Judy Davis

Based on the 2005 bestselling novel by Gigi Levangie Grazer, the six-part miniseries The Starter Wife starred former Will & Grace leading lady Debra Messing as Molly Kagan, an archetypal "Hollywood wife" who for ten years had enjoyed the perks and privileges of being married to powerful studio executive Kenny Kagan (Peter Jacobson). All of this changed drastically when Kenny dumped his spouse for a much-younger pop singer named Shoshanna (Trilby Glover), adding insult to injury by informing Molly that their marriage was through via cell-phone. Having carefully timed the breakup to coincide with the expiration of the couple's pre-nuptual agreement, Kenny was able to escape without providing Molly with a huge monetary settlement, leaving our benumbed heroine high and dry. Also, Molly was now "persona non grata" in her Brentwood community, with many old doors (especially those on stores and restaurants) being literally closed in her face, and such fair-weather friends as Cricket Stewart (Miranda Otto) and Joan McAllister (wonderfully played as a self-hating lush by Judy Lewis) conspicuously unavailable. Vowing to start life anew for the sake of herself and her teenaged daughter, Molly relocated to Malibu, where she found a new best friend in the form of airheaded Malibu gate guard Lavender Caraway (Arika Noni Rose). She also entered into a brace of tempestuous relationships with aging, moody movie producer Lou Manahan (Joe Mantegna) and handsome but untrustworthy beachcomber Sam Knight (Stephen Moyer). All of the episodes were scripted by Josann McGibbon and Sara Parriott and directed by Jon Avnet--and curiously, all were filmed in Australia rather than "La-la Land". Making its USA Network debut on May 31, 2007 with a two-hour episode, The Starter Wife ran on a weekly, hourly basis until June 28 of that year. ~ Hal Erickson, All Movie Guide

Writer and director Sofia Coppola puts a new spin on the life and times of one of Europe's most infamous monarchs in this lavish historical drama which fuses a contemporary sensibility with painstaking recreations of the look of the 18th century. Born to Austrian nobility, Marie Antoinette (Kirsten Dunst) is only 14 years old when she's pledged to marry Louis XVI (Jason Schwartzman), the 15-year-old king of France, in an alliance that has everything to do with politics and nothing to do with love. Sent to France and literally stripped of her former life, Marie weds Louis, but to the consternation of the royal court, he seems either unwilling or unable to consummate the marriage while their advisors clamor for an heir to the throne. Young and more than a bit out of step with the new life that's been thrust upon her, Marie gives herself over to the pleasures of life in Versailles, knowing and caring little of the political intrigue that surrounds her. In time, Marie's trusted older brother, Joseph (Danny Huston), is brought in to coach Louis on the finer points of marital relations, and before long the couple is finally blessed with a child. However, as Marie tends to her children in the gilded cage of her palace and enjoys an affair with a Swedish nobleman, political power plays are throwing France into chaos, and the growing ranks of the poor rebel against the royals and their life of privilege. Also starring Rip Torn, Judy Davis, Steve Coogan, and Asia Argento, Marie Antoinette was given a controversial reception when it premiered at the 2006 Cannes Film Festival. ~ Mark Deming, All Movie Guide

This true-crime biopic explores the life of mother-and-son grifters Sante and Kenny Kimes, from Kenny's childhood apprenticeship in early-'80s Honolulu to Sante's murder trial in late-'90s New York City. Fortyish Sante Kimes (Judy Davis) uses her looks and her brazen disregard for the law to acquire whatever she wants in life, from jewels to cars to large insurance settlements. Her most frequent accomplice in these endeavors? Son Kenny (former General Hospital actor Jonathan Jackson), who spends most of his childhood serving as a bit player, then later a co-star, in his mother's schemes. When a slavery -- yes, slavery -- conviction sends Sante to prison, Kenny enjoys a more or less normal adolescence with his wealthy father (Chelcie Ross), who has long refused to marry Sante. But upon her return from the big house, the now over-the-hill Sante re-enlists her son's assistance in her amoral activities. Eventually fingered for the murder of a wealthy Manhattan matron, Sante finds herself in court, where her son's testimony may well end her lifelong crime spree once and for all. Adapted by Randy Stone and Teena Booth from Jeanne King's book Dead End: The Crime Story of the Decade: Murder, Incest and High-Tech Thievery, A Little Thing Called Murder premiered January 23, 2006, on the Lifetime cable network. It was actually the second TV movie to explore the Kimes' story, following Mary Tyler Moore's turn in the 2001 CBS offering Like Mother, Like Son: The Strange Story of Sante and Kenny Kimes. ~ Brian J. Dillard, All Movie Guide

After being pulled from CBS amid a flurry of controversy, The Reagans was finally aired on Showtime and went on to earn Golden Globe nominations for its stars, James Brolin and Judy Davis. Directed by Robert Allan Ackerman (Life With Judy Garland: Me and My Shadows) and based on a book by Carl Sferrazza Anthony, the film offers an intimate and some may say scathing look at the family behind one of the 20th century's most hotly debated presidencies. Also starring John Stamos and Zeljko Ivanek, the made-for-television biography is unrated. ~ Matthew Tobey, All Movie Guide

An American abroad finds herself falling in with an eccentric group of fellow expatriates in Spain in this comedy. Cassandra (Judy Davis) is a nomadic American who finds herself stranded in Spain, where she's found temporary work translating books into English. However, Cassandra's limited translating skills are not bringing home the bacon, so when she encounters a strange woman named Frankie (Marcia Gay Harden), she's willing to help her find a missing friend for a price. Cassandra soon discovers Frankie isn't a strange woman after all -- she's a man living as a woman in preparation for a future sex change operation. It seems Frankie's significant other, a seriously butch lesbian named Ben (Lili Taylor), has walked out on her and taken their daughter Delilah (Courtney Jines) with her; Frankie wants Cassandra to help her find the two of them. As it turns out, Ben has moved on to new pastures, becoming involved with April (Juliette Lewis), a head-in-the-clouds bohemian, and with the help of wealthy art patron and part-time magician Hamilton Kincaid (Christopher Bowen), Ben, April, and Delilah are happily squatting in a spare wing at La Pedrera, Spain's best-known gallery. As Cassandra tries to persuade Ben to reconcile with Frankie, she gets fast-talked by Hamilton into performing as part of his magic act. Gaudi Afternoon was directed by Susan Seidelman; it was her first dramatic theatrical feature since Cookie in 1989, after spending over a decade making documentaries and television projects. ~ Mark Deming, All Movie Guide

Directed by Mark Joffe, Australia's The Man Who Sued God centers around Steve (Billy Connelly), an ex-lawyer who is unable to collect insurance money for his destroyed boat. Deeming the accident an "act of God," Steve decides to sue the man at the root of his problem -- namely, God. Anna (Judy Davis), a jaded journalist who took a particular interest in Steve's case, decides to help him out on his quest to collect from the almighty. The movie raises a host of philosophical issues, some of which include who should represent God in court, who pays up should God be convicted, and the status of Steve's eternal soul. The Man Who Sued God also features Vincent Ball and Billie Brown. ~ Tracie Cooper, All Movie Guide

Susan Seidelman directs this critically acclaimed made-for-cable TV movie based on the novel by Zena Collier. A nasty divorce leaves one-time housewife Iris Prue (Sally Field) in unstable financial circumstances, forcing her to accept a demeaning job as live-in housekeeper to the family of imperious, snooty Paula Tanner (Judy Davis). Slowly rebuilding her life in the small Maine town where she's employed by the Tanners, Iris makes new friends and even strikes up a romance with an artist named Jack (Winston Rekert). When Paula is left by her own husband and undergoes a psychological crisis as a result, Iris is surprised to find herself befriending the employer with whom she once clashed, and an unexpected friendship blooms. Jerry Wasserman, Jessalyn Gilsig, and Carly Pope co-star. Both Field and Davis were nominated for Screen Actors Guild and Emmy awards for their work in A Cooler Climate. ~ Karl Williams, All Movie Guide

Black-and-white Sven Nykvist cinematography highlights this Woody Allen comedy about fame and obscurity among Manhattan celebs. Journalist Lee Simon (Kenneth Branagh), makes a play for actress Nicole Oliver (Melanie Griffith), subject of his current story. Lee is separated from his wife Robin (Judy Davis), a schoolteacher who's totally lost and insecure -- until TV producer Tony Gardella (Joe Mantegna) becomes fascinated with her. Concerned about her possible sexual inadequacies, Robin recruits a prostitute (Bebe Neuwirth) to instruct her on oral sex techniques. On the town, Lee becomes transfixed by a blond supermodel (Charlize Theron), who teases him throughout the night, eventually dropping him before they get home. Lee's relationship with book editor Bonnie (Famke Janssen) is solid, and she's due to move into his place. However, he suddenly becomes romantically involved with waitress-actress Nola (Winona Ryder), complicating his agreement with Bonnie. Lee's efforts to sell his screenplay take him to the Stanhope Hotel, where he arrives just as spoiled young movie star Brandon Darrow (Leonardo DiCaprio) is fighting with his girlfriend (Gretchen Mol), trashing his hotel room, and insulting hotel staffers. When Darrow and his entourage head off to Atlantic City, Lee tags along, but as life swirls about him, a dismal dawn awaits. In addition to the Stanhope, locations included Barbetta's Restaurant, Ziegfeld Theatre, Soho's Serge Soroko Gallery, Flamingo Club, Jean-Georges Restaurant, and the Trump Marina Hotel and Casino (donated by Donald Trump, who portrays himself in a cameo at the Jean-Georges). Shown at the 1998 Venice Film Festival, this was the opening night selection of the 1998 New York Film Festival. ~ Bhob Stewart, All Movie Guide

In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. Only later does the audience learn that the would-be lovers were U.S.-President Alan Richmond (Gene Hackman) and Christy Sullivan (Melora Hardin), the young wife of the President's biggest supporter Walter Sullivan (E.G. Marshall). As the investigation and cover-up begins, Luther, who has already been contacted by hard-boiled and suspicious detective Seth Frank (Ed Harris) begins to fear that he will be blamed for the killing and prepares to leave the country. He tries to see his daughter Kate (Laura Linney) to make peace with her for having been absent in prison during most of her life, but she rejects him. Luther goes to the airport, but just before he flies, he sees a press conference in which President Richmond, without so much as a twitch, goes on a tirade concerning his stand against violence. Something inside him snaps and he abruptly decides to stay and fight for justice. ~ Sandra Brennan, All Movie Guide

Jack Nicholson reunited with director Bob Rafelson, director of Five Easy Pieces and The King Of Marvin Gardens, for this violent, downbeat crime drama. Alex (Jack Nicholson) is a wine dealer whose business is going belly-up, along with his life. His step-son Jason (Stephen Dorff) hates him, his wife Suzanne (Judy Davis) has a drinking problem and is the constant target of Alex's abuse, and Alex is having an affair with Gabriella (Jennifer Lopez), a domestic worker from Cuba. One of the people that Gabriella cleans for has a diamond necklace worth several million dollars locked in a safe in a bedroom. Desperate for a quick score to get himself out of debt, Alex sees a opportunity for a lot of fast money and hooks up with Victor (Michael Caine), a career criminal who knows how to open safes but is desperately ill with tuberculosis. Nicholson and Rafelson first worked together on the film Head, starring The Monkees (Nicholson only had a bit part, but he also wrote the screenplay and was credited with producing the soundtrack album). ~ Mark Deming, All Movie Guide

A wealthy Beverly Hills husband and wife are forced to reevaluate their lives after losing their jobs in writer-director Michael Tolkin's aloof satire. Peter Witner (Peter Weller) and Katherine Witner (Judy Davis) have become so accustomed to their high-class, shallow lifestyle that they feel helpless when circumstances leave them facing imminent bankruptcy. Lost and confused, their marriage on the verge of collapse, they seek help from a number of spiritual gurus, who offer ineffectual New Age philosophies as the solution to their problems. These remedies provide little comfort, however, and the Witners' attempt to make their own way by opening a hip clothing store also disappoints, leaving them ostracized and desperate for a direction in life. Best known for the cutting screenplay of Robert Altman's The Player (1992) and for his own earlier film The Rapture (1991), Tolkin provides sharp dialogue and a well-observed critique of the Los Angeles high life. This film continues the social criticism of those earlier efforts, as Tolkin consistently portrays American life as mindlessly materialistic, spiritually hollow, and bereft of meaningful purpose or moral direction. While some viewers may feel distanced from the unsympathetic characters and detached tone, Tolkin continues to be one of the most trenchant social satirists in contemporary American movies. ~ Judd Blaise, All Movie Guide

One of Woody Allen's most seemingly biographical films, Husbands and Wives opens with upper-middle class Manhattan couple Sally (Judy Davis) and Jack (Sydney Pollack) announcing to their best friends, the Roths, that they are splitting up. Gabe Roth (Allen) and his wife Judy (Mia Farrow) are taken aback by their casual revelation. Jack begins dating his dim, but sexy, aerobics instructor and Sally starts up a tentative romance with Michael (Liam Neeson). Gabe and Judy begin analyzing their marriage, discovering that they might not be meant to stay together. English professor Gabe begins a serious flirtation with a student of his named Rain (Juliette Lewis) and Judy begins to have feelings for Michael. Eventually, Sally and Jack reconcile, but have not improved their relationship. Gabe and Judy end up going their separate ways. Husbands and Wives was seemingly influenced by Ingmar Bergman's Scenes From a Marriage. ~ Perry Seibert, All Movie Guide