Gail Bonney Movies

1950  
 
A Woman of Distinction serves as a tailor-made vehicle for Rosalind Russell. The star is cast as Susan Middlecott, a highly respected college dean. As can be expected, Susan is too busy for romance -- at least until handsome professor Alec Stevenson (Ray Milland) enters the picture. At first, the dean and the prof are thrown together by the overzealous machinations of a press agent, and they're none too pleased about it. No matter how hard they try to keep their distance from each other, Susan and Alec constantly find themselves in embarrassing situations in full view of the public. It takes the behind-the-scenes maneuvers of Susan's puckish papa (Edmund Gwenn) to straighten things out. Appearing in unbilled cameos are Lucille Ball as herself, and Ball's future TV cohort Gale Gordon as a railroad ticket agent. ~ Hal Erickson, All Movie Guide

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Starring:
Ray MillandRosalind Russell, (more)
1961  
 
Alcoholic Lottie Mead (Claire Trevor) bursts into the home of Ralph and James Birdwell (Robert Sampson, Patricia Smith), the couple who have been caring for Lottie's daughter ever since the girl's mother deserted her. Now Lottie declares that she will take the girl away from the Birdwells unless she is given a 25,000-dollar payoff. When the couple refuses, Lottie cooks up a kidnapping scheme with a seemingly dishonest detective named Phil Ames (Biff Eliott) -- who turns out to have an agenda of his own. ~ Hal Erickson, All Movie Guide

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1961  
 
Lucy Baldwin (Eileen Heckart) hopes to escape her domineering invalid mother (Madge Kennedy) by marrying her new beau, Arthur (Don DeFore). Assuming that Arthur is just a fortune hunter, Lucy's mom refuses to allow the marriage, prompting Lucy to commit murder. Ultimately, Lucy and Arthur are wed--but their troubles have only just begun. ~ Hal Erickson, All Movie Guide

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1959  
 
Philandering husband Courtney Masterson (Joseph Cotten) and his paramour, Peg Valence (Julie Adams), are attacked by a robber named Rudy (Don Gordon). Fortunately, Courtney and Peg manage to overpower their assailant and lock the man in the trunk of Masterson's car. At this point, Courtney should have gone to the police -- except that he doesn't, knowing full well that he'll have to explain to the authorities why he's in the company of Peg and not his wife. So should the couple allow Rudy to go free? Well...he could turn out to be a blackmailer...couldn't he? ~ Hal Erickson, All Movie Guide

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1962  
 
Small-town garage mechanic Aaron Menefee (Andrew Prine) becomes a devoted disciple of the Reverend Otis Jones (Sidney Blackmer) after the traveling faith healer seemingly cures Menefee's ulcer. Even so, Jones refuses Menefee permission to marry his daughter Emily (Maggie Pierce), arguing that Aaron's faith isn't "strong enough." Thus does Menefee challenge himself with the ultimate test of that faith -- leading to a memorable "Lady or the Tiger" denouement. ~ Hal Erickson, All Movie Guide

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1962  
 
Business has been bad of late for mortician Amos Duff (John Fiedler), and things don't brighten up much when Marvin Foley (Ed Gardner) arranges the cheapest funeral possible for his late partner, Robert Kessler. Luckily for Duff, he figures out that Foley murdered Kessler, and is thus able to blackmail the man into paying for the lavish "Class-A Funeral." Foley agrees, figuring that he'll be able to double-cross Duff once the body is cremated...but the murderer hasn't taken into account Duff's thorough knowledge of what is flammable and what isn't. ~ Hal Erickson, All Movie Guide

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1958  
NR  
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John Van Druten's stage comedy Bell Book and Candle starred Rex Harrison and Lilli Palmer on Broadway. The 1958 filmed version stars James Stewart and Kim Novak, fresh from their successful teaming in Hitchcock's Vertigo. Novak plays Gillian Holroyd, a genuine, bonafide witch. Falling in love with publisher Sheperd Henderson (Stewart), Gillian casts a spell on him, obliging him to dump his fiancee and rush to her side. All of this goes against the grain of Gillian's mentor Mrs. De Pass (Hermione Gingold), who does her best to counterract the love spell. Meanwhile, Gillian's wacky warlock brother Nicky (Jack Lemmon) courts disaster by coauthoring a book on black magic with pompous, bibulous novelist Sidney Redlitch (Ernie Kovacs). ~ Hal Erickson, All Movie Guide

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Starring:
James StewartKim Novak, (more)
1949  
 
"What a dump!" That's the classic line delivered by Bette Davis at the halfway point of Beyond the Forest, her final Warner Bros. effort of the 1940s. Some Davis devotees feel as though this vituperative utterance is the high point of an otherwise turgid melodrama; others consider the line a succinct assessment of the entire film. Based on a best-selling novel by Stuart Engstrand, the film stars Davis as Rosa Moline, a small-town girl with big-city ambitions. Trapped in a dull marriage to just-getting-by lawyer Lewis Moline (Joseph Cotten), Rosa plots and plans to sexually entrap millionaire industrialist Neil Latimer (David Brian). That Rosa's scheme is doomed from the start is telegraphed at every juncture by Max Steiner's sledgehammer musical score (few will ever want to hear the song "Chicago" again after this). Hampered by the censorship standards of the era, the film is prevented from being as frank as the novel; in one scene, for example, Rosa is obviously visiting an abortionist, but the sign on the door reads "Psychiatrist." A standard entry in most film historians' "Worst Movies" lists (even Davis herself hated it), Beyond the Forest is rather entertaining in its own schlocky fashion. ~ Hal Erickson, All Movie Guide

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Starring:
Bette DavisJoseph Cotten, (more)
1964  
 
Marlyn Mason guest-stars as Tessa Caldwell, who is accidentally blinded in a hunting accident caused by Joe Cartwright. More out of pity and guilt than love, Joe offers to marry the girl. Eventually, she regains her sight-but her covetous father (Denver Pyle), anxious to see his daughter wed to a wealthy Cartwright, decides to keep Tessa's recovery a secret. Written by Tom Seller, "Bullet for a Bride" was first shown on February 16, 1964. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1960  
 
As a reward for saving Ben Cartwright's life, an Indian named Matsou (Ricardo Montalban) is given a small parcel of Ponderosa land. Ben's Indian-hating neighbor Ike Daggett (Karl Swenson) violently objects to Matsou's presence. When his wife is killed in a raid, Daggett, holding Matsou responsible, and kills the Indian's wife (Madlyn Rhue) in retaliation. Written by R. Hamer Norris and Leonard Heideman, "Day of Reckoning" first aired October 22, 1960. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreenePernell Roberts, (more)
1950  
 
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Caged, considered the best woman's prison film ever made, represents a union between realistic socially conscious drama and the more stylized world of film noir. Marie, (Eleanor Parker), is sentenced to prison for helping her husband in a small robbery. The prison is run by the sadistic matron Evelyn (Hope Emerson) who is secure in her position due to corrupt political influence. The film shows Marie's slow disillusionment with society and her eventual decision to become a prostitute in order to gain parole after observing her friend and fellow inmate Kitty (Betty Garde) lose her sanity and murder their oppressor Evelyn. With this uncompromisingly pessimistic statement on human nature, John Cromwell reaches his peak as a director. Under his expert direction, Eleanor Parker gives the best performance of her career and creates a convincing metamorphosis from a innocent young girl to a hardened criminal. Her performance is nuanced, low-keyed and emotionally charged. Equally impressive is Cromwell's visual realization of the claustrophobia of prison life, aided by the high-contrast photography of Carl Guthrie. This excellent, grim drama is uncompromising in its refusal to sentimentalize the plight of Marie as a victim or to absolve her of her role in her fate, nor does it absolve society as it shows the results of desperation and brutalization on human dignity. ~ Linda Rasmussen, All Movie Guide

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Starring:
Eleanor ParkerAgnes Moorehead, (more)
1952  
 
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Carrie is based on Sister Carrie, a novel by Theodore Dreiser. Dreiser's clumsy, unwieldy prose is streamlined into a neat and precise screenplay by Ruth and Augustus Goetz. Jennifer Jones stars as Carrie, who leaves her go-nowhere small town for the wicked metropolis of Chicago. Here she becomes the mistress of brash traveling salesman Charles Drouet (Eddie Albert), then throws him over in favor of erudite restaurant manager George Hurstwood (Laurence Olivier). Obsessed by Carrie, George steals money from his boss to support her in the manner to which he thinks she is accustomed. Left broke and disgraced by the ensuing scandal, Carrie deserts George to become an actress. Years later, the conscience-stricken Carrie tries to regenerate George, who has fallen into bum-hood. If Laurence Olivier seems a surprising casting choice in Carrie, try to imagine what the film would have been like had Cary Grant, Paramount's first choice, accepted the role. ~ Hal Erickson, All Movie Guide

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Starring:
Laurence OlivierJennifer Jones, (more)
1965  
NR  
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This musical spoof of Westerns featured Lee Marvin in dual roles that won him a Best Actor Oscar. Jane Fonda stars as the title character, a prim schoolmarm returning to her hometown of Wolf City, Wyoming, after receiving an Eastern education. On the train ride, Cat meets up with a pair of friendly, charming crooks, Clay Boone (Michael Callan) and his uncle, Jed (Dwayne Hickman), the former becoming hopelessly smitten with the naive but tough Cat. Upon arriving home, Cat discovers that her eccentric father, Frankie (John Marley), is being threatened with bodily harm by a development company that desperately wants his land. When Frankie is murdered by ruthless, noseless killer Tim Strawn (Marvin), Cat straps on a pair of six-shooters and persuades Clay, Jed, and her father's loyal Native American hand Jackson Two-Bears (Tom Nardini) to sign on as her posse. In her quest for revenge, Cat also recruits Kid Shelleen (also played by Marvin), a one-time fearsome gunslinger who's now a hopeless alcoholic. Cat Ballou (1965) is interspersed throughout the narrative with appearances by Stubby Kaye and Nat King Cole as a pair of balladeers who comment on the action musically in Greek chorus style. ~ Karl Williams, All Movie Guide

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Starring:
Jane FondaLee Marvin, (more)
1955  
 
The Christmas, 1955 presentation of the CBS anthology Climax! was based on a true story in the lives of the ancestors of co-scenarists Dale and Katherine Eunson. Set in rural Wisconsin in the 1860s, the story begins on a somber note, as both parents of 12-year-old Robbie Eunson (Brandon De Wilde die within a few months of each other. Now the man of the family, Robbie sets about to honor his mother's dying wish, that proper homes be provided for Robbie and his five younger siblings. Thus it is that on Christmas eve, Robbie visits several of his neighbors, offering to give away his brothers and sisters. Joan Evans, actress daugher of the Eunsons, serves as narrator. Adapted from the authors' Cosmopolitan magazine article, "The Day They Gave Babies Away" was later transformed into a theatrical feature film, All Mine to Give (1957); of the TV play's cast, only Stephan Woolton repeated his role (as Jimmie Eunson) in the movie, though Allen Reisner directed both versions. ~ Hal Erickson, All Movie Guide

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1957  
 
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Kathy Ferguson (Barbara Stanwyck) is a cynical newspaper columnist in San Francisco, handling women's advice -- by chance one day, the paper's city editor assigns her to cover the woman's angle on the arrival of a pair of L.A. police detectives, Capt. Manny Alidos (Royal Dano) and Lt. Bill Doyle (Sterling Hayden), on the hunt for a murder suspect known to be hiding somewhere in the city. They're both pretty button-down types and seem like fish-out-of-water in the more easy-going Frisco, and Kathy quickly clashes with them both, especially when her column appealing to the missing suspect as a woman yields serious dual results -- not only does Kathy boost her profile and readership, but the missing suspect makes contact and is ultimately brought in; in the process, Kathy goes from journalistic back-bencher to media star. That would be the end of the issue, except that Kathy and Bill have become attracted to each other amid their clashes, parries, and thrusts, and decide to get married -- she spurns the offer of a job in New York to move to Los Angeles and settle down to the life of a wife and homemaker. But that proves impossible -- Kathy quickly chafes at what she regards as the empty vacuous chatter of her fellow detective wives' lives and social interactions, and also her place in their pecking order as determined by their husbands' ranks and assignments (and Bill just doesn't rate high enough). Her own life suddenly cut off from career and ambition, and an ability to act on either, she becomes fixated on Bill's career and advancing it and him as a substitute. She contrives to cross paths socially with Alice Pope (Fay Wray), the wife of Inspector Tony Pope (Raymond Burr), who is both the head of an elite detective unit and the top man in her husband's division, and is soon not only getting Bill invited to parties with Pope and the police commissioner, but also cutting her husband's boss Manny Alidos and his wife Sara (Virginia Grey), to whom she's taken a special dislike, out of those same events.
It's not quite enough, however, and Kathy starts socializing on her own with Tony Pope, on Bill's behalf, and the two soon have their own relationship. Bill is still too much of a nice guy, and not careerist enough or assertive enough -- until she feigns distress at receiving poison-pen letters accusing her of having an affair with Pope, and blames Manny and Sara. This drives Bill to confront and assault Alidos, leading to a hearing in Pope's office where the chief of the division -- now very much beholden to Bill for Kathy's sake -- comes down on Bill's side. When the smoke clears, Manny is bounced back into uniform and Bill is made acting captain and put in charge of the homicide unit that Alidos formerly headed. Bill is on his way, and so is Kathy and Pope's relationship. But Pope proves to be a distressingly honorable and loyal man -- when his wife's health takes a turn for the worse, he decides to put in for retirement, and Kathy wants him to recommend Bill as his replacement. He considers it but decides that regardless of what he's done outside of his marriage, the department is too important to compromise the detective division, and that Bill just doesn't have what it takes to head it. Kathy is too deep in her strategy to back off, and also feels betrayed by Pope; now pushed over the edge, she contrives to threaten him with a gun, and is prepared to make good on her threat. Ironically enough, Bill may get his shot yet at heading the division, as he's head of homicide and takes personal charge of the biggest case the department has seen in years -- bringing in Tony Pope's killer. The only question is if and how he can put together the clues and pieces of the puzzle leading back to Kathy. ~ Bruce Eder, All Movie Guide

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Starring:
Barbara StanwyckSterling Hayden, (more)
1962  
 
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In this addiction melodrama, Joe Clay (Jack Lemmon), a promising adman, meet his future wife Kirsten (Lee Remick) at a party. Once married, the pressures of his business lead Joe to seek solace in liquor. Kirsten joins him in his nocturnal drinking sessions, and before long both are confirmed alcoholics. After several frightening episodes, Joe is able to shake the habit thanks to AA, but Kirsten finds it impossible to get through the day without liquor. The two split up, although Joe clings to the hope that someday he and Kirsten will be reunited, if for no reason other than the sake of their young daughter. J.P. Miller adapted the screenplay from his own 1958 Playhouse 90 television script. Though nominated in several categories, Days of Wine and Roses won only the Best Song Oscar for Henry Mancini's title tune. ~ Hal Erickson, All Movie Guide

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Starring:
Jack LemmonLee Remick, (more)
1975  
 
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The 1975 TV movie Death Scream is based on the shameful Kitty Genovese affair of 1964, in which a N.Y.C. woman was stabbed to death while 38 witnesses locked their windows and doors and pretended not to hear. Raul Julia stars as the detective who investigates the murder and stirs up the guilt feelings of those who refused to help. The film casts celebrity actors in the roles of the witnesses (Diahann Carroll, Cloris Leachman, Lucie Arnaz, Nancy Walker, Art Carney, et al.). ~ Hal Erickson, All Movie Guide

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1951  
 
It was considered a serious coup at Columbia Pictures when producer Stanley Kramer landed the rights to Arthur Miller's Pulitzer Prize-winning play, and got most of the key members of the Broadway cast for the movie, plus Kevin McCarthy from the original London cast. The one exception was Lee J. Cobb, who'd done the part of Willy Loman on Broadway but, because of his alleged past left-wing political associations, couldn't do the movie -- so Kramer and Columbia went with a proven box office star, Fredric March. He plays Willy Loman, who has spent a lifetime pursuing success, only to find himself a failure at age 60, a victim of poor choices, lost opportunities, and unreasonable expectations, especially for his two sons, and in particular the older one, Biff (Kevin McCarthy). Despite the support of his loving, patient wife Linda (Mildred Dunnock, in the performance of a lifetime), Willy's life comes apart along with his hold on reality, as he increasingly slips between the present and the past, reliving incidents in a desperate search for what went wrong. March brings a good deal of dignity to the role, and McCarthy and Cameron Mitchell are superb as his two sons, but the movie was a failure at the time of its release, partly owing to its difficult subject matter -- the failure of the American dream was not the first item on every moviegoer's list in 1951, no matter how successful the play had been on Broadway or how many awards it won -- and also to March's performance, which was just as likely the fault of director Laslo Benedek; he's sympathetic but too externalized, without Cobb's seething energy (represented in the 1960's television portrayal), and in the second half is too over-the-top in his madness. ~ Bruce Eder, All Movie Guide

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Starring:
Fredric MarchMildred Dunnock, (more)
1954  
 
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Deep in My Heart is the MGM-ified biography of composer Sigmund Romberg, here played by José Ferrer. Evidently the scripters didn't feel that the life of Romberg (as set down by author Elliott Arnold, whose book was used as the film's basis) had enough drama to fill out two hours and ten minutes. As a result, the film is overstocked with guest stars, performing such Romberg standards as "One Alone," "Lover Come Back to Me," "When I Grow Too Old to Dream," "Will You Remember," and "Stout-Hearted Men." Among these celebrities are Ann Miller, Vic Damone, Jane Powell, Tony Martin, Cyd Charisse, Rosemary Clooney, and Gene Kelly, the latter performing a dance duet with his seldom-seen brother, Fred. For all the heady competition, it is José Ferrer who renders the most memorable production number: a one-man presentation of the Romberg musical comedy Jazzboat, in which Ferrer assumes all the roles, from star Al Jolson's to the entire female chorus! ~ Hal Erickson, All Movie Guide

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Starring:
José FerrerHelen Traubel, (more)
1957  
 
Friday (Jack Webb) and Smith (Ben Alexander) team up with a fire marshal to determine the cause of several recent house fires. Evidence indicates that the houses were torched by a burglar--who steals only inexpensive or worthless items. What can be behind the burglar's MO...and what is he really hoping to gain? This episode was adapted from the Dragnet radio broadcast of November 9, 1954. ~ Hal Erickson, All Movie Guide

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1953  
NR  
Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide

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Starring:
Cary GrantDeborah Kerr, (more)
1973  
 
Paula Slayton, the woman who saddled John (Randolph Mantooth) with a dog named Bonnie in Emergency!'s premiere episode, returns with another surprise for the guys at the station house (Patricia Hindy is cast as Paula, replacing the earlier episode's Pat McAnery). The on-duty assignment roster includes a catatonic patient who won't respond to standard treatment, thus baffling the medical staff. Also: a woman inhales poisonous fumes after mixing the wrong household cleansing chemicals; Roy (Kevin Tighe) has a tense confrontation with a woman who keeps calling the emergency line out of sheer loneliness; and an elderly couple is trapped in a tangle of tumbleweeds. ~ Hal Erickson, All Movie Guide

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1958  
 
Joe Besser's photograph of a paper plate is mistaken for an UFO in this two-reel comedy starring the Three Stooges. Moe and Larry are paid handsomely for the picture, but when it is determined to be a fake, they are hauled off to jail. Joe, meanwhile, manages to photograph a real flying saucer and earns a fortune. Having cried wolf once too often, his two comrades-in-arms are shipped off to a sanitarium. Flying Saucer Daffy was filmed in 1957. ~ Hans J. Wollstein, All Movie Guide

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1965  
 
Oliver (Eddie Albert) discovers to his chagrin that he will not be able to finish his plowing in time for planting. Worse still, his efforts to pump water on the farm results in a steady stream of yucky green liquid. For our hero, this is the last in a long line of straws -- but wife Lisa (Eva Gabor) is secretly delighted, hoping that now Oliver will agree to move back to New York. As it happens, Oliver discovers who his real friends are when practically everybody in Hooterville -- including the Ziffels and their pig Arnold -- pitch in to help him with his rural woes. ~ Hal Erickson, All Movie Guide

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Starring:
Eleanor AudleyEdgar Buchanan, (more)
1952  
 
In order to raise enough money to purchase a new dress, Lucy (Lucille Ball) goes into the babysitting business. Alas, her first charges are a pair of precocious twins (David Stollery, Sammy Ogg), who not only throw Lucy into a state of confusion, but very nearly burn her at the stake (with an apple in her mouth!). Things turn out for the best when Lucy and the twins perform a prize-winning act at the Blue Bird Club Amateur Contest. ~ All Movie Guide

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Starring:
David StollerySammy Ogg, (more)

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