George Dockstader Movies

Clint Eastwood's first comedy feature proved to be one of his most profitable vehicles. Eastwood plays Philo Beddoe, a bare-knuckle boxer who travels from fight to fight in a beat-up truck, accompanied by his "pal" Clyde, a orangutan with a mean right hook, and his human buddy Orville (Geoffrey Lewis). During a stopover, Philo meets and falls in love with would-be country & western singer Lynn Halsey-Taylor (Sondra Locke). After a while, she wants to break off the relationship, but he doesn't -- a shaky plot peg upon which to hang several reels' worth of zany car chases and confrontations with such opponents as a gang of bikers and a battalion of hostile lawmen. Adding to the fun is Ruth Gordon as Eastwood's don't-mess-with-me octogenarian mother, and Beverly D'Angelo as an ace sharpshooter. The enormous box-office success of Every Which Way But Loose yielded an equally wacky -- and equally lucrative -- sequel, Any Which Way You Can. ~ Hal Erickson, All Movie Guide

The story of America's most notorious gangster mother is chronicled in this crime drama. The tale starts in Oklahoma during the Depression. It is she who encourages her sons to become criminals. So sage is her advice, that other infamous mobsters such as Dillinger, and Machine Gun Kelly come to her for advice. She and her outlaw progeny go on the lam until the police finally corner her in her richly appointed Florida hide-out. A bloody shoot-out ensues. ~ Sandra Brennan, All Movie Guide

This goofy cult classic incorporates the most entertaining elements of AIP's drive-in favorites from the '50s and '60s by taking hot-rodding teen gangs and plunking them down in a haunted-house horror scenario, with a sizable splash of beach blanket antics, pajama parties, and plenty of good old Rock & Roll... not to mention some of the lamest attempts at "hip" comic shtick ever committed to film. The story is incidental, but it allows ample opportunity to showcase the aforementioned ingredients, along with appearances by B-movie veteran Russ Bender, AIP musical fave Jimmie Madden, and future real-life hot-rodder "TV" Tommy Ivo. There's even an appearance from the tennis-shoe-sporting She Creature from the film of the same name... but apparently it's a "He Creature" this time, since the filmmakers have removed the monster's humongous armor-plated breasts. Also known as The Haunted Hot-Rod. ~ Cavett Binion, All Movie Guide

Originally double-billed with Rock All Night, Dragstrip Girl is a typical J.D. potboiler from American-International. The title character, played by Fay Spain, is insatiable in her search for new thrills. Fay derives great pleasure in playing her two boyfriends, garage mechanic Steve Terrell and wealthy, arrogant drag-racer John Ashley, against each other. The story comes to a lively conclusion during a winner-take-all race, but not before the viewer is treated to a rip-off of the "Chickie Run" in Rebel Without a Cause. The 1994 entry in Showtime Cable's "Rebel Highway" series titled Dragstrip Girl bears little relationship to the original. ~ Hal Erickson, All Movie Guide

Private Hell 36 was one of the last feature-length efforts by Filmmakers, a company created by producer Collier Young and his then-wife Ida Lupino. Young and Lupino also wrote the script for this grim crime melodrama, wherein two detectives Cal Bruner (Steve Cochran) and Jack Farnham (Howard Duff Lupino's future husband) are assigned to track down $300,000 stolen in a bloody hold-up. The two cops manage to locate $80,000 of the booty, whereupon Bruner, not the most ethical of men, suggests that he and Farnham split the money 50-50 and keep their mouths shut. Also involved in this conspiracy is a nightclub singer (Ida Lupino), whose motivations are a tad on the mysterious side. When Farnham decides to turn honest and hand the money over to his superiors, Bruner responds with the business end of his revolver. The very small cast is rounded out by Dean Jagger as the detectives' boss and Dorothy Malone as Duff's understandably worried wife. ~ Hal Erickson, All Movie Guide

The "regeneration" of blacklisted director Edward Dmytryk was expedited when he was hired by producer Stanley Kramer to helm the location-filmed melodrama The Sniper. In the interests of political expediency, Dmytrk was required to direct Adolphe Menjou, one of the most virulent Red-baiters of the HUAC hearings. Shorn of his trademarked mustache, and with his famous expensive wardrobe replaced by a humdrum business suit, Menjou turns in one of his best performances as a world-weary San Francisco detective assigned to track down a mad sniper. From the beginning, the audience knows that the criminal is psycho Eddie Miller (Arthur Franz), who is possessed of the notion that he must kill every beautiful brunette woman who crosses his path. Some audience sympathy is elicited by Miller's pathetic attempts to rid himself of his obsession, but this never gets in the way of the film's suspense. The excellent supporting cast includes Richard Kiley as a police psychiatrist, Marie Windsor as Miller's first victim, and Mabel Paige as the sniper's snoopy landlady. An unbilled Wally Cox shows up briefly. ~ Hal Erickson, All Movie Guide

Despite its lack of production values and box-office "names," The Jackie Robinson Story is one of the best and most convincing baseball biopics ever filmed. Brooklyn Dodgers second baseman Jackie Robinson plays himself, and quite well indeed. The film traces Robinson's career from his college days, when he excelled as a track star at Pasadena College and as UCLA's All-Sports record holder. Upon his graduation, Robinson tries to get a coaching job, but this is the 1940s, and most doors are closed to black athletes. After serving in the army, Robinson plays with the Negro Baseball League, where his uncanny skills attract the attention of Branch Rickey, general manager of the Brooklyn Dodgers. Anxious to break down the "color line" that exists in major-league baseball, Robinson is chosen in 1946 to play for the Brooklyn farm team in Montreal. In a harrowing sequence, Rickey lets Robinson know what he's in for by bombarding him with insults and racial slurs. The manager is merely testing Robinson's ability to withstand the pressure: he wants a black ballplayer "with guts enough not to fight back." Robinson agrees to ignore all racial epithets for the first two years of his Brooklyn contract. Despite the unabashed hatred to which he is subjected during his year with Montreal, Robinson steadfastly continues to turn the other cheek, and in 1947 he graduates to the Dodgers lineup. After a slow start, Robinson justifies the faith put in him by Rickey. The Dodgers win the pennant race, and slowly but surely the ban on black players vanishes in the Big Leagues. Though a model of restraint by 1990s standards, The Jackie Robinson Story is surprisingly frank in its detailing of the racial tensions of its own era. It falters only in a couple of silly vignettes involving comic-relief ballplayer Ben Lessey. The cast is uniformly fine, including Louise Beavers as Robinson's mother, Ruby Dee as his wife Rae (Dee would later play Robinson's mother in the 1990 TV movie The Court-Martial of Jackie Robinson), Joel Fluellen as his brother Mac, Minor Watson as Branch Rickey, and best of all, Richard Lane as Montreal manager Clay Hopper. ~ Hal Erickson, All Movie Guide

A blend of melodrama and film noir, The Reckless Moment stars Joan Bennett as Lucia Harper, a suburban housewife whose husband is away on business. Her daughter, Bea (Geraldine Brooks), an aspiring artist, has fallen for Ted Darby (Shepperd Strudwick), a shady older man from Los Angeles who claims to be an ex-art dealer. One night, after a secret rendezvous in the Harpers' boathouse that turns into an argument, Bea accidentally kills Darby. When Lucia discovers his body in the morning, she panics and dumps it in the lagoon instead of contacting the police, who would surely charge her daughter with murder. Her problems only increase when a suave Irish gangster named Donnelly (James Mason) shows up with a package of love letters from Bea to Darby, and blackmail on his mind. With her husband out of town, Lucia has no choice but to give in to his demands, and brings him along on a desperate quest to raise the money that takes them from bank to loan office to pawn shop. Along the way, Donnelly seems to develop sympathy -- even affection -- for her. When his boss shows up to pressure him into finishing the job, Donnelly's surprising decision sets up the film's startling climax. The Reckless Moment was remade in 2001 by Scott McGehee and David Seigel as The Deep End. ~ Tom Vick, All Movie Guide