Marpessa Dawn Movies
Black Orpheus (Orfeu Negro) is literally what its title suggests: a retelling of the "Orpheus and Eurydice" legend enacted by black performers. This time the setting is the annual Carnival in Rio de Janeiro. Orpheus (Breno Mello) is a streetcar conductor; Eurydice (Marpessa Dawn) has just jilted her lover and is attempting to escape his wrath. Orpheus himself falls in love with Eurydice, whereupon her ex-lover, disguised as the Angel of Death shows up and kills Eurydice. To reclaim his lost love, Orpheus enters "Hell" (the Rio morgue) and uses supernatural methods to revive the dead girl. A multi-award winner on the international film scene, Black Orpheus features a samba musical score by Luiz Bonfa and Antonio Carlos Jobim. ~ Hal Erickson, All Movie Guide
- Starring:
- Breno Mello, Marpessa Dawn, (more)
- 1979
Three short films are gathered together in Collections Privées. The first is L'Ile Aux Sirenes (Island of the Sirens), directed by Just Jaeckin. In the story, a wealthy lout who is out yachting is washed overboard and winds up on an island where his sexual whims are catered to by four beautiful women. He is having a truly paradisiacal time until he discovers what they really relish about him. The second is Le Labyrinthe d'Herbes, directed by Shuji Terayama. The prostitute mother of the young man in this story used to sing him to sleep as an infant and toddler with a certain song. Now that he is approaching sexual maturity, he is obsessed by the need to find out what the words were to her song. The last film included is L'Armoire, directed by Walerian Borowczyk. In it, a Folies-Bergère dancer rents herself out to a wealthy and jaded Parisian who is shocked to discover where she has hidden her child in order to accommodate his sexual pleasure. ~ Clarke Fountain, All Movie Guide
- Starring:
- Laura Gemser
- 1970
Nobles try desperately to cling to the crumbling aristocracy in the days following World War I. The Count (Jean-Claude Brialy) and his Countess Mahe (Sylvia Fennec) delight in throwing lavish costume balls. The couple develops a friendship with a young boy who delights in the parties thrown by the noble couple. Love soon blooms between the Countess and the boy as she searches for something more than a string of endless parties and social affairs. The masquerades are an attempt to freeze time and hold on to the nostalgia of a bygone era. For fear of losing her, the Count allows the Countess to continue her love affair. ~ Dan Pavlides, All Movie Guide
- Starring:
- Jean-Claude Brialy, Sylvie Fennec, (more)
- 1996
An all night party in a building on the outskirts of Paris provides the setting of this provocative French meditation on life and waiting. As the title states, the film centers on seven main characters at the party. Each of them is privately waiting for something and all of them engage in conversations about the fundamental concerns of life, including love, sex, truth and responsibility. Among the seven are a pregnant woman waiting for her baby, a playboy, a gay man, and a young woman with poor taste in men. To make the film, director Francoise Etchegaray gave the actors a sense of who they were supposed to be and what they should do, placed them in a room, and let them improvise their dialog. ~ Sandra Brennan, All Movie Guide
- Starring:
- Clementine Amouroux, Richard Bean, (more)
- 1974
Like his WR: Mysteries of the Organism, Dusan Makavejev's controversial 1974 feature Sweet Movie is firmly rooted in the principles of psychoanalyst Wilhelm Reich. In cinematic terms, this means bombarding the audience with an onset of imagery so visceral, disgusting and repellent that it "awakens" the viewer in a Brechtian manner by "short-circuiting" the audience's reactions. Sweet Movie interweaves two narratives. One begins with a trip to the "Miss World Virginity Contest," whose winner, Miss Monde 1984 (Carole Laure) is auctioned off to Mr. Kapital (Animal House's John Vernon), a Texas oil billionaire with an odd perversion. Instead of deflowering her on her wedding night, he sterilizes the terrified girl's body with rubbing alcohol and showers her in urine with his massive gold-plated penis, while an audience watches bemusedly through his bedroom window. She later escapes from her bridegroom, in a suitcase, and winds up at a wild Viennese commune whose participants indulge in public defecation and a food orgy that wraps with a massive display of gurgling, yakking, and vomiting. At the tale's conclusion, Miss Monde shoots a television commercial that involves writhing nude in a giant vat of chocolate, with which she is completely drenched from head to toe, as the cameras roll. The second story involves a woman, Anna Planeta (Anna Prucnal) piloting a candy-filled boat down a river, with a massive papier-mache head of Lenin on the prow and a lover in-tow who is a refugee from the Battleship Potemkin. She eventually does a seductive striptease and seduces a pack of children, then makes love to her paramour in a vat of sugar and stabs him through the heart. Throughout the film, Makavejev includes shock cuts to Nazi autopsy footage and medical experimentation footage, some of which involves physical abuse of infants under the guise of "baby gymnastics." Although it has its admirers, Sweet Movie is something of an acquired taste. And that's putting it kindly. ~ Nathan Southern, All Movie Guide
- Starring:
- Carole Laure, Pierre Clémenti, (more)
Dr. James Moran (George Coulouris) is a scientist whose goals are beyond the pale of established medical science. While on an expedition to a remote part of the Amazon jungles, he encounters a huge plant being worshipped by a mysterious race descended from the Incas -- a plant that feeds off of women, devouring them almost like a giant Venus flytrap, and which also generates a fluid that can bring the dead back to life. Five years later, Moran has moved the plant into a laboratory in his basement, complete with a member of the tribe of worshipers who is capable of caring for it, and begins to experiment with it -- but he must find women to feed to it. Moran believes that using his scientific approach, the plant's sap will not only reanimate the dead, but could give its recipients immortality. He proceeds with his experiments despite the inquiries of the police, who are investigating the disappearances of several young women. He adds to the inevitable complications of his deceit when he brings in a pretty local girl (Vera Day) to assist his middle-aged housekeeper (Joyce Gregg), evoking deep and ultimately murderous jealousy from the older woman, who loves the doctor and also hasn't a clue as to what he's been up to in the basement laboratory, which is always locked. He's forced to kill her, and she becomes the object of his first serum experiment -- but she returns to life as a mindless zombie, and Moran realizes that all of his work, and the murders he's committed, have been for nothing. He recognizes that he has a monstrosity in his home, but it's still protected by that tribesman, who cares about nothing except the good of the plant. ~ Bruce Eder, All Movie Guide
- Starring:
- George Coulouris, Vera Day, (more)
