Laraine Day Movies

Bob Steele once again goes in search for the outlaw who murdered his father in this average Western released by Republic Pictures. The killer, Jim Hatfield (Warner Richmond), is holed up in a South-of-the-Border cantina from whence he runs a series of cattle rustlings and assorted other crimes. The Hatfield gang kidnaps Don (David Sharpe), the young brother of waitress Jean Williams (Lorraine Hayes), and forces him to sign over some traveler's checks to Hatfield. Allowing himself to be captured by the gang, newly deputized Dave Austin (Steele) is sentenced to die at sundown, but by using trickery, the youngster manages to turn the outlaws against each other. Doomed at Sundown was filmed at Newhall and Chatsworth, CA. Leading lady Lorraine Hayes, aka Lorraine Randall, was the sister of popular screen actress Bernadene Hayes. ~ Hans J. Wollstein, All Movie Guide

Produced by Sam Goldwyn, this second film version of Olive Higgins Prouty's Stella Dallas is by far the best. The combined talents of Goldwyn, director King Vidor and star Barbara Stanwyck lift this property far above the level of mere soap opera. Stanwyck is perfectly cast as Stella Martin, the loud, vulgar factory-town girl who snares wealthy husband Stephen Dallas (John Boles). When Stephen is offered a job in New York, Stella stays behind, knowing that she'll never be part of her husband's social circle. She pals around platonically with her old beau, the cheap and tasteless Ed Munn (Alan Hale), a fact that drives yet another wedge between Stella and her husband. The final straw is daughter Laurel's (Anne Shirley) birthday party, which is boycotted by the local bluenoses. Though she would like to remain part of her daughter's life, Stella knows that she and she alone is the reason that Laurel is shunned by the rest of the community. ~ Hal Erickson, All Movie Guide

Though not the first Dr. Kildare film ever made, this is the first entry in MGM's long-running series set at Blair General Hospital. With the ink still wet on his diploma, Dr. Kildare is faced with a difficult decision: should he return home to work in his father's quiet country practice, or work at exciting, New York-set Blair General Hospital? Though his parents and his girlfriend are against it, Kildare chooses the latter and promptly gets into trouble after one of his first patients, a prominent politician dies. All kinds of turmoil follows as Kildare tries to clear his name and treat his other patients. Just as it seems like the strong-willed Kildare's career is to die on the vine, curmudgeonly but always capable Dr. Gillespie becomes his mentor. For trivia buffs, the first Dr. Kildare film was Interns Can't Take Money made in 1937 for Paramount. ~ Sandra Brennan, All Movie Guide

Virile George O'Brien straddles the "western" and "crime-flick" genres in RKO Radio's Border G-Men. The plot gets under way when the FBI learns that ammunition and men are being smuggled out of the US and into Mexico in violation of the neutrality act. Federal agent O'Brien is dispatched to Texas to investigate, promptly falling in love with pretty Laraine Johnson (later billed as Laraine Day), whose brother is unwittingly mixed up with the smugglers. Villains John Miljan and Rita LaRoy, in the employ of an unnamed foreign power, use every dirty trick at their disposal to continue their nefarious activities, but O'Brien proves a bit too fast and a great deal too smart for them. Several trade papers applauded RKO Radio's marketing strategy with Border G-Man, which enabled the studio to promote the film as either a straightford western or an espionage adventure, depending upon the demands of the exhibitors. ~ Hal Erickson, All Movie Guide

The second of MGM's "Dr. Kildare" series, Calling Dr. Kildare finds the title character (Lew Ayres) transferred to Blair General's downtown outpatient clinic by his crusty superior Dr. Gillespie (Lionel Barrymore). It is Gillespie's hope that Kildare will gain valuable experience by working in less than ideal circumstances. A wounded gangster stumbles into the clinic; he is treated by Kildare, who is almost immediately tagged as the criminal's accomplice by the police. Kildare clears himself after burrowing through several subplots and the sporadic comedy relief of ambulance jockey Nat Pendleton. Calling Dr. Kildare was primarily a showcase for MGM's new starlet Lana Turner, here playing the gangster's cute sister. ~ Hal Erickson, All Movie Guide

In this interesting drama, a highly respected straight-arrow Irish cop is pleased when his son follows him onto the force. Unfortunately, the son is more interested in promotions than in upholding the law and he makes few friends among his peers. When he shoots a child caught stealing, the others frame him and he is sent to prison where his attitude becomes even worse than before. Upon his escape, the bad seed goes on a crime spree. He then learns that his wife has just borne him a son. When he goes to the hospital to see the babe, his father, who set this trap, arrests him and sends him back to the pokey, proving that in this case, justice is thicker than blood. ~ Sandra Brennan, All Movie Guide

In this third installment of MGM's "Dr. Kildare" series, Dr. James Kildare (Lew Ayres) comes to the rescue when his supervisor/mentor Dr. Gillespie (Lionel Barrymore) nearly collapses from overwork. Gillespie is seeking a permanent cure for pneumonia, and must ask Kildare for assistance when the task proves beyond his physical ability. The older doctor eventually does collapse, and the diagnosis is cancer. Gillespie recovers, while Kildare finds his hands full in juggling both the pneumonia cure and the case of a woman (Helen Gilbert) suffering from psychosomatic blindness. But what's the "secret" of Dr. Kildare? Well...that's a secret (until you see the film). ~ Hal Erickson, All Movie Guide

Appointed resident assistant at the Byng State Hospital by his mentor Dr. Leonard Gillespie (Lionel Barrymore), young Doctor James Kildare (Lew Ayres) has every reason to celebrate. His euphoria, however, is short-lived: Kildare is forced to return to his hometown when his general-practitioner father (Samuel S. Hinds) collapses from overwork. At first, the townsfolk are suspicious of Kildare's "newfangled" medical methods. But when the young medico is able to diagnose the malady afflicting Leading Citizen George Winslow (George Lockhart), Kildare is wholeheartedly accepted by his new flock. But will Dr. Kildare stay home, or will he return to the Big City for new adventures? Hint: there were still four "Kildare" episodes to go before Lew Ayres left the series in 1942. ~ Hal Erickson, All Movie Guide

This fourth entry in MGM's "Dr. Kildare" series once again stars Lew Ayres as Kildare, Laraine Day as his sweetheart Mary Lamont, and Lionel Barrymore as crusty Dr. Gillespie. In this outing, surgeon Gregory Lane (Sheppard Strudwick) begins pitching woo at Mary himself, much to Kildare's dismay. But when Lane is accused of incompetence in the wake of an unsuccessful surgery, it is Kildare who proves that his rival is blameless. One of the film's subplots involves an emotionally disturbed patient who is cured via shock therapy-a dubious procedure that held more water in 1940 than it does today. The usual comedy relief is provided by the usual Nat Pendleton and Marie Blake. ~ Hal Erickson, All Movie Guide

Fourteen scriptwriters spent five years toiling over a movie adaptation of war correspondent Vincent Sheehan's Personal History before producer Walter Wanger brought the property to the screen as Foreign Correspondent. What emerged was approximately 2 parts Sheehan and 8 parts director Alfred Hitchcock--and what's wrong with that? Joel McCrea stars as an American journalist sent by his newspaper to cover the volatile war scene in Europe in the years 1938 to 1940. He has barely arrived in Holland before he witnesses the assassination of Dutch diplomat Albert Basserman: at least, that's what he thinks he sees. McCrea makes the acquaintance of peace-activist Herbert Marshall, his like-minded daughter Laraine Day, and cheeky British secret agent George Sanders. A wild chase through the streets of Amsterdam, with McCrea dodging bullets, leads to the classic "alternating windmills" scene, which tips Our Hero to the existence of a formidable subversive organization. McCrea returns to England, where he nearly falls victim to the machinations of jovial hired-killer Edmund Gwenn. The leader of the spy ring is revealed during the climactic plane-crash sequence--which, like the aforementioned windmill scene, is a cinematic tour de force for director Hitchcock and cinematographer Rudolph Mate. Producer Wanger kept abreast of breaking news events all through the filming of Foreign Correspondent, enabling him to keep the picture as "hot" as possible: the final scene, with McCrea broadcasting to a "sleeping" America from London while Nazi bombs drop all around him, was filmed only a short time after the actual London blitz. The script was co-written by Robert Benchley, who has a wonderful supporting role as an eternally tippling newsman. Foreign Correspondent was Alfred Hitchcock's second American film, and remained one of his (and his fans') personal favorites. ~ Hal Erickson, All Movie Guide

Dr. Jim Kildare (Lew Ayres) plays Good Samaritan with potentially disastrous results in The People vs. Dr. Kildare. Happening upon the scene of a motor accident, Kildare performs an emergency operation on crash victim Frances Marlowe (Bonita Granville), an ice-skating star. While recovering in Blair General Hospital, Frances discovers that her leg is paralyzed, and promptly sues Kildare and his hospital for negligence, to the tune of $100,000 (real money back in 1941!) Just when all seems lost, Kildare's irascible mentor Dr. Leonard Gillespie (Lionel Barrymore) ascertains the true source of Frances' paralysis, leading to another operation and?..and, well, it's better seen than read. Questionable comedy relief is provided by Red Skelton as dumbell orderly Vernon Briggs (Skelton was never truly comfortable in this type of role), while an unbilled Dwight Frye ("Renfield" in the original Dracula) shows up as a mild-mannered jury foreman. ~ Hal Erickson, All Movie Guide

If Edward G. Robinson thought he'd get away from tough-guy roles by moving from Warners to MGM, he was sorely mistaken. Robinson plays the editor of a 1920s tabloid newspaper, compelled to accept financial aid from a gangster (Edward Arnold). Defying his "unholy partner," Robinson adopts an editorial stance in direct opposition to the gangster's activities. The crook is less upset by this than by the fact that Robinson's star reporter (William T. Orr) is romantically interested in the crook's girlfriend (Marsha Hunt). When Robinson tries to expose the gangster's insurance racket, the young reporter is kidnapped. Robinson kills the crook, then covers his tracks in noble fashion by participating in a suicidal airplane test flight. Unholy Partners manages to keep its multitude of plot threads in order, resulting in one of Edward G. Robinson's most solid vehicles. ~ Hal Erickson, All Movie Guide

Lionel Barrymore and Ronald Reagan star, respectively, as grandfather Henry Jones and grandson Gil Jones, two proprietors of a Mexican ranch, in The Bad Man. Gil is overjoyed to discover that his childhood sweetheart, Lucia (Laraine Day) has returned to town, but feels slightly dismayed by her marriage to Morgan Pell (Tom Conway), a Manhattan businessman. Later that day, Mexican outlaw Pancho Lopez (Wallace Beery rides into town and causes trouble for the good folks by rustling all of their cattle and injuring Gil. Meanwhile, Morgan admits to Lucia that he's worried about the possibility of her still being in love with Gil, but she reassures him that this isn't the case, and reminds him of her undying commitment to their marriage. One month later, Mr. Hardy (Henry Travers, a banker, arrives at the ranch, and acts suspiciously by revealing his overeagerness to foreclose. In a desperate move, Henry makes a feeble attempt to stave off Hardy's actions by trying to convince Gil to marry Hardy's daughter, Angela (Nydia Westman). Meanwhile, "Red" Giddings (Chill Wills secretly pines for Angela, who is the great love of his life.
Morgan then crops up and offers $20,000 for the ranch, alerting Henry to an ulterior motive -- he gets Morgan and Hardy to confess their suspicion of oil on the property. Gil hastily signs the deed that gives the ranch over to Morgan. Just when matters cannot seem to get any worse, Lopez turns up once again and takes everyone hostage, except for Gil, who has trekked off to the barn. Lopez makes none-too-subtle advances to Lucia and indicates his warm feelings toward Henry, as well as his innate dislike of Morgan and Hardy. When Henry decides to play off of this dislike by informing Lopez of both men's attempts to wrangle the ranch away from him, a bidding war ensues, and Lopez craftily attempts to determine how much ransom he can get for his captives. Gil then draws a gun on him, but is overcome by Lopez's men; Lopez prepares to hang Gil, but suddenly recognizes Gil as the same man who saved his life several years earlier. He then works toward fixing the financial problems that are plaguing the Joneses, and the romantic problems that are plaguing Gil, Lucia, Red and Angela. Based on a war-horse stage play by Porter Emerson Browne, The Bad Man had been previously filmed in 1923 and 1930; Boris Karloff starred as a Chinese warlord in a thinly disguised 1937 reworking of The Bad Man, titled West of Shanghai. ~ Hal Erickson, All Movie Guide