Brian Andrews Movies

A woman has to learn how to love and trust men all over again in this comedy drama. Helen McCarter (Kimberly Elise) would seem to have it all -- she's been married for 18 years to Charles (Steve Harris), and over the course of their time together, he's become one of Atlanta's most successful attorneys. But despite wealth and prestige, things are not as they should be at the McCarter home, and on their anniversary, Charles drops a bombshell on Helen -- he's divorcing her for another woman. Escorted out of the house with nowhere to go, Helen moves in with her grandmother Madea (Tyler Perry), a sassy woman with no shortage of opinions and a gun that she's not afraid to use. As Madea helps Helen get back on her feet emotionally, the divorcée makes the acquaintance of Orlando (Shemar Moore), a handsome man who is obviously attracted to her. But after her experiences with Charles, Helen isn't sure if she's ready to trust a man again. Diary of a Mad Black Woman was adapted from the popular stage play by Tyler Perry, who also plays several roles in the film, most prominently Madea; it marked the first feature-film credit for successful music video director Darren R. Grant. ~ Mark Deming, Rovi

The first feature film from director Phil Joanou (State of Grace), Three O' Clock High chronicles a high school nerd's much hyped after-school bout with the infamous class bully. When the impish Jerry Mitchell (Casey Siemaszko) is assigned to interview the new transfer student with a supposedly violent past, Buddy Revell (Richard Tyson), he makes the fatal mistake of touching his subject. Revell, who hates being touched, responds by challenging the unwilling Mitchell to a fight at three o'clock in the parking lot. Spanning the course of the school day, the film follows the disaster-bound Mitchell as he soils his good-boy image through various misguided attempts at averting the fight. Also making noteworthy appearances in the film are Jeffrey Tambor and Philip Baker Hall. ~ Rachel Deahl, Rovi

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie).

After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, Rovi

It was "The Night HE Came Home," warned the posters for John Carpenter's career-making horror smash. In Haddonfield, IL, on Halloween night 1963, six-year-old Michael Myers inexplicably slaughters his teenage sister. His psychiatrist Dr. Loomis (Donald Pleasence) can't penetrate Michael's psyche after years of institutionalization, but he knows that, when Myers escapes before Halloween in 1978, there is going to be hell to pay in Haddonfield. While Loomis heads to Haddonfield to alert police, Myers spots bookish teenager Laurie Strode (Jamie Lee Curtis) and follows her, constantly appearing and vanishing as Laurie and her looser friends Lynda (P.J. Soles) and Annie (Nancy Loomis) make their Halloween plans. By nightfall, the responsible Laurie is doing her own and Annie's babysitting jobs, while Annie and Lynda frolic in the parent-free house across the street. But Annie and Lynda are not answering the phone, and suspicious Laurie heads across the street to the darkened house to see what is going on.... ~ Lucia Bozzola, Rovi