Bette Davis Movies
The daughter of a Massachusetts lawyer, American actress Bette Davis matured with a desire to become an actress upon her graduation from Cushing Academy, but was turned away from Eva LeGallienne's Manhattan Civic Repertory in New York. Undaunted, Davis enrolled in John Murray Anderson's Dramatic School, where everyone (including classmate Lucille Ball) regarded her as the star pupil. After a 1928 summer season with director George Cukor's stock company in Rochester, NY (where she worked with future co-star -- and rival -- Miriam Hopkins), Davis went on to Broadway, starring in Broken Dishes and Solid South before Hollywood called. Dazzling on-stage, Davis was signed to a contract by Universal in 1930. After an unimpressive debut in Bad Sister in 1931, however, Davis was out of work, but picked up by Warner Bros. soon thereafter. Davis applied herself with white-hot intensity to becoming a star with that company, and after a major role in the 1932 George Arliss vehicle The Man Who Played God, a star she became. Still, the films at Warner Bros. were uneven, and it wasn't until the studio loaned out Davis to play the bravura role of Mildred in RKO's Of Human Bondage (1934) that the critics began to take notice.An Oscar nomination seemed inevitable for her performance in Bondage, but Davis was let down by Warner Bros., which didn't like the fact that her best appearance had been in a rival's movie, and it failed to get behind her Oscar campaign (although there was a significant write-in vote for the actress). But, in 1935, Davis excelled as a self-destructive actress in the otherwise turgid film Dangerous, and an Oscar was finally hers. And when Warner Bros. subsequently failed to give Davis the top roles she felt she then merited, the actress went on strike and headed for England. She lost a legal battle with the studio and came back, but it acknowledged her grit and talent by increasing her salary and giving her much better roles. In 1939 alone, Davis starred in Dark Victory, Juarez, The Private Lives of Elizabeth and Essex, and The Old Maid. But she didn't get the plum role of the season -- Scarlet O'Hara in Gone With the Wind -- because Warner Bros. wouldn't loan her to David O. Selznick unless Errol Flynn was chosen to play Rhett Butler (a piece of casting both Selznick and Davis violently opposed). But Davis had already had her turn at playing a Southern belle in Jezebel (1938), which won her second a Oscar.
As her star status increased in the 1940s, Davis found that it would have to be at the expense of her private life -- she would be married and divorced four times, admitting toward the end of her life that her career came first, last, and always. A fling at being her own producer in 1946 was disappointing, and her contract with Warner Bros. petered out in 1949 with a string of unsuccessful films. Davis made a spectacular comeback in 1950 when she replaced an ailing Claudette Colbert in the role of Margot Channing in the Oscar-winning All About Eve. Though suffering from a bone disease that required part of her jaw to be removed, Davis continued to work in films throughout the '50s; but, in 1961, things came to a standstill, forcing the actress to take out a famous job-wanted ad in the trade papers.
In 1962, Davis began the next phase of her career when she accepted the role of a whacked-out former child star in What Ever Happened to Baby Jane? This led to a string of gothic horror films that did little to advance Davis' reputation, but kept her in the public eye. It was also in 1962 that Davis penned her thoughtful and honest autobiography The Lonely Life. Working in movies, TV, on-stage and on one-woman lecture tours into the '70s, Davis may have been older but no less feisty and combative; her outspokenness may have unnerved some of her co-stars, but made her an ideal interview subject for young film historians and fans. In 1977, Davis received a Lifetime Achievement Award from the American Film Institute, an honor usually bestowed upon performers who were retired or inactive. Not Davis. She kept at her craft into the '80s, even after a stroke imposed serious limitations on her speech and movement. Amidst many TV movies and talk-show appearances, Davis gave one last memorable film appearance in The Whales of August (1987), in which she worked with another venerable screen legend, Lillian Gish. Though plagued with illness, Davis was formidable to the end -- so much so that when she died in France at the age of 82, a lot of her fans refused to believe it. ~ Hal Erickson, Rovi
- 1959
In this uneven but well-acted mystery story with a few gaps in the plot here and there, Alec Guiness plays a double role. He is John Barratt, a British teacher on vacation in France who is conned into taking on another identity. The identity he assumes is that of his double, Count Jacques de Gue, who has none of John's upright, moral character. Once ensconced as the Count, John discovers that the Count's mother (Bette Davis) is addicted to morphine, his wife (Irene Worth) believes he is out to kill her, and the Count's brother-in-law (Peter Bull) is embezzling funds away from the family business. And those are just a few of his problems, alleviated somewhat by his mistress (Nicole Murray). Once John realizes how decadent and immoral the Count really is he feels duty-bound to challenge him to a duel. ~ Eleanor Mannikka, Rovi
- Starring:
- Alec Guinness, Nicole Maurey, (more)
- 1959
Bette Davis guest stars in this episode, which was directed by her former Now, Voyager co-star Paul Henreid. Davis is cast as Miss Fox, a wealthy woman living in a luxury apartment. Taking a liking to elevator operator Eddie McMahon (James Congdon), Miss Fox hires him to walk her dog. Later on, Eddie approaches Miss Fox, asking for a generous loan. She refuses -- and shortly thereafter, she is brutally attacked on the street by an unseen assailant. ~ Hal Erickson, Rovi
Director Frank Capra's last feature film, Pocketful of Miracles is a Technicolor remake of his 1933 film Lady for a Day. A barely recognizable Bette Davis plays Apple Annie, the besotted, unkempt, rag-clad street vendor who controls the activities of all the beggars on Broadway. Apple Annie is the pet of Dave the Dude (Glenn Ford), a tough but basically kind-hearted gangster who believes that Annie's apples bring him luck. One morning, Annie fails to show up at her usual corner. That's because she is sitting disconsolate in her squalid shack, contemplating suicide. The reason: Annie has received a letter from her daughter Louise (Ann-Margret, in her screen debut). Annie has been supporting Louise's high-priced European education, leading the girl to believe that she, Annie, is a high-society dowager. Now Louise is returning home with her wealthy fiance Carlos Romero (Peter Mann) in tow, and it looks as though Annie's cover will be blown to bits. Partly out of sympathy, but mostly because of his superstitious belief in the power of Annie's apples, Dave the Dude arranges with his Broadway cohorts to "doll up" Annie so that she can pass as a woman of means, then stage-manages a huge, expensive reception for Louise and her beau. The complications that ensued in the original 1933 version of Lady for a Day exercise their prerogative once more, with a few added plot twists to pad out Glenn Ford's screen time. Cutting through the sentimental goo like a machete is Peter Falk, who is hilarious as Dave the Dude's sarcastic bodyguard. Evidently, Falk was one of the few actors on the set of Pocketful of Miracles with which Capra remained sympatico throughout shooting. In his autobiography (a not altogether reliable tome), Capra insisted that Pocketful of Miracles was ruined by Glenn Ford's autocratic and self-serving on-set behavior, and by Ford's demand that his current lady friend Hope Lange be (mis)cast as brash nightclub chirp Queenie Martin. As usual, Capra was not telling the whole story: at 63, he was beginning to lose his grip on his movie-making skills, allowing every scene to run well past its value and concentrating on cute isolated "bits" rather than the story at hand. Way too long at 136 minutes (Lady for a Day ran but 90), Pocketful of Miracles still has a lot going for it, especially the glowing performance of Bette Davis and the basic, foolproof Damon Runyon story on which it is based. While it disappointed at the box office, Miracles has since its release become a Christmastime TV perennial, seldom failing to draw big ratings numbers. ~ Hal Erickson, Rovi
- Starring:
- Glenn Ford, Bette Davis, (more)
- 1962
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As a child, "Baby Jane" Hudson was the toast of vaudeville. As an adult, however, Baby Jane was overshadowed by her more talented sister, Blanche, who became a top movie star. Then, one night in the early '30s, came the accident, which crippled Blanche for life and which was blamed on a drunken, jealous Jane. Flash-forward to 1962: Jane (Bette Davis), decked out in garish chalk-white makeup, still lives with the invalid Blanche (Joan Crawford) in their decaying L.A. mansion. When Jane isn't tormenting the helpless Blanche by serving her dead rats for breakfast, she is plotting and planning her showbiz comeback. Convinced that her days are numbered if she remains in the house with her addlepated sister, Blanche desperately tries to get away, but all avenues of escape are cut off by the deranged Jane. What Ever Happened to Baby Jane? sparked a trend toward casting venerable Hollywood female stars in such grotesque Grand Guignol melodramas as Lady in a Cage (1964) and Hush...Hush Sweet Charlotte (1965). In addition to revitalizing the careers of Davis and Crawford, whose real-life mutual animosity came through loud and clear, the film made a star of sorts of 24-year-old character actor Victor Buono, cast as a porcine mama's-boy musical composer. Lukas Heller's screenplay was based on the novel by Henry Farrell. ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Joan Crawford, (more)
- 1963
This is the first of four consecutive episodes in which Perry Mason appears only briefly, while a "guest" lawyer handles the case at hand (Raymond Burr was at the time recovering from minor surgery). No less than Bette Davis is cast as female attorney Constant Doyle, the widow of famed defense attorney Joe Doyle. Taking her late husband's place, Constant agrees to defend young Cal Leonard, who is accused of burglarizing the offices of Otis Industries and beating up a night watchman. Actually, Constant doesn't like Cal very much and was thinking of dropping the case until her curiosity was aroused by the fact that Lawrence Otis was all too willing to drop the charges against the boy. As it turns out, Cal is lucky to have Constant on his side when he charged with the murder of his cousin Steven (Jerry Oddo). Removed from the original Perry Mason syndicated rerun package in 1966, this episode remained unseen until it was telecast on cable TV in the mid-1990s. ~ Hal Erickson, Rovi
Though he's most famous for his portrayal of Victor Laszlo in 1942's Casablanca, actor Paul Henreid took a few turns behind the camera as evidenced by this 1964 thriller starring Bette Davis as twins Margaret DeLorca and Edith Phillips. After landing the beau they both sought after by falsely claiming she was pregnant, Margaret lives a life of luxury as the wife of a wealthy man. Now, 20 years later, a broke and lonely Edith has returned for revenge. After killing the recently widowed Margaret, Edith assumes her identity with plans of living the life she feels she's deserved all along. But in order to pull it off, she'll have to play the role of Margaret connivingly enough to fool her servants as well as a local playboy and the police. Dead Ringer was remade in 1986 as Killer in the Mirror, a made-for-television movie starring Ann Jillian. ~ Matthew Tobey, Rovi
- Starring:
- Bette Davis, Karl Malden, (more)
Based on the novel by Harold Robbins, comes this family drama from director Edward Dmytryk. Adapted for the the screen by John Michael Hayes, the film follows the events that befall Luke Miller (Michael Connors) when he discovers that his daughter, Danielle (Joey Heatherton), has been arrested for murdering his ex-wife Valerie's (Susan Hayward) new lover. As Danielle's trial unfurls, and the sordid events of the family's past are brought into the open, Luke is forced to address and relive several of the painful events that led to the family's present state. Also starring Bette Davis as Valerie's mother and a pre-Star Trek DeForest Kelley, Where Love Has Gone netted Academy Award and Golden Globe nominations for Jimmy Van Heusen and Sammy Cahn, the songwriters behind the film's title song. ~ Matthew Tobey, Rovi
- Starring:
- Susan Hayward, Bette Davis, (more)
- 1964
Horst Bucholz plays Dino, a painter who realizes he has no artistic vision and decides to move back into his wealthy mother's (Betty Davis) home. Just before he does this, however, he falls in love with beautiful and self-serving Cecilia (Catherine Spaak). Though Dino diligently attempts to convince her to marry him, she refuses, but offers to be his lover until someone better strikes her fancy. When that becomes an actuality, Dino does not fare well under the emotional trauma and has a nervous breakdown. With the help of his mother, Dino recovers to find he may not be completely devoid of talent after all. Based on La Noia, an Italian novel by Alberto Moravia. ~ Kristie Hassen, Rovi
- Starring:
- Bette Davis, Horst Buchholz, (more)
In this thriller (which represented something of a departure for Hammer Films, noted for their gothic period pieces), Joey Fane (William Dix) has returned home after two years in an institution for mentally ill children. His sister drowned, and his family believes that Joey was to blame, despite his claims of innocence. Joey is convinced that the family's Nanny (Bette Davis) was responsible and refuses to have anything to do with her, but only neighbor girl Bobby (Pamela Franklin) agrees that there's something sinister about the woman minding the house. When Joey's neurotic mother Virginia (Wendy Craig) nearly dies after eating tainted food prepared by the Nanny, Virginia's sister Penelope (Jill Bennett) comes by to help. Penelope soon witnesses the bad blood between Joey and the Nanny, though before long she begins to think that the boy might be right about her after all. Jimmy Sangster adapted the screenplay from a novel by Evelyn Piper. ~ Mark Deming, Rovi
- Starring:
- Bette Davis, Wendy Craig, (more)
An unusually long pre-credits sequence establishes the roots of faded Southern belle Charlotte's (Bette Davis) insanity; she'd been witness to the dismemberment murder of her fiance (Bruce Dern) and the suicide of the murderer, her own father (Victor Buono). Years later, Charlotte remains a recluse in her decaying southern mansion, zealously guarding the secret of her father's guilt; she is cared for by her slatternly housekeeper (Agnes Moorehead). When her house is targeted for demolition, Charlotte fears that this will uncover her lover's body parts and thus confirm that her father was a murderer. She desperately summons her seemingly sweet-tempered cousin Miriam (Olivia De Havilland) to help her fight off the house's destruction. Miriam brings along the family doctor (Joseph Cotten) to calm Charlotte's frayed nerves. When Charlotte begins to be plagued by horrific visions of the homicide/suicide of so long ago, it appears that she has gone completely insane. But soon we learn who is behind these delusions...and why. Hush Hush Sweet Charlotte was intended by director Robert Aldrich as a follow-up to the successful Joan Crawford/Bette Davis horror piece Whatever Happened to Baby Jane (1962). Ms. Crawford was originally slated to play Miriam, but became seriously ill shortly before filming started. Davis, who disliked Crawford intensely, suggested that the role of Miriam be filled by her best friend, De Havilland. On the first day of shooting, Davis and DeHavilland pulled a "Ding Dong the Witch is Dead" routine by toasting one another with Coca-Cola--a catty observation of the fact that Joan Crawford's husband was an executive with the Pepsi Cola company! ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Olivia de Havilland, (more)
Bette Davis plays a wealthy one-eyed widow (complete with designer eye patch) who gathers her sons together once a year to celebrate the death of the husband she detested. Mama Davis couldn't be more castrating if her last name was Bobbitt: Her grown sons (it's been 10 years since daddy died) are essentially weaklings who seem to secretly covet the emotional stranglehold she has over them. When she can't exert her authority of her sons by normal means, Davis blackmails them with her knowledge of the skeletons in their closets -- and in the case of her eldest son, the women's undies in his dresser drawers. ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Sheila Hancock, (more)
- 1971
The first appearance of Bette Davis in a made-for-television film has an evil mastermind (Davis) plotting against a CIA agent (Robert Wagner) for control of a deadly submarine. Aired in 1971, Madame Sin was the most expensive TV movie of the time. ~ John Bush, Rovi
- 1971
This melodrama explores the relationship between tenants in a boarding house. Included are a street musician, an ex-school teacher, and an angry young man who brings chaos to their quiet lives. ~ Sandra Brennan, Rovi
- 1971
- NR
Would you believe Bette Davis and Ernest Borgnine as a pair of free-spirited hippies on a crime spree? That's the premise of this unlikely comedy starring the two Oscar-winning veterans. Bunny O'Hare (Bette Davis) is an elderly woman living in New Mexico who is trying to keep herself afloat financially while supporting her two grown children, both of whom have fallen into bad straits. Thanks to a mistake by her bank, Bunny is evicted from her home, which is quickly torn down, but not before one Bill Green (Ernest Borgnine) can repossess her commode. Bunny is left with nowhere to go, and Bill allows Bunny to tag along in his trailer after he leaves. Bunny soon learns that Bill was once a bank robber who is still on the run from the law, and she persuades him to show her the ropes so she can steal her nest egg back from the bank. Dressed as hippies, Bunny and Bill pull the job, but rather than escape to Mexico, Bunny decides to stay in the Southwest and rob more banks with Bill to help keep her kids out of hock. Bunny O'Hare also features Jack Cassidy, John Astin, and Jay Robinson; ~ Mark Deming, Rovi
- Starring:
- Bette Davis, Ernest Borgnine, (more)
- 1972
Even Bette Davis showed up in a TV-movie pilot from time to time. The Judge and Jake Wyler stars the indestructible Davis as a hypochondriac former judge who becomes a private detective. Davis puts paroled ex-con Doug McClure to work as her "leg man," searching for clues in the supposed suicide of the heroine's (Joan Van Ark) businessman father. Had Judge and Jake Wyler sold as a series, Davis would have had to choose between this project and another projected weekly, Madame Sin; the decision was made for her when neither series sold. Two years later, Judge and Jake Wyler was rewritten, recast with Lee Grant and Lou Antonio, and repitched as a pilot under the title Partners in Crime (which also didn't fly). ~ Hal Erickson, Rovi
- 1972
In this drama, a wealthy US heiress and her partner embark upon their annual journey to Rome to play scopa, an Italian card game, with a financially struggling couple. ~ Sandra Brennan, Rovi
- 1973
Bette Davis stars in the TV movie Scream, Pretty Peggy. She isn't Peggy, but instead the secretive matriarch of a spooky household. Peggy, played by Sian Barbara Allen, is a goggle-eyed college student hired by Davis as a housekeeper. Ted Bessell plays Davis's son, a crazed sculptor; but no one ever sees Bessell's maniacal sister (where's Anthony Perkins when you need him?). Be assured that pretty Peggy takes up the invitation proposed by the film's title and screams loud and often. ~ Hal Erickson, Rovi
- 1976
In 1926, flamboyant evangelist Aimee Semple McPherson disappeared for six weeks. At first feared drowned (she'd been vacationing on a California beach at the time she vanished), Aimee finally showed up, wandering barefoot in the Mexican desert. For the benefit of the press, Aimee related a fantastic story of being kidnapped and held for ransom, a story given "credence" by a ransom note which popped up at her Four Square Gospel headquarters. Aimee's tale was full of holes; as more facts became known, it was apparent (to everyone but "true believers") that Aimee had spent those six weeks on a romantic idyll with Kenneth Ormiston, a married radio technician. This made-for-TV movie takes no sides in the controversy, offering generous space to both theories; still, Aimee does not come off as being particularly saint-like. Faye Dunaway stars as Aimee, Bette Davis co-stars as her domineering mother, and William Jordan is man-in-the-middle Ormiston. Written by John McGreevey, The Disappearance of Aimee was the November 17, 1976, presentation of NBC's Hallmark Hall of Fame. ~ Hal Erickson, Rovi
Dan Curtis, director of TV's Dark Shadows series, directed this eerie haunted-house thriller about a house which draws energy from its inhabitants and selects its own "keeper" from the family of Ben and Marian Rolf (Oliver Reed & Karen Black), who rent the strangely-affordable house one fateful summer then find themselves slowly succumbing to its creepy powers. The photography is suitably moody, and many of the standard haunted-house cliches are used to decent effect -- particularly a violent scene in which the surrounding woods form a barrier to prevent the family station wagon from escaping the area -- but the pace is too leisurely overall, climaxing with the type of grim ending employed by nearly every mainstream horror film in the late 70's. Black's spooky looks are used to maximum effect, but are never quite as chilling as the final shot of Curtis's TV movie Trilogy of Terror from the previous year. ~ Cavett Binion, Rovi
- Starring:
- Karen Black, Oliver Reed, (more)
The Fury meets The Misadventures of Merlin Jones in this comic-book sequel to Disney's Escape to Witch Mountain. Reprising their roles as the psychic siblings from another world are Kim Richards as Tia and Ike Eisenmann as Tony. Their Uncle Bene (Denver Pyle) gives the kids a treat by letting them vacation on planet Earth, and they make the most of it by immediately getting into hot water. It seems that arch-fiend Dr. Victor Gannon (Christopher Lee) and his Bette Davis-like accomplice, Letha (Bette Davis), are in the process of testing a mind-control device. They want to see if they can mentally save their cohort Sickle (Anthony James) from plunging to his death from atop a building. Tony spots Sickle's plunge and telekinetically saves him. When Dr. Gannon sees Tony's powers, he kidnaps him, hoping to utilize his otherworldly powers for his own nefarious purposes. Enlisting the aid of a collection of low-life youngsters (Christian Juttner, Brad Savage, Poindexter, and Jeffrey Jacquet), Tia uses her powers of telepathy to contact her brother and tries to rescue him from Gannon's clutches. ~ Paul Brenner, Rovi
- Starring:
- Bette Davis, Christopher Lee, (more)
- 1978
This television miniseries is based on Thomas Tryon's complex and suspenseful occult thriller Harvest Home, delving into the forbidden rituals of the small New England township Cornwall Combe, whose residents offer annual human sacrifices to pagan gods in return for a bountiful corn harvest. The production is notable mainly for the participation of Bette Davis, who plays the powerful Widow Fortune, the town's leading practitioner of the black arts. A very young Rosanna Arquette co-stars as one of the new kids in town. Beware the severely cut home video version, which omits almost 200 minutes of footage and thus loses a great deal of clarity. ~ Cavett Binion, Rovi
Peter Ustinov began his long association with the Hercule Poirot character of murder mystery novelist Agatha Christie with this lavish but financially disappointing follow-up to the popular Murder on the Orient Express (1974). During a luxurious pleasure cruise down the Nile aboard a lavish vessel populated with wealthy passengers, widely despised heiress and home wrecker Linnet Ridgeway (Lois Chiles) is murdered. Also aboard is famed Belgian detective Poirot (Ustinov) and his taciturn traveling companion, Colonel Race (David Niven). Poirot undertakes an investigation into Ridgeway's killing. Among the colorful suspects are Salome (Angela Lansbury) and Rosalie Otterbourne (Olivia Hussey), Doctor Bessner (Jack Warden), Mrs. Van Schuyler (Bette Davis), Miss Bowers (Maggie Smith), and Jacqueline De Bellefort (Mia Farrow). As more bodies pile up, however, it appears that nearly everyone aboard has a motive. The script for Death on the Nile (1978) was adapted by Anthony Shaffer, the writer of Sleuth (1972) and the identical twin brother of Amadeus (1984) author Peter Shaffer. ~ Karl Williams, Rovi
- Starring:
- Peter Ustinov, Jane Birkin, (more)
- 1979
The made-for-television movie Strangers: The Story of a Mother and a Daughter concerns a bitter widow (Bette Davis) who is upset about the unexpected return of her estranged daughter (Gena Rowlands). Davis won an Emmy for her performance. ~ Stephen Thomas Erlewine, Rovi
- 1980
Bette Davis is White Mama in this custom-made TV movie. Ms. Davis plays a poverty-stricken widow who is too proud to go on welfare. Aware that she can receive a steady income if she takes in a foster child, Davis becomes surrogate mother to tough black teenager Ernest Harden Jr. The relationship is shaky at best in the beginning, but soon foster mother and foster "child" learn to love, respect and trust one another. Originally telecast March 3, 1980, White Mama garnered an Emmy nomination for Bette Davis. ~ Hal Erickson, Rovi
- 1980
Skyward is a 1980 GE Theatre presentation in the lofty tradition of TV's Golden Age. Bette Davis stars (what an inadequate word!) as a 60-year-old retired barnstorming airplane pilot. Real-life paraplegic Suzy Gilstrap portrays a wheelchair-bound team who is "tired of looking up all the time." It is her dream to become a pilot herself, a goal renounced by her overprotective parents and her self-centered boyfriend. But Davis, after initial heated protestations, agrees to train Gilstrap in the rigors of flying--specifically stunt-flying. Directed by Ron Howard, Skyward was produced and cowritten by Howard's Happy Days costar Anson Williams, while another Happy Days alumnus, Marion Ross, appears as Suzy Gilstrap's mother. ~ Hal Erickson, Rovi
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