Parker Posey Movies
Displaying an off-kilter beauty and an ability to embrace the comically bizarre, Parker Posey has been repeatedly referred to as "The Queen of the Indies." Following her indie debut in Richard Linklater's 1993 Dazed and Confused, Posey went on to star in no less than 15 independent features over the next five years, proving time and again how worthy she was of her royal title.Born in Baltimore on November 8, 1968, Posey was named after '50s model and sometimes-actress Suzy Parker. At the age of 12, she moved with her parents and twin brother to Laurel, MS, where her father owned a Chevrolet dealership. After attending the North Carolina School of the Arts, Posey enrolled at S.U.N.Y. Purchase, where she studied acting and roomed with future ER doctor Sherry Stringfield. She dropped out just three weeks before graduation when opportunity came knocking in the form of a role on As the World Turns. As bad girl Tess Shelby, Posey stayed with the show from 1991 until 1992. The following year, Posey crossed over to celluloid with roles in three movies. Two of these, The Coneheads and Joey Breaker, featured the actress as little more than a glorified extra, but the third, Linklater's Dazed and Confused, allowed Posey to make a distinct impression. As cheerleader Darla, she used her relatively brief screen time to display the nastier side of teen popularity. She played a similar character the same year on the small screen, taking a memorable turn as ex-pep queen turned good-time girl Connie Bradshaw in PBS' Tales of the City (she would later reprise the role for More Tales of the City in 1998).
Following secondary to miniscule parts in films like Sleep With Me, Amateur, and Mixed Nuts (all 1994), Posey had her breakthrough role as the titular heroine of Daisy von Scherler Mayer's Party Girl in 1995. She caused an art-house sensation with her portrayal of Mary, a downtown diva forced to take a day job as a librarian and began to ascend the ranks of indie royalty. Appearances in Hal Hartley's Flirt, Gregg Araki's The Doom Generation, and Noah Baumbach's Kicking and Screaming the same year further enhanced her reputation. Posey's work over the next two years reads like a Sundance Film Festival program: in 1996, she could be seen as a Dairy Queen waitress in the ensemble-driven Waiting for Guffman, famed gallery owner Mary Boone in Basquiat, and Hope Davis' sister in The Daytrippers. In 1997, Posey starred in no less than five independent films, including Henry Fool, her third Hartley outing; the temps-in-hell comedy drama Clockwatchers; Linklater's adaptation of Eric Bogosian's SubUrbia; and The House of Yes. For this last film, Posey garnered particular acclaim as the film's fabulously demented focal point. She shined as a young woman obsessed with both Jackie Onassis and her own twin brother (Josh Hamilton). Her performance, which perfectly displayed the hyperkinetic comic energy and sardonic wit that came to characterize many of the actress' portrayals, won her a "special recognition for acting" at Sundance that year.
The year 1998 brought more independent work in the form of The Misadventures of Margaret, a romantic comedy in which Posey had the title role and a foray into mainstream features with a turn as Tom Hanks' book-editor girlfriend in Nora Ephron's You've Got Mail. The following year, she took another stab, so to speak, at mainstream fare with a part in Wes Craven's third installment of his Scream series, the aptly titled Scream 3. Though she wasn't necessarily known as a "method" actress to this point, Posey actually had real braces installed for her subsequent role in Waiting for Guffman and director Christopher Guest's popular dog show comedy Best in Show. Cast as the better half of a neurotic, hypertensive couple who will stop at nothing to see their pet win the number-one spot in the Mayflower Kennel Club Dog Show, Posey nearly stole the show with her hysterical, shrieking performance. Best in Show was immediately embraced by critics and audiences and went on to live a long and prosperous life on cable and DVD. By this point, Posey had gained quite a reputation for her effortless transitions between indies and blockbusters, and a role as a malicious recording industry boss in Josie and the Pussycats (2001) added much flavor to the energetic, pop-flavored comedy. If Posey was somewhat lost in the cast of the 2001 miniseries Further Tales of the City, she would certainly go on to impress in the popular indies The Anniversary Party (2001) and Personal Velocity: Three Portraits (2002). Her role as a philandering housewife in Personal Velocity in particular gave Posey an opportunity to truly shine.
Her profile would fade a bit in the following few years despite a role in the widely released (but ill fated) comedy The Sweetest Thing (2002), and after performing at her bitchy best in the made-for-television Hell on Heels: The Battle of Mary Kay (2003) she was included in Reuters 2003 "What Ever Happened to" list. Ironically, it was that same year that Posey essayed her first lead role in quite some time with the independent drama The Event. Cast as a district attorney who is investigating a mysterious suicide, Posey was backed by a stellar cast that included Sarah Polley and Olympia Dukakis. Though she would once again join Guest for the 2003 mockumentary A Mighty Wind, she was pretty much lost in the shuffle in the divisive effort. With the approach of 2004, audiences were no doubt set to find out "What Ever Happened to" Posey with her roles in the high-profile efforts The Laws of Attraction and Blade: Trinity. Posey continued her work in independent films with large parts in The Oh in Ohio, The Sisters of Mercy, and Adam & Steve, but once again appeared in a Hollywood blockbuster as Lex Luthor's significant other in Bryan Singer's Superman Returns. At the end of 2006 she once again collaborated with Christopher Guest on his Hollywood satire For Your Consideration.
Posey continued to build on her affinity for independent films by reteaming with Hal Hartley for 2006's Fay Grim, in which she reprised the self titled role from 1997's Henry Fool. Critical response to the film was mixed, but Posey was balancing her career with other projects, some of which had a broader audience, like the recurring role of Marlene Stanger on the hit show Boston Legal. She balanced her indie side with her Hollywood side once again the next year, appearing both in the Jessica Alba thriller The Eye, and in the indie dramedy Broken English. ~ Rebecca Flint Marx, All Movie Guide
Like George Lucas' American Graffiti, Richard Linklater's Dazed and Confused is an affectionate look at the youth culture of a bygone era. While Lucas took aim at the conservative 1950's, Linklater jumps ahead a generation to the bicentennial year of 1976 to celebrate the joys of beer blasts, pot smoking and Frampton Comes Alive. Set on the last day of the academic year, the film follows the random activities of a sprawling group of Texas high schoolers as they celebrate the arrival of summer, their paths variously intersecting at a freshmen hazing, a local pool parlor and finally at a keg party. ~ Jason Ankeny, All Movie Guide
- Starring:
- Jason London, Wiley Wiggins, (more)
"The Coneheads" were a sketch on the Saturday Night Live television show of the late '70s which were expanded to feature-length proportions with this film. The story concerns Beldar (Dan Aykroyd) and Prymaat (Jane Curtin), who leave the planet Remulak to prepare for an invasion of Planet Earth. But due to a malfunction, they find themselves plunged into the Hudson River and forced to take up residence in Paramus, New Jersey where Beldar gets work as an appliance salesman and makes a deal for a phony social security card. Before long, all thoughts of invading Earth are left behind as Beldar and Prymaat quickly adapt to suburban life -- except for their coneheads and metallic-sounding voices, they become a typical middle-class suburban family. The Coneheads have a child, Connie (Michelle Burke) and Beldar becomes a New York cab driver and starts up his own driving school. Connie grows into a teenager and a neighborhood boy, Ronnie (Chris Farley), develops a crush on her because he likes to rub her conehead. But a nefarious INS agent, Gorman Seedling (Michael McKean), and his toady assistant, Turnbull (David Spade), are hot on The Coneheads' trail because of Beldar's false social security card. Not only that, but the Remulakian Highmaster (Dave Thomas) is beginning to wonder what ever happened to Beldar's invasion of the third rock from the sun. ~ Paul Brenner, All Movie Guide
- Starring:
- Dan Aykroyd, Jane Curtin, (more)
- 1993
- R
Richard Edson stars as the title character, a New York talent agent who takes little interest in the world outside of the entertainment industry. Then he falls for Cyan (Cedella Marley), a Jamaican waitress working to put herself through nursing school. ~ Jason Ankeny, All Movie Guide
- Starring:
- Richard Edson, Cedella Marley, (more)
A holiday comedy with dark overtones, Mixed Nuts presents a supposedly humorous look at the behind-the-scenes events at a crisis hotline on Christmas Eve. Philip (Steve Martin) runs Lifesavers, a Venice, California organization dedicated to helping the depressed and troubled. Unfortunately, Philip is a bit down himself, having learned that Lifesavers is on the verge of eviction. His staff isn't feeling particularly helpful either, with Mrs. Munchnik (Madeline Kahn) giving gruff, often insulting advice, and Catherine (Rita Wilson) obsessing over her own unspoken love for Philip. As the holiday approaches, various weirdoes of all shapes and sizes -- from to a pregnant clothing store owner (Juliette Lewis) to a disenchanted Santa Claus (Anthony LaPaglia) -- begin dropping in, throwing the already strained office into utter chaos. Director Nora Ephron followed her smash success Sleepless in Seattle with this remake of the cult 1982 French comedy Le Père Noël est une Ordure, co-authoring the script with her sister Delia Ephron. However, Mixed Nuts met with little box office or critical approval, with most viewers finding the film's manic farce disappointingly forced and abrasive. ~ Judd Blaise, All Movie Guide
- Starring:
- Steve Martin, Madeline Kahn, (more)
- 1994
Sex and death are the main themes running through this thriller. Matt Dickson is a former hockey player turned L.A. cop. Since his wife left him he has become a hard-drinking carouser. Dickson is on the trail of Welton, a psychotic boxer, using the names of famous fighters for his aliases has left a grisly trail of dead women found in cheap motels throughout the city. He is assisted by Catherine Briggs, a journalist, who helps him see the connection between these murders and similar ones in the past. But Catherine is not only there to help Dickson. She is also there because of a recent one-nighter Dickson had with her sister. ~ Sandra Brennan, All Movie Guide
- Starring:
- Michael Madsen, Lisa Bonet, (more)
- 1994
- R
Hal Hartley's fourth feature is a significant break from the quirky romantic comedy territory of his previous work -- though all of the deadpan idiosyncracies which make him such a singular filmmaker remain intact, here he tries his hand at the thriller genre, a move yielding typically unconventional and innovative results. Amateur stars Hartley mainstay Martin Donovan as Thomas, an amnesiac who, in the first scenes, wakes up in an alley, badly injured; he stumbles to a nearby coffeeshop where he meets Isabelle (Isabelle Huppert), a former nun and would-be nymphomaniac who now makes her living writing pornographic fiction. She takes him back to her apartment, where in time his past slowly begins to emerge -- a sharp contrast to the sweet, even naive soul that Huppert has befriended, it appears that the old Thomas was in fact a vicious pornographer whose attempted murder was at the hands of his wife, adult film star wife Sofia (Elina Lowensohn). Thomas is also the target of a nefarious European arms merchant whose hired guns are hot on his trail. ~ Jason Ankeny, All Movie Guide
- Starring:
- Isabelle Huppert, Martin Donovan, (more)
Six screenwriters, all real-life friends, each wrote one of the sequences in this romantic comedy-drama that unfolds at a half-dozen parties and celebrations. During a cross-country trip, Joe (Eric Stoltz) proposes to his girlfriend Sarah (Meg Tilly) with his best friend Frank (Craig Sheffer) looking on. At the couple's rehearsal dinner, Sarah confesses privately to Frank her attraction to him, but what she doesn't know is that Frank is in love with her. They share a kiss, which leads to an argument between Joe and Frank at their next meeting, a weekly poker game with their buddies. At a video shoot, a dinner party, another poker game, and a few more celebrations, the friendship between the three of them is challenged by the nascent attraction between Frank and Sarah. In the meantime, the all-male poker game is invaded by Athena (Parker Posey) and Lauren (Joey Lauren Adams), and a party guest, Sid (Quentin Tarantino), delivers a memorable treatise on the homoerotic subtext of Top Gun (1986). ~ Karl Williams, All Movie Guide
- Starring:
- Eric Stoltz, Meg Tilly, (more)
- 1995
- R
A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide
- Starring:
- Bill Sage, Parker Posey, (more)
Billed as "a heterosexual movie by Gregg Araki," The Doom Generation is the director's self-styled bad-taste teen film. Amy Blue (Rose McGowan) is an obnoxious teenage speed freak and her boyfriend Jordan White (James Duval) is a passive, slow-witted poseur who won't have sex with her because he's terrified of AIDS (even though they both claim to be virgins). One day, they run across Xavier Red (Johnathon Schaech), a charming but enigmatic drifter who has a bad habit of killing people. Joining the young couple on a seemingly endless road trip, Xavier (or "X,"as the verbally challenged Jordan insists on calling him), proves a threatening and repulsive yet strangely alluring companion whose very presence raises issues of loyalty and sexual identity. The Doom Generation is dotted with a variety of eccentric cameo appearances, including comic Margaret Cho, actress Parker Posey, musician Perry Farrell, "Hollywood Madame" Heidi Fleiss, and onetime Brady Bunch star Christopher Knight. This is the middle installment in Araki's "teen apocalypse trilogy," which also includes 1993's Totally F***ed Up and 1997's Nowhere. ~ Mark Deming, All Movie Guide
- Starring:
- James Duval, Rose McGowan, (more)
The debut feature from director Daisy von Scherler Mayer, Party Girl pretty much cemented Parker Posey's status as the indie-film "it girl" of the 1990s. Posey stars as Mary, a fun-loving and irresponsible twentysomething New Yorker who prefers throwing bashes at her loft to pay the rent over getting a real job. But when one of her shindigs gets broken up by the cops, Mary lands in the slammer and is forced to enlist the help of her librarian godmother, Judy (Sasha von Scherler, the director's mother). In order to prove that she's not the layabout she seems to be, Mary begins working at the library with Judy. Party Girl was nominated for the Grand Jury Prize at the 1995 Sundance Film Festival and was later turned into a short-lived Fox sitcom. ~ Matthew Tobey, All Movie Guide
- Starring:
- Parker Posey, Omar Townsend, (more)
Inspired by the advent of Seattle's grunge music sound and popular films such as Slacker (1991) and Singles (1992), the Generation X comedy-drama was born. Typified by characters in their early twenties sharing an abundance of education, a lack of career direction, stunted romantic aspirations and an obsession with popular culture, one of the better examples of the genre was Kicking and Screaming. Josh Hamilton stars as Grover, a recent college graduate and aspiring writer depressed over the departure of his girlfriend Jane (Olivia d'Abo) for a fellowship in Prague. Josh's best friends are in a similar predicament. Skippy (Jason Wiles) is a classic slacker couch potato still attending classes despite having graduated, while the philosophical Max (Chris Eigeman) and Otis (Carlos Jacott), a mechanical engineer, both remain unemployed. Tenth-year student Chet (Eric Stoltz), who works at a local bar and has still not finished his education, serves as a cautionary tale for the four unmotivated pals. Kicking and Screaming was the debut of writer and director Noah Baumbach and the first of several cinematic collaborations between him and actors Eigeman and Stoltz. ~ Karl Williams, All Movie Guide
- Starring:
- Josh Hamilton, Olivia D'Abo, (more)
A man pursues his sexual obsessions to their darkest and most dangerous extremes in this gay-themed drama based on a novel by Dennis Cooper. Dennis (Michael Gunther) is a gay man, who as a teenager developed a perverse attraction to violent pornography and simulated snuff photographs, which he describes in great detail in a series of letters to his former lover Julian (Jaie Laplante). As Dennis grows older, his fascination with the darker side of the sexual underground grows more intense, and in time he meets Henry (Craig Chester), a masochist who posed for some of the pictures that sparked his interest in S&M. When Dennis learns that Henry was murdered, he weaves the incident into an elaborate fantasy, in which Dennis suffers a painful death in a dungeon of erotic torture. In time, Dennis graduates from violent fantasies to sadistic interludes with a male prostitute (Michael Stock) and eventually plans a series of sexually-oriented murders, concluding with an episode in which Dennis and two collaborators (Parker Posey and James Lyons) drug a young punk (Alexis Arquette) into unconsciousness. After having group sex, Dennis and his cohorts murder the punk. As one might expect, Frisk proved to be highly controversial and received a sharply divided reaction in its screening as the closing night attraction at the 1996 San Francisco International Lesbian and Gay Film Festival; some hailed it as a disturbing and iconoclastic masterpiece, while roughly half the audience angrily stormed out of the theater before the film's conclusion. ~ Mark Deming, All Movie Guide
- Starring:
- Michael Gunther, Parker Posey, (more)
The city of Blaine, Missouri is celebrating its sesquicentennial, and what better reason could there be to put on a show? Corky St. Claire (Christopher Guest), current leader of Blaine's community theater group and creator of a stage musical version of Backdraft that led to the unfortunate destruction of the theater, has been commissioned to put together a musical about the city's noble history, "Red, White and Blaine," which stars a variety of the town's theatrical talent. Corky's cast includes Ron and Sheila Albertson (Fred Willard and Catherine O'Hara), a pair of married travel agents that Corky calls "the Lunts of Blaine;" Allan Pearl (Eugene Levy), a dentist who insists that he wasn't the class clown in high school but did sit next to him; Libby Mae Brown (Parker Posey), a sweet young thing who lives for her job at the Dairy Queen; and Clifford Wooley (Lewis Arquette), an "Old Blainian" who makes gun racks from deer hooves. Somehow, Corky has persuaded a major theatrical producer in New York to send a representative to look at the show -- is it possible that "Red, White and Blaine" could be headed to Broadway? Christopher Guest directed and co-wrote this very funny mock-documentary, in addition to playing the flamboyant Corky; Guests's partners from This Is Spinal Tap, Michael McKean and Harry Shearer, helped write the memorable songs for "Red, White and Blaine." ~ Mark Deming, All Movie Guide
- Starring:
- Christopher Guest, Eugene Levy, (more)
Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide
- Starring:
- Jeffrey Wright, Michael Wincott, (more)
- 1996
- R
The debut from writer/director Greg Mottola, The Daytrippers follows a Long Island family as they make a disastrous journey into New York City. The impetus is a love letter discovered by suburbanite Eliza (Hope Davis) which seemingly incriminates her publisher husband Louis (Stanley Tucci) in an extramarital affair. To solve the mystery, Eliza, her parents (Anne Meara and Pat McNamara), her oddball sister Jo (Parker Posey) and Jo's boyfriend Carl (Liev Schreiber) all pile into the family station wagon in a misbegotten attempt to track Louis down. Beginning as a playful, satiric look at family dynamics, The Daytrippers occasionally loses its way, becoming increasingly dark and venomous as it rushes towards the revelations of its final moments. For all of its flaws, however, it's often an engaging debut. ~ Jason Ankeny, All Movie Guide
- Starring:
- Hope Davis, Pat McNamara, (more)
Simon Grim (James Urbaniak) is a garbageman, and his life is about as unpleasant and uneventful as you'd expect given his profession; he doesn't much care for his work, he's treated with violence or contempt by most of the people in his neighborhood, and he shares a house with Mary (Maria Porter), his cranky, pill-head mother, and Fay (Parker Posey), his morally suggestible sister. One day, Henry Fool (Thomas Jay Ryan) appears; he claims to be a writer in the midst of a major project, entitled "Confessions," and needs a place to stay. Henry ends up moving in with Simon and his family, where he wastes no time in bedding both Mary and Fay, and encourages Simon to write in a journal. Simon begins to write in long torrents of words that surprisingly fall together into iambic pentameter; Henry tells Simon that what he's writing is poetry, and he's truly gifted. Simon seems dubious at first, but when several of Simon's pieces are posted on the Internet, he developes a huge and rabid following and is acclaimed as one of the great authors of our time. Henry, however, isn't able to get anywhere with his own book or his own life; as Simon's star slowly rises, Henry's orbit slowly sinks past the horizon. ~ Mark Deming, All Movie Guide
- Starring:
- Thomas Jay Ryan, James Urbaniak, (more)
An Alcoholics Anonymous meeting brings together a disparate group of people struggling with addiction to drugs and liquor in this film based on Gary Lennon's play "Blackout." Jim (Richard Lewis) is in a bad mood as he sits in on an AA meeting in the basement of a church in New York City; he's prodded into speaking in front of the group for the first time in seven months, and he confesses that he desperately wants to get drunk. Three years before, Jim gave up a decade of dependence on booze and heroin for the sake of his wife, who has just died unexpectedly of an aneurysm, and before long, Jim runs out in search of a bottle. Meanwhile, the other members of the group share their own stories about their problems with substance abuse, including Rachel (Dianne Wiest), a physician who tries to uses her job to fill the void in her life left by the departure of her husband and son; Joseph (Howard Rollins), whose drunk driving put his five-year-old son in the hospital; Debbie (Parker Posey), a young woman who wishes she could have been Janis Joplin; Shelly (Amanda Plummer), whose force of will is being tested by an upcoming visit from her mother; Becky (Faye Dunnaway), a divorcee who is not sure how she'll handle losing custody of her child; Brenda (Lisa Gay Hamilton), an HIV-positive former junkie who was stealing syringes from her diabetic mother; and Louis (Spalding Gray), who is actually looking for the choir practice at the church; he then goes into a rhapsodic ode to the pleasures of beer which suggests that he has his own problems with the bottle. Drunks was the first feature film for director/producer Peter Cohn. ~ Mark Deming, All Movie Guide
- Starring:
- Richard Lewis, Faye Dunaway, (more)
Director Richard Linklater and writer/actor Eric Bogosian collaborated on this adaptation of Bogosian's play about a handful of people edging into their 20's who seem like the poor relations of the genial eccentrics in Linklater's Slacker. While the Texas bohemians in Slacker has their myriad obsessions to keep them occupied (even if they didn't do much about them), SubUrbia's protagonists have few if any clear goals and hang out not as a means of killing time, but as a way of life. Jeff (Giovanni Ribisi) talks about going back to college some day while he lives in a tent in his parents' garage. His girlfriend Sooze (Amie Carey) imagines herself a performance artist; most of her "work" is displayed in he parking lot of a convenience store, though she often talks about moving to New York. Tim (Nicky Katt) was bounced from the Air Force and spends his evenings soaking up alcohol and bitterness. Buff (Steve Zahn) is obsessed with pizza and is content with his reputation as the wacky guy who will do anything. And Bee-Bee (Dina Spybey) is Sooze's best friend, just out of rehab, with her willpower hanging by a thread. It's a big night in front of the convenience store; Pony (Jayce Bartok), who used to play guitar at school dances, has become a rock star, and promises to stop by after his show at the local hockey arena (none of his friends have the money to see him play). Meanwhile, the American work ethic is represented by Nazeer (Ajay Naidu), an immigrant from Pakistan who runs the store where the kids hang out; he's sick to death of them, and lives for the day when he gets his engineering degree and never has to see their faces again. Bogosian has said this play (and in particular the character of Jeff) was freely drawn from his own post-teenage years. ~ Mark Deming, All Movie Guide
- Starring:
- Jayce Bartok, Amie Carey, (more)
Four women reflect on their lowly place in the corporate caste system in this dryly satiric comedy. Iris (Toni Collette) is a college graduate who hasn't decided what she wants to do with her life, except that she doesn't want the job her father has lined up for her at a frozen food company. While pretending to look for other work, she signs on with a temp agency, which sends her out to do office work for Global Credit, a particularly faceless corporation where the permanent employees go out of their way to avoid the temps. Iris is very much aware that she's at the bottom rung at Global, and she bonds with three other women in the temp pool. Paula (Lisa Kudrow) talks about her career as an actress and insists that she will only temp until one of her auditions pans out. Jane (Alanna Ubach) prattles on about her wealthy fiancé, although her friends are convinced that he's cheating on her. And Margaret (Parker Posey) is at once the rebel of the group, regarding her job and general office procedure with a barely disguised contempt, and the one who most desperately wants a "real" job with Global. When office supplies and various personal items start to disappear, all signs point to one of the temp workers (most likely Margaret), though none will own up to any wrongdoing. Clockwatchers was the directorial debut for filmmaker Jill Sprecher, who co-wrote the screenplay with her sister Karen Sprecher. ~ Mark Deming, All Movie Guide
- Starring:
- Toni Collette, Parker Posey, (more)
A wealthy young man wants to wed a painfully ordinary girl, and a few hours with his family will convince anyone why he's doing so in this black comedy. Marty Pascal (Josh Hamilton) is engaged to marry Lesly (Tori Spelling), a dizzy blonde he met when she was working at a doughnut shop, and he bravely decides that it's time she met his family, so he brings her along for Thanksgiving dinner at his mother's house in West Virginia. Bravery is necessary because the Pascals are not an especially healthy or wholesome family. Mother (Genevieve Bujold) explains her philosophy about parenting like so: "You raise cattle; children just happen." In this environment, where refusing your child anything is all but unknown, her youngest son Anthony (Freddie Prinze, Jr.) has grown up to be an overanxious virgin eager to seduce Lesly while Marty's not paying attention. And Marty's twin sister Jackie (Parker Posey), malignily obsessed with Jacqueline Kennedy Onassis, often re-enacts the murder of JFK using spaghetti sauce for blood (when she can't get ahold of real bullets) and enjoys incestuously seducing Marty (which hardly bothers Mother, who notes that "Jackie's hand was holding Marty's penis when they came out the womb"). The House of Yes was based on the play by Wendy MacLeod; first time director Mark S. Waters (brother of screenwriter Daniel Waters) also adapted the screenplay. ~ Mark Deming, All Movie Guide
- Starring:
- Parker Posey, Josh Hamilton, (more)
The Sundance Channel produced this guided tour through the world of independent films and filmmakers, tossing out the statistic that the movement has escalated from some 50 films in 1985, to 800 in 1997. Interview segments include Sundance fest director Geoffrey Gilmore, fest programmer Bob Hawk, writer-director Greg Mottola, producer Steven Soderbergh, critic Roger Ebert, and directors Sydney Pollack and Kevin Smith. Filmed in L.A., N.Y., and Park City, Utah, this hour-long documentary premiered on the Sundance Channel on January 15, 1997, the opening night of the 1997 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide
In this British-French comedy of manners, Parker Posey stars as Margaret, an award-winning writer of bawdy novels who's grown vaguely dissatisfied with her life in Manhattan -- and her marriage to Edward (Jeremy Northam), a junior poetry professor. Engrossed in the sexually charged 18th century French diary she's adapting for her next book, Margaret heads on a research trip to France only to discover that the chateau at which the diary was written has been turned into a nunnery full of singing sisters. Nevertheless allowing her fertile imagination to get away from her, Margaret experiences the events of the diary as a series of naughty daydreams, simultaneously becoming besotted with Martin (Patrick Bruel), the French music producer who's currently cutting an album with the nuns. When Margaret returns to New York, Martin follows, setting the stage for all sorts of romantic entanglements in Margaret's lofty social circle, which includes Till (Elizabeth McGovern), her playwright sister, and Lily, a bisexual socialite. The feature debut of documentarian Brian Skeet, Misadventures received only a belated video release in America, excised of much of its overt sexuality, including a full-frontal shot of an entire soccer team. What remained, however, was still quite sexy and grown-up. London pop combo Saint Etienne's music didn't fare as well. Although the group's 20-song soundtrack eventually came out in Japan under the title The Misadventures of Saint Etienne, only a few tracks made it into the actual film; in fact, a different subset was included in the American and continental releases. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Parker Posey, Jeremy Northam, (more)
- 1998
Armistead Maupin calls the three-story wooden house at 28 Barbary Lane in San Francisco "my homestead, my Tara." He began his portrait of Barbary Lane life during the '70s in a daily newspaper serial, expanding the material into a series of six novels. PBS aired the original TV miniseries in 1994, but threats and pressures prompted PBS to drop their plans for a follow-up, leaving an unresolved cliffhanger for four years. Several members of the original PBS cast were reunited for this six-part Showtime sequel (adapted from Maupin's second novel in the series), set in San Francisco of 1977. It picks up the threads of the story six weeks after the point where the PBS miniseries ended. When Mary Ann Singleton (Laura Linney), hoping for romance, and her cynical gay friend Michael (Paul Hopkins) take a Mexican cruise, Mary Ann meets amnesia victim Burke Andrew (Colin Ferguson) and Michael runs into his former lover, Dr. Jon Fielding (William Campbell). Michael's roommate Mona Ramsey (Nina Siemaszko), in a purple haze of pot and angel dust, answers phones at a Reno brothel owned by Mother Mucca (Jackie Burroughs). Mona learns about her lineage and also about Anna Madrigal (Olympia Dukakis), the former Mr. Madrigal. Rich widow Frannie (Diana LeBlanc) finds a cure for her depression at the rural resort Pinus, where society ladies celebrate their 60th birthdays with youthful houseboys. Beauchamp Day (Thomas Gibson) is married to Frannie's pregnant daughter DeDe (Barbara Garrick), but Beauchamp isn't the father. Locations include San Francisco, Montreal (substituting for some areas of San Francisco), and Zihuatanejo, Mexico. Premiered June 7, 1998 on Showtime. ~ Bhob Stewart, All Movie Guide
- Starring:
- Laura Linney, Olympia Dukakis, (more)
Sleepless in Seattle director Nora Ephron originally made a name for herself as the writer of romantic comedies such as Heartburn and When Harry Met Sally. She continues the genre with You've Got Mail, marking her second collaboration with actors Tom Hanks and Meg Ryan. The story brings romance and courtship into the electronic age of the World Wide Web via e-mail and chat rooms. Joe Fox (Hanks) and Kathleen Kelly (Ryan) live and work blocks from each other on New York City's Upper West Side. Their lives are practically intertwined. They both shop at the same place, frequent the same coffee shop, and even own competing bookstores on the same street. They also both have significant others of their own. Joe has the overly hyper book editor Patricia Eden (Parker Posey), while Kathleen lives with the scholarly newspaper columnist Frank Navasky (Greg Kinnear). Then they meet in a chat room. Though they keep their identities secret (they're known only by screen names "NY152" and "Shopgirl"), they tell each other everything about their lives, including their private feelings, which slowly turn into affection for each other. When Joe decides to open a new branch of his "Foxbooks" chain that risks putting Kathleen's "Shop Around the Corner" out of business, the tension between them escalates. Surely her boutique business will be lost to the conglomerate with a built-in newsstand and coffee bar. When Joe sees Kathleen waiting for him in the restaurant where they agreed to meet up, he puts two and two together, but cannot face her, given their agreement not to reveal each others' names and professions. How can he reveal himself to her now, knowing that he is the cause of her misery? Hopefully, love will conquer all. ~ Chris Gore, All Movie Guide
