Frank Dawson Movies

In this musical set in late 19th-century Boston, a suffragette secretary finds that her political beliefs are standing in the way of her romantic bliss with her beloved boss. Back then the notion of women's rights was considered scandalous and her lover will not stand for such nonsense in his office. Mayhem and music ensue until he is eventually convinced. Some of the tunes were composed by the late George Gershwin to which lyricists Kay Swift and Ira Gershwin added new words. These songs include: "For You, for Me, for Evermore," "Aren't You Glad We Did?," "Stand up and Fight," and "Waltz Me No Waltzes." Other songs include: "Changing My Tune," "Back Bay Polka," "One, Two, Three," "But Not in Boston," "Sweet Packard," "Waltzing Is Better Sitting Down," and "Demon Rum." ~ Sandra Brennan, All Movie Guide

Directed by Fritz Lang, The Woman in the Window, a sadly tragic film noir, is the story of the doomed love of married psychology-professor Wanley (Edward G. Robinson), who, with murderous results, meets and falls in love with another woman. Wanley first sees the portrait of a beautiful woman, Alice (Joan Bennett), and then meets the woman herself. After committing murder in self-defense, he finds himself blackmailed by Heidt (Dan Duryea). The script, written by Nunnally Johnson, is carefully structured with crisp dialogue and a convincing ending. Lang is at his best, getting excellent performances from Robinson, as the doomed, naive professor, and Bennett both. The Woman in the Window shows that good and evil are present in all, and that circumstances frequently dictate moral choices. Based on J.H. Wallis' novel Once Off Guard, the film gives viewers their money's worth with not one but two logical and satisfying surprise twists at the end. ~ Linda Rasmussen, All Movie Guide

In his book on "screwball" comedies, the late William K. Everson described What a Woman as "indistinguishable from a dozen other big-business comedies, but a pleasant and zany time-killer." Once again, Rosalind Russell is cast as a high-pressure female executive, in this instance liteary agent Carol Ainsley. Having landed the motion picture rights for a best-selling novel, Carol begins looking for an appropriately handsome leading man for the film version. She decides that the novelist himself-an unassuming fellow named Michael Cobb (Willard Parker in his starring film debut) would be the ideal star for the film. Unfortunately, Cobb has never performed any of the heroice deeds of his fictional protagonist, so it's up to Carol to reshape him in the image of his literary alter ego. Meanwhile, magazine writer Henry Pepper (Brian Aherne), who has fallen in love with Carol while interviewing her, looks askance at her efforts to "build up" the unprepossessing Cobb. ~ Hal Erickson, All Movie Guide

Joan Crawford is the kissable bride of the title--but when the film opens, matrimony is the farthest thing from her mind. Crawford becomes a big-time executive upon inheriting her father's trucking business, which leaves her no time for such trivialities as romance. To enhance her business, Crawford arranges a marriage of convenience for her younger sister (Helen Parrish). At the wedding, Crawford meets reporter Melvyn Douglas, who is out to discredit Crawford....and you know what's coming next. They All Kissed the Bride was one of several 1942 productions originally slated for Carole Lombard, whose sudden death in a plane crash required all the major studios to reshuffle their production schedules to come up with last-minute Lombard replacements. ~ Hal Erickson, All Movie Guide

In this remake of the 1930 film of the same name, a bank robber suffers a war wound and undergoes plastic surgery. Upon his recovery, he discovers that he is the exact double of a banker (who is trapped in a German POW camp). Being an opportunist, the fellow then assumes the banker's identity and his wife while he plans another caper. Fortunately, an observant Yard inspector sees through the robber's masquerade. Later the robber goes straight after revealing the plans of a German spy ring to steal every penny from the bank. ~ Sandra Brennan, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Basil Rathbone and Nigel Bruce make their second screen appearances as Sherlock Holmes and Dr. Watson in The Adventures of Sherlock Holmes. Ostensibly based on the stage play by William Gillette, the film owes nothing to the play beyond the characters of Holmes, Watson, Billy the page boy and Professor Moriarty. Played with relish (and a bit of pickle) by George Zucco, Moriarty plots to steal the Crown Jewels, and also to confound Holmes by obliging the Great Detective to be in two places at once. Ida Lupino costars as an imperiled young woman who is seemingly plagued by an ancient family curse--a plot development that has been carefully stage-managed by the malevolent Moriarty. Basil Rathbone is excellent not only as Holmes but also in the guise of a cockney music-hall entertainer (if indeed that is Rathbone performing a buck-and-wing in longshot). The second of Twentieth Century-Fox's Holmes films (Hound of the Baskervilles was the first), The Adventures of Sherlock Holmes was the last in which Rathbone and Bruce were seen in a 19th century setting. In the subsquent Sherlock Holmes series at Universal, the exploits of Holmes and Watson were updated to the World War II years. ~ Hal Erickson, All Movie Guide

This follow-up to MGM's 1932 John Barrymore vehicle Arsene Lupin stars the ineluctable Melvyn Douglas. Reported to be dead, suave gentleman jewel thief Arsene Lupin (Douglas) resurfaces under the assumed name of Rene Farrand. Intending to follow the straight and narrow path, Lupin/Farrand reverts to his old larcenous ways when the opportunity to pilfer $250,000 in gems presents itself. Slowing down our hero somewhat is the presence of hotshot American private eye Steve Emerson (Warren William) and glamorous adventuress Lorraine de Grissac (Virginia Bruce). Ironically, both Melvyn Douglas and Warren William also played thief-turned-sleuth Michael Lanyard, aka "The Lone Wolf", over at Columbia. ~ Hal Erickson, All Movie Guide

The inimitable Preston Sturges originally scripted Hotel Haywire with George Burns and Gracie Allen in mind, but by the time the film went before the cameras, the Burns and Allen roles had been recast with Benny Baker and Colette Lyons -- and significantly abbreviated in the process. A dentist named Parkhouse (Lynne Overman) plays a practical joke on a poker-playing buddy by sending him home with a lady's chemise stuffed in his coat pocket. The gag backfires, whereupon Parkhouse finds himself in hot water with his own wife (Spring Byington). Threatened with divorce, Parkhouse is advised by a zany astrologer to frame Mrs. P. in a compromising situation at the Hotel Haywire, enlisting amateur detectives Bert and Genevieve Sterns (Baker and Lyons) in his scheme. Things get really hectic when Parkhouse's daughter Phyllis (Mary Carlisle) and her sweetheart Frank (John Patterson) show up at the same hotel. The film is dominated by the antics of larcenous astrologer Zodiac Z. Zippe, played with comic ferocity by Leo Carrillo. ~ Hal Erickson, All Movie Guide

Ladies in Love transplants 20th Century-Fox's favorite film plot--three girls on the prowl for rich husbands--into the Budapest of the mid-1930s. Janet Gaynor, Loretta Young and Constance Bennett combine their earnings to rent a luxurious apartment, in hopes of attracting wealthy potential husbands. Young falls for a nobleman (Tyrone Power), who is engaged to another woman. She contemplates taking poison, but the lethal dose is accidentally ingested by Gaynor, whose plight results in a house call from Dr. Don Ameche, whom Gaynor has worshipped from afar. It is Bennett who snags the wealthy husband, middle-aged businessman Wilfred Lawson. Though Tyrone Power's part was small, he clicked immediately with the audiences, prompting the studio to give Power the big buildup. Ladies in Love would be reworked several times in the future, most obviously as How to Marry a Millionaire. ~ Hal Erickson, All Movie Guide

Bing Crosby's only western (outside of the 1966 version of Stagecoach), Rhythm on the Range stars Crosby as a casual cowpoke on his way back to the Wide Open Spaces after an eastern visit. He meets a young train stowaway (Frances Farmer), whom he regards as a hoydenish vagabond until learning that she's the owner of the ranch where he works. Farmer resists Crosby's charms until he rescues her from a gang of rustlers. Among the supporting cast is Mischa Auer, Bob "Bazooka" Burns, and, in her film debut, 19-year-old Martha Raye. The film also introduces the song hit "I'm an Old Cowhand", which is sung at one point or another by everyone in the cast, including Russian-born Mischa Auer. Rhythm on the Range was remade in 1956 as Pardners, with a few minor alterations--notably the casting of Jerry Lewis in the Frances Farmer role! ~ Hal Erickson, All Movie Guide

MGM regularly churned out films in the 1930s that were all "star power" and very little plot. No More Ladies is a good example of this. Joan Crawford marries bon vivant Robert Montgomery, hoping to mend his wastrel ways. Montgomery refuses to assumes the proper responsibilities of a husband, so Crawford tries to make him jealous by taking up with Franchot Tone. Everyone involved has limitless money, beautiful clothes and all the time in the world to spend on the trivialities of the plotline. Depression era audiences loved to see good-looking people in sumptuous sets, so No More Ladies was a success. The fact that, when asked, these audiences couldn't remember a single thing about the story was beside the point. ~ Hal Erickson, All Movie Guide

An aspiring singer learns the bitter price of stardom in this musical drama. She starts out a small-town girl and soon becomes a big star. Unfortunately, she still cannot find true love and so must lead a successful but lonely life. Songs include: "He Was Her Man", "Let It Be Me", "Weary", and ""Who But You"". ~ Sandra Brennan, All Movie Guide