Gail Davis Movies

Winning of the West was Gene Autry's first western vehicle for 1953. It was also one of Autry's better offerings, with the star cast as a territorial ranger with an uncharacteristically nasty streak. When a local newspaper publisher is slain by an outlaw gang, Gene hesitates to pull his gun because he recognizes his own brother (Richard Crane) as one of the outlaws. As a result, he is relieved of his duties and forced to fend for himself. After a series of hair-raising adventures, Autry is compelled to face his brother in a showdown. Somehow, a happy ending arises from all this, though it wouldn't be fair to tell how. Gene Autry is supported by his usual cohorts Smiley Burnette and Gail Davis; he also offers four musical numbers, of which "Find Me My Trusty .45" is the best. ~ Hal Erickson, Rovi

The Johnny Mack Brown West of Wyoming concerns the efforts by cattle baron Simon (Stanley Andrews) to prevent the opening up of the rang to homesteaders. Government agent Brown comes calling when Simon begins resorting to cold-blooded murder. The leading lady is Gail Davis, a few years shy of her Annie Oakley TV stardom. Surprisingly, West of Wyoming contains none of the comedy relief that had characterized earlier Johnny Mack Brown oaters. ~ Hal Erickson, Rovi

Valley of Fire is a fairly gutsy title for this formula Gene Autry western. This time, Autry plays the reform-minded mayor of a wide-open western town. The villain of the piece, Tod Rawlings (Harry Lauter), decides to undermine Gene by convincing a band of disreputable miners to hijack a wagon train which is bringing mail-order brides into the community. Fortunately, the community's "good" miners thwart Rawling's plan and claim the brides for themselves (fear not: the ladies are more than willing to be claimed). One of Rawling's partners in crime is played by Russell Hayden, who only a few months earlier had been the clean-cut hero of Lippert's "Four Star Western" series. Once again, Gene Autry's feminine vis-a-vis in Valley of Fire is Gail Davis, who went on to star in TV's Annie Oakley. ~ Hal Erickson, Rovi

"This boy...and this girl...were never properly introduced to the world we live in." With this superimposed opening title, director Nicholas Ray inaugurates his first feature, They Live by Night. Farley Granger and Cathy O'Donnell play a "Bonnie and Clyde"-type fugitive couple, who in trying to escape their past are hell-bent down the road to Doom. Despite their criminal activities, Bowie (Granger) and Keechie (O'Donnell) are hopelessly naïve, fabricating their own idyllic dream world as the authorities close in. The entrapment -- both actual and symbolic -- of the young misfit couple can now be seen as a precursor to the dilemma facing James Dean in Ray's 1955 film Rebel Without a Cause. A box-office disappointment upon its first release, They Live by Night has since gained stature as one of the most sensitive and least-predictable entries in the film noir genre. The film was based on a novel by Edward Anderson, and in 1974 was filmed by Robert Altman under its original title, Thieves Like Us. ~ Hal Erickson, Rovi

Aired originally on September 3, 1950, and restored by Gene Autry Entertainment in 2000, this The Gene Autry Show series entry features Stanley Andrews as Carl Meachem, the owner of the "Flying M" cattle ranch. Determined to keep the range free of fences, Meachem bars a right of way for neighbor Tim Carson (Francis McDonald) when the latter puts his part of the valley up for sale to settlers. The feud leads to murder, and Meachem is arrested. But foreman Gene Autry knows that his boss is innocent and puts his own life on the line to catch the real culprit. In between duking it out with a vicious land grabber, Gene sings his own "That's My Home." Leading lady Gail Davis went on to star in the 1954-1956 series Annie Oakley, also produced by Gene Autry's Flying "A" Productions. ~ Hans J. Wollstein, Rovi

Barney's girlfriend Thelma Lou tries to match Andy up with her cousin Karen Moore. As it turns out, however, Karen is a tougher cookie than anyone could have expected-least of all the chauvinistic Andy. Written by Jack Elinson and Charles Stewart, this episode makes good use of the gun-toting talents of actress Gail Davis (Karen), who previously starred on the TV western Annie Oakley. "The Perfect Female" first aired on November 27, 1961. ~ Hal Erickson, Rovi

Take Care of My Little Girl is a genteel "expose" of college-sorority snobbery. Jeanne Crain stars as Liz Erickson a perky coed who is pledged to an old, established sorority. At first amused by such rituals as "rushing" and "Hell week," Liz eventually feels threatened by the tyranny of the sorority caste system. She is particularly upset with her "sisters"' preoccupation with doltish boyfriends and their disdain for their classwork. With the moral support of student Joe Blake (Dale Robertson), Liz finally gets her priorities in order. Take Care of My Little Girl would make a fascinating companion piece with For Men Only (1951), director Paul Henreid's vitriolic attack against the injurious rituals of male fraternities. ~ Hal Erickson, Rovi

Not quite as memorable as his previous Riders in the Sky, Gene Autry's Sons of New Mexico is still well up to the star's standard. This time, Gene tries to reform Randy Pryor, a would-be juvenile delinquent, played by Autry-protégé Dick Jones (who later starred in the Autry-produced TV series Range Rider and Buffalo Bill Jr). To this end, Pryor is enrolled at the New Mexico Military Institute, where much of this film was lensed. The kid chafes at the school's regimen and escapes, heading back to his criminal mentor Pat Feeney (Robert Armstrong). Eventually, however, Pryor sees the light, and helps Autry bring Feeney to justice. Featured in the cast is another Gene Autry contractee, Gail Davis, who went on to star as TV's Annie Oakley. ~ Hal Erickson, Rovi

This 1951 Gene Autry vehicle is based on a supposedly true incident. At the close of the Civil War, a band of Southern guerillas disguised themselves as Union soldiers, the better to perform acts of sabotage in Utah. Autry plays a cavalry scout who goes after guerilla leader McQuarrie (Jim Davis). Though heavily outnumbered, Gene manages to come out on top. Hardly plausible, Silver Canyon is enhanced by an excellent supporting cast, including Pat Buttram as Autry's sidekick, Bob Steele as an all-around louse, and perennial Autry leading lady Gail Davis as the spunky heroine. ~ Hal Erickson, Rovi

Gene Autry's summer release for 1953 was the 56-minute Pack Train. In this one, Autry is assigned to safely transport supplies to a band of settlers. The villains, headed by Ross McLain (Kenne Duncan), intend to bushwhack Autry, grab the supplies, and sell them at high prices to a local mining camp. It must needs be that Autry and the bad guy duke it out in the final reel; the climactic fight, which takes place on a speeding train, is the best scene in the film. McLain's partner in crime is played by Sheila Ryan, the real-life wife of Gene Autry's perennial sidekick Pat Buttram (who also appears in the film). The heroine in Pack Train is Autry-contractee Gail Davis, who later in 1953 began filming on her own TV series, Annie Oakley. ~ Hal Erickson, Rovi

Set during WW II, this film casts John Wayne as Duke Gifford, two-fisted submarine commander. Patricia Neal co-stars as Mary Stuart, Duke's former wife. Duke's hopes of staging a reconciliation are constantly interrupted by a series of life-threatening circumstances, capped by the rescue of a group of orphans from a Japanese-held island. Featured in the cast are old John Wayne cronies Ward Bond and Jack Pennick, as well as TV's future Jim Bowie, Scott Forbes. Operation Pacific might prove a fascinating companion feature to 1964's In Harm's Way, which reteamed John Wayne and Patricia Neal in another WW II Navy yarn. ~ Hal Erickson, Rovi

Many observers felt that western star Monte Hale finally hit his stride with Law of the Golden West. This time, Hale plays young William Cody in his pre-Buffalo Bill days. When his wagon train is raided by bandits and his father is killed, Cody doggedly pursues the villains, with only a hotel-room key as a clue to the head culprit's identity. The bad guys include John Holland as a well-Educated easterner with a predilection for quoting Shakespeare to his nonplussed henchmen (including the inevitable Roy Barcroft) Gail Davis, who went on to play TV's Annie Oakley, is Hale's spirited leading lady, while Paul Hurst provides chuckles as a grizzled hotelier. ~ Hal Erickson, Rovi