Keith Hitchcock Movies

This was the last in a string of spoofs that found the comedy duo tangling with various classic Universal Studios monsters. In this case, Slim (Bud Abbott) and Tubby (Lou Costello) play American detectives who cross wits with Dr. Henry Jekyll (Boris Karloff) in Edwardian-era London when they visit to compare techniques with their British counterparts. Meanwhile, Dr. Jekyll is conducting the usual lab experiments on animals before injecting himself with serum, transforming into the vicious Mr. Hyde and launching a killing spree against fellow doctors who scoffed at him. Slim and Tubby participate in the ensuing investigation, and havoc breaks out when Tubby himself is injected, with predictable results. Karloff lends gravity to the film, but by the time this one followed up earlier efforts like Abbott And Costello Meet Frankenstein and Abbott And Costello Meet The Mummy, the team had mostly exhausted the series' comic possibilities. ~ Don Kaye, All Movie Guide

In this film noir drama, Bill Saunders (Burt Lancaster) is a former Prisoner of War living in England whose experiences have left him emotionally unstable and prone to violence. One night, while drinking in a pub, he gets into an argument with the owner which quickly escalates into a brutal fist fight; Bill kills the publican and flees with the police giving chase. Bill is given shelter by Jane Wharton (Joan Fontaine), a kind-hearted nurse who believes Bill when he tells her that the killing was an accident and that he's innocent of any wrongdoing. Bill soon gets in a fight with a policeman and ends up in jail, but Jane, who has fallen in love with Bill, still has faith in him, and upon his release she finds him a job driving a truck delivering drugs for the clinic where she works. Career criminal Harry Carter (Robert Newton), who witnessed Bill's murder of the pub owner, now sees a perfect opportunity for blackmail, and he forces Bill to tip him off for his next major drug shipment, which can then be routed to the black market at a high profit. Bill has little choice but to agree, but when Jane ends up tagging along when Bill is to make the delivery in question, he refuses to jeopardize her and makes the delivery to the clinic without incident. This quickly earns Harry's wrath, and they soon find themselves at the mercy of a very dangerous man. Miklos Rozsa composed the film's highly effective score. ~ Mark Deming, All Movie Guide

Douglas Fairbanks Jr. is the title character, a young king exiled by evil conspirators. Forced to live far from his homeland, Fairbanks is harassed by the wicked Henry Daniell, who has been appointed to keep the young monarch from reclaiming his throne. After falling in love with commoner Paula Croset (later billed as Mara Corday), Fairbanks decides to take on the corrupt elements that have ousted him, and he dispatches Daniell in an exciting sword duel stage in an old windmill. Many of Fairbanks' more dangerous stunts were handled by David Sharpe, who received credit as second-unit director. Filmed in black and white, The Exile was originally released to theatres in "Sepiatone", a process which enhanced the film stock with a light brown tint. ~ Hal Erickson, All Movie Guide

On the eve of the Chinese New Year, three strangers make a pact before a small statue of the Chinese goddess of Destiny. The strangers are Crystal Shackleford (Geraldine Fitzgerald), married to a wealthy philanderer; Jerome Artbutny (Sidney Greenstreet), an outwardly respectable judge; and Johnny West (Peter Lorre), a seedy sneak thief. The threesome agree to purchase a sweepstakes ticket and share whatever winnings might accrue. Alas, the pact brings little more than misfortune for all concerned. Jerome steals funds from a client, then kills Crystal (with the goddess statue!) when she refuses to hand over her sweepstakes winnings. Johnny and his girlfriend Icy (Joan Lorring) decide to abandon their life of crime, but when it is revealed that the ticket is a winner, he sets fire to it to avoid having his name tied to the crime. If it seems strange that Peter Lorre ends up the romantic lead in Three Strangers, remember that the film's director, Jean Negulesco, thought Lorre was the finest actor who ever lived--and as a result, he fought tooth and nail with Warner Bros. to cast Lorre in this film. ~ Hal Erickson, All Movie Guide

Years before he became the leading star in horror movies, Vincent Price starred in this gothic thriller based on the best-selling novel by Anya Seton. Nicholas Van Ryn (Vincent Price) is a wealthy feudal heir of Dutch ancestry living in New York's Hudson Valley in the 1840s. Nicholas has come to hate his wife because she has been unable to give him a son; their only child is a daughter he doesn't care for. Miranda Wells (Gene Tierney), a distant relative of the Van Ryns, comes to live at their estate and work as an au pair girl; Nicholas becomes infatuated with her and eventually poisons his wife so they can marry. However, while Miranda gives birth to a son, the boy is sickly and does not live to adulthood. Nicholas begins to slip into insanity, moving to the attic of his mansion and drowning his sorrows in drugs. A distraught Miranda seeks the counsel of the local physician, Dr. Jeff Turner (Glenn Langan); Dr. Turner falls in love with Miranda, and he eventually discovers that Nicholas killed his first wife to be with her, and that Miranda might be next on the madman's list. Dragonwyck was the directorial debut of screenwriter and producer Joseph L. Mankiewicz. ~ Mark Deming, All Movie Guide

Daphne du Maurier's novel formed the basis for this romantic adventure saga. Lady Dona St. Columb (Joan Fontaine), an English noblewoman, is unhappily married to the weak-willed Harry St. Columb (Ralph Forbes), while Harry's sinister best friend Lord Rockingham (Basil Rathbone) makes no secret of his desire for her. When she discovers the ship of a French pirate, Jean Benoit Aubrey (Arturo DeCordova), docked near her estate, she makes the acquaintance of the dashing buccaneer, and she soon finds herself infatuated with him. Dona impulsively joins Jean as he stages a raid against wealthy landowner Lord Godolphin (Nigel Bruce); when Dona learns that Harry and Rockingham plan to capture the pirate, she stages a dinner party to distract them and then sends word to Jean that he is in danger. Jean soon appears at the St. Columb estate, putting Harry and Rockingham behind bars and urging Dona to run away with him. She declines, choosing not to follow her heart but to instead stay home to raise her children; however, Rockingham overhears this conversation and uses it to blackmail Dona into having his way with her. Frenchman's Creek earned an Academy Award for Sam V. Comer's set decoration and design. ~ Mark Deming, All Movie Guide

Secrets of Scotland Yard is Republic's spin on a plotline first elucidated in the old E. Phillips Oppenheim novel The Great Impersonation. After losing WW I, the German high command, with remarkable foresight, prepares for the next war by planting a spy in the British Admiralty. Edgar Barrier plays the dual role of the German spy and his British twin brother. When one twin is killed, the other assumes his identity. The question: is the surviving brother the "good" one or the bad? It is up to C. Aubrey Smith, cast as Scotland Yard inspector Sir Christopher Belt, to sort out the mystery. Though it owes a great deal to the aforementioned Oppenheim yarn, Secrets of Scotland Yard is actually based on a novel by Denison Clift, who also wrote the screenplay. ~ Hal Erickson, All Movie Guide

In this thriller set in WW II London during the bombing raids, a surgeon becomes a homicidal maniac during the frequent blackouts. Using his hypodermic needle, he only kills the people he believes are enemies to the Allies. Unfortunately, there is no real proof that the people he has offed are enemies. In the end, the police discover that several years earlier, he killed his wife. The trial is held in a basement courthouse during an air raid. ~ Sandra Brennan, All Movie Guide

A "B" picture with "A" aspirations, Bombay Clipper mostly takes place on a flight from India to San Francisco. Someone has absconded with $4,000,000 worth of diamonds, and that someone may very well be a passenger on the Bombay Clipper. International news correspondent Jim (William Gargan) hopes to solve the mystery for two reasons-to get a big scoop for his paper, and to repair his tattered marriage to long-suffering Frankie (Irene Hervey). Less than five minutes before the end, the jewel thief is revealed, whereupon the culprit tries to take over the plane and dispose of the other passengers. Fat chance! Obviously made on a tight budget, Bombay Clipper is nonetheless beautifully and meticulously photographed by Stanley Cortez, who on the strength of this and other Universal projects was signed by Orson Welles to lens the classic Magnificent Ambersons. ~ Hal Erickson, All Movie Guide

A hunter finds himself in a world of danger when he decides to stalk Adolf Hitler in this taut WWII thriller. Capt. Thorndike (Walter Pidgeon) is an expert big-game hunter from England. While hunting in Bavaria, he happens upon Hitler's Berchtesgaden estate and spots the Fuhrer; he has his rifle in tow, and he toys with the idea of firing at the dictator, even raising the unloaded weapon, putting Hitler in the crosshairs, and pulling the trigger to make the gun click. Unfortunately, this draws the attention of Maj. Quive-Smith (George Sanders), a Gestapo leader assigned to guard the Führer, who promptly apprehends Thorndike, drags him off and attempts to force him to sign a confession. When he refuses, he's brutally beaten and dumped into a hole in the woods, and must climb out and make his way to safety, by hiding as a stowaway on a Danish steamer. The poor fellow then runs afoul of the menacing Mr. Jones (John Carradine), who steals his passport and identity. By the time Thorndike returns to London, the hunter has become the hunted, with Gestapo agents combing the streets looking for the would-be assassin. Thorndike finds an unlikely ally in Jerry (Joan Bennett), a seamstress and sometimes streetwalker who takes him in and helps him hide from the German forces closing in around him. And meanwhile, he must still contend with teh nefarious doings of Mr. Jones Man Hunt was directed by Fritz Lang, the great German director who fled to Paris in 1933 rather than accept a commission from Joseph Goebbels to make Nazi propaganda films. He came to America the following year. ~ Mark Deming, All Movie Guide

This sweeping drama chronicles the foundation a Canadian institution: the Hudson's Bay Trading Company. Set in the 17th century when the fur trade was at its peak the story centers on Radisson, a far-sighted entrepreneurial fur trapper, and his sidekick who dream of establishing a major trading post on the title bay. Opportunity arises when they encounter an exiled British aristocrat and begin teaching him frontier ways. He in turn has them travel to England with him. There the determined Radisson, must first convince King Charles that the proposed post would be a lucrative venture. The king eventually agrees to fund the first post and Radisson, his partner and the aristocrat return to the Canadian frontier. The company gets off to a good start until the aristocrat's brother-in-law gets drunk and kills a native thereby nearly starting a war that Radisson averts by having the drunken killer killed. The nobleman is outraged and as soon as the three return to England to give a report to the King, he has the two trappers placed in prison. Fortunately, Radisson is able to appeal to the King's greed by telling him that the heretofore successful trading post will collapse without the two of them and they return to Canada to found a business empire that is still going strong today. ~ Sandra Brennan, All Movie Guide

Rachel Crothers' thoughtful stage play Susan and God was tastefully adapted for the screen by Anita Loos. Joan Crawford stars as Susan, whose unquestioning devotion to various religious organizations causes a great deal of strain between herself and her family. When Susan embraces a "New Thought" theological movement, she decides to apply the tenets of this new philosophy to patch up the unhappy marriages within her own social circles. She succeeds only in making things worse, and in further harming her own relationship with husband Barrie (Fredric March) and daughter Blossom (Rita Quigley). But it is the unadorned, unpretentious religious faith of little Blossom that ultimately brings Susan and Barrie together again. When Susan and God was first released in 1940, Joan Crawford's performance was occasionally compared unfavorably to that of Gertrude Lawrence, who created the role of Susan on Broadway; it was suggested by some that Crawford patterned her portrayal exactly on Lawrence's, right down to the line delivery. Modern audiences, denied the opportunity to see Lawrence's interpretation, are less inclined to downgrade Crawford's work, which rates among her best. ~ Hal Erickson, All Movie Guide