Joaquim de Almeida Movies

As a dog is abandoned one snowy winter night near a local bus stop, three characters awaiting the bus do their best to ignore the situation. Thus begins Judith Colell's film 53 dias de Invierno (53 Winter Days). The film subsequently delves into the life of each passenger, and becomes a trio of stories on conflict - the first psychological, the second emotional, and the third social. Because Colell recounts the tales one-after-another but never intersects or overlaps the narratives per se, her film becomes a foray into the hidden stories that lurk behind the eyes of three strangers, whom we might come across on any random street corner - and who only happen, cosmically, to be sharing the same bus stop at the same moment but may never know one another. In the psychological segment, we meet Mila (Mercedes Sampietro), a local teacher reeling from an assault at the hands of a student, who has taken a yearlong sabbatical to recover; the arc of her story involves her gradual attainment of self-assertion and courage. Segment number two - the segment on emotional conflict - follows Valeria (Aina Clotet), a cellist immersed in an adulterous relationship with her married professor, Hugo (Joaquim de Almeida). The instructor decides to break off the relationship but sends his wife to do the dirty work; meanwhile, Valeria's mother (Silvia Munt) sits at home and struggles to contend with her husband's abandonment of her. And in the third segment (which pertains to social conflict), married security guard Celso (Brendemuhl), struggles to make ends meet - a goal that looms impossible as he discovers his wife, Angela's, (Maria Pau Pigem) expectancy of twins. He foolhardily tries to pocket a necklace from the department store where he works, as a gift for his wife, but is promptly discovered, fired, and thrown out onto the streets - where the terror of confessing his misdeeds to Angela keeps him from heading home. Gemma Ventura penned the script. ~ Nathan Southern, All Movie Guide

A number of colonial wars in Africa in the 1970s have resulted in the conscription of Alex's father Pedro into the Portuguese Army. The young man and his father write to one another frequently, and it seems as if they are still close. However, at some point, the letters stop coming. Alex and his mother are worried that Pedro might have been killed or captured, but that particular concern is soon replaced by another when they learn from a returning soldier that Pedro has been back in Portugal for several months. When he is persuaded to return to his home, it becomes clear that he might have been wiser to stay away. ~ Clarke Fountain, All Movie Guide

This Portuguese language comedy is about a very contemporary love triangle. Caterina (Maria de Medeiros) is a beautiful, opportunistic and charming woman, a TV journalist. She pretends to be smitten by a handsome political do-gooder in order to gain an exclusive interview with him. She also uses him to father her baby. However, she is definitely not in love with him. Her true love is her lesbian girlfriend Te (Ana Bustorff). Caterina's pregnancy makes Te feel extremely insecure about their relationship. Caterina has been forced to co-host a program with career rival Francisco (Joaquim de Almeida), which neither she nor Francisco wanted. As their rivalry develops into friendship, Francisco begins to try to woo Caterina and he is not summarily rebuffed by her. This friendship only adds to Te's concerns as the movie goes on to its humorous (but very contemporary) happy ending. ~ Clarke Fountain, All Movie Guide

John Mackenzie directed this schematic adaptation of Graham Greene's best-selling thriller The Honorary Consul. Richard Gere stars as Dr. Eduardo Plarr, a brilliant doctor who has chosen to practice in the provinces rather than the teeming city of Buenos Aires because his father remains a political prisoner in Paraguay. As the story begins, Plarr is awaiting word from his father after years of silence. One day Leon (Joaquim de Almeida), an old childhood friend, contacts him. Leon was a priest who had left the church and is now working for the Paraguayan underground. Leon blackmails Plarr into obtaining information on an upcoming visit to the province by the United States Ambassador. Leon's plan is to kidnap the ambassador and hold him for ransom in order to obtain the release of Paraguayan political prisoners -- including Plarr's father. The source for the information is an alcoholic has-been, Charley Fortnum (Michael Caine), the province's honorary British counsel, whose wife Clara (Elpidia Carrillo) also happens to be Plarr's mistress. When the kidnapping goes wrong, Plarr is forced to re-examine his relationship with Clara and with Charley, whose betrayal by Plarr has put Charley's life in jeopardy. ~ Paul Brenner, All Movie Guide

Nearly 40 years after Che Guevara's execution in Bolivia, director Steven Soderbergh retraces the life of the iconic Cuban revolutionary in this nearly four-and-a-half-hour saga. Part 1 begins on November 26, 1956, as Fidel Castro (Demián Bichir) sails into Cuban waters with 80 rebels in tow. Among those rebels is Argentine doctor Ernesto "Che" Guevara (Benicio Del Toro), a man who shares Castro's dream of overthrowing corrupt dictator Fulgencio Batista. As the struggle gets under way, Guevara proves an indispensable part of the revolution due to his firm grasp on the concepts of guerilla warfare. Guevara is heartily embraced by both his comrades and the Cuban people, and quickly rises through the ranks to become first a commander, and ultimately a revolutionary hero. Part 2 of the saga begins with Guevara at the absolute peak of his fame and power. Disappearing suddenly, Guevara subsequently resurfaces in Bolivia to organize a modest group of Cuban comrades and Bolivian recruits in preparation for the Latin American Revolution. But while the Bolivian campaign would ultimately fail, the tenacity, sacrifice, and idealism displayed by Guevara during this period would make him a symbol of heroism to followers around the world. Part 1 and Part 2 were screened together as Che at the 2008 Cannes Film Festival, and also received a limited theatrical release under that same title in U.S. theaters later that same year. ~ Jason Buchanan, All Movie Guide

This is the third film based on Tom Clancy's high-tech espionage potboilers starring CIA deputy director Jack Ryan. Harrison Ford, returning to the Ryan role after his first go-round in 1992's Patriot Games, is assigned to a delicate anti-drug investigation after a close friend of the President (a Reaganesque Donald Moffat) is murdered by a Colombian drug cartel. When Ryan discovers that the President's wealthy friend was in league with the cartel, the President's devious national security adviser (Harris Yulin) and an ambitious CIA deputy director (Henry Czerny) send a secret paramilitary force into Colombia to wipe out the drug lords. The force is captured and then abandoned by the President's lackeys. It falls to Ryan to enter Colombia and rescue them, aided only by a renegade operative named Clark (Willem Dafoe), with both his life and career on the line. ~ Don Kaye, All Movie Guide

Author Daniel Dafoe's timeless novel gets the small screen treatment in this television series following a young traveler who winds up shipwrecked on a secluded tropical island for twenty-eight years. Robinson Crusoe left his one true love behind in order to seek out adventure on the open seas, though his travels were cut short when he became hopelessly shipwrecked. His former life drifting further away with each passing day, Crusoe clings to sanity by dreaming of the day he will be reunited with his beautiful wife, and confiding in his new best friend Friday. As the days stretch into months, Crusoe and his new companion must brave the elements while standing their ground against formidable foes and violent marauders. ~ Jason Buchanan, All Movie Guide

It is 1620, and the young King of Spain (Gabino Diego) is technically a married man, because the great churchmen have conducted a grand public wedding ceremony joining him with a wife. However, as the real rulers of the state, they have perversely kept him completely innocent in matters of sex, so that his marriage remains unconsummated. One day, one of the king's few friends sees to it that he gets to spend a little time with a high-class prostitute (Laura del Sol). In fact, she's so high class that she's the favorite whore for the Grand Inquisitor himself. After the king's initiation into the joys of the female body, he publicly declares his desire to see his queen naked, which scandalizes his prudish and very hypocritical court. The Inquisitor (Fernando Fernan Gomez), when he learns of the boy's meeting with the prostitute, issues two conflicting instructions to two different aides. He sends one to have her arrested and another to warn her to go into hiding. That kind of convoluted behavior is the norm in this humorous historical drama. One of the controversies the court entertains itself with is whether or not the king committed adultery with the prostitute, since it could be alleged that he wasn't quite completely married at the time, according to the legal and theological conventions of the time. ~ Clarke Fountain, All Movie Guide

The always innovative Taviani Brothers pay homage to another unique filmmaker, D. W. Griffith, in Good Morning, Babylon. Vincent Spano and Joaquim de Almeida star as Nicola and Andrea Bonnano, the latest in a long line of Tuscany-born cathedral builders. Emigrating to America, the brothers settle in Los Angeles in 1915, even as director Griffith (Charles Dance) is preparing his epic production Intolerance. The boys are hired to help construct the massive sets for the film's Babylonian sequence (hence the title), for no other reason than the fact that Griffith is impressed by Italian craftsmanship. As the film progresses, Nicola and Andrea assimilate to their new surroundings, even launching a romance with a pair of pretty movie extras. On the verge of continuing the family tradition, the boys' ambitions are cut short by events well beyond their control. Still, their past artistic accomplishments, like those of their forebears, survive the ages -- but only on the ethereal silver screen. ~ Hal Erickson, All Movie Guide