Brad Davis Movies

When an older camper takes his naïve young counterparts on a forbidden excursion into the forest, the group quickly discovers that a lingering urban legend has terrifying roots in reality. It's a serine summer day in Upstate New York, and many families have chosen to soak in the sun with a weekend camping excursion. Wisecracking camper Joe knows well the local legend concerning a murderous backwoods hunter named Cappy, and he's determined to have a laugh at the expense of his naïve young counterparts. One day, after Carmine leads his group across the river that marks the camp's boundaries, Joe attempts to convince his fellow campers that Cappy is more than an amusing campfire tale, and that his cabin is actually fairly close by. When the wandering group runs across a cabin in a remote clearing, Joe peers through the window and sees a dead girl sprawled out on the floor. Cappy's son Clem is weeping over her lifeless body. When Clem hears something moving outside, the chase begins. ~ Jason Buchanan, All Movie Guide

A dreary and depressing tale despite the excellent assemblage of talent, this is the story of a Depression-era family where sibling rivalry and tragedy seem to be the watch words of their home life. A period piece set in 1930s Texas. ~ Tana Hobart, All Movie Guide

In this made-for-TV movie, a woman suffering the ravages of terminal cancer desires, against the wishes of her husband, to permanently end her suffering. ~ Iotis Erlewine, All Movie Guide

Unspeakable Acts is the all-too-true story of a 1984 Dade County (Florida) sexual abuse case. Frank and Ilana Fuster (Gregory Sierra and Bess Meyer), who operate an upper-class day care center in a Florida suburb, are accused of committing appalling acts upon their young charges. The prosecution's case hinges on the testimony of one emotionally scarred child. Jill Clayburgh and Brad Davis play Lauri and Joseph Braga, the husband-and-wife child development specialists who must convince the abused youngster to testify without causing additional damage. ~ Hal Erickson, All Movie Guide

Based on a Pulitzer Prize-winning novel by Herman Wouk, this thought-provoking made-for-television drama chronicles the court martial of the lieutenant who commandeered the U.S.S. Caine during a potentially deadly storm. The only way his attorney can save him is to prove that Captain Queeg was mentally incompetent to safely run the ship. ~ Sandra Brennan, All Movie Guide

Season three of the cartoon series The Transformers opens with an elaborate five-part story (eminently suited to be "transformed" into a single two-hour TV movie), "The Five Faces of Darkness," set largely on Cybertron, home planet of the warring Autobots and Decepticons. This plotline serves to introduce a new human ally for the good-guy Autobots, Marrisa Fairborne of the Earth Defense Command. In other developments this season, the Autobots' earthling chum Spike, long married to a girl named Carly, inadvertently involves his son Daniel in the neverending Autobot-Cybertron conflict; the ghost of Decepticon Starstream goes on a relentless search for a new host body; and several new groups of characters are brought into the action, the better to sell more toys for the Hasbro company: among these are the Technobots, the Junkions, and the Quintessons. The season ends with a two-parter wherein Autobot mentor Optimus Prime, long presumed dead, makes a spectacular return in an all-out final(?) assault against the despicable Decepticons. ~ Hal Erickson, All Movie Guide

The robotic cartoon adventure series The Transformers begins its second season with the episode "Autobot Spike," in which one of the human allies of the Autobots in their ongoing battle against the Decepticons literally loses his mind to a super-Transformer. "Autobot Spike" is one of the few single-episode storylines to be found this season. Many of the other scenarios take up two episodes or more, notably "Dinobot Island," wherein the discovery of a remote island populated by prehistoric beasts leads to a serious schism in the time-space continuum; "Megatron's Master Plan," in which the leader of the evil Decepticons does his best to turn public opinion against the Autobots; and "Desertion of the Dinobots," which finds the title characters rebelling against their enslavement by the robots and trying to claim the Autobots' home planet as their own. The best of The Transformers' two-parters during the series' second season is "The Key to Vector Sigma," a story built around a computer from the planet Alpatrian with which the Decepticons intend to bestow artificial intelligence upon their newly created flunkies, the Stunticons. ~ Hal Erickson, All Movie Guide

Season one of the "cartoon commercial" The Transformers begins with the three-part "More Than Meets the Eye," which explains how the two warring Transformers armies from the planet Cybertron, Optimus Prime's good-guy Autobots and Megatron's bad-guy Decepticons, were placed in suspended animation when they attempted to expand their battle to prehistoric Earth. "Thawing out" in 2005 A.D., the combatants resume their war as if nothing had happened, with the Autobots gaining a bit of an advantage by winning two human earthlings, Spike and Sparkplug, over to their side. A later episode, "Roll for It," introduces another major human ally of the Autobots, computer whiz Chip Chase. Subsequent season-one highlights include the three-part story, "The Ultimate Doom," wherein Megatron enlists the aid of a mad (Do you hear? Mad!) human scientist in attempting to bring Cybertron into Earth's orbit. And "A Plague of Insecticons" introduces a brand-new threat to Autobots and Decepticons alike -- not to mention a fresh new line of Hasbro-licensed Transformer toys! ~ Hal Erickson, All Movie Guide

German director Rainer Werner Fassbinder died of a drug overdose on June 10, 1982, before his last film, Querelle was edited. This documentary is both about the filming of Querelle -- a sailor of that name whose love life left nothing to be desired -- and about director Fassbinder's working techniques and philosophy. While actors and workers comment on the filming of Querelle, a 14-minute interview with Fassbinder taped eight hours before he died was supposed to convey the first element, his own beliefs and working methods. Fassbinder's mother had the interview pulled by court order, leaving the Wizard of Babylon without the benefit of the wizard's own chemistry. ~ Eleanor Mannikka, All Movie Guide

The 2-part TV movie Rumor of War was based on the 1977 memoirs of Vietnam veteran Philip Caputo. Brad Davis stars as Caputo, who during the mid-1960s was a Marine lieutenant. In battle after battle, Caputo performs his duties admirably, even when questioning the wisdom of America's Vietnam involvement. As both the war and the body count escalate, Caputo suffers a nervous breakdown. A Rumor of War bears an inevitable resemblance to the much-earlier antiwar epic All Quiet on the Western Front, right down to the presence of a father-figure combat sergeant (Brian Dennehy). Its few cliches aside, the film is a powerful indictment of the brutalization and depersonalization of America's Vietnam forces. A Rumor of War premiered on September 24 and 25, 1980. ~ Hal Erickson, All Movie Guide

In this drama, a psychiatrist works with the police to help them identify a dangerous criminal. Unfortunately, the doctor doesn't realize that the killer is an old high-school buddy of his. ~ Sandra Brennan, All Movie Guide

The multiple award-winning made-for-TV movie Sybil was based on the book by Flora Rheta Schreiber. Sally Field won an Emmy for her portrayal of the title character, a substitute teacher in New York who has developed multiple personality disorder. As a coping mechanism to deal with the abuse she suffered at the hands of her mother, Hattie (Martine Bartlett), Sybil created separate personalities: aggressive Peggy Lou, suicidal Mary, baby Sybil Ann, and several others. Joanne Woodward plays Dr. Cornelia Wilbur, the psychologist who diagnoses Sybil's condition and helps her to get over it. William Prince and Jane Hoffman play her father and stepmother, while Brad Davis appears as her would-be boyfriend Richard. Originally shown in 1976 as a two-part special on NBC for a total of almost four hours, but most home video versions have been edited down to two hours. ~ Andrea LeVasseur, All Movie Guide

Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, All Movie Guide