Warren Davis Movies

The opening episode of House's second season finds misanthropic medico Greg House (Hugh Laurie) still mulling over the possibility of rekindling his romance with lawyer Stacy Warner (Sela Ward)--and never mind that Stacy is very much a married woman. The major medical crisis of the evening concerns death-row inmate Clarence (LL Cool J), who collapses shortly after claiming to hear the voices of all his victims. Despite the stiff opposition of Cuddy (Lisa Edelstein) and Foreman (Omar Epps), House and Stacy conspire conspire to sneak Clarence into the clinic so that House can save his life in time for the execution! And in another development, Cameron (Jennifer Morrison) finds herself peculiarly incapable to inform her patient (Christie Lynn Smith) that she has been diagnosed with terminal lung cancer. ~ Hal Erickson, All Movie Guide

Tensions of a mostly racial nature erupt between two African-American staffers at the ER, the mild-mannered Michael Gallant (Sharif Atkins) and the outspoken Gregory Pratt (Mekhi Phifer). Pratt foments the hostility when he interferes in Gallant's treatment of a suicidal soldier. But when a hypochondriac (Diane Delano) is refused treatment by Dr. Kayson (Sam Anderson) for what seems to be a genuine ailment, Pratt holds his tongue -- with fatal consequences for the patient. Now it is Gallant's turn to unleash his anger at Pratt, a confrontation with long-ranging ramifications. Elsewhere, a distracted Weaver (Laura Innes) makes a disastrous error while demonstrating flu shots on a TV news program, and Carter (Noah Wyle) again confronts Abby (Maura Tierney) about her alcohol problems. ~ Hal Erickson, All Movie Guide

In this farcical comedy, Matthew Broderick plays Clark Kellogg, an aspiring director who arrives in New York City to attend film school. However, moments after he arrives in the city, he's robbed by Victor Ray (Bruno Kirby), leaving him no money for the $700 in books required by his instructor, Arthur Fleeber (Paul Benedict). A few days later, Clark runs into Victor and demands his money back, but Victor has already lost it (on a horse race in which he wasn't entirely sure the animal he bet on was a horse). Instead, he offers to fix Clark up with a job with his boss, an "importer and exporter" named Carmone Sabatini (Marlon Brando), who bears a stunning resemblance to Don Corleone in The Godfather. Clark's adventures with Sabatini are just beginning when he's instructed to pick up a package from the airport. Clark is expecting it to be contraband, and he's right, but not in the way he figured -- it turns out he's accepting delivery of a komodo dragon, which is to be served at a "gourmet club" specializing in dishes prepared from endangered species. Marlon Brando's hilarious comic variation on one of his best-known roles is the highlight of this film, but Bruno Kirby and Paul Benedict also deliver fine comic turns, and Matthew Broderick copes nobly with his role as the film's lone normal person. ~ Mark Deming, All Movie Guide

Two twin brothers, both renowned gynecologists, descend into madness after becoming romantically involved with the same woman in this disturbing, horrific drama. Jeremy Irons delivers a bravura performance as both Beverly and Elliot Mantle, Toronto-based surgeons who operate an exclusive gynecological clinic and share a reputation as brilliant innovators. They also share lovers, as the more aggressive, confident Elliott seduces women and later secretly allows the shier, more intellectual Beverly to reap the benefits. This arrangement is disturbed when Beverly falls in love with their newest conquest, Claire Niveau (Genevieve Bujold), a famous actress with an unusual gynecological deformity. Beverly's relationship with the hard-living Claire leads to him to turn away from Elliot and begin a dangerous involvement with drugs and alcohol. Elliot senses his brother's rapid decline into addiction and paranoia and attempts to save him, only to start falling victim to the same urges. Director David Cronenberg adapted the loosely fact-based tale to his own creepy purposes, tapping into primal fears regarding the uncanniness of twins and male sexual panic. His notorious gore was used sparingly here, however, with the film's most disturbing moments coming through suggestion, as in the display of a group of terrifying surgical instruments created by Beverly in his madness. Cronenberg's expertise with special effects proves crucial, however, as he and his regular cinematographer Peter Suschitzsky seamlessly combine Irons' two performances in a manner unrivalled by any previous depiction of twins. This visual achievement is more than matched by Irons, who delivers what may be his career performance, delineating the twins' differences and similarities and embodying their collapse in frighteningly believable fashion. The subject matter and chilly tone may be too intense for some viewers, but the brilliant central performance and intellectually provocative approach will prove thoroughly absorbing for others. ~ Judd Blaise, All Movie Guide

The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, All Movie Guide