Victor Beaumont Movies

While still starring in Bonanza, Lorne Greene took a sabbatical from the Ponderosa to headline this made for TV espionage thriller. Greene portrays a Russian secret agent whisked away from his comfortable retirement in Moscow to undertake a sabotage job in London. He finds himself compelled to solve the mysterious death of the British scientist whose invention Greene was supposed to destroy. The key to the mystery appears to be the cryptic phrase "The Gaunt Woman" (which was the title of the John Blackburn novel upon which this film was based. Filmed in London, Destiny of a Spy did well in the ratings thanks to the novelty casting of Lorne Greene as a Communist functionary. ~ Hal Erickson, All Movie Guide

Major James Wilson (Lloyd Bridges) must lead his troops across the English channel in the D-day invasion of Normandy. He trains his regulars for the invasion knowing that many, if not all, may never survive the assault. Wilson is plagued by memories of previous missions that turned out to be suicidal. Captain Franklin (Andrew Keir) is the British officer who opposed the plan and has a personal vendetta against Wilson. The two are thrown together on the same mission when Franklin is slated to command the mine sweepers that transport Wilson's troops to their destination. They face overwhelming odds and a barrage of cannon fire from the Nazi stronghold on the Normandy coast. ~ Dan Pavlides, All Movie Guide

A murder has been committed at the palatial Parisian residence of Benjamin Ballon (George Sanders). All the evidence points to sexy, wide-eyed housemaid Maria Gambrelli (Elke Sommer). Police inspector Dreyfuss (Herbert Lom) is prepared to make an arrest -- and then the gloriously, monumentally inept Inspector Clouseau (Peter Sellers) arrives on the scene. Clouseau may have difficulty getting through the day without falling into ponds, knocking people cold with opened doors, and pocketing flaming cigarette lighters, but his instincts are right on target when he decides that Mme. Gambrelli is being framed by someone else in the Ballon household. Even as the murder victims pile up, Clouseau is determined to prove Mme. Gambrelli's innocence. As he cuts a bumbling, destructive swath through Paris, Clouseau drives Dreyfuss literally insane. This fact leads to the literally explosive climax, and to the ultimate vindication of Mme. Gambrelli. While we first met Inspector Clouseau in The Pink Panther, Shot in the Dark is the film that truly established the Clouseau mythos: the festive clumsiness, the convoluted dialogue ("You shot him in a rit of fealous jage!"), the Fractured French ("A beump on zee head!"), the twitching lunacy of poor Inspector Dreyfuss, the unexpected "judo lessons" of Clouseau's houseboy Kato (Burt Kwouk), and of course the hilariously macabre jokes involving dead or seriously injured bystanders. You'd never know it, but A Shot in the Dark was inspired by a standard three-act stage comedy by Harry Kurnitz, which in turn was adapted from the French play L'Idiote by Marcel Achard. ~ Hal Erickson, All Movie Guide

Filmed in Germany by American director John Huston, Freud is a sincerely felt but overly simplistic biopic of the pioneering psychotherapist. The brooding, introspective Montgomery Clift was a curious choice for the role of Sigmund Freud; at times he looks more off the beam than some of his patients (his comic-opera Viennese accent doesn't add to the credibility). The screenplay takes the shape of a detective mystery, attempting to link various crises in Freud's private and professional life with his theoretical conclusions, most often doing so within well-staged dream sequences. Less successful are the scenes with the poor unfortunates who come to Freud for help, notably an embarrassing sequence with a young man suffering from an Oedipus complex. Freud was at one point supposed to have been scripted by existentialist playwright Jean-Paul Sartre, who gave up after he realized that the subject would require a four- or five-hour film at the very least. ~ Hal Erickson, All Movie Guide

Released to video as Pattern for Plunder, the British Bay of Saint Michel top-bills Hollywood's Keenan Wynn. A group of ex-Army commandos are reunited several years after the war. Their former leader has it on good authority that the Nazis have hidden a huge treasure somewhere in Normandy. Employing their wartime tactics and strategies, the male protagonists -- together with distaff aide Mai Zetterling -- "invade" the coast of France and set about searching for the booty. Bay of Saint Michel was reissued at the height of the "007 craze" as Operation Mermaid. ~ Hal Erickson, All Movie Guide

In this British comedy, two look-a-likes, an airman and a secret agent, find double trouble when they are assigned a top-secret task by their government. The airman is to impersonate the agent to confuse the Nazis while the real agent sneaks into France to investigate the new buzz bombs. Unfortunately, their orders get switched and the airman ends up in France. When he is accidentally shot back to Europe inside one of the defused bombs, the airman becomes a national hero. Meanwhile the real agent tries and tries to prove his true identity. No one listens. ~ Sandra Brennan, All Movie Guide

If official documentation didn't exist, we'd never believe a fantastic yarn like I Was Monty's Double. Actor M.E. Clifton James plays himself, a British stock-company actor who becomes an unsung hero during World War II. It seems that James, serving his country as a junior officer, is the exact double of General Montgomery. Major John Mills trains James to impersonate Montgomery to the last detail, then sends the actor on a tour of North Africa, the better to divert the German's attentions away from the real "Monty." Based on James' own written reminiscences, I Was Monty's Double was released in the U.S. under the baffling title Hell, Heaven or Hoboken! ~ Hal Erickson, All Movie Guide

In this British comedy, set during WWII, a street laborer likes to harass the British soldiers and ends up drafted into becoming part of the British army labor regiment. Unfortunately, a mix-up occurs and he ends up being parachuted behind Nazi lines where he is mistaken for a Nazi officer. ~ Iotis Erlewine, All Movie Guide

Tomorrow we Live is the more upbeat American title of the British war drama At Dawn we Die. When his village is overtaken by Nazis, Frenchman Jean Baptiste (John Clements) tries to go to England. Armed with secret information about a German submarine base, Jean hopes to avenge his countrymen. Unfortunately, thanks to inquisitive soldiers and fifth columnists, Jean may never make it to the White Cliffs of Dover. On the plus side, however, Jean's fellow patriots do their best to sabotage the enemy until the (hopefully) inevitable day of Liberation. The strangest aspect of Tomorrow we Live is that all the Frenchmen are played by popular British actors, despite the influx of French expatriates in the United Kingdom. ~ Hal Erickson, All Movie Guide