Billy Dawson Movies

In this musical, a youthful trombonist is thrilled when he is allowed to play with Benny Goodman's Orchestra. Afterward he becomes insufferably egotistical and tries to start his own swing band. It's his girl friend's idea, and unfortunately he fails. He then returns to his old mill job. Fortunately, he is given another chance to play with Benny and the boys. Musical numbers include: "I'm Making Believe," (Mack Gordon, James V. Monaco), as well as "Chug-Chug-Choo-Choo-Chug," "Hey Bub, Let's Have a Ball," "Ten Days with a Baby" (Gordon, Monaco), "I Found a New Baby" (Jack Palmer, Spencer Williams), "Jersey Bounce" (Robert B. Wright, Bobby Plater, Tiny Bradshaw, Edward Johnson), "Let's Dance" (Fanny Baldridge, Gregory Stone, Joseph Bonine), "The World Is Waiting for the Sunrise" (Gene Lockhart, Ernest Seitz), "Mozart's Clarinet Quintet" (performed by Goodman and strings), "No Love, No Nothing" (Leo Robin, Harry Warren), "Rachel's Dream" (Benny Goodman), and "I Yi Yi Yi Yi, I Like You Very Much" (Gordon, Warren) ~ Sandra Brennan, All Movie Guide

In this musical, the teenage daughter of a popular movie star tires of being ignored by her separated parents and decides to make it as a star on her own. She does. Songs include: "It Had to Be You," "Blow, Gabriel, Blow," "I'm Always Chasing Rainbows," "On the Sunny Side of the Street," "Row, Row, Row Your Boat." ~ Sandra Brennan, All Movie Guide

A nostalgic and patriotic film from director Henry King similar to such later films as The Corn Is Green (1945). Claudette Colbert, stars as Nora Trinell, an aging schoolteacher awaiting a meeting with presidential candidate Dewey Roberts (Shepperd Strudwick). As Nora waits, she reflects on the past. It seems that a young Dewey (Douglas Croft) is Nora's pupil many years earlier in 1916, and has developed a schoolboy crush on his teacher, who encourages him to pursue his dreams. Nora, however, is quietly married to a fellow teacher, Dan Hopkins (John Payne), which inspires Dewey's jealousy when he discovers the truth. Tragedy awaits Dan, however, when he joins with the Canadian forces entering World War I. ~ Karl Williams, All Movie Guide

Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide

A minor heart-tugger filmed on leftover Mr. Smith Goes to Washington sets, this Columbia production stars the very British Herbert Marshall as US senator John Coleridge. Befriending young Marty Driscoll (Gene Reynolds), a tough kid from the proverbial wrong side of the tracks, Senator Coleridge tries to put Marty on the right track by installing him as a Senate page boy. When Marty sells top-secret information to the press, Coleridge refuses to punish the boy himself: instead, Marty is tried before a jury of his peers-the rest of the pages, who've been anxious to show what they've learned while observing the senators at work. Virginia Bruce does what she can with the thankless role of a DC newspaper sob sister. The link between Adventure in Washington and Frank Capra's Mr. Smith Goes to Washington is strengthened by the presence in the cast of Dickie Jones and Pierre Watkin, both of whom had appeared in similar roles in the Capra film. ~ Hal Erickson, All Movie Guide

Knute Rockne-All American was Pat O'Brien's finest hour: thanks to intensive rehearsals and numerous makeup applications, he so closely resembled the title character that, in the words of Rockne's widow, "I almost expected him to make love with me". The life of the legendary Notre Dame football coach is recounted from his childhood, when young Rockne (played by Johnny Sheffield) startles his Norwegian-immigrant parents by announcing at the dinner table that he's just been introduced to "the most wonderful game of the world." As an adult, Rockne works his way through Indiana's Notre Dame university, under the watchful and benevolent eye of Father Callahan (Donald Crisp) A brilliant student, Rockne is urged by Father Nieuwland (Albert Basserman) to become a chemist, or at the very least remain a chemistry teacher. Newly married to Bonnie Skilles (Gale Page), Rockne at first sticks to academics, but the call of the gridiron is too loud for him to ignore, and before long he has built his reputation as the winningest college football coach in America. One of his most significant contributions to the game is the invention of the tactical shift, inspired by the precision choreography of a team of nightclub dancers! Among the players nurtured by Rockne are the immortal Four Horsemen-Miller (William Marshall), Stuhlreder (Harry Lukats), Laydon (Kane Richmond) and Crowley (William Byrne), and of course the tragic George Gipp, superbly enacted by Ronald Reagan. His career continues unabated until his death in a plane crash in 1931. The screenplay of Knute Rockne-All American tends to be all highlights and little story, with several of the more dramatic passages telegraphed well in advance (just before her husband's death, Bonnie Rockne comments forebodingly "It's gotten cold all of a sudden"). Still, the film remains one of the best and most inspirational sports biographies ever made, with a heart-wrenching conclusion guaranteed to moisten the eyes of even the most jaundiced viewer. Ironically, the film's most famous scene, George Gipp's deathbed admonition to "Win one for the Gipper", was for many years excised from all TV prints due to a legal entanglement stemming from an earlier radio dramatization of Rockne's life; fortunately, this and several related scenes were restored to the film in the early 1990s. ~ Hal Erickson, All Movie Guide

As part of his new contract with Warner Bros., Edward G. Robinson agreed to appear in the gangster comedy Brother Orchid on the condition that the studio permit him to play the leading role in the lavish biopic A Dispatch from Reuters. Robinson is cast as Baron Paul Julius Reiter, who in 1833 inaugurates a "pigeon post" messenger service which is soon rendered obsolete by the invention of the telegraph. Eventually adapting to the new communications process, Reuters is able to extends his links to the major capitals of Europe, achieving success by scooping his competition with a transcription of a speech by Louis Napoleon. By 1858, Reuters has expanded his operation to the English-speaking countries, seriously over-extending himself financially. Ultimately, Reuters is rescued from bankruptcy in 1865 when he broadcasts on a worldwide basis the news of President Lincoln's assassination-even before the American ambassador in England has been informed of the tragedy. Throughout the highs and lows of his career, Reuters is encouraged by his loyal and loving wife Ida (Edna Best), who continually reminds him that he is a communicator and not a grandstander. Though not as entertaining and satisfying as Robinson's previous biographical film Dr. Ehrlich's Magic Bullet, A Dispatch from Reuters' benefits immeasurably from the almost terrifying expertise of the Warners production staff and its stellar supporting cast (Eddie Albert, Gene Lockhart, Nigel Bruce, Otto Kruger et. al.) ~ Hal Erickson, All Movie Guide