Charles Dayton Movies

In this teen-sex laugher, a high-school Romeo is killed in a car accident but is able to return to life for a 24-hour period. During this time he chases after his dreamboat only to find she's not interested. So, he turns invisible at the most opportune times (for him) such as in the girls' shower room, etc. He's out to have as good a time as he can in the little time that he has. ~ Rovi

Previously filmed in 1931 under its original title, Theodore Dreiser's bulky but brilliant novel An American Tragedy was remade in 1951 by George Stevens as A Place in the Sun. Montgomery Clift stars as George Eastman, a handsome and charming but basically aimless young man who goes to work in a factory run by a distant, wealthy relative. Feeling lonely one evening, he has a brief rendezvous with assembly-line worker Alice Tripp (Shelley Winters), but he forgets all about her when he falls for dazzling socialite Angela Vickers (Elizabeth Taylor). Alice can't forget about him, though: she is pregnant with his child. Just when George's personal and professional futures seem assured, Alice demands that he marry her or she'll expose him to his society friends. This predicament sets in motion a chain of events that will ultimately include George's arrest and numerous other tragedies, including a vicious cross-examination by a D.A. played by future Perry Mason Raymond Burr. A huge improvement over the 1931 An American Tragedy, directed by Josef von Sternberg, A Place in the Sun softens some of the rough edges of Dreiser's naturalism, most notably in the passages pertaining to George's and Angela's romance. Even those 1951 bobbysoxers who wouldn't have been caught dead poring through the Dreiser original were mesmerized by the loving, near-erotic full facial closeups of Clift and Taylor as they pledge eternal devotion. A Place in the Sun won six Oscars, including Best Director, Best Adapted Screenplay, and Best Cinematography, although it lost Best Picture to An American in Paris. ~ Hal Erickson, Rovi

In this western, a cowboy rides out to avenge the death of his fiancee. Three outlaws are responsible for the murder. He finds the first and kills him. The second he finds has become a sergeant in the Seventh Cavalry. The third has become a storekeeper. Unfortunately, before he can kill them, they are all captured by the angry Indians. In captivity, the sergeant sacrifices his life to save the other two. The storekeeper rides off to warn Custer of an impending ambush. He is killed and the cowboy begins romancing the late storekeeper's daughter. The battle scenes in this western are exceptionally well done. ~ Sandra Brennan, Rovi

Billy Wilder's Sunset Boulevard ranks among the most scathing satires of Hollywood and the cruel fickleness of movie fandom. The story begins at the end as the body of Joe Gillis (William Holden) is fished out of a Hollywood swimming pool. From The Great Beyond, Joe details the circumstances of his untimely demise (originally, the film contained a lengthy prologue wherein the late Mr. Gillis told his tale to his fellow corpses in the city morgue, but this elicited such laughter during the preview that Wilder changed it). Hotly pursued by repo men, impoverished, indebted "boy wonder" screenwriter Gillis ducks into the garage of an apparently abandoned Sunset Boulevard mansion. Wandering into the spooky place, Joe encounters its owner, imperious silent star Norma Desmond (Gloria Swanson). Upon learning Joe's profession, Norma inveigles him into helping her with a comeback script that she's been working on for years. Joe realizes that the script is hopeless, but the money is good and he has nowhere else to go. Soon the cynical and opportunistic Joe becomes Norma's kept man. While they continue collaborating, Norma's loyal and protective chauffeur Max Von Mayerling (played by legendary filmmaker Erich von Stroheim) contemptuously watches from a distance. More melodramatic than funny, the screenplay by Wilder and Charles Brackett began life as a comedy about a has-been silent movie actress and the ambitious screenwriter who leeches off her. (Wilder originally offered the film to Mae West, Mary Pickford and Pola Negri. Montgomery Clift was the first choice for the part of opportunistic screenwriter Joe Gillis, but he refused, citing as "disgusting" the notion of a 25-year-old man being kept by a 50-year-old woman.) Andrew Lloyd Webber's long-running musical version has served as a tour-de-force for contemporary actresses ranging from Glenn Close to Betty Buckley to Diahann Carroll. ~ Hal Erickson, Rovi

In 1949, Paramount put together a film version of the radio series My Friend Irma. It was assumed that the main attraction would be scatter-brained Irma, delightfully played by Marie Wilson. Instead, the picture was stolen by a couple of young upstarts named Dean Martin and Jerry Lewis. Accordingly, My Friend Irma Goes West concentrates almost exclusively on Martin and Lewis, with poor Marie Wilson virtually consigned to a supporting role in her own picture. The story begins when Irma and her friends head westward on the incorrect assumption that Steve Laird (Dean Martin) has landed a movie contract. During the train trip to California, Steve's goonish pal Seymour (Jerry Lewis) is entrusted with a pet monkey, owned by movie star Yvonne Yvonne (Corinne Calvet). There's a contretemps with gangsters and a kidnapping before a happy ending can be realized. Some critics found Jerry Lewis' moronic mugging to be tasteless; others were too busy laughing to be upset. Having proven their mettle with the two My Friend Irma flicks, Martin and Lewis were awarded with their own vehicle, At War With the Army. ~ Hal Erickson, Rovi

After Ray Milland turned down the leading role in Bride of Vengeance, Paramount contractee John Lund stepped into the role of Alfonso D'Este, second husband of the notorious Lucrezia Borgia. The ruthlessly ambitious Lucrezia is played by Paulette Goddard, who seems ill at ease in the role. MacDonald Carey is better suited to his assignment as Cesar Borgia, the real villain of the piece. The plot proper gets under way when Lucrezia seeks revenge for her first husband's murder. The supporting cast is an odd lot, especially Billy Gilbert as Beppo, a wandering minstrel. A far better recreation of the Borgia "regime" was offered in the like-vintage Prince of Foxes. ~ Hal Erickson, Rovi