Brian De Palma Movies
American director Brian De Palma has always insisted that he gained his fascination with all things gory by watching his father, an orthopedic surgeon, at work. It's more likely that the principal influence on De Palma's career was Alfred Hitchcock, a fascination he has claimed to have outgrown professionally. Whatever the case, De Palma did his first film work in amateur short subjects while a student at Columbia University. Thanks to one of these films, he won a writing fellowship to Sarah Lawrence College, where he made his first feature, The Wedding Party, between 1962 and 1964. In the cast of The Wedding Party, which wouldn't be released until 1969, were Sarah Lawrence student Jill Clayburgh and a Brooklyn kid who called himself "Bobby" De Niro.De Palma's first film to gain theatrical release was 1968's Murder à la Mod, and the first to accrue critical approval was a trendy anti-war tome called Greetings (1968), again with the Brooklyn boy who by this time was known as Robert De Niro. Hi, Mom! (1970) was a similarly irreverent comedy, but De Palma was prescient enough to realize that the vogue for anti-establishment films would soon pass. Thus he began emulating Alfred Hitchcock with Sisters (1973), utilizing the split-screen technique popularized by such late-'60s pictures as Grand Prix and The Boston Strangler. De Palma not only admitted to borrowing from Hitchcock in Sisters, but also underlined the tribute by having the film scored by Hitchcock's frequent musical director Bernard Herrmann. Obsession (1976), again scored by Herrmann, was one of several De Palma imitations of Hitchcock's Vertigo (see also Body Double), and also established the director's fascination with 360-degree camera pans.
Carrie (1976), De Palma's most successful film to that date (and still one of the most successful Stephen King adaptations), marked a return to the split-screen technique and wrapped the story up with another of De Palma's trademarks, the "false shock" ending which turns out to be a nightmare. There was a similar finale (again staged as a dream) in Dressed to Kill (1980), which audaciously included a shower scene à la Psycho (but the director deceived, staging the murder in an elevator). By the time Body Double came around in 1984, De Palma was all but parodying himself with gratuitous gore, slow motion, lyrical panning shots, Herrmann-esque musical scores, characters who weren't who they seemed to be, and twist-around endings. With the acclaimed Scarface (1983), the director inaugurated his "crime is not nice" period, ladling out grimly violent sequences in such films as Wise Guys (1986) and The Untouchables (1987) to show that the bad guys weren't the lovable lugs Damon Runyon had made them out to be. De Palma next explored a different kind of violence in Casualties of War (1989), a Vietnam War film that centered on the outrageous mistreatment of a Vietnamese woman by a platoon of American soldiers.
Raising Cain (1992) was a full-blooded return to terror, with one of De Palma's favorite actors, John Lithgow, given free reign to express his wildest, darkest passions. Carlito's Way (1993) was another crime flick, this time with Al Pacino (who'd worked with De Palma in Scarface), and proved to be one of De Palma's most widely praised films in years. With the exception of The Bonfire of the Vanities (1990), which was a full-out failure, De Palma has remained one of a handful of truly bankable Hollywood directors capable of opening a picture on the basis of his own name rather than the names of the stars. He had another hit on his hands in 1996 with a big-budget adaptation of the TV series Mission: Impossible. Snake Eyes (1998), a thriller revolving around a political assassination, was something of a critical and commercial disappointment, but the director resurfaced two years later with Mission to Mars. A sci-fi suspense thriller, it removed the director from earthly horror and violence, only to restage it elsewhere in the solar system.
De Palma was back just two years later with Femme Fatale, a typically stylish exercise featuring Rebecca Romijn-Stamos as the title character and Antonio Bandaras as the man unlucky enough to become entranced by her. After a four-year layoff De Palma returned to theaters with an adaptation of James Ellroy's The Black Dahlia. Based loosely on the infamous unsolved murder case, the book was the first of a four-book series that would also include L.A. Confidential. He got some of his best reviews in years for his 2007 Iraq war film Redacted, but the film failed to click with audiences. ~ Hal Erickson, Rovi
- 2014
The story of fallen football coach Joe Paterno is told in this Edward R. Pressman-produced production reteaming star Al Pacino and director Brian DePalma. ~ Jeremy Wheeler, Rovi
- 2014
Simon West directs this remake of the 1987 Burt Reynold action thriller in this Sierra/Affinity production starring Jason Statham as a paid enforcer who goes after a gang leader when a group of thugs beat up a personal friend. William Goldman provides the script. ~ Jeremy Wheeler, Rovi
- 2013
A single dad discovers he unknowingly holds the key to government secrets in this paranoid thriller from director Brian De Palma and screenwriter Joby Harold. ~ Jeremy Wheeler, Rovi
- 2012
- R
An intense power struggle between an icy advertising executive and her timid assistant turns deadly in director Brian De Palma's stylish remake of Alain Corneau's Crime d'amour (2010). A cultivated beauty with expensive tastes and a serious kinky streak, Christine (Rachel McAdams) holds top-office at one of the world's biggest international advertising agencies. She didn't get ahead by shrinking into the shadows, so when her coy but incredible creative assistant Isabel (Noomi Rapace) dreams up a wildly popular marketing campaign, Christine takes full credit for the idea. Simultaneously repulsed and intrigued by her boss' shameless candor over the incident, Isabel ignites an all-out war when she sleeps with Christine's lover. Later, when Christine turns up dead after humiliating her assistant in front of the entire company, the perceptive Inspector Bach (Rainer Bock) struggles to sort through the clues as Isabel grows increasingly unstable, and her story seems to change with each new interview. ~ Jason Buchanan, Rovi
- 2010
The true gruesome story of the Boston Strangler is retold in this Valhalla Motion Pictures production to be helmed by Brian De Palma. Based on Susan Kelly's book The Boston Stranglers: The Public Conviction of Albert DeSalvo and the True Story of Eleven Shocking Murders, the production will focus on the capture and subsequent murder of the case's main suspect, whose death at the hands of another inmate has given an unresolved air to the killings. ~ Jeremy Wheeler, All Movie Guide
Director Brian De Palma turns his lens on the Iraq War with this "fictional documentary" about the experience of U.S. soldiers involved in the conflict. Based on a news item about the rape of an Iraqi schoolgirl by wayward grunts assigned to patrol a checkpoint, the film depicts a scenario not unlike the one De Palma covered in Casualties of War. Shot on high-definition video, Redacted also addresses the ever-evolving manner in which war is covered by the media by focusing on such journalistic innovations as blog coverage and web reporting. ~ Jason Buchanan, Rovi
- Starring:
- Patrick Carroll, Rob Devaney, (more)
Family Portraits: A Trilogy of America director Douglas Buck follows that gruesome collection of three short films with this feature-length reimaging of cinema auteur Brian De Palma's 1973 horror film concerning a pair of mysterious siblings and the curious reporter who stumbles upon their deadly secret. Grace (Chloë Sevigny) is an ambitious young journalist conducting an investigation of a controversial psychiatrist (Stephen Rea) who is currently maintaining a questionable relationship with disturbed patient Angelique (Lou Doillon). As the investigation continues, Grace soon stumbles into an ongoing conspiracy populated by human experimentation, strange deaths, and a controversial operation. As the probing reporter delves ever deeper into the profoundly unsettling details and witnesses a brutal murder thanks to the unintended assistance of Angelique's latest love interest, Dr. Dylan Wallace, her fragile mental state is quickly shattered by the spiraling violence and unspeakable revelations to which she is now inextricably bound. ~ Jason Buchanan, Rovi
- Starring:
- Lou Doillon, Stephen Rea, (more)
Director Brian De Palma returns to the helm for the first time since 2002's Femme Fatale with this stylish screen adaptation of James Ellroy's novel detailing one of the most notorious unsolved murders in Hollywood history. Elizabeth Short (Mia Kirshner) was a struggling actress looking to make a name for herself in 1940s-era Tinseltown. Unfortunately for Elizabeth, it was her grim fate that would ultimately overshadow anything she would accomplish during her short and tragic career. When police discover Elizabeth's body cut clean in half and with all of her organs missing, ex-pugilist detectives Lee Blanchard (Aaron Eckhart) and Bucky Bleichert (Josh Hartnett) are the men charged with cracking the case and apprehending the killer. This isn't your average murder case, however, and as Blanchard's marriage to Kay (Scarlett Johansson) begins to suffer due to his obsession with the sensational crime, his partner Bleichert discovers a troubling link between the victim and the mysterious Madeleine Linscott (Hilary Swank), a prominent socialite and the daughter of one of the town's most connected key players. ~ Jason Buchanan, Rovi
- Starring:
- Josh Hartnett, Scarlett Johansson, (more)
Brian De Palma blends the emotional netherworld of film noir with a stylish portrayal of life among the wealthy and powerful in Paris in this glossy thriller. Laure Ash (Rebecca Romijn-Stamos) is a beautiful but mysterious woman who has aligned herself with a small ring of jewel thieves, led by a man known as Black Tie (Eriq Ebouaney), who has planned a major score during the Cannes Film Festival. Sexy model Veronica (Rie Rasmussen) is scheduled to make a spectacular entrance for the screening of director Regis Wargnier's picture, wearing a body-hugging piece of jewelry worth a cool ten million dollars. Laure approaches the sexually adventurous Veronica and is able to seduce her, while at the same time stealing her diamond-studded outfit and replacing it with a carefully constructed counterfeit. Veronica, however, also makes off the loot without giving her partners their cut, and must go into hiding in order to avoid the wrath of Black Tie and his cohorts. Fate allows Laure to make her way to the United States, where in time she marries a powerful politician. Photographer Nicolas Bardo (Antonio Banderas), however, had snapped a picture of Laure while she was on the lam years before, and when he takes an assignment to get a photo of the camera-shy woman, Laure realizes Nicolas is in a position to reveal her new identity to the world -- and put the bloodthirsty Black Tie back on her trail. ~ Mark Deming, Rovi
- Starring:
- Rebecca Romijn, Antonio Banderas, (more)
Brian De Palma directed this science-fiction suspense story. When the United States sends its first manned mission to Mars, hopes are high for new scientific discoveries, but many of those hopes are dashed when the Mars crew meets an unexplained disaster; three members of the mission are killed, and a fourth (Don Cheadle) loses all radio contact with the Earth. A rescue mission sets out to bring back the one survivor; in the process, they discover that Mars may not be a dead planet after all, and uncover some startling evidence about the fate of their predecessors. The rescue crew includes Gary Sinise, Jerry O'Connell, Connie Nielsen and Tim Robbins. The screenplay was partially by award-winning playwright Ted Tally, who won an Oscar for his adapted screenplay of The Silence of the Lambs. ~ Mark Deming, Rovi
- Starring:
- Gary Sinise, Tim Robbins, (more)
- 1999
This documentary is a loving look at the cinematic genius of Alfred Hitchcock. Speeding through much of his early British works, the film focuses on his American classics, such as Marnie, Vertigo, and particularly Psycho. The movie also neatly examines Hitchcock's signature touches, from his inevitable brief cameo to his famous MacGuffin. Kevin Spacey narrates, and there are interviews with such film figures as Jonathan Demme, Peter Bogdanovich, and Janet Leigh. Dial H for Hitchcock was screened at the 1999 Denver Film Festival. ~ Jonathan Crow, Rovi
- Starring:
- Kevin Spacey, Jonathan Demme, (more)
Brian DePalma directed this taut thriller, set in Atlantic City, where a corrupt cop investigates a political assassination. Outside an Atlantic City arena-hotel-casino, a TV news reporter stands in a pre-hurricane storm to report on the heavyweight boxing match about to begin inside. A transition to the stadium interior focuses on Atlantic City homicide Detective Rick Santoro (Nicolas Cage), a father with a wife and son, yet also a dishonest cop who maintains a mistress and cheerfully accepts bribes. DePalma's Steadicam follows Santoro on a fast-paced tour of the stadium as the laughing, yelling detective travels stairs and hallways, talks to a gal with a between-rounds placard, visits the dressing room of champ Lincoln Tyler (Stan Shaw), rides down an escalator to squeeze money from a small-time hood, enters the arena of 14,000 fight fans, talks on his phone with his girlfriend and wife, and sits ringside next to his lifelong buddy, Navy Cmdr. Kevin Dunne (Gary Sinise). Behind Dunne, the U.S. Secretary of Defense Charles Kirkland (Joel Fabiani) is seated alongside billionaire casino owner Gilbert Powell (John Heard). As the fight gets underway, Dunne abandons his position protecting the defense chief to pursue a suspicious redhead. From his ringside vantage point, Santoro has a close view of the champ, curiously conscious despite taking a kayo punch. At that moment, an assassin fires at Kirkland. Santoro immediately concocts a good cover story for his pal (to explain why Dunne left his post protecting Kirkland). Just after the shooting, Dunne kills a Palestinian extremist, the apparent killer, and Santoro orders the stadium doors locked, hoping he can locate other suspects among the fleeing crowd. One such is Julia Costello (Carla Gugino), an injured woman in a blond wig who spoke with Kirkland seconds before the gunfire. After a video replay reveals the champ took a fall, going down to the floor from a punch that never touched him, Santoro becomes more curious and suspicious, comparing witness accounts, and he attempts to locate Julia, convinced she's the key to truth behind the assassination. As it all comes to a head, Santoro peels through successive layers of corruption, ultimately confronting himself in a self-examination of his own values. Filmed at Montreal's old Forum. ~ Bhob Stewart, Rovi
- Starring:
- Nicolas Cage, Gary Sinise, (more)
After he is framed for the death of several colleagues and falsely branded a traitor, a secret agent embarks on a daring scheme to clear his name in this spy adventure. Though it drew its name from the familiar television series, director Brian DePalma's big-budget adaptation shares little more with the original show than the occasional self-destructing message and the name of team leader Jim Phelps (Jon Voight). The film focuses not on Phelps but his protégé, Ethan Hunt (a reserved Tom Cruise), who becomes a fugitive after taking the blame for a botched operation. He responds by banding together with a group of fellow renegades, and he is soon maneuvering his way through a twisted series of double crosses that mainly serve as excuses for spectacular high-tech action sequences. Much of the activity revolves around a missing computer disk, with the film's most famous scene depicting Hunt's delicate efforts to retrieve the disk from a secure, well-alarmed room in CIA headquarters. ~ Judd Blaise, All Movie Guide
- Starring:
- Tom Cruise, Jon Voight, (more)
- 1995
- Add A Personal Journey with Martin Scorsese through American Movies to Queue Add A Personal Journey with Martin Scorsese through American Movies to top of Queue
In 1994, the British Film Institute commissioned a set of films to mark the centenary of the movies. They would trace the history of several national cinemas, and the BFI's choice for interpreting the history of American film fell to director Martin Scorsese, a longtime champion of film history and preservation. Scorsese's approach to his subject is director-centered, as he examines the tension inherent in the struggle of an artist wishing to make a personal statement against the collaborative nature of films and the commercial pressures of the Hollywood moviemaking factory. Segments of this series are devoted to the director as storyteller (examining narrative devices in the Western, gangster film, and musical), illusionist (technical tricks), smuggler (imbedding personal messages), and iconoclast (bucking the system to make films his own way). The series is replete with telling clips, not just snippets or shots, but entire scenes which illustrate Scorsese and co-director Michael Henry Wilson's points. Other filmmakers, including John Ford, Francis Ford Coppola, Billy Wilder, and Orson Welles, are seen in archival footage or interviews created for the series, offering their own take on the art of filmmaking. Scorsese doesn't discriminate between filmmakers with glossy reputations and those who always worked on the fringe of public awareness. If anything, he goes out of his way to champion mavericks like Samuel Fuller whose "visceral cinema" never enjoyed box-office success or awards. Personal Journey was first shown on British TV, released in limited fashion to theaters in the United States, and shown here on TV as well. A tie-in book was published in 1997 by Miramax Books; it contains the entire script for the series, excellent black-and-white stills, and dialogue from some of the clips. ~ Tom Wiener, Rovi
- 1995
German politics and filmmaking are parodied in this comedic mystery that centers on a line-up of odd-balls, each suspected of killing a politician, as they explain their different motives for committing the crime. It is up to the viewer to decide which one of them committed the crime (the filmmaker never does tell who did it, so it could provide an interesting topic for discussion after the picture ends. Also never shown is the industrialist they killed). Among the suspects are a bungling terrorist who cannot prove the existence of her radical group and a former director of East German state films who currently makes his living editing video clips for a dating service. During the "interviews," characters will periodically stop to argue with director Hans-Christian Blumenberg. ~ Sandra Brennan, Rovi
Carlito's Way is a tale of a former hood trying to escape his former life. Al Pacino is Carlito Brigante, a high-level Puerto Rican drug dealer sprung from a three-decade jail sentence after only five years, thanks to a technicality and his sleazy, cocaine-addled lawyer, Dave Kleinfeld (Sean Penn). Carlito renounces his previous ways and takes a job as the manager of a club that Kleinfeld has invested in, planning to save enough money so that he can eventually move to the Caribbean. But no sooner is Carlito back on the streets of New York than his old life claws at him in the form of both old partners (Luis Guzman) and vicious up-and-comers (John Leguizamo). Nevertheless, Carlito stays clean and even restarts his relationship with a dancer named Gail (Penelope Ann Miller), until he is finally led astray by Kleinfeld, who manipulates Carlito into participating in the murder of a Mafia don from whom Kleinfeld has stolen a million dollars. At that point, the race is on to see whether Carlito and Gail can escape his world for good. The film is based on two novels about Carlito written by New York State judge Edwin Torres. ~ Don Kaye, Rovi
A complicated thriller, directed with great visual style by Brian De Palma, Raising Cain is the story of twin brothers, Carter and Josh (John Lithgow), one good and one evil, who will stop at nothing to find children to further their father's psychological experiments. John Lithgow is outstanding in the role of the brothers. Lolita Davidovich, is also good as his wife Jenny, who he may or may not have murdered. To even identify the other characters would give away too much of the complicated plot, which twists and turns, leaving the audience constantly guessing who is really who. The film is darkly comic and De Palma and his unusual plot devices play homage to Alfred Hitchcock, along with Orson Welles and Michael Powell's Peeping Tom. ~ Linda Rasmussen, Rovi
- Starring:
- John Lithgow, Lolita Davidovich, (more)
Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, Rovi
- Starring:
- Tom Hanks, Bruce Willis, (more)
Casualties of War was based on a New Yorker article by Daniel Lang. This, in turn, was inspired by a true incident which illustrated the dehumanizing aspects of the Vietnam experience. Michael J. Fox plays Eriksson, a member of an American squadron stationed in the deepest jungles of Southeast Asia. Sean Penn co-stars as Meserve, the squadron sergeant, who vows revenge after his best friend is killed. He orders his men to invade a village and "requisition" a young Vietnamese girl (Thuy Thu Lee), who is repeatedly tied, gagged and gang-raped. The horrified Eriksson refuses to participate in these atrocities, and he does his best to console the girl and to attempt to free her. Before this can happen, however, Meserve orders another man to kill the girl. Once he returns to camp, Eriksson attempts to file a report on the tragedy and to bring Meserve and the others to justice, but he is stonewalled by the brass and threatened with death by his fellow soldiers. Eventually Meserve and his co-conspirators are jailed for their crimes, but Eriksson can never forget his "compliance" in the incident by failing to save the girl. The script is by well-known playwright David Rabe. ~ Hal Erickson, Rovi
- Starring:
- Michael J. Fox, Sean Penn, (more)
Like the TV series that shared the same title, The Untouchables (1987) was an account of the battle between gangster Al Capone and lawman Eliot Ness, this time in the form of a feature film boasting big stars, a big budget, and a script from respected playwright David Mamet. Kevin Costner stars as Ness, a federal agent who has come to Chicago during the Prohibition Era, when corruption in the local police department is rampant. His mission is to put crime lord Capone (Robert De Niro) out of business, but Capone is so powerful and popular that Ness is not taken seriously by the law or the press. One night, discouraged, he meets a veteran patrolman, Jimmy Malone (Sean Connery), and discovers that the acerbic Irishman is the one honest man he's been seeking. Malone has soon helped Ness recruit a gunslinger rookie, George Stone (Andy Garcia), and, joined by nebbish accountant Oscar Wallace (Charles Martin Smith), the men doggedly pursue Capone and his illegal interests. At first a laughingstock, Ness soon has Capone outraged over his and Malone's sometimes law-bending tactics, and the vain mobster strikes back in vicious style. Ultimately, it is the most unexpected and minor of crimes, tax evasion, which proves Capone's undoing. All of the credits for The Untouchables boasted big names, including music from Ennio Morricone and costumes by Giorgio Armani. Director Brian De Palma continued his tradition of including a homage to past masters of the cinema with a taut stairway shoot-out reminiscent of a similar sequence in Sergei Eisenstein's Battleship Potemkin (1925). ~ Karl Williams, Rovi
- Starring:
- Kevin Costner, Sean Connery, (more)
The "wise guys" referred to in the title, Harry Valentini (Danny DeVito) and Moe Dickstein (Joe Piscopo), turn out to be not so wise after all in this crime-oriented comedy. Harry and Moe run the risk of certain death when they steal money from a Mafia don (Dan Hedaya) and then try to multiply their ill-gotten gains at the horse races. Naturally, they lose the bundle and the next thing they know they're running from hitmen and trying to come up with enough cash to pay back their debt. Wise Guys' blend of comedy and action represented something of a change of pace for director Brian DePalma, best known for his offbeat thrillers and Hitchcock homages. ~ Eleanor Mannikka, Rovi
- Starring:
- Danny DeVito, Joe Piscopo, (more)
In Body Double, director Brian DePalma pays homage to the Alfred Hitchcock movies Vertigo and Rear Window, adding a few grotesque touches all his own. Craig Wasson plays Jake, a struggling actor who keeps losing jobs because of his claustrophobia. To make matters worse, he discovers his girlfriend cheating on him, so he has no place to sleep. His pal offers him the use of his apartment for the evening. The apartment happens to be equipped with a huge picture window and telescope, enabling him to spy on his beautiful neighbor Gloria (Deborah Shelton) while she undresses. He soon realizes that the woman is in grave danger, and begins to track her every move, with the hope of coming to her aid. ~ Hal Erickson, Rovi
- Starring:
- Craig Wasson, Gregg Henry, (more)
- 1983
In this quiet though not quite bland semi-autobiographical look at his formative years, director Charlie Loventhal has his main character Charlie (Tim Choate) enrolled in the film school of a small college. But while Charlie has aspirations of making comedies, his classmates and pretentious film professor are all into more avant-garde work. He also aspires to losing his virginity, but the woman of his dreams is not interested. He continues to strike out in spite of coaching from his lothario roommate, until a psychology professor sets him up with an older woman -- all as a part of a research project -- and Charlie, the guinea pig, finally becomes a man of experience. Meanwhile, he has made friends with Wendy (Wendy Fulton), another loner, and the two team up to try for the top prize at the school's annual film festival. ~ Eleanor Mannikka, Rovi
- Starring:
- Tim Choate, Krista Errickson, (more)
Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original Scarface is Tony Montana's incestuous yearnings for his sister Gina (Mary Elizabeth Mastrantonio). The screenplay for the 1983 Scarface was written by Oliver Stone. ~ Hal Erickson, Rovi
- Starring:
- Al Pacino, Steven Bauer, (more)
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