Dana Andrews Movies

Despite the title, the Cisco Kid (Cesar Romero) doesn't feel too lucky at the beginning of this film. It seems that someone else has been committing crimes while passing himself off as Cisco. The scheme was cooked up by a corrupt judge (Willard Robertson), who hopes to drive the settlers off the land and buy it up himself, all the while placing the blame for the reign of terror on the Kid's shoulders. But with the help of his paunchy pal Gordito (Chris-Pin Martin), our hero puts an end to the skullduggery. As a bonus, he finds time for romance in the arms of gorgeous widow Mrs. Lawrence (Evelyn Venable). Mary Beth Hughes has one of her better earlier roles as a brassy dance-hall doxie. ~ Hal Erickson, All Movie Guide

The town of Vinegaroon, TX, is the home to Judge Roy Bean (Walter Brennan), who calls himself "The Only Law West of the Pecos." Bean keeps a saloon, where he also conducts trials, using his office to get fat on fines and the seizure of property, and hanging most of those who get in his way, sometimes more than one a day. Cole Hardin (Gary Cooper) is a saddle-tramp brought in on a charge of stealing a horse belonging to Bean's chief stooge, Chickenfoot (Paul Hurst). Hardin's conviction by a jury made up of Bean's hangers-on (with the undertaker, played with low-key comic zeal by Charles Halton, waiting eagerly for the verdict and the hanging) seems certain, despite his contention that he bought the horse from another man, until Hardin recognizes the judge's obsession with the English actress Lily Langtry. Hardin feigns having seen, met, and known Miss Langtry intimately, and he cons the judge into delaying the death sentence until Hardin can send for a lock of the actress' hair that he supposedly has in El Paso -- that's long enough for the real horse thief (Tom Tyler) to show up and get killed.

By the time the dust settles, the judge, for all of his warped sense of justice and corrupt nature, finds himself genuinely liking Hardin as something of a kindred spirit, as bold and daring as he was in his youth, and feeling something like friendship for him. But Bean also tries to shoot Hardin when he decides to cast his lot with the homesteaders, led by Jane-Ellen Mathews (Doris Davenport) and her father, Caliphet (Fred Stone), who have been fighting for survival against Bean and his cattle-rancher allies every step of the way. Hardin tries to appeal to the better nature within the judge, and also saves him from an attempted lynching, but when that fails, and a corn crop is burned and Mr. Mathews killed, he sees no choice but to take action. He gets an arrest warrant sworn out and is deputized by the county sheriff. Taking Bean in his saloon or anywhere in his town (renamed Langtry by the judge, in honor of the actress) is impossible, but then it's announced that Lily Langtry will be appearing in Texas, a long day's ride away from Bean's stronghold. The judge, dressed in his full Civil War regalia and with his men in tow, rides to see the performance while Hardin gets ready to try and arrest him. The kind of climactic shoot-out that follows has been done to death in the decades since, but it was something new and revelatory in a Western in 1940, and still plays beautifully on a dramatic level, capturing in full the complexity of the relationship between these two antagonists. ~ Bruce Eder, All Movie Guide

Erskine Caldwell's once-scandalous novel Tobacco Road resulted in an equally steamy stage play by Jack Kirkland, which became one of the longest-running productions in Broadway history. This story of indigence and amorality amongst inbred "poor whites" (based on people Caldwell had known while growing up in Georgia) had to be heavily expurgated for movie consumption, put there was plenty of comedy and colorful characterizations to suit the purposes of director John Ford. Charley Grapewin stars as Jeeter Lester, shiftless patriarch of a large backwoods clan. The Lesters are about to be thrown off their land for nonpayment of rent, but anyone who tries to help them--or to alter their lifestyle--is chased away by the poverty-stricken but intensely proud Jeeter. Tobacco Road succeeded on the basis of its title alone, even though no one expected the film to be anywhere near as earthy as the stage version (it would have been impossible under prevailing censorship to include the play's famous opening scene, in which the family watches intently while a teenage girl masturbates!) ~ Hal Erickson, All Movie Guide

20th Century-Fox mixed together elements of its own Jesse James and Selznick's Gone with the Wind, and the resultant brew was Belle Starr. Looking precisely nothing like the real Belle, Gene Tierney plays the title role, whom the screenplay suggests was the daughter of a Southern aristocrat. When those Damn Yankees march in and appropriate Belle's land, she heads to Missouri and joins forces with a Confederate guerilla fighter (Randolph Scott). Belle marries the man, and together they become outlaws, hoping to avenge the fallen South. For reasons best known to the studio, Belle Starr is overloaded with offensive African American stereotypes, including the faithful old ex-slave (George Reed) who narrates the story. ~ Hal Erickson, All Movie Guide

Berlin Correspondent is a cut-rate variation of Hitchcock's Foreign Correspondent, courtesy of 20th Century-Fox. In one of his first important film roles, Dana Andrews plays Bill Roberts, an American radio commentator station in Berlin in the months before Pearl Harbor. Having witnessed Nazi brutalities first hand, Roberts hopes to alert his listeners of impending dangers, and does so by sending out coded messages during his broadcasts. The Gestapo begins to suspect something and assigns glamorous secret agent Karen Hauen (Virginia Gilmore) to spy on Roberts. When she discovers that her own father (Erwin Kaiser) is supplying Roberts with vital secrets, she turns her back on the Nazis and joins our hero in his efforts. The film winds up with an exciting airborne escape from Hitler-land. Arte Johnson fans please note: At one point, the head Gestapo officer (Martin Kosleck) actually says "Verrrry interesting"! ~ Hal Erickson, All Movie Guide

This now-classic indictment of mob rule was a pet project of both star Henry Fonda and director William Wellman, both of whom agreed to work on lesser 20th Century-Fox projects in exchange for this film. After a hard winter on the range, cowboys Gil Carter (Fonda) and Art Croft (Harry Morgan) ride into a fleabitten small town for a drink. Within minutes, they get mixed up in a barroom brawl, which earns them the animosity of the locals. By and by, word reaches town that a local rancher has been killed by rustlers. With the sheriff out of town, a lynch mob is formed under the leadership of Major Tetley (Frank Conroy), a former Confederate officer who hopes to recapture past glories. Worried that they'll be strung up, Carter and Croft reluctantly join the mob and head out of town. In the dark of night, the group comes across three sleeping transients: a farmer named Martin (Dana Andrews), a Mexican (Anthony Quinn), and a senile old man (Francis Ford). The fact that Martin carries no bill of sale written by the so-called murder victim is evidence enough for Tetley to demand that the three men be hanged on the spot. Carter knows that this is a gross miscarriage of justice, but he's helpless to intervene. Resolving himself to his fate, Martin gives Carter a letter to deliver to his wife. The three unfortunates die at the end of the rope, and the mob rides off, only to discover that there never was a murder of any kind. Based on a novel by Walter Van Tilburg Clark, The Ox-Bow Incident is not so much a western as a gothic melodrama, with deep, looming shadows and atmospheric underlighting worthy of The Cabinet of Dr. Caligari. Though the film lost a fortune at the box office (a fact that Fox head Darryl F. Zanuck never tired of pointing out to Fonda and Wellman), it gains in stature with each passing year. ~ Hal Erickson, All Movie Guide

This is a restored, 82-minute version of 1943's December 7th, originally commissioned by the U.S. Navy to document the events leading up to the Japanese attack on Pearl Harbor. Cinematographer Gregg Toland and filmmaker John Ford quietly made a full-length feature that intimated that the attack would have failed had the Navy not been asleep at the switch. The film also contained other material deemed offensive by the Navy (such as African-Americans and Asian-Americans fighting bravely against the enemy). As a result, the orginal version was cut down to 34 minutes. ~ Sandra Brennan, All Movie Guide

The year is 1942: eight American airmen crash-land during the Doolittle bombing raid on Tokyo and are taken prisoner. Though slated for execution, the pilots are put through a "show trial" by the military, on a charge of committing war crimes. The Japanese judges promise to be merciful if only the Americans will reveal vital US military secrets. But captain Dana Andrews speaks for the rest of his melting-pot crew-some of whom have been subjected to the most horrific of tortures--when he chooses death before dishonor. In its own way, The Purple Heart is as racist a piece of propaganda as was ever produced by Hollywood. The Japanese are shown to be little more than sadistic beasts (at one point, the judges interrupt the trial by moronically shouting "Banzai" after receiving news of a military victory), while hissing, buck-toothed interrogator Richard Loo ("I attended your...Amelican universities"), unable to admit that he's been wrong about Yankee resilience, commits hara-kiri. Remember, however, that The Purple Heart was made at a time when America was still at war with Japan, and political correctness was hardly a consideration. Its jingoism aside, the film is a first-rate piece of moviemaking, socked across by director Lewis Milestone with the same fervor that he'd expended on his anti-war masterpiece All Quiet on the Western Front (1930). ~ Hal Erickson, All Movie Guide

Former president Ronald Reagan may have genuinely believed that he was referring to a real-life act of selfless wartime bravery whenever repeating his "We'll bring this one down together" anecdote. In fact, he was merely quoting a scene from the above-average World War 2 drama A Wing and a Prayer. The setting is an American aircraft carrier, overseen by tough, unserving flight officer Don Ameche. When casualties begin piling up, the pilots blame Ameche, accusing him of being an indiscriminate butcher. Only when the tide of battle turns in favor of the Allies do the pilots realize that Ameche has been right all along. Director Henry Hathaway spent several weeks aboard an actual aircraft carrier, filming genuine combat scenes. Many of these authentic sequences appear as background footage in A Wing and a Prayer; sometimes the process work is convincing, sometimes it isn't, but please remember that this film was made long, long before the advent of computer technology. Dana Andrews, William Eythe, Richard Jaeckel, Harry Morgan (billed as 'Henry Morgan' here), Richard Crane, Glenn Langan, Reed Hadley and Bob Bailey are among the ready, willing and able Fox contractees appearing in A Wing and a Prayer. ~ Hal Erickson, All Movie Guide

Otto Preminger directed this stylish film noir exercise, intended as a follow-up to his surprise hit Laura. Kicked off a bus traveling cross-country for not being able to come up with the fare, down-and-out press agent Eric Stanton (Dana Andrews) ends up in Walton, a small coastal town in California. Stanton fast-talks Joe Ellis (Olin Howland) into giving him a place to stay for the night in exchange for promoting Professor Madley (John Carradine), a "mentalist" whose show Ellis manages. While in Walton, Stanton makes the acquaintance of June Mills (Alice Faye), a wealthy but reclusive young woman, and has his eye on Stella (Linda Darnell), a good-looking waitress working at the local diner. Thanks to Madley, Stanton learns a few things about June, and when Ellis and the professor pull up stakes after a successful engagement, Stanton opts to stay behind, hoping to win Stella's heart. Gold digger Stella makes it known that she has no interest in Stanton unless he comes into a lot of money, but June has made her interest in Stanton quite clear. Stanton hatches a plan: he'll marry June, take her money, divorce her, and then take up with Stella. Stanton and June do in fact marry, but just as he's about to give her the brush-off, Stella turns up dead. Mark Judd (Charles Bickford), a retired cop-turned-detective, is investigating the murder, and while the initial suspect is Dave Atkins (Bruce Cabot), Stella's ne'er-do-well ex-boyfriend, Judd's focus eventually falls on Stanton. Stanton flees Walton for San Francisco, with ever-loyal June at his side; he quickly abandons her after taking her money, but he returns to her side when word reaches him that June has been charged with Stella's murder. Fallen Angel marked a dramatic change of pace for Alice Faye; however, she was very unhappy with how Preminger edited her performance, convinced that much of her best work ended up on the cutting-room floor. Faye was so angry that she quit the movie business altogether and didn't appear in another film until State Fair in 1962. ~ Mark Deming, All Movie Guide

Dana Andrews -- in one of the best performances of his career -- plays Logan Stuart, a bold, ambitious general store and freight company owner based in the mining settlement of Jacksonville, OR, in 1856. He and his best friend, local banker and express company owner George Camrose (Brian Donlevy), share an attraction for young, beautiful Lucy Overmire (Susan Hayward). However, that's all the two men share -- Stuart sees life in the Oregon territory as a challenge, to be worked out and overcome with thought and time, with the opportunity to build something lasting and significant in the process. Camrose only sees the opportunity to get rich fast and live easy, and he's addicted to gambling at the local saloon. What no one knows is that he's been doing his gambling with the gold dust that the miners have left on deposit in his vault -- and he's been losing. He wants to get out of the territory, to someplace like San Francisco, and plans to take Lucy away. Stuart, by contrast, is as much a frontiersman as a businessman, and so much a part of the community and so trusted and liked that he might even be a potential political leader, if he ever had the time and the willingness to settle down and stay put. He finds consolation over his loss of Lucy in an engagement to Caroline Marsh (Patricia Roc), a daughter of an Englishman who came to Oregon only to see her father killed by Indians, who lives with the homesteading family of Ben Dance (Andy Devine) and his wife (Dorothy Peterson) and their children. Out of friendship, and also a little guilt over the fact that he would love to be engaged to Lucy, Stuart gives Camrose the money to get even, but Camrose can't resist one last card game, and not only loses what Stuart gave him, but the gold dust of one miner -- who shows up unexpectedly in town that night, planning on getting his dust the next day. When the man turns up drowned, Camrose is accused of murder; Stuart stands by his friend, but he's found guilty and the miners, led by hot-headed young Johnny Steele (Lloyd Bridges), plan on hanging him, and shooting anyone who tries to get in the way. But before his fate can be settled, an Indian war starts over the killing of a young Native American woman, and the lives of every white settler in and around Jacksonville are suddenly endangered. There's all of that, plus four songs (including "Old Buttermilk Sky") from Hoagy Carmichael (who does a great acting job), all convincingly woven into the drama along with one of the music legend's best acting performances. ~ Bruce Eder, All Movie Guide

In this melodrama, a brilliant pianist is struck blind in an accident and stops working on his equally brilliant concerto. A wealthy woman pretends to be poor and blind to help him regain his confidence, and holds a contest with a large prize for the best musical composition. She, as the blind girl, encourages him to finish his work and enter it. He wins the prize, uses the money to have his sight restored, falls in love with the wealthy woman, and is thrilled to find that his two loves are one and the same. ~ Steve Huey, All Movie Guide

Boomerang, directed by Elia Kazan, is a chilling film noir, the true story about the murder of a priest, the subsequent arrest and trial of a jobless drifter, and the efforts of young state's attorney Henry Harvey (Dana Andrews) to uncover the truth. Closely based on the actual 1924 murder of Fr. Hubert Dahme in Bridgeport, Connecticut, the film was directed by the young Elia Kazan in a highly effective, semi-documentary style. Kazan shot most of the film on location, using high-contrast cinematography and an extremely mobile camera to create a palpable sense of urgency. The screenplay, expertly crafted by Richard Murphy received an Academy Award nomination. ~ Linda Rasmussen, All Movie Guide