Isaach de Bankolé Movies

In this drama directed and co-written by Claire Denis, Isabelle Huppert plays Maria, a white French expatriate living in an African nation that has fallen into political chaos. Maria owns a coffee plantation, and regards her property as her personal domain; she's not about to give up her land, though her stubborn attitude prevents her from admitting that she's putting those close to her in danger, or even acknowledging the gravity of her situation. Maria has two children with her former husband, André (Christopher Lambert), a young adopted boy and dissatisfied twentysomething Manuel (Nicolas Duvauchelle). André is deeply concerned for the safety of Maria and their sons, and has made plans for her and the boys to flee to Europe, but Maria insists that the military will protect her and the others in the area, a belief that seems to be fueled by arrogance rather than fact. White Material received its North American premiere at the 2009 Toronto International Film Festival. ~ Mark Deming, Rovi

Actor-turned-filmmaker Stuart Townsend makes his screenwriting and directorial debut with this ensemble film set during the 1999 World Trade Organization meeting in Seattle and presenting the riots that swept through the streets during the five-day conference from the perspectives of police, protestors, and city officials. A typically laid-back Northwestern city, Seattle would erupt into violence when, for five days in 1999, tens of thousands of protestors flooded the streets to voice their disapproval of the high-profile World Trade Organization conference. Among that sea of protestors are Django (André Benjamin), Sam (Jennifer Carpenter), Jay (Martin Henderson), and Lou (Michelle Rodriguez) -- each convinced that the stakes go beyond politics and equally determined to make a difference by ensuring that their voice of dissent is heard by the masses. At first the demonstration is peaceful, but in an instant the streets explode and the WTO is paralyzed. As a full-scale riot commences and a state of emergency is declared, the residents of Seattle are caught in the crossfire between protestors and police. With beleaguered mayor Jim Tobin (Ray Liotta) scrambling to diffuse tensions and riot cop Dale Anderson (Woody Harrelson) racing to protect his pregnant wife, Ella (Charlize Theron), everyone involved is forced to make difficult decisions that are sure to change their lives forever. ~ Jason Buchanan, Rovi

Writer and director Michael Mann updates the groundbreaking television crime series he created in the 1980s with this stylish thriller. Ricardo Tubbs (Jamie Foxx) and Sonny Crockett (Colin Farrell) are two police detectives working undercover in Florida; Tubbs is smart, cool, and resourceful, while Crockett has his own way of doing things, though he stays close enough to the rules to stay out of trouble. Their latest assignment is to get the goods on Arcangel de Jesus Montoya (Luis Tosar), a local drug kingpin whose men are believed to be responsible for a handful of recent murders. In order to infiltrate Montoya's operation, Tubbs and Crockett pose as powerboat racers willing to use their talents to pilot drug-smuggling ships for the right price. The detectives' ruse works, but as they dig deeper into Montoya's inner circle, they become involved in a dangerous operation that will take them to Haiti and Cuba, where neither the Miami Police Force nor the United States government can help them if things go wrong. Crockett also begins walking a risky path when he begins an affair with Isabella (Gong Li), a woman high up in Montoya's organization. Miami Vice marked Michael Mann's third consecutive directorial effort with Jamie Foxx after Ali and Collateral. ~ Mark Deming, Rovi

Actor Daniel Craig assumes the role formerly occupied by such screen greats as Sean Connery, Roger Moore, and Timothy Dalton to set out on the character's very first 007 mission. James Bond has earned his "00" status by masterfully executing a pair of death-defying professional assassinations. Now assigned the task of traveling to Madagascar to spy on notorious terrorist Mollaka (Sebastien Foucan) for his maiden voyage as a 007 agent, Bond boldly goes against MI6 policy to launch an independent investigation that finds him traversing the Bahamas in search of Mollaka's notoriously elusive terror cell. Subsequently led into the company of the mysterious Dimitrios (Simon Abkarian) and his exotic girlfriend, Solange (Caterina Murino), Bond soon realizes that he is closer than ever to locating well-guarded terrorist financier Le Chiffre (Mads Mikkelsen), the man who has personally bankrolled some of the most prevalent terrorist organizations on the planet. When Bond learns that Le Chiffre is planning to partake in an upcoming high-stakes poker game to be played at Montenegro's Le Casino Royale and use the winnings to establish his financial grip on the globe, M (Judi Dench) assigns beguiling agent Vesper (Eva Green) the task of watching over the fledgling agent as he plays against Le Chiffre in a covert attempt to destroy the nefarious gambler's well-established monetary stronghold in the underworld once and for all. Bond will need more than his legendary gambling skills in order to win this dangerous game, though, and after allying himself with local MI6 field agent Mathis (Giancarlo Giannini) and CIA operative Felix Leiter (Jeffrey Wright), the endlessly suave super-spy puts on his poker face for a high-stakes game of cards in which the stakes are not measured in dollars, but human lives. ~ Jason Buchanan, Rovi

Not to be confused with the 1987 Bob Rafelson/Debra Winger thriller of the same title, the 2005 Black Widow stars Giada Colagrande as Eleanora, a woman amorously involved with the shady and eccentric Karl. When Karl dies, Eleanora embarks on a trip to his bizarre home -- known as 'The Rubber House' -- in an aggressive attempt to uncover her paramour's darkest and strangest secrets. Once there, she becomes erotically involved with the residence's weird caretaker, Leslie (Willem Dafoe) -- little realizing that he harbors bizarre, hidden eccentricities to rival anything in Karl's life. Colagrande directs, from an original script that she and Dafoe (real-life husband and wife) co-authored. ~ Nathan Southern, Rovi

A man struggling to save the life of another finds himself drawn into a strange netherworld he didn't know existed in this stylish thriller. Sam Foster (Ewan McGregor) is a psychiatrist living in New York City with his girlfriend, Lila Culpepper (Naomi Watts), who was once one of his patients. However, it's another one of his patients who becomes the focus of his obsessions when Henry Letham (Ryan Gosling), a disturbed young man whom Foster took over from a colleague, announces during a session that he intends to commit suicide in three days, on his 21st birthday. Sam takes the threat quite seriously and tries to track down Henry, who seems to have disappeared. Sam speaks to a number of Henry's friends and acquaintances -- his mother (Kate Burton), the man he claimed was his father, Dr. Leon Patterson (Bob Hoskins), a waitress who regularly served Henry at the coffee shop where she works (Elizabeth Reaser), and his former therapist Dr. Beth Levy (Janeane Garofalo). As Sam talks to people in Henry's circle, he finds he's learning more about himself than the man he's supposed to save, and he begins to drift into an emotional netherworld where the supposedly dead and the living cross paths. Stay was directed by Marc Forster, who had previously enjoyed breakthrough hits with two very different films, Monster's Ball and Finding Neverland. ~ Mark Deming, Rovi

A despondent Brooklyn housewife whose life has become a boring and predictable routine finds her entire perception of the universe changed upon experiencing a close-encounter in her very own kitchen. Joanne Schwartzbaum (Cara Buono) has been sleepwalking her way through life for as far back as she can remember, but when an alien force reveals itself to her she is instantly snapped out of her complacent existence. Upon seeing a flier for a UFO support group during her weekly outing to the grocery store, Joanne determines to attend the meeting in hopes that it will provide her with a better understanding of her strange experience. When Joanne strikes up a friendly conversation with African immigrant Abraham Kanga (Isaach De Bankole) and realizes that they have both been branded by their extraterrestrial abductors, she enlists the aid of the amiable cab driver and market worker in solving the perplexing mystery. In the days that follow Joanne's frantic sleuthing activities become increasingly troubling to her incredulous husband Brain (David Lansbury), who soon begins to suspect that his wife is having an affair. Later, when Joanne sees a television news broadcast announcing the discovery of an unusual papyrus Egyptian scroll, she enlists the aid of her UFO support group to break into the Brooklyn Art Museum, snatch the curious artifact, and save the human race. Director Barry Strugatz helms a sci-fi spoof that gleefully pays homage to the B-movie hits of yesteryear while offering an absorbing tale of one woman's quest to stave off an impending alien invasion. ~ Jason Buchanan, Rovi

The sophomore effort from writer/director Joe Brewster, this psychological drama centers on Malcolm (Isaach de Bankolé), a man who sees his entire reality torn apart when his father is suddenly murdered. In the aftermath of the killing, Malcolm reflects for the first time on his life which began in poverty in Nigeria before he was adopted and brought to the United States. For his performance in The Killing Zone, de Bankolé was given the Outstanding Achievement Award at the 2003 New York VisionFest. ~ Matthew Tobey, Rovi

Frieder Schlaich directs this horrific look at racism in modern Germany. Loosely based on a real-life incident that scandalized Stuttgart in 1989, the film recounts the final day of a Liberian political refugee. Otomo (Isaach de Bankole) cannot find even the most modest of jobs because of his race. Everyone from his fellow boarding house patrons to his fellow churchgoers treat him with contempt and disdain. His long-simmering rage boils over when he finds himself involved in a scuffle with a racist subway ticket collector. Otomo flees the scene after slightly injuring the man, leaving his identification papers behind in the process. Soon ultra-ambitious cop Heinz is hot on his trail, hoping to boost his career by nailing a "dangerous fugitive." ~ Jonathan Crow, Rovi

In the romantic comedy Cherry, Leila Sweet (Shalom Harlow) has begun to hear the faint rumblings of her biological clock at the age of 29. This isn't unusual in itself, but Leila's key obstacle in her dilemma about having a child is rather uncommon -- she's still a virgin. Leila was stood up at the altar ten years ago and promptly swore off men forever; since then, she graduated from Harvard and moved to New York City, where she runs a muffin shop and keeps a dog for company. Leila is now determined to have a baby but isn't willing to forgive the enemy in the process, so she begins advertising for sperm donors willing to assist in artificial insemination. However, most of the respondents remind her why she gave up on men in the first place. Circumstances soon force her to take a closer look at two of her neighbors who seem fond of her -- a professional clown named Eddie (Donovan Leitch) and a gynecologist named, we kid you not, Beverly Kirk (Jake Weber). While Leila weighs her options, Beverly meets a pair of sweet-natured street kids in dire need of a loving mother. Shalom Harlow, who played Matt Dillon's dim-witted super model girlfriend in In & Out, gives an able comic performance as the most beautiful 29-year-old virgin in New York in this film, which was screened at the 1999 Los Angeles Independent Film Festival. ~ Mark Deming, Rovi

James Ivory directed this drama adapted from Kaylie Jones's 1990 autobiographical novel in which the character Bill Willis is based on her father, James Jones, author of From Here to Eternity and A Thin Red Line. Ruth Prawer Jhabvala's screenplay about expatriate Americans in Paris during the 1960s/1970s offers a portrait of a normal family (as opposed to the dysfunctional families of The Ice Storm and many other 1990s films), seen from the point of view of daughter Channe. Her father is Bill Willis (Kris Kristofferson), a successful novelist and WWII veteran who's married to enthusiastic poker-player Marcella (Barbara Hershey). Divided like the sections of a novel, the story's first chapter is titled, "Billy," in which French orphan Benoit (Samuel Gruen) is brought to the Willis household for adoption, while his unmarried biological mother (Virginie Ledoyen) writes about him in her diary. Six-year-old Benoit has been shipped through so many orphanages and foster homes that he doesn't unpack his suitcase. Benoit's presence prompts the young Channe (Luisa Conlon) to turn to her protective Portuguese nanny Candida (Dominique Blanc). After Benoit becomes acclimated to his new family, he asks that his name be changed to Billy. In the second segment "Francis" a strong friendship develops between Channe (Leelee Sobieski) and fatherless Francis Fortescue (Anthony Roth Costanzo). Obsessed with opera, Francis lives with his expatriate British mother (Jane Birkin). The family's French idyll is disrupted when Bill Willis plans a return to the United States because he wants American doctors to treat his bad heart. The closing act "Daddy" takes place in North Carolina during the 1970s as Bill's health worsens, Billy (Jesse Bradford) grows up, and an alienated Channe seeks acceptance through sex. A bedridden Bill dictates his fiction to Channe, who transcribes tapes and types his manuscript pages. During intimate conversations about boys and sex, Willis helps his daughter find her footing on the path of life. This movie arrived only 14 weeks prior to the release of Terrence Malick's 1998 adaptation of the elder Jones' The Thin Red Line. Shown at 1998 film fests (Venice, Toronto). ~ Bhob Stewart, Rovi