Natalie Draper Movies
- 1947
They said it couldn't be done, but they did it: Kathleen Winsor's "notorious", bestselling bodice-ripper Forever Amber actually made it to the screen in 1947 with full censorial approval. Of course, it was necessary to tone down the more erotic passages of Winsor's novel, but the end result pleased fans of the book and bluenosed nonfans alike. A last-minute replacement for British import Peggy Cummins, Linda Darnell steps into the role of 17th century blonde bed-hopper Amber as though she'd been born to play it. Feeling suppressed by her Puritan upbringing, Amber heads to London, finding considerable success as a courtesan (that's the polite word for it). The first real love of her life is dashing soldier Bruce Carlton, who leaves her pregnant and penniless when he marches off to war. Subsequent amours include the sadistic Earl of Radcliffe (a superbly loathsome performance by comic actor Richard Haydn), handsome highwayman Black Jack Mallard (John Russell) and privateer Captain Rex Morgan (Glenn Langan). Surviving the Plague and the Great London Fire with nary a hair out of place, Amber ends up in the arms of no less than King Charles II (wittily portrayed by George Sanders), but true love, as personified by Bruce Carlton, will always elude her. Taking no chances, 20th Century-Fox sent out Forever Amber with a spoken prologue, heard over the opening credits, which explained that the film in no way endorsed its heroine's libertine behavior, and that she would be amply punished for her sins before fadeout time (that prologue has thankfully been removed from current prints). A model of restraint by today's standards, Forever Amber was sufficiently titillating in 1947 to post an enormous profit, far in excess of its $4 million budget. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Ball, Linda Darnell, (more)
The presence of William Powell as legendary showman Flo Ziegfeld at the beginning of Ziegfeld Follies might lead an impressionable viewer from thinking that this 1946 film is a Technicolor sequel to the 1936 Oscar-winning The Great Ziegfeld. Not so: this is more in the line of an all-star revue, much like such early talkies as Hollywood Revue of 1929 and Paramount on Parade. We meet a grayed, immaculately garbed Ziegfeld in Paradise (his daily diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive. Evidently Ziegfeld's shade has something of a celestial conduit to Metro-Goldwyn-Mayer studios, since his "dream" show is populated almost exclusively by MGM stars. Vincente Minnelli is given sole directorial credit at the beginning of the film, though many of the individual "acts" were helmed by other hands. The Bunin puppets offer a tableau depicting anxious theatregoers piling into a Broadway theatre, as well as caricatures of Ziegfeld's greatest stars. The opening number, "Meet the Ladies", spotlights a whip-wielding (!) Lucille Ball, a bevy of chorus girls dressed as panthers, and, briefly, Margaret O'Brien. Kathryn Grayson and "The Ziegfeld Girls" perform "There's Beauty Everywhere." Victor Moore and Edward Arnold show up in an impressionistically staged adaptation of the comedy chestnut "Pay the Two Dollars". Fred Astaire and Lucille Bremer (a teaming which evidently held high hopes for MGM) dance to the tune of "This Heart is Mine." "Number Please" features Keenan Wynn in an appallingly unfunny rendition of an old comedy sketch (performed far better as "Alexander 2222" in Abbott and Costello's Who Done It?) Lena Horne, strategically placed in the film at a juncture that could be edited out in certain racist communities, sings "Love". Red Skelton stars in the film's comedy highlight, "When Television Comes"-which is actually Skelton's classic "Guzzler's Gin" routine (this sequence was filmed late in 1944, just before Red's entry into the armed services). Astaire and Bremer return for a lively rendition of "Limehouse Blues". Judy Garland, lampooning every Hollywood glamour queen known to man, stops the show with "The Interview". Even better is the the historical one-time-only teaming of Fred Astaire and Gene Kelly in "The Babbitt and the Bromide". The excellence of these sequence compensate for the mediocrity of "The Sweepstakes Ticket", wherein Fanny Brice screams her way through a dull comedy sketch with Hume Cronyn (originally removed from the US prints of Ziegfeld Follies, this sequence was restored for television). Excised from the final release print (pared down to 110 minutes, from a monumental 273 minutes!) was Judy Garland's rendition of "Liza", a duet featuring Garland and Mickey Rooney, and a "Baby Snooks" sketch featuring Fanny Brice, Hanley Stafford and B. S. Pully. A troubled and attenuated production, Ziegfeld Follies proved worth the effort when the film rang up a $2 million profit. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred Astaire, Lucille Ball, (more)
The Picture of Dorian Gray was writer/director Albert E. Lewin's fascinating follow-up to his expressive-esoterica masterpiece The Moon and Sixpence. Hurd Hatfield essays the title character, a London aristocrat who would sell his soul to remain handsome and young--and, in a manner of speaking, he does just that. Under the influence of his decadent (albeit witty) friend Lord Henry Wotton (George Sanders), Dorian Gray becomes the embodiment of virtually every sin known to man. The greatest of his sins is vanity: Gray commissions artist Basil Hallward (Lowell Gilmore) to paint his portrait. Admiring his own painted countenance, Gray silently makes a demonic pact. The years pass: everyone grows older but Gray, who seemingly gets younger and more good-looking every day. Hallward eventually stumbles upon the secret of Dorian's eternal youth: he finds his painting hidden in the attic, the portrait's face grown grotesquely aged and disfigured. Gray kills Hallward so that his secret will remain safe. Later on, Gray falls in love with Hallward's niece Gladys (Donna Reed). Certain that Gray is responsible for Hallward's death, Gladys' ex-boyfriend David Stone (Peter Lawford) sets out to prove it. He is joined in this mission by the brother of dance hall performer Sybil Vane (Angela Lansbury), who killed herself after Gray betrayed her. Essentially a black and white film, Picture of Dorian Gray bursts into Technicolor whenever the picture is shown in close-up. ~ Hal Erickson, All Movie Guide
- Starring:
- George Sanders, Hurd Hatfield, (more)
- 1944
MGM's musical extravaganza Meet the People top-bills two future powerful TV executives: Dick Powell and Lucille Ball. Ball plays a popular but stuck-up Broadway star who leaves the bright lights to become a welder in a shipyard. Here she meets and falls in love with coworker Powell. This being a wartime musical, the plotline is periodically abandoned for the guest-star turns of the likes of Virginia O'Brien, Bert Lahr, Spike Jones and His City Slickers, Vaughn Monroe, and Mata and Hari. Buried beneath this cornucopia of corn is a stage play by Louis Lantz, upon which Meet the People was supposedly based. (Note: some sources mistakenly list Edward Dmytrk as the director of this film). ~ Hal Erickson, All Movie Guide
- Starring:
- Lucille Ball, Dick Powell, (more)
- 1944
MGM intended Rationing to be an object lesson as well as a comedy, to teach the moviegoers the importance of rationing products during World War II. Wallace Beery plays a small town butcher who comes under fire from the local citizens for attempting to honor the ration system. Beery finds himself swamped in a sea of government red tape, and at times is tempted to sidestep the law, but at the end he does his patriotic duty. Like Laurel and Hardy's MGM feature Air Raid Wardens (43), Rationing tends to sacrifice laughs to get its message across. The Beery film has the added handicap of running about twenty minutes too long. ~ Hal Erickson, All Movie Guide
- Starring:
- Wallace Beery, Marjorie Main, (more)
- 1943
Hoping to achieve a brilliant career as a violinist, Julia Seabrook (Ann Sothern) divorces her husband Jeff (Melvyn Douglas), feeling as though he's holding her back. But Jeff is still in love with Julia, and he's willing to move Heaven and Earth to get her back. Meanwhile, David Torrance (Lee Bowman) and Philip Barrows (Richard Ainley) also ardently pursue the mercurial Julia. And that's about all the plot there is in this wafer-thin MGM formula picture. The stars go through the same paces they've gone through in countless earlier films, filling the requisite 89 minutes with sheer personality and little else. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Melvyn Douglas, (more)
- 1943
Hitler's Madman is based on an all-too-real wartime atrocity. John Carradine portrays Heydrich, the vicious SS officer put in charge of Nazi-occupied Czechoslovakia. Heydrich is killed by the Czech underground, prompting the Nazis to plan a horrible retaliation. The Gestapo selects the Czech village of Lidice for annihilation: They kill all the male villagers, throw the women and children into concentration camps, and torch Lidice into nonexistence. The victims of Nazi tyranny become martyrs to the underground cause, ending the film on a note of triumph. Based on a narrative poem by Edna St. Vincent Millay, Hitler's Madman was produced by the "poverty row" PRC studio, but was sold to MGM and given a class-A presentation at choice theatres throughout the U.S. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Morison, John Carradine, (more)
The racy, ribald Cole Porter musical Du Barry Was a Lady is here given a thorough dry-cleaning by prudish MGM. Richard "Red" Skelton takes over the role of Louis Blore (played on Broadway by Bert Lahr), while Lucille Ball steps into the shoes of the original play's Ethel Merman. The story proposes that Blore is a men's room attendant in a New York nightclub who has a yen for gorgeous showgirl May Daly (Lucille Ball). After drinking a potent mixture, Louis dreams that he is King Louis XV of France, and May is the magnificent Madame Du Barry. Also showing up in Louis' dream is Alex Howe (Gene Kelly), who in "real life" is the guy who ends up with May at fade out-time. It's hard to determine what's more fun to watch in Du Barry Was a Lady: the three stars, the antics of supporting player Zero Mostel, or the incredible sequence in which Tommy Dorsey & His Band -- including drummer Buddy Rich -- perform in 18th century garb and powdered wigs. Five of the original Cole Porter songs are retained for this Technicolor-ful film: "Katie Went to Haiti," "Do I Love You, Do I?," "Well, Did You Evah?," "Taliostro's Dance,", and, best of all, "Friendship." ~ Hal Erickson, All Movie Guide
- Starring:
- Red Skelton, Lucille Ball, (more)
- 1943
This second film version of the George and Ira Gershwin's Broadway hit Girl Crazy stars reigning MGM musical prince and princess Mickey Rooney and Judy Garland. The 1932 version of Girl Crazy de-emphasized the main plot, building up the comic subplot involving a timorous temporary sheriff and a city slicker con man -- the better to accommodate that film's stars, Bert Wheeler and Robert Woolsey. The 1943 remake does without the comic relief, concentrating on Rooney, a teenaged playboy who is sent to a Western mining school by his father (Henry O'Neill), in the hopes that the Rooney will forsake his wastrel ways. Judy Garland is cast in the role originated on stage by Ginger Rogers: the feisty, lovelorn frontier postmistress Ginger Gray, who falls in love with the hero -- the difference being that Garland has been promoted from postmistress to the daughter of mining-school dean Phineas Armour (Guy Kibbee). The new plot involves a contest for rodeo queen, pitting Ginger against Marjorie Tait (Frances Rafferty), who is also her rival for Rooney's affections. The contest serves a double purpose: Rooney is hoping that the publicity engendered by the rivalry will attract students to the failing school, proof positive that for all of his bravado, he's a swell, altruistic guy underneath. These plot complications are merely prologue for a gargantuan musical finale built upon the Gershwin standard "I Got Rhythm," staged by the film's original director, Busby Berkeley. Other musical carryovers from the stage play include "Embraceable You," "Bidin' My Time," and "But Not for Me." Featured in the cast are June Allyson, Rags Ragland, and the Tommy Dorsey Band. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rooney, Judy Garland, (more)
- 1943
Storywise, Thousands Cheer is thin stuff indeed. Insouciant PFC Eddy Marsh (Gene Kelly) wants to put on a Big Show for his fellow serviceman. Along the way, Eddy falls in love with Kathryn Jones (Kathryn Grayson), the daughter of Colonel William Jones (John Boles). End of story. The principal selling angle of Thousands Cheer is the presence in the cast of virtually every musical talent on the MGM payroll: Mickey Rooney, Judy Garland, Red Skelton, Eleanor Powell, Jose Iturbi, the Kay Kyser Orchestra, Bob Crosby and his Bobcats, the Benny Carter band, Ann Sothern, Lucille Ball, June Allyson, Gloria DeHaven?..the list goes on and on and on. Since Thousands Cheer was designed as a patriotic wartime morale-booster, it is indeed ironic that the film was written by Paul Jarrico and Richard Collins, both of whom would be blacklisted during the Red-baiting 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rooney, Kathryn Grayson, (more)
