Daniel Day-Lewis

Writer-director Paul Thomas Anderson steps outside his contemporary world of dysfunctional Angelenos to explore a very different dysfunctional man -- an oil pioneer whose trailblazing spirit is equaled only by his murderous ambition. There Will Be Blood is Anderson's loose adaptation of the novel Oil! by Upton Sinclair, and it focuses its attentions on Daniel Plainview (Daniel Day-Lewis), a failed silver miner who happens upon black gold during a disastrous excavation that ends in a broken leg. Pulling himself up from the bowels of the earth, both literally and metaphorically, Plainview embarks on a systematic and steadfast approach to mastering the oil business. Using plain-spoken and straightforward language, and accompanied by his young son, H.W. (Dillon Freasier), Plainview launches a campaign to convince small-town property owners they should let him drill their land. Without him, they won't have the equipment to access the profit beneath their feet. He builds an empire this way -- and gradually becomes obsessed with the intrinsic value of power, growing increasingly irascible and paranoid in the process. Plainview meets his match in Eli Sunday (Paul Dano), a teenage preacher in the small California town of Little Boston, whose brother tipped Plainview off to the town's plentiful supply of untapped oil. To fully reap the benefits of the land, Plainview must suffer the opposing whims of this "prophet," whose legitimacy is questionable at best. And it's unclear either man is prepared to pay the humiliating price the other wants to exact. There Will Be Blood features an anachronistic percussive soundtrack by Radiohead's Jonny Greenwood, and it was shot in the same town where the James Dean epic Giant was filmed. ~ Derek Armstrong, All Movie Guide

The violent rise of gangland power in New York City at a time of massive political corruption and the city's evolution into a cultural melting pot set the stage for this lavish historical epic, which director Martin Scorsese finally brought to the screen almost 30 years after he first began to plan the project. In 1846, as waves of Irish immigrants poured into the New York neighborhood of Five Points, a number of citizens of British and Dutch heritage who were born in the United States began making an open display of their resentment toward the new arrivals. William Cutting (Daniel Day-Lewis), better known as "Bill the Butcher" for his deadly skill with a knife, bands his fellow "Native Americans" into a gang to take on the Irish immigrants; the immigrants in turn form a gang of their own, "The Dead Rabbits," organized by Priest Vallon (Liam Neeson). After an especially bloody clash between the Natives and the Rabbits leaves Vallon dead, his son goes missing; the boy ends up in a brutal reform school before returning to the Five Points in 1862 as Amsterdam (Leonardo DiCaprio). Now a strapping adult who has learned how to fight, Amsterdam has come to seek vengeance against Bill the Butcher, whose underworld control of the Five Points through violence and intimidation dovetails with the open corruption of New York politician "Boss" Tweed (Jim Broadbent). Amsterdam gradually penetrates Bill the Butcher's inner circle, and he soon becomes his trusted assistant. Amsterdam also finds himself falling for Jenny Everdeane (Cameron Diaz), a beautiful but street-smart thief who was once involved with Bill. Amsterdam is learning a great deal from Bill, but before he can turn the tables on the man who killed his father, Amsterdam's true identity is exposed, even though he has concealed it from nearly everyone, including Jenny. Gangs Of New York was the first film in two years from actor Leonardo DiCaprio; ironically, it was at one time scheduled to open on the same day as Catch Me if You Can, the Steven Spielberg project that DiCaprio began filming immediately after Gangs wrapped. ~ Mark Deming, All Movie Guide

When Arthur Miller's play The Crucible was first staged in 1953, it was widely acclaimed as a metaphor for the recklessness of Joseph McCarthy and his spurious crusade against communism. In its 1996 screen adaptation (scripted by Miller), the tone has been adjusted somewhat and plays as a warning against the dangers of political and religious extremism of all kinds. After a group of young women is accused of witchcraft in the Puritan community of Salem, Mass. in 1692, Abigail Williams (Winona Ryder) is held in suspicion of practicing magic. Abigail in turn levels charges against John Proctor (Daniel Day-Lewis) and his wife Elizabeth (Joan Allen). Abigail has a private grudge against the Proctors; while working as their servant, she had an affair with John, and when John ended the relationship and returned to his wife, Abigail was fired. Now the Reverend Parris (Bruce Davison) is hearing accusations and counter-accusations of misdeeds from all sides of the community in the wake of Abigail's charges, so he brings in Judge Danforth (Paul Scofield) to determine who is guilty or innocent. However, given the moral climate of the time, it seems someone has to be found guilty of witchcraft, even though firm evidence of wrongdoing is becoming hard to come by. This was the second screen version of The Crucible, though it was the first one in English; the previous version, filmed in France in 1956, starred Simone Signoret and Yves Montand. ~ Mark Deming, All Movie Guide

The My Left Foot team of star Daniel Day-Lewis and director Jim Sheridan were reunited to make this political docudrama about Irish citizen Gerry Conlon (Day-Lewis), who was wrongly convicted of taking part in an IRA bombing that killed five in Guildford, England in 1974. After a brutal interrogation forces him to sign a false confession, Gerry is sentenced to prison, his family is raked over the coals, and later his father Giuseppe (Pete Postelthwaite) is charged with being an accomplice and is also sent to prison where he lives out the last days of his life. Day-Lewis gives an outstanding performance as a man tormented by the injustice served him. Watch for Emma Thompson as the persevering lawyer who works for years, gathering evidence to clear Gerry's name. ~ Jason Ankeny, All Movie Guide

The British-Argentine Eversmile New Jersey is the sort of film that seems to be destined from the beginning to be limited to PBS and art-festival showings. Daniel Day-Lewis stars as Fergus O'Connell, an itinerant American dentist, offering his services gratis to the rural Argentine populace. He is able to do this because of the supposedly no-strings sponsorship of a "dental consciousness" foundation. While his motorbike is being repaired, O'Connell falls in love with Estela (Mirjana Jokovic), the garage-owner's daughter. Both lovers have prior commitment--he is married, she is engaged--but they go off together all the same. After a series of surrealistic adventures, O'Connell discovers that there's a subliminal price tag attached to his altruistic free services. ~ Hal Erickson, All Movie Guide

Though a fine cast was assembled for this comedy, none can save this embarrassingly humorless satire. Henderson Dores (Daniel-Day Lewis) is a very proper British art expert sent to rural Georgia by his boss to purchase a painting by Renoir. The present owner, hillbilly Loomis Gage (Harry Dean Stanton), claims he bought the painting for $500 in France in 1946. Dores offers $10 million, but Gage's scheming son Freeborn (Maury Chaykin) has made a deal with a rival art dealer for $15 million. Steven Wright plays Dores' business rival Pruitt with his typical deadpan charm, and Joan Cusack and Laurie Metcalf provide romantic interest. Tea and crumpets collide with moonshine and cornbread in this feature, but the results are unpalatable. ~ Dan Pavlides, All Movie Guide

Adapted by Ruth Prawer Jhabvala from the novel by E.M. Forster, A Room with a View is a shining example of Merchant-Ivory's ability to achieve maximum quality and opulence at minimum cost. Set during the Edwardian Era, the film stars Helena Bonham Carter as Lucy Honeychurch, who like all proper young British ladies is compelled to tour Europe in the company of an older chaperone -- in this instance, her spinster cousin Charlotte Bartlett (Maggie Smith). While in Italy, the ladies make the acquaintance of a wide variety of personalities; the most fascinating of their fellow tourists -- at least in Lucy's eyes -- is free-spirited George Emerson (Julian Sands). Aware that her cousin is becoming too familiar with Emerson, Charlotte demands that Lucy return to England posthaste. Lucy complacently settles for the tiresomely traditional courtship of nerdish Cecil Vyse (Daniel Day-Lewis) -- and then Mr. Emerson moves into the neighborhood. Lucy now finds herself on the horns of a dilemma: Should she opt for a safe, proper marriage to Cecil, or the bohemian unpredictability of the charismatic Emerson? A winner of three Academy Awards, A Room with a View is not what one could call fast-moving, but fans of the Merchant-Ivory team will enjoy luxuriating in the film's leisurely pace and stimulating cast of characters. ~ Hal Erickson, All Movie Guide

As this interesting drama wends its way through a state bureaucracy filled with a broad spectrum of characters all trying to protect their turf, it alludes to the writer Franz Kafka's views on governmental mazes and the nature of an unwanted physical transformation. Young Franz (Robert Hines) breaks out in a rash and goes to the insurance company to get the means to find out what is happening (he works with textile dyes and suspects a connection there). Instead of being helpful, the bureaucrats dismiss him until a certain Mr. Kafka (Daniel Day-Lewis) advances his own theories as to Franz's problem. Much later down the road, yet another possibility is ironically provided. ~ Eleanor Mannikka, All Movie Guide

This fourth film dramatization of the 1789 mutiny aboard the H.M.S. Bounty is based not on the familiar Nordhoff and Hall book, but on Richard Hough's novel Captain Bligh and Mr. Christian. This time, the infamous Captain Bligh (Anthony Hopkins) is as strict a disciplinarian as ever. He is, however, no monster; faced with his crew's increasing laxity after an idyllic visit to Tahiti (the search for breadfruit takes second place to limitless sex with the island girls), Bligh is forced to resort to flogging and other such means to keep his men in line. Mr. Christian (Mel Gibson), formerly Bligh's friend, is of little use to the captain, having fallen in love with a native girl himself. Christian becomes the leader of the mutiny virtually in spite of himself; and when the mutineers try to seek refuge on Tahiti, they find that the local chief wants no part of them, which is why they settle for the nearly uninhabitable Pitcairn. ~ Hal Erickson, All Movie Guide

A World War I infantryman facing execution after a court-martial learns that his scheduled killer is also his best friend. ~ Jason Ankeny, All Movie Guide