Mary O'Hara Movies

A young woman pins her hopes and dreams on a maverick horse in this drama based on the classic novel by Mary O'Hara. Katy (Alison Lohman) is the teenage daughter of a horse rancher (Tim McGraw) who is grooming his son to take over the family business, while Katy is sent to an exclusive private school where she feels like a misfit. One day, while out riding, Katy finds a wild horse, a beautiful black mustang, and she feels an emotional connection with the animal. While her father is convinced having a mustang around his herd will be bad for both his thoroughbred ponies and the wild horse, Katy is certain she can break the strong-willed steed and make him a champion, and she even gives the horse a name -- Flicka. As Katy struggles to tame the headstrong Flicka, she also tries to prove to her father that she knows horses as well as he does, and that she's every bit as capable of running the ranch as her brother. Also starring Maria Bello and Ryan Kwantan, Flicka was previously adapted for the screen as My Friend Flicka in 1943. ~ Mark Deming, All Movie Guide

In this drama, based on a novel by Mary O'Hara, the relationship between humans and animals is paralleled as they struggle to live and find love on a wild ranch in Wyoming. The human story centers around a rancher's niece who falls in love with a neighboring rancher's son. The equine story follows the romantic exploits of a wild-eyed black mare and a wild white stallion, Thunderhead. One night, the sly stud sneaks upon the other's land and steals the mare. The rancher's boy brings them back. The rival ranchers get involved in a horse race and the niece's uncle wins over the other's pregnant mare. The two youngsters find love and as Thunderhead's baby is foaled, happiness ensues. ~ Sandra Brennan, All Movie Guide

An utterly enchanting Technicolor filmization of Mary O'Hara's novel, My Friend Flicka is the story of a beautiful colt and the boy (Roddy McDowell) who loves her. The boy's rancher father (Preston S. Foster) isn't keen on the horse that his son chooses to train: Flicka, the offspring of a tempestuous mare that has shown traces of madness. The training of Flicka is an arduous process for both boy and horse, and there are times that it appears that father was right. But by applying both love and perseverance, the boy raises the colt into a magnificent specimen. My Friend Flicka was filmed in the Rocky Mountains on a near-epic scale by director Harold Schuster and cinematographer Dewey Wrigley. The film was popular enough to spawn two theatrical sequels and a 1956 weekly TV series. ~ Hal Erickson, All Movie Guide

Although this film sounds like a 1920s version of Mr. Mom, in some ways it's more enlightened than the 1983 comedy -- for one thing, being a stay-at-home dad comes quite naturally to husband Lester Knapp (Clive Brook). Nevertheless, the idea of switching traditional husband-wife roles was quite a radical one in the days when women had only recently won the right to vote, and as such, this drama (with comic touches) was not always warmly received. Knapp is an ineffectual office worker, while his wife, Eva (Alice Joyce), is a paragon of efficiency who, although she loves her children, is woefully lacking in mothering skills. When Knapp is fired from his job, he decides to die "accidentally" so that his long-suffering family can collect on his life insurance. But (according to the title card) "Lester proved a bungler even at dying," and instead he winds up a paraplegic confined to a wheelchair. Eva turns down the charity of Knapp's old boss, Spencer Willing (Lester Whitlock), and instead asks for a job. He gives her one, as a saleslady at one of the company's stores. Eva flourishes at her new position and soon is earning almost twice as much as Knapp ever made. Meanwhile, Knapp's effect on the couple's three children is almost magical, especially when it comes to dealing with their formerly incorrigible three-year-old. This odd set-up is gradually accepted by the Knapp's friends and relatives, but then disaster strikes -- Eva notices Knapp's legs twitching in his sleep, and indeed, he finds out that he can walk again. But Knapp realizes that both he and Eva are ill-suited for the roles originally foisted on them by society, so he swears their reluctant physician, Dr. Merritt (the delightful George Fawcett), to secrecy. Not surprisingly, this picture was adapted by a woman, Mary O'Hara, from a novel by another woman, Dorothy Canfield. ~ Janiss Garza, All Movie Guide

Best known today as the film which cost director Erich Von Stroheim his job at Universal Studios, Merry Go Round contains enough Von Stroheim touches to suggest that "official" director Rupert Julian merely tied together the film's loose ends. The titular merry-go-round is owned by the unspeakable George Siegmann, who inflicts all sorts of casual cruelties upon organ-grinder Mary Philbin. In addition to enduring Siegmann, Philbin must decide whether or not Austrian-count Norman Kerry truly loves her, or is merely toying with her in the months before his arranged marriage with countess Dorothy Wallace. The latter seems to be the case when Kerry goes through with his marriage. While fighting in the Franco-Prussian war, Kerry fortuitously comes across Philbin's dying father (Cesare Gravina), who roundly chastises the count before expiring. After the war, an impoverished and widowed Kerry tries to make amends to Philbin, who by now is herself engaged to hunchbacked circus performer George Hackathorne. A happy ending is in store for all concerned except the villainous Siegmann (remember him?), who suffers an appropriately grisly demise. ~ Hal Erickson, All Movie Guide

Laurette Taylor played the orphan Peg for so long on stage that by the time she starred in the motion picture, she was undoubtedly too old for the part. But then, when Marion Davies starred in the 1933 talkie version, she was 36. The performances of both women in their respective pictures were surprisingly good, considering that in those days film was considered a medium tailor-made for dewy-eyed youth. When her mother dies, Margaret O'Connell, better known as Peg, has to leave her father (Russell Simpson) in Ireland to live with her snooty English relatives so that she can inherit a lot of money. But her relatives -- Mrs. Chichester (Vera Lewis), Ethel Chichester (Ethel Grey Terry), and Alaric Chichester (D.R.O. Hatswell) abuse her and her dog Mike. Only the presence of their neighbor, Sir Gerald Adair (Mahlon Hamilton) -- whom she calls Jerry -- makes things even remotely tolerable. But Peg finally decides she can't stand the Chichesters any longer and returns to Ireland. Jerry goes after her to declare his love and they marry. King Vidor directed -- it was an unusual type of picture for him, but critics singled his work out for praise. ~ Janiss Garza, All Movie Guide