Vera Day Movies

The British town of Warlock is scandalized by Hazell's cottage-turned-tearoom with the local inspector found in a compromising situation and the marriage of Hazell to the mayor. ~ All Movie Guide

Diminutive pratfall comic Norman Wisdom, Britain's latter-day version of Charlie Chaplin, brought his trademark physical slapstick to this comedy. Wisdom plays Norman Pitkin, a simple butcher's assistant who accompanies his boss, Mr. Grimsdale (Edward Chapman) to the hospital after Grimsdale accidentally swallows a watch. There, it is determined that the watch will have to be removed surgically, but the clumsy Norman causes such a ruckus that he is ejected from the facility and banned from returning by the administrator, Sir Hector (Jerry Desmonde). Before he leaves, however, Norman manages to bring a smile to the face of Lindy (Lucy Appleby), a sad little girl who has been orphaned by a plane crash. Norman promised Lindy he would return, and his efforts to get back through the hospital doors by any means available (including making himself sick, getting hit by a car, and appearing on a charity television broadcast he knows the girl is watching) meet with an equal lack of success. ~ Karl Williams, All Movie Guide

In this murder mystery, the trouble begins when a young woman marries a British lawyer. Her jealous ex-boy friend gets his revenge by convincing her that she has killed her husband's ex-girl friend. The bride then offers him money to stay quiet and dispose of the corpse. Unfortunately, the dead woman's other ex-lover sees the two together. After getting his money from the bride, the crook takes the body to an isolated area. There he discovers that the woman is not feigning death; she has been killed by the ex-lover. ~ Sandra Brennan, All Movie Guide

Up the Creek is a mirthsome remake of the classic Will Hay comedy Oh, Mr. Porter (1937). Whereas the Hay film concerned an inept railroad stationmaster, the hero of the remake, Lt. Fairweather David Tomlinson, is an inept naval officer. Transferred to the HMS Berkeley, a decrepit WW2-vintage destroyer where he can do the least amount of damage, Fairweather teams up with his new bosun Peter Sellers for a variety of slightly larcenous money-making schemes. Things come to an uproarious conclusion when the admiralty shows up for an inspection of the Berkeley. Surprisingly, Up the Creek was filmed with full permission of the Royal Navy. ~ Hal Erickson, All Movie Guide

In this British comedy, an American falls in love with a British woman whose father hates all Yankees. The soldier's best buddy tries to mediate between the father and the soldier, but he fails. When the girl's younger brother stumbles into a mine field, the soldier saves him, causing the old man to reconsider and offer his blessing. ~ Sandra Brennan, All Movie Guide

There's a bit of Oedipus Rex in The Haunted Strangler, though it's not readily apparent at first. Boris Karloff plays 19th-century novelist James Rankin, who becomes obsessed with the long-closed case of the Haymarket Strangler. Twenty years earlier, a man named Styles (Michael Atkinson) was executed for the Strangler's crimes, but was he guilty? It turns out that the actual culprit was the surgeon who performed Styles' autopsy. Coming into possession of the surgeon's scalpel, Rankin is overwhelmed by mixed feelings of bloodlust and guilt. It is at this point that Rankin realizes that he is truly his own, and London's, worst enemy. Originally released in England as Grip of the Strangler, The Haunted Strangler was distributed by MGM in 1961. ~ Hal Erickson, All Movie Guide

Dr. James Moran (George Coulouris) is a scientist whose goals are beyond the pale of established medical science. While on an expedition to a remote part of the Amazon jungles, he encounters a huge plant being worshipped by a mysterious race descended from the Incas -- a plant that feeds off of women, devouring them almost like a giant Venus flytrap, and which also generates a fluid that can bring the dead back to life. Five years later, Moran has moved the plant into a laboratory in his basement, complete with a member of the tribe of worshipers who is capable of caring for it, and begins to experiment with it -- but he must find women to feed to it. Moran believes that using his scientific approach, the plant's sap will not only reanimate the dead, but could give its recipients immortality. He proceeds with his experiments despite the inquiries of the police, who are investigating the disappearances of several young women. He adds to the inevitable complications of his deceit when he brings in a pretty local girl (Vera Day) to assist his middle-aged housekeeper (Joyce Gregg), evoking deep and ultimately murderous jealousy from the older woman, who loves the doctor and also hasn't a clue as to what he's been up to in the basement laboratory, which is always locked. He's forced to kill her, and she becomes the object of his first serum experiment -- but she returns to life as a mindless zombie, and Moran realizes that all of his work, and the murders he's committed, have been for nothing. He recognizes that he has a monstrosity in his home, but it's still protected by that tribesman, who cares about nothing except the good of the plant. ~ Bruce Eder, All Movie Guide

The title of the Anglo-American The Prince and the Showgirl could well have alluded to the genuine stations in life of stars Sir Laurence Olivier and Marilyn Monroe. Based on the Terence Rattigan play The Sleeping Prince, the film casts Olivier as Charles, prince regent of Carpathia, who is in London to attend the 1911 coronation of King George V. Monroe is deceptively dizzy American chorus girl Elsie Marina, who while performing in a West End revue catches Charles' eye. The prince arranges for Elsie to attend an "intimate supper" at his hotel suite. Though Elsie successfully wards off Charles' advances, she drinks too much bubbly and ends up falling asleep. Comes the dawn, and Prince Charles is anxious to show the awkward Elsie the door. She, however, has fallen in love with the prince, and sticks around long enough to upset a plan to overthrow the Carpathian throne, and to patch up a feud between Charles and his son Nicholas (Jeremy Spencer). Olivier directed as well as starred in The Prince and the Showgirl; he knew he had his work cut out for him in dealing with the mercurial Marilyn Monroe, but he managed to hold his temper and to extract a delightful comic performance from the actress. Alas, the film was a box-office disappointment, leading many Hollywood insiders to moan and wail that Monroe was "washed up" in films -- at least until her spectacular comeback in Billy Wilder's Some Like It Hot (1959). ~ Hal Erickson, All Movie Guide

In this drama, a construction contractor gets into trouble when he inadvertently receives some stolen property. This makes it even more difficult for him to frantically finish a housing estate designed to harbor a visiting princess. ~ Sandra Brennan, All Movie Guide

Droll British farceur Fred Emney is the star of Fun at St. Fanny's. Emney plays Dr. Septimus Jankers, headmaster of an exclusive boy's college. When the insititution is threatened with a shutdown instigated by its creditors, Dr. Jankers decides to "shake down" a wealthy, middle-aged student threatening to withhold that worthy's long-overdue student accreditation. The overaged "schoolboy" is played by music hall-TV comedian Cardew Robinson, who in 1956 was at the height of his popularity--so much so that he plays "himself'. Fun at St. Fanny's is chock full of the sort of healthily vulgar humor indigenous to the British stage of the 1940s and 1950s; even the title is a cheeky double-entendre. ~ Hal Erickson, All Movie Guide

The "little lady" in this British melodrama is the amply proportioned Mai Zetterling. The actress plays prima ballerina Nina Gordon, who is exploited by her avaricious husband Mark (Terene Morgan). During a celebration of Nina's triumphal debut at the Royal Opera House, she discovers that Mark is not only greedy, but unfaithful. She becomes so upset by this that she drives off madly into the night, breaking her leg in a motor accident. Told that she'll never dance again, Nina is callously abandoned by Mark. With the help of a kindly doctor (Guy Rolfe), Nina is able to walk once more--and to live her life vicariously through her talented daughter (Mandy Miller) When Mark reenters Nina's life, intending to take control of the daughter's dancing career, it is he who emerges the loser--and how! Dance Little Lady was one of several ballet dramas produced in the wake of the phenominally successful The Red Shoes (1948). ~ Hal Erickson, All Movie Guide