Hilda Barry Movies

An excellent musical score by the Bee Gees adds appeal to this curious little movie about two ten-year olds, Daniel and Melody (Mark Lester and Tracy Hyde) who are completely taken with each other and announce to their parents, in all seriousness, that they plan to get married. This marriage is not planned for the distant future, but as soon as possible. The uproar that is caused when their seriousness becomes clear is not too surprising. Their best friend Ornshaw (Jack Wild) is not too thrilled with their plan either. What makes the film work is that the entire story is told from the children's point of view in which the grownups' objections, since they have no relation to the truth of what the children are feeling, come across as silly or inconsequential. This film is a reunion of sorts for Oscar-winning Oliver! co-stars Mark Lester and Jack Wild ~ Clarke Fountain, Rovi

This chilling mystery begins when Lucy Dawson (Flora Robson) is found strangled in her apartment. Her nephew Tim (David Hemmings) is the former-drug-addict-turned-successful-author who wrote a book about his experiences. When Tim looks into his aunt's death, people give sketchy answers and the police offer little help. Apparently they think his pleas are simply a drug-addict's ravings. As he investigates he begins to find himself plagued by threatening phone calls, and his own paranoia. The pressure begins mounting until at last he suffers a complete breakdown. As a result, the murder is never solved. ~ Dan Pavlides, Rovi

In this episode of the cult-favorite TV series The Prisoner, Number 6 (Patrick McGoohan) appears to be developing an artistic side when he begins work on a series of sculptures for an art exhibit. What his captors do not realize is that they can be assembled into a boat, and Number 6 uses them to sail away from the Village. In time, Number Six reaches England, where he returns to the offices of the espionage organization from which he attempted to resign, only to discover he's fallen into a trap. Leo McKern plays Village leader Number Two in this episode, while Finlay Currie and Nadia Gray highlight the supporting cast. ~ Mark Deming, Rovi

An insurance investigator looks into the mystery surrounding the "accidental" death of a jockey. He finds that the death was actually caused by a gambling ring and is able to save the life of another jockey who has already had a couple of "accidents." ~ Steve Huey, Rovi

The original 1958 BBC television production of the last of Nigel Kneale's classic Quatermass scripts -- which is best known in association with the 1967 Hammer Films adaptation by Roy Ward Baker -- runs circles around the feature-film version. As with the other Quatermass serials, Kneale's original script goes a lot deeper into meanings, motivations, and consequences of the events depicted, as well as characterization and plot developments. That's understandable, as the producers had six episodes running over 30 minutes each in which to work, instead of the 98-minute running time of the movie. The result is a storyline in which the mystery is developed as much as the horror and science-fiction elements, and is worthy of Sherlock Holmes, one might add. An excavation for a London subway turns up mysterious skeletons, that are almost -- but not quite -- human. An investigation by Dr. Roney (Cec Linder), a paleontologist, reveals that these creatures had abnormally large brain cavities, much larger than was the norm for any known prehistoric proto-human species. There are other specimens as well, large insect-like creatures, and all were clustered around what seems to be a spacecraft buried at the same time as these skeletons, possibly as long as five million years. The unearthing of the space vehicle brings into the case England's greatest rocket expert, Professor Benard Quatermass (Andre Morell), who comes to believe from the evidence that the vehicle is from Mars, as were the insect-like beings. Even as Quatermass and Roney continue to investigate, they run up against resistance from government officials eager to avoid a panic, and from Quatermass' new superior, Colonel Breen (Anthony Bushell), a weapons expert who doesn't trust intellectuals or idealistic scientists, and wants to believe that the spaceship was part of a World War II Nazi hoax intended to raise hysteria among the public. Meanwhile, hysteria seems called for, as strange and potentially deadly manifestations of telekinetic power and other paranormal phenomenon start to overtake workers at the site of the excavation. Quatermass and Roney are convinced that some potentially catastrophic forces are being tampered with, but no one in the government will listen to them until it is too late, and all hell, literally, starts to break loose. ~ Bruce Eder, Rovi

In this British crime drama, an escaped killer heads for the French coast to find a mysterious treasure reportedly buried in a widow's mansion. The lonely widow is preparing to marry a man she doesn't love. Suddenly she begins receiving mysterious photos of her late spouse; they seem to suggest that he is alive. Frightened, she takes the pictures to the cops; they then implicate the fugitive and just as they get to the widow's mansion, they find the crook holding an invaluable statue of the Madonna. The cops inform the cornered thief that the statue is useless to him because no one will buy it from him. ~ Sandra Brennan, Rovi