitted that the picture was "not so hot." ~ Hal Erickson, All Movie Guide

Written by the prolific Ben Hecht, Upper World is a clash-of-class melodrama set in New York City. Railroad tycoon Alexander Stream (Warren William) is neglected by his social-climbing wife Mary Astor. Quite unintentionally, through a chance encounter, he strikes up a reasonably chaste friendship with good-hearted showgirl Lilly Linder (Ginger Rogers). Lilly's ex-boyfriend Lou Colima (J. Carroll Naish) sees an opportunity to blackmail Stream; Lilly tries to block him from doing so, and is murdered for her troubles. Stream shoots Colima in self-defense and manages to cover up his involvement so that the crime scene looks like a murder-suicide, protecting his good name and marriage in the process. But a vitriolic cop (Sidney Toler), whom Stream had earlier gotten demoted over a traffic stop -- and who was on patrol in the vicinity of the crime -- involves himself in the case and gathers enough evidence to point the detectives and the press toward the wary tycoon. Though he must stand trial for Colima's death, Stream is supported in his ordeal by his suddenly attentive and affectionate wife.
~ Hal Erickson, All Movie Guide

Still in the "Lillian Gish" phase of her career, Una Merkel plays the put-upon heroine in The Eyes of the World. The story begins with an urban romantic triangle involving handsome artist John Holland, his lover Gertrude (Fern Andra), and Gertrude's fossilized millionaire husband Brandon Hurst. Accompanying Gertrude and Hurst on a trip to the mountains, Holland falls in love with hillbilly gal Sybil (Merkel). Insanely jealous, Gertrude arranges for her wastrelly brother Hugh Huntley to seduce and abandon poor Sybil. But Holland sees through the scheme and tells Gertrude where to get off, preferring to spend the rest of his days with his sweetheart of the hills. ~ Hal Erickson, All Movie Guide