Harry Andrews Movies

An institutionalized schizophrenic with a Messiah complex inherits the position of an English Earl in this cutting satire of British society, based on a play by Peter Barnes. The film's irreverent tone is established with the disturbingly hilarious death of the thirteenth Earl of Gurney during a bizarre attempt at auto-erotic asphyxiation. To the dismay of the earl's family, the title passes to his son Jack (Peter O'Toole), who has been locked away for eight years after claiming to be the second coming of Jesus Christ. Mad but harmless, Jack is released to assume his seat. However, his embrace of Christianity proves incompatible with a position of power in "normal" society, where peace and love are considered serious weaknesses, and a somewhat unhinged psychiatrist is called to help him adjust. Meanwhile, Jack's scheming uncle, Sir Charles (William Mervyn), works on developing a complex scheme to trick Jack out of his position. Loaded with idiosyncratic touches from eccentric camera angles to unexpected outbursts of song, the film creates an experience nearly as inspired and mad as O'Toole's brilliantly hilarious central performance. The film's devilish invention may at times seem overloaded, but most drawbacks are redeemed by the sharpness of the satire, particularly during the memorably disturbing finale. ~ Judd Blaise, All Movie Guide

Roger Corman's New World Pictures took a stab at the tale of the nefarious real-life graverobbers -- and filled it with the studio's usual quota of nudity, softcore sex and tacky humor. The result is pretty much as one would expect -- nothing to rival the excellent Flesh and the Fiends, or even Tod Slaughter's campy The Greed of William Hart. Harry Andrews plays the unscrupulous Dr. Knox, who enlists the aid of grave-plundering dirtbags Derren Nesbitt and Glynn Edwards in obtaining fresh cadavers for the medical academy. When the demand increases and local cemeteries begin to run dry, the industrious pair turn to the living to keep the doctor supplied. This time out, Burke and Hare are particularly randy fellows, who spend more time carousing in Edinburgh whorehouses than stalking their prey. Despite the macabre subject matter, the producers opted for sexploitation over gruesome horror, but the end result is decidedly dull. ~ Cavett Binion, All Movie Guide

Marlon Brando delivers a respectably creepy performance in the Michael Winner directed The Nightcomers -- a film inspired by the characters in Henry James' The Turn of the Screw. On a British country estate, two recently-orphaned children, Miles (Christopher Ellis) and Flora (Verna Harvey), live on their own with only a nurse, housekeeper, and gardener as companions. Miles and Flora are particularly fascinated by the gardener, Quint (Marlon Brando). In fact, fascinated to the point of obsession, the boy and girl model their young lives after him. When Quint becomes involved with the prim and proper nurse, Miles surreptitiously views their love-making and keeps it in mind for future reference. Gradually, Miles and Flora adopt the gardener and the nurse's love-hate relationship for their own, copying their adult behavior with child-like abandon. Finally, when the housekeeper finds out and decides to fire the gardener and the nurse, the children are thrown into a panic. Not wanting their two favorite subjects to be separated, the children decide to take things into their own hands. ~ Paul Brenner, All Movie Guide

This romantic drama concerns two star-crossed lovers who are half-brother and sister to each other. Catherine (Anna Calder-Marshall) is the daughter of the lord of the manor who falls for the brooding stable boy Heathcliff (Timothy Dalton). When Heathcliff leaves to seek his fortune, he returns to find Catherine has married the local magistrate Edgar (Ian Ogilvy). The story is told by the beautiful blonde servant girl Nellie (Judy Cornwell), who narrates at the beginning to set the stage for the picture. Hindley (Julian Glover) is Catherine's older brother who tries to take over the house and land after the death of their father (Harry Andrews). When his own wife and child dies, a drunken Hindley gambles away the family holdings to the opportunistic Heathcliffe. Filmed in England, the scenery is spectacular but this version lacks the foreboding, shadowy drama of the 1939 original starring Merle Oberon and Laurence Olivier. ~ Dan Pavlides, All Movie Guide

An attractive young charmer by the name of Mr. Sloane weasels his way into the lives of a middle-aged brother and sister, while trying to disguise the truth about his unpleasant past. This black comedy is based on a work by Joe Orton, the taboo-tweaking British playwright who delighted in loading his dialogue with satirical insights and racy double entendres. Indeed, sexual tension drives the plot from the very beginning, when the lonely Kath (Beryl Reid) spots Mr. Sloane (Peter McEnery) in a cemetery and invites him to become a boarder. Despite the age difference, Sloane coyly plays along with her flirtations for his own benefit. Their fun seems over when Kath's brother Ed (Harry Andrews) shows up, but the prim and proper gentleman also takes a shine to Sloane, hiring him as his chauffeur and taking particular interest in the young man's tight leather uniform. Kath and Ed's elderly father, however, develops a strong hatred of Sloane, and accuses to him of being involved in an old, unsolved murder. Though the translation to the screen is somewhat uneven, the controversial elements of Orton's text are mostly preserved, and his gleefully amoral tone survives intact. ~ Judd Blaise, All Movie Guide

Captain Douglas (Michael Caine) is the British army leader who is ordered to lead a band of mercenaries into the desert. Their mission is to knock out an enemy fuel reserve. The inexperienced captain contends with a veteran Colonel (Nigel Green) who is enamored with using old history books to fight modern battles. Cyril Leech (Nigel Davenport) is the experienced mercenary hired by Brigadier Blore (Harry Andrews) to help guide Douglas and his group through the dangerous plot. Leech and Douglas have differences of opinion on how to successfully carry out the mission. As if the trouble with the Nazi wasn't enough, Brigadier Blore sells them out by tipping off the enemy through a spy. Douglas and the few men he has left must survive the sweltering heat and the enemy gunfire in order to insure their survival. ~ Dan Pavlides, All Movie Guide

James Bond-flick director Guy Hamilton helmed this episodic, all-star World War II film. With Sir Laurence Olivier heading up an ensemble cast as flight commander Sir Hugh Dowdling, The Battle of Britain pays tribute to other nationalities instrumental in fending off the waves of Luftwaffe planes, notably the expatriate Polish and Czech pilots. Trevor Howard, Michael Caine, and Michael Redgrave also populate the cast. ~ Hal Erickson, All Movie Guide

This romantic comedy finds Candida (Barbara Ferris) going to live with her elderly spinster aunts after the death of her father. Finding things very unexciting there, she quickly leaves for Paris and enrolls in a university to study. She becomes pregnant after meeting a young student at a museum. When the baby is born, she manages to convince the nosey relatives she is just caring for the baby of a friend. A trip to Italy finds her in the arms of an American man and Candida is soon pregnant again. A woman gives her baby to Candida as she prepares to leave for home at the train station. She suddenly has two young babies and another on the way, getting far more education than she had bargained for. Her main confidant is Savage (Harry Andrews), her late father's caretaker, to whom she reveals the truth about her experiences. ~ Dan Pavlides, All Movie Guide

Narrator Rudy Vallee announces that he knows we are a "real high class audience," thus he has "some swell story to tell." Thus begins The Night They Raided Minsky's, set in the rarefied world of burlesque in the 1920s. Amish girl Rachel Schpitendavel (Britt Ekland) comes to New York in hopes of securing work as a dancing interpreter of religious stories. She gets a job at Minsky's burlesque house, where the dance numbers are "Biblical" only when some gum-chewing stripper performs Salome's Dance of the Seven Veils. The many subplots leading up to Rachel's accidental invention of the striptease during a midnight Minsky's show involve many: top banana Chick Williams (Norman Wisdom) and womanizing straight-man Raymond Paine (Jason Robards Jr.); Billy Minsky (Elliot Gould), whose efforts to stage girlie shows at the National Winter Garden are looked down upon by Minsky Sr. (Joseph Wiseman), who holds the lease on the theater; gangster Trim Houlihan (Forrest Tucker), who intends to shut down Minsky's if he can't get a piece of the action; Ekland's preacher father Harry Andrews, who shows up in New York just in time to see his daughter bare all in front of a cheering audience; and Vance Fowler (Denhom Elliot), self-appointed protector of public morals, whom Paine hopes to embarrass by having Rachel perform her religious dance. A straightforward adaptation of Rowland Barber's novel The Night They Raided Minsky's would seem to be called for here, but novice director William Friedkin and film editor Ralph Rosenblum seem determined to turn the film into a kaleidoscope Hard Day's Night clone. Happily, producer Norman Lear is able to accommodate several nostalgic re-creations of such burlesque chestnuts as "Crazy House" and "Meet Me Round the Corner," as well as six delightful in-period songs penned by Bye Bye Birdie's Charles Strouse and Lee Adams, the best of which is the ribald "Perfect Gentleman." Bert Lahr makes his last appearance on screen in the role of washed-up funnyman Professor Spats; he died during production, and had to be extensively doubled throughout. ~ Hal Erickson, All Movie Guide

Director Anthony Mann's final film (Mann died during the filming, and the production was completed by the film's star, Laurence Harvey) is a kitchen-sink espionage drama with Harvey as Eberlin, a Russian spy and double-agent, homesick and pining for the Russian steppes. It is in this risky mood that Eberlin falls in love with the emaciated Caroline (Mia Farrow). Complications arise when he is directed to kill a Russian spy -- but the Russian spy happens to be himself. ~ Paul Brenner, All Movie Guide

John LeCarre's Call for the Dead was the basis for this gloomy, complex spy story. James Mason plays a British secret agent puzzled by the sudden suicide of Foreign Office higher-up Robert Flemyng. Mason had worked on Flemyng's security clearance himself, and can't fathom what personality quirk he might have missed. The agent suspects that the dead man's wife (Simone Signoret), a concentration camp survivor, may hold the answer to Flemyng's despair, but the Foreign Office wants Mason to drop the case. Mason hires retiring Inspector Harry Andrews to do some private detective work. What Mason and Andrews find out is more insidious than they've imagined; worse, Mason is saddled with a new dilemma--his wife (Harriet Andersson) has been unfaithful with a colleague (Maximillian Schell). ~ Hal Erickson, All Movie Guide

The imprisoning aspects of Success are humorously analyzed in this British-made film. Oliver Reed plays a wealthy advertising man who feels he has sold his soul and wishes to return to his happier earlier existence as a poor but swinging Londoner. Reed is goaded on by his boss, Orson Welles, who represents all the mercenary crassness that Reed despises. Handed a crucial commercial account, Reed plans to destroy himself by producing as offensive and confusing an ad campaign as possible. But Welles and the client are delighted by the "insult," and the disgruntled Reed is more successful than ever. Directed in the fragmentary "psychedelic" style typical of the late 1960s, I'll Never Forget What's'is Name gained notoriety upon its initial release by being the first mainstream British film in which the "F" word was spoken on-screen. ~ Hal Erickson, All Movie Guide