Cora Lee Day Movies

Set in a busy inner-city emergency room, this made-for-cable television drama follows the struggles of a world-weary surgeon who takes on the hospital administrators whose budget-cutting is affecting his ability to adequately care for his patients. ~ Sandra Brennan, All Movie Guide

At the turn of the century, West African slaves were brought to a small island near South Carolina to labor in the indigo trade. Isolated in the swampy atmosphere, the Gullah community was built based on ancient Yoruba traditions. They spoke in a distinct dialect, a combination of English and West African languages. This unique community is explored in Julie Dash's debut feature Daughters of the Dust, a costume drama about the Peazant family, a fictional group of Gullah natives living on Ido Landing. The secluded family experiences conflicts surrounding religion, industrialization, and tradition. The mystical matriarch Nana (Cora Lee Day) holds true to the beliefs of their anscestors, while Haagar (Kaycee Moore) can't wait to move away. Yellow Mary (Barbara O) returns from a life as a prostitute in Cuba with her girlfriend, and gets morally attacked by the reformed Christian Viola (Cheryl Lynn Bruce). Meanwhile, indifferent Eula (Alva Rogers) is pregnant with a baby that may or may not be the result of a rape. While the story doesn't attempt to follow a standard Eurocentric narrative, the plot revolves around a picnic on the shore in honor of the family members who chose to move to the prosperity of the north. The narrator is a spirit called the Unborn Child, who appears sometimes as a rambunctious little girl. A photographer accompanies the group to capture the events on film. ~ Andrea LeVasseur, All Movie Guide

Director Lawrence Kasdan's Grand Canyon is a gathering of random events, uniting the film's wildly divergent protagonists. Driving home from an LA Lakers game, Mack (Kevin Kline), an immigration attorney, is stranded in an unsavory part of town when his car breaks down. He is rescued from a gang of hoods by Simon (Danny Glover), an African-American tow truck driver, inaugurating a friendship between these two men. Mack offers to repay Simon's kindness by helping his sister (Tina Lifford) find an apartment in a better neighborhood, and by arranging a blind date between Simon and Jane (Alfre Woodard), a friend of Mack's secretary Dee (Mary Louise Parker). Woven into this fabric are the tribulations of Mack's best friend, a pompous exploitation movie producer (Steve Martin), who is later wounded in a robbery similar to the one threatening Mack at the beginning of the film; of Mack's wife Claire (Mary McDonnell), who adopts an abandoned baby, and disenfranchised son Roberto (Jeremy Sisto); and of Simon's nephew (Patrick Malone), who is contemplating joining a street gang. The title is symbolic, referring to the class-imposed chasms which would normally separate the characters. Kasdan co-wrote the screenplay with his wife Meg. ~ Hal Erickson, All Movie Guide

Dick Harper (George Segal) and his wife Jane (Jane Fonda) have always lived way beyond their means. Just because Dick has just lost his high-paying job is no reason for Jane to stop spending like there's no tomorrow. To make ends meet, Jane takes up a new career: armed robbery. ~ Hal Erickson, All Movie Guide

You'll have to see Bush Mama to learn the significance of the title. For one thing, the film isn't set in Australia or Africa. It takes place in the black ghetto of LA, where a welfare mother struggles to raise her daughter. The mother has a checkered past, as we learn during several unsettling flashback sequences. Throughout Bush Mama, graphic violence rubs shoulders with flights of fantasy; the contrast is fascinating, even when it doesn't quite work dramatically. ~ Hal Erickson, All Movie Guide