Ayllene Gibbons Movies

This unappealing suspense film stars Ronald Foster and Erika Peters as a couple who arrive at a decrepit old mansion only to find that the previous occupants -- a group of circus freaks -- have yet to vacate the premises. Worse, it seems that the mischievous tenants are quite adamant about defending their territory against all outsiders while waiting for their keeper to return, and their methods of dissuading unwanted guests apparently include murder. This is a passable spook-house exercise, with lots of severed limbs flung at the hapless protagonists and and a silly cop-out ending, but the use of actual circus freaks as the villains (probably a cost-saving measure for the filmmakers) is more than a little disconcerting. The circus giant is played by a young Richard Kiel. ~ Cavett Binion, All Movie Guide

The satire in Evelyn Waugh's darkly comic novel The Loved One was originally double-edged. The book was not only an attack on the Southern California funeral industry but also a lampoon of Hollywood's "British colony," those clannish, cricket-playing English actors of years gone by who bemoaned the artificiality of Tinseltown while eagerly accepting the demeaning and insignificant movie roles they were offered. The film version of The Loved One, anxious to live up to its ad-campaign promise of containing "something to offend everybody," downplays the British-colony business (save for the presence of the magnificent Robert Morley) and pumps up the "death" gags. Innocent British poet Dennis Barlow (Robert Morse) falls in love with funeral-home cosmetician Aimee Thanatogenos (Anjanette Comer), who in turn is loved by prissy funeral director Mr. Joyboy (Rod Steiger). The latter lives with his obese mother (Ayllene Gibbons), whose eating sequence is far more hilarious (and more tasteless) than many of the film's calculatedly "black" jokes. A huge guest-star cast is headed by Jonathan Winters in a dual role as a funeral home manager and his covetous twin brother, who operates an elaborate pet cemetery. Musician Paul Williams is also on hand as a 13-year-old aeronautics genius who develops a method of sending corpses into "eternal orbit" (a plot device that Waugh neglected to include in his novel). Film historian William K. Everson has commented that The Loved One is one of the best and most underrated comedies of the 1960s. For others, especially those who might feel guilty chuckling at the sight of Anjanette Comer committing suicide with an embalming needle, it's purely a matter of taste...or lack of same. ~ Hal Erickson, All Movie Guide

This exploitation crime drama offers a fictionalized account of John Dillinger just before he became known as one of the most ruthless mobsters of the 1930s. The tale begins as Dillinger and his girlfriend try to rob her daddy's safe and get caught red-handed. Dillinger takes the fall and goes to the joint where he encounters some of America's most infamous gangsters including Pretty Boy Floyd and Baby Face Nelson. Dillinger helps them all escape and together they become some of the most fearsome criminals ever. Because he is considered Public Enemy No. 1, Dillinger decides to undergo a total face transformation. Following the operation, he kills the surgeon, who was trying to force himself on Dillinger's moll. Later, he wrongs her and this ultimately leads to tragedy for him and for her. Keep an eye out for background people dressed in 1960s clothing, quite an anomaly for a film set in the '30s. ~ Sandra Brennan, All Movie Guide

Sean Connery attempted to make a clean break from his "James Bond" image in the boisterous comedy A Fine Madness. Connery plays Samson Shillitoe, a Brendan Behan-like poet with a mile-wide misogynistic streak. Try as he might to complete his latest masterpiece, Shillitoe is constantly interrupted by the women in his life. Driven to a nervous breakdown, he seeks help from the medical establishment -- and ends up a babbling shell of his former self. The film takes scattered potshots at a repressive society that forces the truly creative among us into near-madness; at times, it is sidesplittingly funny, though never quite as potent as the Elliot Baker novel upon which it is based. Sean Connery is brilliant, but the public wanted James Bond to behave himself, thus the film didn't do as well at the box office as it should have. ~ Hal Erickson, All Movie Guide

This light western comedy finds the lovely widow Laura Breckenridge (Angie Dickenson) offering a $20,000 reward for the return of some gold her late husband had stolen from the Denver mint. She seduces the virginal Sam (Burt Reynolds) into leading a team to retrieve the gold, now lying at the bottom of the Platte River. With the help of local blacksmith Jedidiah Hooker (Ossie Davis) and the inventor O.W. Bandy (Clint Walker), the trio agrees to go for the gold in order to receive the reward and restore the good name to the Breckenridge family. Meanwhile, the villains (Rick Davis and Del Reeves) trail the heroes in hopes of grabbing the gold for themselves. The good guys must break into the mint to put back the money, but they need to fool the wary watchman and superintendent (William Shallert). ~ Dan Pavlides, All Movie Guide