Ernie Shields Movies
As she burns at the stake, a 17th century witch, Jennifer (Veronica Lake), places a curse on her accuser (Fredric March), so that from this day forward, all of his descendants (each played by him) will be unhappy in marriage. After several hilarious through-the-years examples (the Civil War-era Fredric March runs off to battle rather than endure his wife's nagging), we are brought up to 1942. Wallace Wooley (March) is a gubernatorial candidate, preparing to wed snooty socialite Estelle Masterson (Susan Hayward) -- the well-to-do daughter of a publisher who is backing him. A bolt of lightning strikes the tree where Jennifer had been executed three centuries earlier, thereby freeing the spirits of Jennifer and her warlock father, Daniel (Cecil Kellaway). Wallace meets Jennifer when she materializes in a burning building, obliging him to save her life. The revivified sorceress does everything in her power to induce Wallace to fall in love with her -- even destroying the ceremony in which the wedding is supposed to take place. The attempts succeed, and the two marry, but on their wedding night, Wallace refuses to believe Jennifer's claims that she is a witch. Frustrated, she attempts to convince him by doctoring the gubernatorial election -- in his favor. Based on the Thorne Smith novel The Passionate Witch, the rollicking I Married a Witch can be considered the forerunner of the TV series Bewitched, but only on a surface level. The film had been scheduled to be directed by Preston Sturges and to be released by its producing studio, Paramount; the end result was helmed by René Clair (his second Hollywood film), and was distributed by United Artists. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Veronica Lake, (more)
John Ford, whose fierce pride in his Irish heritage often manifested itself in his work, directed this historical drama which uses as its backdrop the 1916 Easter Rebellion of Irish patriots against British rule. Nora Clitheroe (Barbara Stanwyck) runs a rooming house in Dublin and tries to stay away from the political turmoil raging around her, so she becomes quite upset when she learns that her husband Jack (Preston S. Foster) has joined a militia of Irish rebels trying to drive out the British. Nora fears for Jack's safety and begs him to keep his distance from the revolutionary forces. Jack assures her that he'll step back from their activities, but it's not until it's too late that Nora learns that Jack has done just the opposite -- and has become a commander with the Irish Citizen Army as they plan an ill-fated raid on the Dublin Post Office. John Ford had several bitter disputes with RKO Pictures while making The Plough and the Stars, especially after the studio re-shot several scenes with another director to tone down the film's politics; while he distributed several independent productions through the studio, he never shot another picture for RKO. ~ Mark Deming, All Movie Guide
- Starring:
- Barbara Stanwyck, Preston S. Foster, (more)
In this newspaper farce, an editor loses his voice and his job after he tires of being tormented by the practical jokes of one of two reporters. The joker ends up the new editor. Soon after taking the job, his personality changes dramatically and soon he has become a pompous and excessively harsh taskmaster. His former partner is so disgusted that she decides to leave and marry a stodgy writer of inspirational books. The new editor loves his partner and tries to get her back. When he fails, he begins drinking heavily and wondering what kind of wedding gift he should get her. Knowing that she likes the excitement of police and fire calls, he insures that her wedding will be unforgettable by having fire engines, police cars, and hearses show up to the nuptials. In the end, the editor drives a wagon from the local loony bin into the ceremony and kidnaps her. Romance ensues and eventually the two are married. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Bennett, Cary Grant, (more)
A best-selling nonfictional book of the 1920s provided the title for this Will Rogers vehicle. Rogers plays a small town newspaper editor who prints all the news that fits his own homespun view of the world. Against the wishes of the town higher-ups, Rogers tries to clear the name of Richard Cromwell, a young man accused of a long-ago bank robbery. Along the way, the genial editor smooths the path of romance between Cromwell and sweet Rochelle Hudson. Life Begins at 40 contains some great bits of dialogue, notably Rogers' comment after unloading a box of canned goods that the American emblem should be changed from an eagle to a can opener. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Rochelle Hudson, (more)
Will Rogers stars as Judge William "Billy" Priest, the common-sense Kentucky jurist created by humorist Irvin S. Cobb. The Judge's easygoing manner bothers many of the self-righteous good citizens of his small 19th-century hometown, imperiling his chances for re-election. The anecdotal plot boils down to a single storyline involving orphaned Anita Louise, reclusive David Landau (secretly Louise's father), and young attorney Tom Brown.The testimony that saves Landau from a murder charge is delivered by Civil War veteran H.B. Walthall, whose stirring loyalty to the Confederacy inspires everyone in town to organize an impromptu parade! Some of the best scenes are highlighted by Will Rogers' affectionate rapport with stereotyped black-actors Stepin Fetchit and Hattie McDaniel, though these scenes are frequently removed from TV showings of Judge Priest due to their undeniably racist overtones. If you haven't guessed by the first frame of the film that John Ford was the director, you'll recognize Ford's personal stamp the moment Will Rogers kneels by his wife's grave and carries on a warm conversation with his long-departed bride. Ford would remake (and improve upon) Judge Priest in 1953 as The Sun Shines Bright, with Charles Winninger as the judge. ~ Hal Erickson, All Movie Guide
- Starring:
- Will Rogers, Tom Brown, (more)
In this drama, a railroad engineer and a fireman are best pals until the fireman falls for a dubious woman whom the engineer does not trust. The friendship begins to falter until the fireman is falsely accused of a murder. His true-blue friend rallies to his aid and finds the real killer just before the fireman is about to hang. ~ Sandra Brennan, All Movie Guide
- Starring:
- Monte Blue, Grant Withers, (more)
William Russell is appropriately cast as "The Ne'er-do-well" in the 1928 military comedy Woman Wise. Stationed in Persia, Russell is but one of several soldiers vying for the hand of Millie Baxter (June Collyer), secretary to the U.S. Consul (Walter Pidgeon), who likewise has a hankering for the heroine. Sheik Abdul Mustapha (Theodore Kosloff) is so smitten by Millie that he kidnaps her and adds her to his harem. Our hero manages to rescue the girl, only to lose her to the Consul -- who frankly, is the best-looking of the batch. It's highly likely that Woman Wise was inspired by the success of Lewis Milestone's Two Arabian Knights. ~ Hal Erickson, All Movie Guide
- Starring:
- William Russell, June Collyer, (more)
Frank S. Hagney, best known for his performance as mean old Mr. Potter's bodyguard in It's a Wonderful Life, has a much larger role to play in the 1928 six-reeler Free Lips. Hagney is cast as crooked nightclub owner Bill Dugan, who carries a torch for his wholesome hostess Ann Baldridge (June Marlowe). When one of the customers is murdered, Ann is accused of the crime. Believing the girl to be guilty, Dugan shoulders the blame and is sent to prison. Eventually the real culprit is brought to heel, and a happy ending is on the horizon. Leading lady June Marlowe is best known to modern audiences as schoolteacher Miss Crabtree in the "Little Rascals" comedies. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Novak, Frank S. Hagney, (more)
This tale of Cockney London used the current World War as a backdrop. Although he doesn't make much money, Johnny Roberts (Leo Pierson) marries Mary, a schoolteacher (Ann Kronan). But it doesn't take long for Johnny's habits to get on Mary's nerves and she starts griping at him. To escape his unhappiness at home, he goes to the local pub, the White Horse, where he meets Anne, a barmaid (Irene Hunt). After he and Mary have a particularly vicious fight, Anne takes him in and he remains there until he is drafted to the front. When Anne discovers that Mary -- and the child Johnny has never met -- are starving, she takes them in. They hear a false account that Johnny has been killed in battle. It turns out that he is alive, but has been blinded by gas. When Johnny returns home, Anne realizes that he should be with his family and reunites the couple. ~ Janiss Garza, All Movie Guide
The popular screen team of Carter and Flora DeHaven successfully alternated between two-reelers and feature films throughout the teens and twenties. One of their longer efforts was The Wrong Door, directed by Carter DeHaven himself. More melodramatic than most of the couple's efforts, the film casts Mr. DeHaven as a young millionaire who falls in love with a chorus girl (Mrs. DeHaven). The girl's foster father was a criminal, a fact that she hopes to bury once she gets married. But the heroine's crooked guardian won't let her, and soon her millionaire sweetheart is inveigled into participating in a major heist. All turns out well when the foster-father is killed, and it is revealed that the girl is actually the long-lost daughter of a wealthy family. ~ Hal Erickson, All Movie Guide









