John Close Movies

Tom Gregory (Robert Hutton), a Los Angeles-based sports reporter, is flying into L.A. and lands his private plane after a rough descent through some kind of opaque midair disturbance, only to find the airport deserted. He meets Professor Galvin (Robert Burton) and his two daughters, Bonnie (Judee Morton) and Lisa (Susan Hart), who tell him that the city has been overrun by huge, hulking slime-covered subterraneans called Slime People, who appeared out of the sewers and other underground water concentrations. Appearing out of a strange thick fog apparently generated by a device of their own, they've killed hundreds, possibly thousands, panicked the population, fought the army to a standstill, and have now cut off the city with a wall of solidified fog. Gregory doesn't believe them completely, despite the presence of slaughtered corpses on the highways and back roads, until he gets to the television station where he works and screens the news footage. The quartet also makes contact with a young marine, Calvin Johnson (William Boyce), who was cut off from his unit and left for dead by the creatures. They manage to elude the Slime People and try to work out a plan for survival, making contact along the way with Norman Talliver (Les Tremayne), an eccentric writer, who is soon dispatched by the creatures. They discover the Slime People are impervious to harm by bullets or other convention weapons, their skin sealing up any wound instantly, but they can be killed by their own hollow-pointed spears, which don't allow wounds to close. That helps in fighting them off one-on-one, and the professor's reasoning that salt would be effective against slug-like creatures gives them a second weapon against the Slime People. But clearing them all out and freeing the city requires an assault against the creatures' own stronghold, which becomes even more essential when Bonnie is taken prisoner. Gregory and Cal manage to keep the Slime People busy long enough for the professor to destroy their fog-generating device. Overwhelmed by fresh air and sunlight, the Slime People start to collapse dead in their tracks, and the army is soon back in charge, doing what amounts to a literal mopping up operation. ~ Bruce Eder, All Movie Guide

No sooner has Coach Henderson (John Close) delivered a lecture about avoiding horseplay in the locker room than Eddie (Ken Osmond) and Lumpy (Frank Bank) have started a towel fight. Ordering his pals to "cut it out," Wally (Tony Dow) gets a towel in the face -- and when he retaliates, the coach pops in and suspends him from the track team. Incredible though it may seem, Eddie and Lumpy suffer the pangs of conscience for getting Wally in trouble, and both decide to confess that the towel battle was all their fault -- with unexpected results. ~ Hal Erickson, All Movie Guide

While Ben Cartwright nurses his son Adam through a high fever, his thoughts drift back to Adam's late mother, Ben's first wife Elizabeth (Geraldine Brooks. Ben also recalls his seafaring days under the command of Captain Abel Morgan Stoddard (Torin Thatcher), Elizabeth's father. Also in the cast are Berry Kroeger as Mandible, Richard Collier as Otto, Alex Sharpe as Blackmer, and future Mary Tyler Moore Show regular Ted Knight. First seen on May 27, 1961, this classic Bonanza episode was written by Anthony Lawrence. ~ Hal Erickson, All Movie Guide

Wealthy J.J. Gideon (Otto Kruger) disapproves of the romance between his grandson David (Karl Held) and David's secretary Dorine (Patricia Barry). As it happens, Gideon has good reason to be upset: Dorine is a duplicitous golddigger who swindles David out of $10,000, claiming that she needs it to get her husband Tony out of her life. Pretty soon, Tony is out of his own life as well--and David, who was seen fighting with Tony just before the man's death, is charged with murder. Evidently Perry Mason (Raymond Burr) takes quite a shine to David while preparing his defense; during the series' fifth season, David Gideon would return on a semi-regular basis as Perry's new legal assistant. ~ Hal Erickson, All Movie Guide

Although this story of the making of a gangland hoodlum reflects only some of the real history of the Detroit Purple Gang in it, the violence portrayed is completely truthful. The sense of reality here is increased by the use of newsreel footage. Robert Blake is "Honeyboy" Willard, a juvenile delinquent always in trouble for petty thefts and similar deeds. (The actual Purple Gang started that way just before 1920, led by the youthful Bernstein brothers.) Cop Bill Harley (Barry Sullivan) is convinced that Willard's violent side can only be tamed by a stint behind bars. Opposing him is a social worker who wants to use modern methods of therapy to correct the teen's problems. When the social worker is found brutally murdered, the cop knows that Willard is responsible. He decides to stick with the case -- in spite of the fact that the gang eventually has a lot of city and union brass in its pocket. Just as a note, the gang got their name because one citizen commented that they were tainted, like the purple color of bad meat. ~ Eleanor Mannikka, All Movie Guide

En route to his next assignment, Paladin is bushwacked, beaten, and stripped of everything he owns. Upon recovering, he wanders into the ranch owned by the beautiful--and desperately lonely--Maggie O'Bannion (Marion Marshall) and talks himself into a job as all-purpose ranch hand. As the days pass, Paladin realizes that Maggie is being systematically robbed by her crooked foreman, and tries to tell her so. But Maggie seems less interested in the future of her ranch than in her future with the enigmatic Paladin. ~ Hal Erickson, All Movie Guide

In this drama set just after the end of WW II, an American officer falls in love with a German woman. Their blissful affair is disrupted when her German ex-lover returns and begins trying to exact his jealous revenge upon the Yankee. When the jealous shows up dead, the American is blamed. His courageous girl friend then risks all to prove his innocence. ~ Sandra Brennan, All Movie Guide

Mac Hyman's hilarious barracks novel No Time for Sergeants was adapted for TV by Ira Levin in 1955, with newcomer Andy Griffith as bumptious Air Force draftee Will Stockdale. This TV version was soon afterward transformed into a Broadway play, and then a movie, again with Griffith in the lead. Brought to the Air Force base in handcuffs because his farmer father has been hiding his draft notices, good-natured Will becomes the target of ridicule for the other transcripts. Especially nasty is Private Irvin (Murray Hamilton), but Will is able to forgive him because he knows that Irvin is suffering from some mysterious disease called ROTC. Will's best pal is hot-headed private Ben (Nick Adams), who wants to be transferred to the Infantry and convinces Will to try for the same goal. Slowly becoming aware that the trusting, naïve Will may prove to be a troublemaker, career sergeant King (Myron McCormick), who wants nothing more out of life than a little peace and quiet, tries to keep Stockdale out of mischief by appointing him "PLO" -- Permanent Latrine Orderly, a dubious distinction in which Will takes enormous pride. Later on, King tries to pull strings to get Will transferred, succeeding only in losing his sergeant's stripes. The story goes off on a zany tangent when Will and Ben find themselves on a crippled plane in flight. They manage to escape with their lives, but all evidence suggests that they've been killed in the plane's crash. Imagine the dismay of newly reinstated Sergeant King when Will and Ben show up in his office -- just as the entire base is gathered for a memorial service for the two "fallen heroes." Featured in a minor role as a "coordination officer" is Griffth's future TV cohort Don Knotts, while Sammy Jackson, who played Stockdale in a 1964 sitcom version of No Time for Sergeants, shows up in an unbilled bit. ~ Hal Erickson, All Movie Guide

Edward Bernds, graduate of Columbia's "Three Stooges" shorts and Allied Artists' "Bowery Boys" epics, expertly guides The Storm Rider through its paces. Scott Brady plays an ex-gunslinger who is hired by a group of ranchers to protect them from covetous land baron Roy Engel. Unbeknownst to the ranchers, Brady is the killer of their former leader. Emotional complications ensue when Brady falls in love with Mala Powers, the widow of the man he killed. The film's ending upholds the uncompromising integrity of the rest of The Storm Rider. ~ Hal Erickson, All Movie Guide

This unusually grim episode finds Friday (Jack Webb) and Smith (Ben Alexander) investigating the disappearance of Mrs. Barbara Gorman and her two-year-old daughter Nancy. Though Barbara's husband Philip (Joe Cranston) claims that he can't think of any reason why his wife has vanished, a helpful neighbor suggests that the woman ran off with her boyfriend Ralph Kane. If this is true, why would Barbara take her daughter--whom she has always regarded as a nuisance--along for the ride? To answer this question, the detectives follow the trail of clues to a gut-wrenching climax. It is not for nothing that the original radio version of this episode (which aired on July 5, 1951) was prefaced with a terse warning from announcer George Fenneman: "This program is for you: not your children." ~ Hal Erickson, All Movie Guide

Former "Henry Aldrich" James Lydon is cast against type as a mean-spirited reform school alumnus in Chain of Evidence. Despite the boy's volatile temper, police lieutenant Bill Elliot is convinced that Lydon is a good kid underneath. Elliot's faith in his fellow man is sorely tested when Lydon is accused of murdering businessman Hugh Sanders at the urging of Sanders' craven wife Tina Carver. With the help of Lydon's girlfriend Claudia Barrett, Elliot follows the chain of evidence in hopes of proving the boy's innocence. This Allied Artists programmer was originally released on a double bill with Dragoon Wells Massacre. ~ Hal Erickson, All Movie Guide

Having forsaken westerns for detective melodramas in Dial Red O, William "Wild Bill" Ellliot continues in this vein in Sudden Danger. Elliot is cast as detective lieutenant Doyle, who at present is investigating the alleged suicide of a clothing manufacturer. Doyle suspects that the victim was murdered, and that the perpetrator was the dead man's blind son, Curtis (Tom Drake). Hoping to clear himself, Curtis begins searching for clues on his own, and by fadeout time he and Doyle have cornered the actual killer. Though obviously made in a hurry, Sudden Danger is elevated by better-than-usual scripting and a well-chosen supporting cast. ~ Hal Erickson, All Movie Guide

Auto mechanic and wannabe race-car driver Eddie Shannon (Mickey Rooney) allows himself to be led perilously astray in Drive a Crooked Road. Responding to the come-hither looks of sexy Barbara Mathews (Dianne Foster), Eddie is inveigled into participating in a bank heist. Things then go from bad to worse to awful for both Eddie and Barbara, victims of circumstance in a larger-scale scheme masterminded by hoodlums Steve Norris (Kevin McCarthy) and Harold Baker (Jack Kelly). Without ever justifying their actions, Drive a Crooked Road manages to engender plenty of audience sympathy for the hapless hero and heroine. The film was written by Blake Edwards and directed by Richard Quine, the same team responsible for such Mickey Rooney comic vehicles as All Ashore and Sound Off! ~ Hal Erickson, All Movie Guide