Hal K. Dawson Movies

Lily Becker (Hope Hampton) is the musically talented daughter whose mother forces her into a marriage to the son of a wealthy man. Mistreated by the callous husband, she flees to New York to make it in the music business. She gives birth to a child and attempts suicide when she nearly starves to death for lack of work. A sympathetic young songwriter who has been down the same road takes her in and offers her the benefit of his musical experience. Lily becomes a successful opera singer the very night her husband perishes in a train wreck. She also must overcome the tragic death of her beloved baby. Lily overcomes her misfortunes to become a successful singer. After her husband dies, she is free to pursue romance with the young maestro in this routine melodrama. ~ Dan Pavlides, Rovi

All but forgotten today, Warner Bros.' The Firebird was based on a once-popular stage mystery by Lajos Zilhany. Prohibited from seeing her actor sweetheart Herman Brandt (Ricardo Cortez) by her tyrannical parents, sweet young Vienesse lass Mariette (Anita Louise) defies authority by regularly visiting Brandt's downstairs apartment. The lovers' signal is a song called "The Firebird," which Brandt sings whenever he wants Mariette to visit him. When the actor is murdered, poor Mariette and her parents are prime suspects. But the truth is a bit more complicated than that, involving as it does a haughty aristocrat (Veree Teasdale), a powerful diplomat (Lionel Atwill) and a most unusual "candid camera" device. ~ Hal Erickson, Rovi

Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, Rovi

Everybody's Old Man looks like a stray Will Rogers project, temporarily shelved when Rogers was killed in a 1935 plane crash. Rogers' old pal Irvin S. Cobb assumes the title role; he plays a business executive who takes a year off to reflect on things when a close friend dies suddenly. Insinuating himself into his late friend's household, Cobb manages to straighten out the dead man's irresponsible offspring. He does the job so well that he's invited to stay on indefinitely. Everybody's Old Man bears a marked resemblance to the 1933 George Arliss vehicle The Working Man -- as well it should, since the 1936 film is a remake of the earlier picture. ~ Hal Erickson, Rovi

Based on the true story of Pan American Airlines, China Clipper was released only a year after the first transpacific flight in history. Pat O'Brien stars as Dave Logan, a man completely obsessed with starting the first commerical airline across the Pacific ocean. Engineer Dad Brunn (Henry B. Walthall) designs the airplane, while Dave teams up with business partner Tom Collins (Ross Alexander) to start up his company. Dave's wife, Jean (Beverley Roberts) has her doubts about the airline business, but loves her husband. Dave hires Hap Stuart (Humphrey Bogart) as the pilot to make his first flight to the Caribbean, where he ends up helping out the local people during a hurricane. Things start to go really wrong for Dave when Jean wants to leave him, his Dad gets ill, and his planes are subject to all kinds of tests. This was the last film appearance of Birth of a Nation star Henry B. Walthall, who had reportedly collapsed on the set right during production. ~ Andrea LeVasseur, Rovi

Spencer Tracy, Myrna Loy, and William Powell star in this crackling screwball comedy about a cut-throat newspaper editor's scheme to prevent a libel suit that ends up exploding in everybody's face. Tracy plays Warren Haggerty, the managing editor of a newspaper that mistakenly prints a story declaring the rich Connie Allenbury (Myrna Loy) has stolen away another woman's husband. Connie retaliates by suing the paper for $5 million. This happens right before Warren is about to marry his fiancee Gladys (Jean Harlow). As he has done several times in the past, Warren delays the wedding in order to stop the libel suit. Warren hires Bill Chandler (William Powell), a former employer who is desperate for a job, to marry Gladys in name only and then court Connie. That way, Gladys can sue Connie for alienation of affections and get Connie to agree to drop her lawsuit if Gladys will drop hers. Bill hops an ocean liner to accompany Connie and her father (Walter Connolly) back to the United States, but along the way Bill and Connie fall in love and Bill tries to convince Gladys to drop her suit so it won't hinder his relationship with Connie. ~ Paul Brenner, Rovi

Loretta Young is the wife, Warner Baxter the doctor and Virginia Bruce the nurse in this 20th Century-Fox trifle. Society gal Young marries Park Avenue medico Baxter, little guessing that humble nursie Bruce also loves the doc. Young raises vociferous objections, compelling Bruce to leave. Baxter's practice suffers due to Bruce's absence. Young realizes that the doctor needs his nurse, while Bruce comes to accept that Young needs her doctor. You may need one too after 85 minutes of this. ~ Hal Erickson, Rovi

This cinematic meringue stars Loretta Young as a young woman whose second husband (Lyle Talbot) is a hard working but dull business exec. She pines for hubby Number One (Tyrone Power), an irresponsible playboy. Young runs into Tyrone again during a Florida vacation, spurning him at first because he hasn't mended his old carefree ways. But that old black magic soon has Young under Tyrone's spell, and boring old Lyle Talbot is left holding the bag. The footloose and fancy-free Second Honeymoon is based on a story by Philip Wylie, an otherwise cantankerous critic of social foibles. ~ Hal Erickson, Rovi

Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, Rovi

Cafe Metropole stars Tyrone Power as an international playboy with a habit of writing rubber checks. Heavily in debt to cafe owner Adolphe Menjou, Power agrees to pose as a Russian nobleman and woo heiress Loretta Young, so that Menjou can get his mitts on the girl's money. Avarice gives way to love, but not before Young walks out on Power when she catches on to his original selfish intentions. The script for Cafe Metropole was written by actor/director Gregory Ratoff, who also plays a supporting role. The film's first biggest laughs are reserved for the first scene, in which mild-mannered Christian Rub attempts to collect on one of Power's debts by clumsily wielding a loaded revolver. ~ Hal Erickson, Rovi

An airy screwball comedy, Danger--Love at Work explores the lives of a wealthy but wacky family. Ann Sothern plays the daughter, the only remotely "normal" member of the clan. Poor Jack Haley enters the scene as a feckless attorney who tries to get the family to finalize an important land deal. Sothern falls for Haley, and through the machinations of her looney parents the timorous lawyer winds up the object of a "shotgun wedding." The amusing but inconsequential Danger--Love at Work was the second American film of director Otto Preminger. ~ Hal Erickson, Rovi

Edward G. Robinson shines in a fine comic role as Dr. Clitterhouse, a brilliant psychiatrist doing research into the criminal mind. The good doctor wants to gain a clearer understanding of how a thief feels when he's in the midst of a robbery, so strictly for academic purposes he tries to crack a safe at a high society party to which he's been invited. While trying to get rid of the jewels he swiped in the course of this experiment, Clitterhouse makes the acquaintance of "Rocks" Valentine (Humphrey Bogart), the tough-as-nails leader of a group of professional thieves. Clitterhouse is fascinated by Valentine and discovers that he enjoys committing robberies, so he joins forces with Valentine's gang and uses his superior intellect to mastermind a series of daring and profitable heists. Clitterhouse is also beguiled by Jo Keller (Claire Trevor), a beautiful dame who fences stolen gems. But Valentine doesn't appreciate how Dr. Clitterhouse has worked his way into the gang, and he is soon looking for an opportunity to get him out of the picture. The Amazing Dr. Clitterhouse was co-written by John Huston and features several key members of the Warner Brothers stock company in supporting roles, including Allen Jenkins and Donald Crisp. ~ Mark Deming, Rovi

Former doctor Jim Howard (Herbert Marshall) helps desperate Margot Weston (Barbara Stanwyck), pregnant and unmarried; when her son is born, Jim helps her place the baby with Phil Marshall (Ian Hunter) and his wife, on the condition that neither the Marshalls nor the child ever know Margot is his mother. Five years later, Margot is now a well-paid buyer for the store owned by Harriet Martin (Binnie Barnes); she meets Jim again, and a romance begins to blossom, but she's off to Paris on Harriet's behalf. There, Margot is wooed by the charming but carefree Count Giovanni Corini (Cesar Romero) and she happens to meet her son Roddy (Johnnie Russell), traveling with his aunt, as Mrs. Marshall has died. On the trip back to America, Margot and Roddy become very close, while Corini, on the same ship, continues to pursue Margot. At home, she becomes convinced that Jessica (Lynn Bari), Phil's new fiancee, doesn't love him, and will be a bad mother to Roddy, so she decides to break up the engagement, but Jim, beginning a career as a scientist, reminds her of her earlier promise not to interfere in the boy's life. ~ Bill Warren, Rovi