Jim Drum Movies
In this spooky horror movie, a crazed doctor is able to transform a man into a giant cobra. ~ Sandra Brennan, All Movie Guide
- 1967
Two escaped killers, Carter (John Saxon) and Bains (Don Stroud), burst into Ironside's office apartment, holding the Chief (Raymond Burr) and his policewoman assistant Eve (Barbara Anderson). The captives' only hope for survival rests with Ironside, who agrees to help the desperate fugitives formulate a foolproof escape plan. This nailbiting episode takes place entirely within the walls of Ironside's police-building headquarters (hence its title). ~ Hal Erickson, All Movie Guide
- 1966
Sleazy George Emory (Ted DeCorsia) presents retired general Roger Brandon with an offer he may not be able to refuse: Unless Brandon steps down as head of an anti-crime commission, Emory will make public several compromising photographs of Brandon's wife Laura (Bettye Ackerman). Much to Emory's surprise, Brandon calls his bluff--only to be rewarded for his courageous stand when he is framed for Emory's murder. Perry Mason (Raymond Burr) must save Brandon from execution without exposing Mrs. Brandon to public humiliation...a tricky proposition indeed. ~ Hal Erickson, All Movie Guide
- 1963
Since her husband Felton (Michael Conrad) always seems to be out of town on business, nervous Nell Grimes (Jackie Loughery) asks her best friend, door-to-door salesperson Gwynn Ellison (Pippa Scott), to temporarily move in with her--which Gwynn does, despite the fact that she hates Felton with a passion. Not long afterward, Gwynn accidentally discovers that Felton is leading a double life as "Frank Gillette", complete with a second wife!. In a rage, she concocts a scheme to bump off Felton, but someone else kills him first. In his efforts to clear Gwynn of a murder charge, Perry Mason (Raymond Burr) comes upon several other "respectable" gentlemen who are carrying on double lives as well. This episode is based on a 1961 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide
- 1961
While deep-sea fishing with his colleague Paul Drake (William Hopper), Perry (Raymond Burr) receives word from his old friend Scott Cahill (Jeff York) that the Coast Guard has boarded Cahill's vessel looking for stolen gold bullion. Unfortunately, the officials not only find the gold, but also the body of Cahill's alleged partner Karl Magovern (Arch Johnson). This is the episode in which Perry inveigles his "friendly enemy" Hamilton Burger (William Talman) to take a crucial voyage on a Coast Guard cutter. ~ Hal Erickson, All Movie Guide
- 1961
Future film superstar James Coburn appears as slimy entrepreneur Donald Fletcher, who purchases a highly respected publishing house and converts its output to slezy tabloids and nudie magazines. Unable to legally prevent Fletcher from inflicting further damage, editor Edmond Aitken (Philip Abbott), whose family once owned the publishing firm, may be driven to desperation. Ultimately, Fletcher is murdered--but it is Aitken's wife Alyce (Sara Shane), rather than her husband, who is charged with the crime because she was being blackmailed by Fletcher with nude photos taken during her modelling career. Perry Mason (Raymond Burr) prepares to clear Alyce and ferret out the genuine culprit. ~ Hal Erickson, All Movie Guide
- 1960
This effective gangster film on the notorious New York mobster Jack "Legs" Diamond is interspersed with moments of comic relief and was released just a few months after The Purple Gang shot their way across the silver screens in the U.S. Ironically, that gang and Diamond met their ends in the same year, 1931, and their rise was largely due to Prohibition. "Legsie" (Ray Danton) gets his name because he was a dancer, but he gets his reputation because he double-crosses anyone. He is a psychopath who works his way up the body count to the top of his own network of rackets. Along the way he meets and marries his wife Alice Schiffer (Karen Steele) and survives three attempts on his life that send him to the hospital each time. His reputation for "invulnerability," the inability of the police to touch him, gangsters who kill each other off, the racketeering with union bosses, and the hijacking of liquor shipments are all elements found in this film and The Purple Gang as well. Watch for a young Dyan Cannon in a bit part as Dixie, back when her first name was spelled like everyone else spells Diane. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ray Danton, Karen Steele, (more)
- 1951
- NR
Robert Ryan plays Jim Wilson, a tough police detective embittered by years of dealing with low-life urban scum, in Nicholas Ray's moving film noir. After severely beating several suspects, Jim is assigned to a case far from the city to find the killer of a young girl. Joining the manhunt, in snow-covered terrain, Wilson finds himself paired with the victim's father, Walter Brent (Ward Bond), who plans to shoot the killer himself. When the two men come upon a cabin occupied by Mary Malden (Ida Lupino), a blind woman who is also the killer's sister, Wilson's life is changed forever. Mary, a generous and loving person who has cared for her mentally ill brother Danny (Sumner Williams) since the death of their parents, convinces Wilson to protect Danny from Brent. Wilson also promises to get help for Danny if he surrenders to him. Inspired by Mary's courage and recognizing Brent's rage as the mirror image of his own, Wilson gains the insight to free himself from his own blindness. The film includes a memorable score by Alfred Hitchcock favorite Bernard Herrmann. ~ Steve Press, All Movie Guide
- Starring:
- Ida Lupino, Robert Ryan, (more)
- 1950
Louis Calhern repeats his Broadway role as Chief Justice Oliver Wendell Holmes in this 1950 cinemazation of Emmet Lavery's stage play The Magnificent Yankee. The film is for the most part confined to the Holmes home in Washington, where the good gray judge parries affectionately with his level-headed wife Fanny (Ann Harding). A steady stream of historical personages parade through the Holmes manse, including jurist Louis Brandeis (Eduard Franz) and novelist Owen Wister (Philip Ober). The death of his wife devastates Holmes, but only briefly; he ends up serving his country for nearly forty years. The British title of Magnificent Yankee was The Man With Thirty Sons, a somewhat misleading reference to the Harvard Law graduates whom Oliver Wendell Holmes sponsored. Also available on videocassette is a 1965 TV production of Magnificent Yankee, starring Alfred Lunt and Lynn Fontanne. ~ Hal Erickson, All Movie Guide
- Starring:
- Louis Calhern, Ann Harding, (more)
- 1950
This "Joe Palooka" entry concentrates on Joe's porcine pal Humphrey Pennyworth (played by Robert Coogan, the brother of former child star Jackie Coogan). When soft-hearted pugilist Joe Palooka (Joe Kirkwood Jr.) arrives for a bout in Humphrey's home town, everyone gets sucked into a crooked scheme concocted by duplicitous town mayor Phiffeney (Jack Kirkwood). Nothing is meant to be taken seriously in this one, as indicated by the film's climax, which degenerates into an old-fashioned pie fight. As usual, top billing in Humphrey Takes a Chance is bestowed upon Leon Errol as Joe Palooka's dyspeptic manager Knobby Walsh. Joe's girlfriend Anne Howe is played by Lois Collier, the latest in a long line of actresses to essay this role. Also released as Joe Palooka in Humphrey Takes a Chance, the film was inspired by the "Joe Palooka" comic strip by Ham Fisher. ~ Hal Erickson, All Movie Guide
- Starring:
- Leon Errol, Joe Kirkwood, Jr., (more)
- 1949
Eliot Ness may have gotten lots of publicity (especially long after the fact) for breaking the Capone mob, but as Joseph H. Lewis' The Undercover Man reminds us, it was the accountants and the numbers-crunchers that brought down Capone and his mob. Frank Warren (Glenn Ford) started out as an accountant, but now serves as an investigator for the Treasury Department. His job has frequently required him to go undercover, masquerading as a criminal to get the goods on the top-level tax-law violators that his unit targets. But now his assignment is to gather evidence on the operations of the nation's number-one crime boss and get proof of the income that he and his lieutenants are not declaring, and this proves not only frustrating but dangerous. Potential stoolies are murdered and witnesses intimidated, and when one otherwise "respectable" lawyer (Barry Kelley) starts mentioning Warren's wife (Nina Foch) in casual conversation, he takes the hint. He's ready to quit until the mother (Esther Minciotti) of a witness-turned-victim tells him about what life was like in Italy under the Black Hand, and why she came to America to raise her sons. Warren and his men (James Whitmore, David Wolfe) make one last attempt to get the proof they need, tracing signatures and handwriting to get evidence implicating a small man in the operation, using it to turn him and going for bigger fish. Finally, even the shyster lawyer who has been dogging Warren every step of the way ends up in the sights of the feds, and the mob turns its attention to getting rid of this new "liability" and taking care of Warren as well. ~ Bruce Eder, All Movie Guide
- Starring:
- Glenn Ford, Nina Foch, (more)
- 1949
An unusually disturbing noir from a director better known for more mainstream fare like High Noon and From Here to Eternity, Act of Violence focuses on a WWII veteran haunted by his past. A film that was close to the director's heart, he said that it represented "the first time that I felt confident that I knew what I was doing and why I was doing it." Van Heflin stars as Frank Enley, a contractor living a peaceful life in a small California town, when Joe Parkson, a man who served in the army with him, arrives in the area, intent on killing him. He follows Frank to a lake where he's fishing but is unable to kill him. When a lakeside bartender tells Frank that a man with a limp is looking for him, Frank is frightened, realizing why he has come. He tells his wife, Edith (Janet Leigh), that Joe is a man who spent time with in a Nazi POW camp, who is now mentally ill, and that he intends to avoid him. When Frank goes to Los Angeles for a business convention, Joe arrives at his house and tells his wife that her husband is responsible for his injury and for the deaths of a number of men. Fearing for her husband's life, Edith heads for L.A. with Joe not far behind. ~ Michael Costello, All Movie Guide
- Starring:
- Van Heflin, Robert Ryan, (more)
- 1948
On a trip from France to Allied-occupied Berlin, a group of travelers -- a mysterious and very secretive European woman (Merle Oberon), an American agricultural expert (Robert Ryan), a British educator (Robert Coote), a Soviet Army officer (Roman Toporow), and a French official (Charles Korvin) -- all cross paths in the cramped quarters of a military train. They discover that the notion of the "Allied forces" is breaking down amid their victory in the war; they neither like nor trust each other, nor each other's countries, except where the Germans are concerned, where they share a distrust. And then they cross paths with a German VIP who makes them wonder if they've got all of the Germans pegged right. A bomb goes off, killing their newfound acquaintance, and the suspicions start anew. The mystery surrounding the victim only deepens when they discover that he wasn't who he claimed to be -- and that the army isn't saying who he was. Ryan, Oberon, et al. soon find themselves up to their necks in unrepentant Nazis and militant German nationalists who have banded together against the occupiers to destroy any chance of success for a peace plan being put forward by a visionary German (Paul Lukas). They find Frankfurt a hotbed of sabotage and armed underground resistance, with the occupying armies seemingly caught flat-footed by the plotting in their midst, which includes murder and blackmail. Berlin Express is a spellbinding mix of action, suspense, and topical political intrigue, laced with idealism and a surprising degree of sophistication, a level a wit almost worthy of Graham Greene, and an eye for suspense worthy of Hitchcock. Indeed, the film could almost be considered director Jacques Tourneur's postwar equivalent to Hitchcock's Foreign Correspondent (1940). It also represents a fascinating cultural snapshot, depicting the very last moments of hope for peaceful relations with the Soviets that could be seen in American movies for decades. ~ Bruce Eder, All Movie Guide
- Starring:
- Merle Oberon, Robert Ryan, (more)
John Garfield, in the best performance of his career, portrays Joe Morse, an ambitious attorney who has long since abandoned his scruples in favor of monetary reward. Morse now represents the interests of crime boss Ben Tucker (Roy Roberts), who plans to take over the numbers racket in New York. Morse has devised a way of doing this legally and above-board, with no violence: Tucker's people will bring about the collapse of the illegal numbers racket in the city, using a race track-betting scam that will bankrupt the small-time underworld numbers banks; an investigation will ensue, along with a call for a legal numbers operation in the form of a lottery, which Tucker will control through Morse's machinations. The whole plan hinges on Morse's estranged brother, Leo (Thomas Gomez), a small-time numbers banker who is to be shielded from the collapse, and who will serve as the "legitimate" front for Tucker. Leo is the flaw in the plan, however, because not only can't he stand the sight of Joe, but he is also too honest to participate in the plan -- he doesn't want his employees, all decent people just looking to earn a living, forced into the employ of real gangsters. Joe orchestrates a series of police raids that force Leo into his corner, and Joe's plan seems to be working out, but then the whole enterprise is threatened when a rival mob, run by Tucker's former Prohibition-era partner, Fico (Paul Fix), starts pressuring Leo, trying to get to Joe and Tucker. Fico and his men aren't any different from Tucker's mob, except that they're prepared to start shooting sooner to get what they want. Tucker decides to hang tough and expects everyone, including Leo, to do the same, even when Fico starts sending thugs around to frighten everyone. Soon Joe is beset by problems on three fronts -- he wants his brother out of Tucker's combination and safe; he is trying to romance Leo's bookkeeper (Beatrice Pearson), who is too nice a girl for who he is; and his own well-being is threatened by both Fico and Tucker, and a state investigator who has already tapped the phone of Joe's otherwise respectable partner. All of these threads are pulled together in the final section of the film, which is as violent and disturbing, yet poetic and graceful a resolution as any crime film of the 1940s ever delivered. Force of Evil was star-crossed almost from the start, as many of the people involved, including star John Garfield and director Abraham Polonsky (a writer making his debut behind the camera, with help from assistant director Don Weis in doing the camera set-ups and blocking), were suspect at the time for their leftist political views. Indeed, the company that made Force of Evil, Enterprise Productions, was also in trouble for the leftist leanings of its films in the midst of the Red Scare, and went out of business just as the movie was finished -- dropped by United Artists and picked up by MGM, of all studios, Force of Evil made it into theaters during Christmas week of 1948, not the ideal schedule for something as grim (albeit great) as this film was. As it turned out, it was Polonsky's last chance to direct for more than 20 years, and Garfield's last completely successful film. And a movie that should have been a triumph for all concerned ended up a cult favorite. ~ Bruce Eder, All Movie Guide
- Starring:
- John Garfield, Thomas Gomez, (more)
- 1948
A man who dreams of seeing the future discovers the horrible burden that it can carry in this film noir suspense story. Suicidal Jean Courtland (Gail Russell) is prevented from killing herself by her fiancée Elliot Carson (John Lund). When they consult psychic John Triton (Edward G. Robinson), he confesses that he used his powers to bring on her death. Years ago, Triton was a phony mentalist in a vaudeville act, but he began seeing genuine visions of the future, most of which portended tragic results. After a premonition of the death of his wife Jenny (Virginia Bruce) in childbirth, a terrified Triton went into hiding for five years; upon his return, he discovered that his wife had married Whitney (Jerome Cowan) shortly after John was declared dead...and she died giving birth. Years later, Jenny's child grew up to be Jean Courtland, and when Triton receives a vision of Whitney's death in a plane wreck, he rushes to California in hopes of stopping fate. However, he's foreseen a tragic future for both Jean and Whitney and is afraid of the agony that awaits them. The Night Has a Thousand Eyes was adapted from a novel by Cornell Woolrich. ~ Mark Deming, All Movie Guide
- Starring:
- Edward G. Robinson, Gail Russell, (more)
- 1948
Based upon a story by William Mercer, The Velvet Touch stars Rosalind Russell as Valerie Stanton, a celebrated Broadway actress whose latest smash comedy is coming to the end of its successful run. The play's producer, Gordon Dunning, has produced all of Stanton's hits for the last decade, and takes credit for making her the star she is today. He is therefore upset when she informs him that she wishes to make a break with him by both marrying Michael Morrell, a renowned architect, and by taking a stab at one of the classic roles -- namely Hedda Gabler -- under the auspices of another producer. Dunning has no intention of letting her move forward with her plans, and he tells her that if she refuses to continue working with him in light, profitable comedies, he will reveal unflattering information about her to Morrell. Frightened that this will destroy her relationship, Stanton picks up a statue from Dunning's desk and delivers a fatal blow. Fortunately, because she is wearing her trademark long black gloves, there are no fingerprints, and Stanton creates a plausible alibi. Suspicion therefore shifts to Marian Webster, a rival of Stanton's who finds the body and was once romantically involved with Dunning. Stanton seems to have gotten away with murder -- but can she avoid making any mistakes as police captain Danbury proceeds with the investigation? ~ Craig Butler, All Movie Guide
- Starring:
- Rosalind Russell, Leo Genn, (more)
- 1947
Former army pilot Robert Taylor is accused, on the basis of strong circumstantial evidence, of his wife's murder. Suffering from periodic blackouts, Taylor isn't so certain of his innocence himself. When offered a brain operation, Taylor refuses, knowing that if he is proven sane he will be executed for murder. Instead, he opts for confinement in a high-walled veteran's mental institution. A compassionate lady doctor (Audrey Totter) falls in love with Taylor, convincing him to have the operation. Even after emerging from the ether, Taylor cannot remember any of the details concerning his wife's death--but he does recall that the dead woman had recently taken a job with a publisher (Herbert Marshall) of religious books. While the killer's identity is tipped off by this revelation, the audience is never certain that Robert Taylor isn't a murderer--especially since he'd previously appeared as a homicidal maniac in the 1946 film Undercurrent. The best moment in High Wall is the casual disposal of the sole witness to the murder, via a long, dark elevator shaft. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Audrey Totter, (more)
