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Ninetto Davoli Movies

2007  
 
A man facing a possible brush with death decides to help another in a similar situation in this drama from Italy. Lorenzo (Fabio Volo) grew up in a working-class household, and from a young age he was determined to make something of himself. By the estimation of most people, Lorenzo has succeeded; he's a lawyer with a lucrative practice, he owns a fine home, and he has a beautiful girlfriend, Silvia (Anita Caprioli). However, one day Lorenzo has a sudden blackout, and wakes up in a hospital where doctors are giving him a battery of tests, believing he may have a serious brain tumor. Spending his days in the hospital doesn't agree with Lorenzo, but the days pass a bit more quickly when he finds himself sharing a room with Giovanni (Ninetto Davoli), a truck driver who strikes up a fast friendship with the lawyer. Giovanni isn't sure how long he has to live, and confesses that he wants to mend fences with his daughter Tresy (Tresy Taddei), who he hasn't seen in years. With nothing to do but find out if he has a tumor or not, Lorenzo checks himself out of the hospital and travels to Umbria in hopes of finding Tresy and arranging a reunion between her and her father. ~ Mark Deming, Rovi

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Starring:
Fabio VoloAnita Caprioli, (more)
 
1999  
 
Recalling the works of the great Pier Paolo Pasolini, documentary filmmaker David Emmer directs this sensitive portrait of a mother and her son. Upon returning home after military duty, Gianluca (Yuri Gugliucci) discovers that his mother (Adriana Asti) has been evicted from their home. He puts his dreams of being a forest ranger on the back burner and takes a job as a fisherman. From there, the ever-optimistic Gianluca drifts from one job to the next until he slides into a life of crime. ~ Jonathan Crow, Rovi

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Starring:
Ninetto DavoliJacqueline Lustig, (more)
 
1996  
 
The three performers (one Italian, one Frenchman and one German) in a ramshackle and miniscule traveling circus are traveling through rural Italy looking for an audience when they encounter Father Gregorio who asks them to portray the three wise men in his village Christmas pageant. This comedy chronicles the many misadventures that ensue when they take the job. First they must deal with irate union actors, then with the women's chorus with whom they dallied, but their biggest problem comes when they must find an infant to play the baby Jesus. For some reason, everyone in town is childless and so the three hit the road in search of their Christ child. ~ Sandra Brennan, Rovi

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1995  
 
Vulgar, blood-soaked humor abounds in this rollicking Italian black comedy that follows the hellish, bizarre New Years Eve of two average guys who find themselves stumbling from one outlandish situation to the next. After one guy gets dumped by his girl friend, he brashly invites himself to the exclusive party his pal plans to attend. His friend is not happy at spending the evening with such a morose character but allows him to go. Unfortunately, things go awry at the party and he must take the troublesome friend to his parent's suburban home. On a dark, empty highway, the two spy two hitchers. They offer them a ride and end up held at gun point, robbed and then running frantically for their lives in a field. Their flight leads them through dense woods and ultimately to a seemingly empty farmhouse that proves inhabited by a criminally insane poetry fan and his brutal gang. ~ Sandra Brennan, Rovi

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1989  
 
La Ragazza del Metro translates to The Girl on the Underground -- "underground", of course, referring to "subway." That girl, played by Roberta Olivieri, is wealthy but doesn't want anyone to know it. She is especially determined to keep this information from the handsome pianist (Nino D'Angelo), with whom she has fallen in love. The truth eventually outs when the girl's jealous lover exerts his brutishness upon her. Caring not a whit about class distinctions, the pianist is only concerned with rescuing his lady love from her vicious "protector." ~ Hal Erickson, Rovi

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1986  
 
Momo (Radost Bokel) is a ten-year-old orphan girl who tries to save her village from the evil clutches of the Grey Men in this uneven children's story. Led by Chief Grey Man (Armin Muller-Stahl), the Grey Men have managed to make the villagers give up all their leisure time. Momo must get to the rococo palace where the time guardian Hora (John Huston) stands in her way. ~ Dan Pavlides, Rovi

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Starring:
Radost BokelJohn Huston, (more)
 
1983  
 
Occhei, Occhei was not "occhei" with the Italian censors, who based their judgment on teen Bianca's sexual liaison with her boyfriend and her later gang-rape by three men who saw her lurid disco dancing -- implying that the rape was "her fault." Bianca (Paula Molina) and her friend Rosy (Giulia Salvatori) are 16-year-olds whose lives are filled with nothing more meaningful than what clothes to wear, music to hear, and sex to experiment with. After Bianca's boyfriend avoids her because she has been raped and is therefore a wanton woman, she and Rosy go to stay with Bianca's grandmother in the countryside and plot their revenge on the rapists and others. ~ Eleanor Mannikka, Rovi

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Starring:
Paula MolinaGiulia Salvatori, (more)
 
1981  
 
An off-beat comedy that takes a close look at the homeless and the hungry, Minestrone pulls off its wry and acerbic vision thanks to Sergio Citti, director and co-author of the script (with Vincenzo Cerami). Roberto Begnigni as Maestro contributes his own comedic talents to the film. The story centers around three characters who are brought together through the common human need to survive. Francesco (Franco Citti) and Giovanni (Ninetto Davoli) first meet at a garbage can, fending off a hungry dog for the scraps of food inside. The two men become friends, and soon get thrown in jail for causing a traffic snarl as they look up at the sky. Once in jail, however, they get to know the "upper crust" Maestro who cops his meals by walking into good restaurants dressed to the hilt and leaving without paying the bill. The three hook up as pals, and the story continues as their adventures take them out into the world again, giving the audience a chance to see society's role in the larger issue of hunger. ~ Eleanor Mannikka, Rovi

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Starring:
Roberto BenigniFranco Citti, (more)
 
1981  
 
It is the 15th c. in Hungary. And young prince Gaspar (Laszlo Galffy) was sent off to Italy when he was just two years old, and now he has come back to his father's castle as a grown man, with a troupe of actors in tow. Once arrived at the castle, he discovers his mother is in a kind of trance state, reportedly drinking the blood of virgins to keep her forever young (just like the infamous Bloody Lady Elizabeth Bathory). Gaspar's father has died in very mysterious circumstances - some say it was a bear that killed him (another symbolical, legendary animal in European lore) and others say he was done in by the Turks. Meanwhile, his uncle says the trance-like queen was really in love with him - and sometimes he says not. Yet they marry, and when she comes out of her mesmerized state for awhile she tells Gaspar that just like his friends, none of the castle's inhabitants are real, they are all actors and she is actually younger than he is - and then she falls back into her trance. As Gaspar seems to have nowhere to turn, a Turk comes into the picture to test him for his worthiness to rule, and says he (the Turk) is really Gaspar's father. The tests turn out negative, and Gaspar is told he cannot be king. There seems to be no choice but to leave the castle with his troupe of actors, and as the castle opens up onto a vast field, he and his friends - and an underhanded Turkish priest - make a dash for freedom, hoping to elude the weaponry of the Turkish guards behind them. ~ Eleanor Mannikka, Rovi

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Starring:
Ninetto DavoliLaszlo Galffi, (more)
 
 
1976  
 
Italian sexploitation at its worst, this cheap, lurid horror-comedy features Gianrico Tedeschi as the lecherous Dr. Frankenstein, whose equally randy (and considerably well-endowed) monster (Aldo Maccione) manages to intrude sexually on his creator's private life by engaging in an assortment of lewd acts with his wife, his laboratory assistant, and their female servants. The jealous doctor eventually takes matters in hand -- so to speak -- by grafting the monster's sexual equipment onto his own body. Too sleazy to enjoy as parody and too quaint for hardcore tastes, this moronic sex farce would probably have made a suitable companion feature to the American-made X-rated spoof Dracula Sucks. ~ Cavett Binion, Rovi

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Starring:
Aldo MaccioneGianrico Tedeschi, (more)
 
1973  
 
Two vagabonds, the "rogues" of the title Roguish Stories, tell each other stories while they squat side-by-side using a cave floor as a toilet. Their tales of jealousy, priests, seductions, murders and multiple castrations are not for the squeamish. The two later kill a man and are caught and convicted for the crime; nonetheless, they continue telling each other stories all the way to the gallows. This film is in Italian. ~ Clarke Fountain, Rovi

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1970  
 
Two anarchistic brothers live by petty thievery and try to recover from their Catholic upbringing. Bandiera (Laurent Terzieff) and Rabbino (Franco Citti) were children when they pushed their drunk of a father out of a window for killing their pet sheep. When a girl is raped by her father, she is brought by young "rescuers" to the home of the two brothers who then watch their friends take advantage of her sexually. The brothers take her in, and the three live happy and celibate if not uneventful lives until the brother's are sent to jail for stealing. When they emerge from prison, the two fight over the girl, whom they both have fallen in love with. ~ Dan Pavlides, Rovi

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Starring:
Laurent TerzieffFranco Citti, (more)
 
1969  
 
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This obscure film is directed by five well-known cinematographers. "Apathy" is directed by Carlo Lizzani and concerns a New York rape victim whose cries for help fall on deaf ears. Bernardo Bertolucci directs "Agony." Members of the Living Theater mime death scenes. In "The Paper Flower Sequence," directed by Pier Paolo Pasolini, a man carries a paper flower through Rome. Part four is directed by Jean-Luc Godard, a tedious segment where two people watch some actors give a boring performance. The last story is directed by Marcello Bellochio. Students at a Roman university engage in dialogue with members of the Establishment. While the stories averages 20 minutes each, this gang-directed effort quickly fell into cinematic oblivion. ~ Dan Pavlides, Rovi

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Starring:
Nino CastelnuovoNinetto Davoli, (more)
 
1969  
 
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Julian (Jean-Pierre Leaud) is the son of German industrialist Klotz (Alberto Lionello) who seeks to go into business with the former Nazi Herdhitze (Ugo Tognazzi). Herdhitze had spent most of World War II collecting human skulls for experiments with brain matter. As a protest, Julian refuses to marry his fiancé from a pre-arranged marriage, and he becomes romantically involved with pigs. Part two finds a man driven to cannibalism by hunger while wandering Mount Etna. He scavenges the mountainside looking for any kind of sustenance. In both cases, humans revert to animal behavior when they are removed from the spectrum of social rules and opinions. ~ Dan Pavlides, Rovi

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Starring:
Pierre ClémentiJean-Pierre Léaud, (more)
 
1968  
 
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Terence Stamp is known only as "The Visitor" in Pier Paolo Pasolini's Teorema. The mysterious stranger insinuates himself into the home of a wealthy Italian family, where he exerts a curious, sensual spirituality over everyone in the household. He then proceeds to seduce everyone in the family (male and female) including the maid, which gives each person some sort of unique epiphany. Because he reveals so little about his innermost thoughts, "The Visitor" becomes all things to all people. What it boils down to is this: Is the enigmatic visitor Christ, or is he the Devil? Matching Terence Stamp's multi-textured performance every step of the way is Laura Betti as the family's maid; Betti, in fact, won the "Best Actress Award" at the 1968 Venice Film Festival. Director Pasolini adapted the screenplay of Teorema from his own novel. ~ Hal Erickson, Rovi

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Starring:
Silvana ManganoTerence Stamp, (more)
 
1968  
 
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Bernardo Bertolucci was obviously influenced by the films of Jean-Luc Godard and the worldwide political upheavals of 1968 while assembling his feature-film Partner. This unorthodox adaptation of Dostoevsky's The Double studiously avoids traditional linear storytelling and exposition techniques. Pierre Clementi stars as a repressed young student who concocts a radical alter ego for himself. As the student's two faces argue polemics, Bertolucci uses the opportunity to take freewheeling critical potshots at all forms of political ideology. Not all of Partner makes sense, but the film will command the viewer's interest from beginning to end. ~ Hal Erickson, Rovi

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Starring:
Pierre ClémentiStefania Sandrelli, (more)
 
1967  
 
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This updated version of the Greek tragedy from Sophocles bears some slight resemblance to the original mythology. Edipo (Franco Citti) is abandoned by his father after the father receives an oracle telling him he will die at the hands of his own son. Raised by a childless couple, Edipo goes through a series of adventures before he marries his own mother. When they discover they are mother and son, Edipo blinds himself and his mother commits suicide. It's enough to give the audience a complex. ~ Dan Pavlides, Rovi

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Starring:
Silvana ManganoFranco Citti, (more)
 
1966  
 
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Originally Uccellacci e Uccellini, The Hawks and the Sparrows was adapted by director Pier Paolo Pasolini from his own novel. Italian comedian Toto plays a dual role, as "himself" and 12th century monk Brother Ciccillo. In modern times, Toto and his son Ninetto Davoli come across a talking crow who insists upon asking them where they're going. The answer, it turns out, is eight centuries into the past, where Toto and Davoli become monks, employed by Francis of Assisi to convert the birds of the world to Christianity. Unfortunately, every sparrow that they win over to God is devoured by a hawk. Back in the present, Toto and Davoli face a similar situation when their landlord threatens them with eviction. After various and sundry misadventures, the two human protagonists, growing weary of the philosophical crow's loquaciousness, eat the bird and move on, prepared to face whatever life brings them without the "help" of their feathered friend. The symbolism in The Hawks and the Sparrows is so obvious as to be funny, which was Pasolini's intention all along. ~ Hal Erickson, Rovi

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Starring:
TotòNinetto Davoli, (more)