Bette Davis Movies
The daughter of a Massachusetts lawyer, American actress Bette Davis matured with a desire to become an actress upon her graduation from Cushing Academy, but was turned away from Eva LeGallienne's Manhattan Civic Repertory in New York. Undaunted, Davis enrolled in John Murray Anderson's Dramatic School, where everyone (including classmate Lucille Ball) regarded her as the star pupil. After a 1928 summer season with director George Cukor's stock company in Rochester, NY (where she worked with future co-star -- and rival -- Miriam Hopkins), Davis went on to Broadway, starring in Broken Dishes and Solid South before Hollywood called. Dazzling on-stage, Davis was signed to a contract by Universal in 1930. After an unimpressive debut in Bad Sister in 1931, however, Davis was out of work, but picked up by Warner Bros. soon thereafter. Davis applied herself with white-hot intensity to becoming a star with that company, and after a major role in the 1932 George Arliss vehicle The Man Who Played God, a star she became. Still, the films at Warner Bros. were uneven, and it wasn't until the studio loaned out Davis to play the bravura role of Mildred in RKO's Of Human Bondage (1934) that the critics began to take notice.An Oscar nomination seemed inevitable for her performance in Bondage, but Davis was let down by Warner Bros., which didn't like the fact that her best appearance had been in a rival's movie, and it failed to get behind her Oscar campaign (although there was a significant write-in vote for the actress). But, in 1935, Davis excelled as a self-destructive actress in the otherwise turgid film Dangerous, and an Oscar was finally hers. And when Warner Bros. subsequently failed to give Davis the top roles she felt she then merited, the actress went on strike and headed for England. She lost a legal battle with the studio and came back, but it acknowledged her grit and talent by increasing her salary and giving her much better roles. In 1939 alone, Davis starred in Dark Victory, Juarez, The Private Lives of Elizabeth and Essex, and The Old Maid. But she didn't get the plum role of the season -- Scarlet O'Hara in Gone With the Wind -- because Warner Bros. wouldn't loan her to David O. Selznick unless Errol Flynn was chosen to play Rhett Butler (a piece of casting both Selznick and Davis violently opposed). But Davis had already had her turn at playing a Southern belle in Jezebel (1938), which won her second a Oscar.
As her star status increased in the 1940s, Davis found that it would have to be at the expense of her private life -- she would be married and divorced four times, admitting toward the end of her life that her career came first, last, and always. A fling at being her own producer in 1946 was disappointing, and her contract with Warner Bros. petered out in 1949 with a string of unsuccessful films. Davis made a spectacular comeback in 1950 when she replaced an ailing Claudette Colbert in the role of Margot Channing in the Oscar-winning All About Eve. Though suffering from a bone disease that required part of her jaw to be removed, Davis continued to work in films throughout the '50s; but, in 1961, things came to a standstill, forcing the actress to take out a famous job-wanted ad in the trade papers.
In 1962, Davis began the next phase of her career when she accepted the role of a whacked-out former child star in What Ever Happened to Baby Jane? This led to a string of gothic horror films that did little to advance Davis' reputation, but kept her in the public eye. It was also in 1962 that Davis penned her thoughtful and honest autobiography The Lonely Life. Working in movies, TV, on-stage and on one-woman lecture tours into the '70s, Davis may have been older but no less feisty and combative; her outspokenness may have unnerved some of her co-stars, but made her an ideal interview subject for young film historians and fans. In 1977, Davis received a Lifetime Achievement Award from the American Film Institute, an honor usually bestowed upon performers who were retired or inactive. Not Davis. She kept at her craft into the '80s, even after a stroke imposed serious limitations on her speech and movement. Amidst many TV movies and talk-show appearances, Davis gave one last memorable film appearance in The Whales of August (1987), in which she worked with another venerable screen legend, Lillian Gish. Though plagued with illness, Davis was formidable to the end -- so much so that when she died in France at the age of 82, a lot of her fans refused to believe it. ~ Hal Erickson, Rovi
- 1925
In one of his better efforts, silent screen cowboy Bill Cody plays Larry O'Donnell, the "Sheriff" of the title, who comes between the Wolf Pack gang and a train loaded with valuable platinum. Sheriff O'Donnell gets conked on the head for his efforts, awakening after a while with the obligatory: "Who am I?" Jeff Bains (Frank Ellis), the leader of the Wolf Pack gang, conveniently accuses O'Donnell of being the brains behind the robbery, convincing the entire town of their sheriff's guilt. But O'Donnell has the proof of Bains' complicity and with the assistance of the pretty and resourceful post mistress (Hazel Holt), manages to capture the gang and unmask the real gang leader. If nothing else, this minor Western entry provided a rare leading role for the grim-looking Frank Ellis, a grim-looking bit part player who usually played unnamed henchmen. ~ Hans J. Wollstein, Rovi
- Starring:
- Bill Cody, Frank Ellis, (more)
- 1931
Mae Clarke had the best role of her career as the heroine of Waterloo Bridge, the first of three filmizations of Robert L. Sherwood's play. Douglass Montgomery (here credited as Kent Douglass) plays a young American soldier who, while on leave from World War I, meets Myra (Clarke) during an air raid in London and falls in love with her, unaware she is a prostitute. Directed with a delicate mixture of realism and impressionism by James Whale, the 1931 Waterloo Bridge is head and shoulders above its heavily laundered 1940 remake -- which in turn is vastly superior to the 1956 re-remake, Gaby. ~ Hal Erickson, Rovi
- Starring:
- Mae Clarke, Kent Douglass, (more)
- 1931
A naive, wealthy small-town girl, bored with her routine life, falls for a dashing con artist who has come looking for fresh marks to swindle. He soon charms her into faking her prominent father's name on a letter of endorsement, which he presents to the other local merchants. They willingly give him all sorts of goodies and he prepares his escape, but not before conning the girl into becoming his wife. After their wedding night in a sleazy hotel, he abandons her. Fortunately, by the story's end, she is able to reassemble her shattered life and find happiness. ~ Sandra Brennan, Rovi
- Starring:
- Conrad Nagel, Bette Davis, (more)
- 1931
In this three-hanky melodrama, an aspiring writer abandons his wife and five children to work more closely with a beautiful woman who works for a prominent publishing company. Ten years pass and the writer has become extremely popular despite the fact that his work is consistently trashed by literary critics. The critics have good reason; to support his new wife's exorbitantly high standard of living, he must churn out pulp mysteries. His ex-wife, who still loves him, decides to help him and invites him to visit the family. He does and suddenly finds himself pining for them. He begs his ex-wife to let his adolescent offspring come to live with him. She does and moves them to New York. His second wife, feeling insecure by her husband's newfound love for his children feels ignored. Bette Davis plays the author's adult daughter. ~ Sandra Brennan, Rovi
- Starring:
- John Boles, Genevieve Tobin, (more)
- 1932
A talented cast does its best with a nonsensical script in The Rich are Always With Us. Ruth Chatterton stars as a witty socialite saddled with caddish husband John Miljan. Upon learning that Miljan has been fooling around with Adrienne Dore, Chatterton divorces him, whereupon his brokerage firm goes belly-up, for which our heroine holds herself responsible. She undergoes another guilt trip when Miljan's second wife dies in a car crash. Throughout all this, Chatterton denies herself true love in the person of foreign correspondent George Brent, who became Chatterton's husband during filming. Bette Davis enjoys an early scene-chewing opportunity as a predatory young debutante who sets her sights for the handsome Brent. ~ Hal Erickson, Rovi
- Starring:
- Ruth Chatterton, George Brent, (more)
- 1932
Henry Harrison Kroll's novel Cabin in the Cotton was an attack on wealthy southern landowners who exploited their sharecroppers. While the landowners still don't come off too well in Warner Bros.' film version of Kroll's novel, the film tries to avoid stepping on powerful toes, even composing an opening-title disclaimer pointing out that both sides of the issue had arguments in their favor. Richard Barthelmess, 23 going on 45, plays a sharecropper's son who wants to improve his lot with a college education. Land baron Berton Churchill advises Barthelmess' father to get those "silly ideas" out of our hero's head, lest he forget his place. Bette Davis plays Churchill's seductive daughter, whose influence with daddy enables Barthelmess to rise to the position of Churchill's bookkeeper. When Barthelmess discovers that Churchill is cooking the books, Churchill counters that Barthelmess wouldn't have any chance to advance himself without the largess of the landowners. He even tries to get Barthelmess to inform on those field workers who plan to organize a union. A potentially bloody confrontation between the workers and management is quelled by Barthelmess, who manages to wangle compromises from both sides. The only thing Barthelmess loses is Davis, but he is compensated by the affections of longtime sweetheart Dorothy Jordan. Nobody really remembers the plot complications in Cabin in the Cotton; to most viewers, the film is memorable only for Bette Davis' classic line "Ah'd love to kiss ya, but ah jest washed ma hair." ~ Hal Erickson, Rovi
- Starring:
- Richard Barthelmess, Dorothy Jordan, (more)
- 1932
Alfred E. Green directs the political satire The Dark Horse, starring Bette Davis early in her career. The progressive party nominates moronic candidate Zachary Hicks (Guy Kibbee) for governor. Party secretary Kay Russell (Davis) wants to hire her sweetheart, Hal Blake (Warren William), for campaign manager, even though he is in jail for not paying his alimony. Impressed with his slick behavior, the campaign committee bails him out of jail and he goes to work. He teaches Hicks to give cryptic answers to journalists and makes him memorize a speech by Abraham Lincoln. During the big debate, conservative opponent William A. Underwood (Berton Churchill) quotes Lincoln and Hicks calls him a plagiarist. Eventually, Blake's ex-wife, Maybelle (Vivienne Osborne) shows up demanding her alimony payments. The climactic scene involves a set-up at a rural mountain cabin and confusing marital arrangements. Also starring Frank McHugh as aide Joe and Sam Hardy as the conservative manager Mr. Black. Hollywood mogul Darryl F. Zanuck received co-writing credits for the screenplay under the pseudonymn Melville Crossman. ~ Andrea LeVasseur, Rovi
- Starring:
- Warren William, Bette Davis, (more)
- 1932
This second of three film versions of Edna Ferber's novel So Big stars Barbara Stanwyck as Ferber's resilient heroine Selena Dejong Peake. Widowed early in the proceedings, Chicago truck farmer Selena sacrifices everything for her son Dirk (Dickie Moore as a child, Hardie Albright as a grown-up), living for the day that the boy will become a successful architect. But the callow Dirk breaks his mom's heart by becoming a bond salesman. Selena vows that Rolf Pool (Dick Winslow as a boy, George Brent as an adult) will not prove a similar disappoint to his parents, taking it upon herself to encourage Rolf's dreams to become a sculptor. Bette Davis plays a supporting role as Dallas O'Mara, a young artist who hopes to convince Dirk to fulfill his mother's dreams. Previously filmed in 1925 with Colleen Moore, So Big was remade in 1953 with Jane Wyman. ~ Hal Erickson, Rovi
- Starring:
- Barbara Stanwyck, George Brent, (more)
Bette Davis was on loan from Universal when she appeared in this little juvenile delinquent melodrama from independent producer B.F. Zeidman. Although Davis earned above-title billing (along with Pat O'Brien), Junior Durkin is the real star, a teenager who is sent to juvenile prison after being caught in a raid on a bootlegging establishment operated by Kelly (O'Brien). At juvenile hall, Jimmy befriends Shorty (Frank Coghlan Jr.), a sickly youth who is subsequently sent to solitary confinement. When it appears that Shorty will die without medical attention, Jimmy escapes and manages to contact Kelly's kindhearted girlfriend, Peggy Gardner (Davis). The latter goes to the newspapers and the resulting uproar helps change the inhuman conditions in the country's youth detentions. Unfortunately, the efforts come too late for Shorty, who has already died from the abuse. ~ Hans J. Wollstein, Rovi
- Starring:
- Charles Grapewin, Junior Coughlan, (more)
- 1932
Three on a Match covers approximately 13 years in the lives of girlhood chums Mary Keaton (Joan Blondell), Ruth Wescott (Bette Davis) and Vivian Deverse (Ann Dvorak). Having graduated from grammar school together in 1919, the girls stage a reunion ten years later. Hard-boiled Mary is now a chorus girl, level-headed Ruth has a steady job as a secretary, and vixenish Vivian is on the verge of capriciously deserting her wealthy husband Robert Kirkwood (Warren William) and their baby in favor of sexy mob-boss Mike (Lyle Talbot). Several more years pass, during which Mary marries Henry, Ruth is hired as governess for Henry, and Vivian's son and a drug-addicted Vivian become fatally enmeshed in a kidnapping plot involving her own child. In his second Warner Bros. film, tenth-billed Humphrey Bogart essays his first sneering-gangster role. Three on a Match was remade (and considerably laundered) in 1938 as Broadway Musketeers. ~ Hal Erickson, Rovi
- Starring:
- Joan Blondell, Warren William, (more)
- 1932
The bucolic tearjerker Way Back Home is a spin-off of the popular radio series Seth Parker, with Phillips H. Lord, creator-star of the radio original, repeating his role as backwoods philosopher Parker. The plot centers on the romantic tribulations of Mary Lucy (Bette Davis, who received the munificent sum of $300 per week for her performance!), and David Clark (Frank Albertson), who are being kept apart by their feuding parents. Armed with a surfeit of advice -- and, on occasion, a shotgun -- Seth Parker helps the lovers overcome a nasty local scandal during their journey to the altar. Deftly woven into the screenplay are such rural pastimes as taffy-pulling, community "sings," and barn dances. It's hard to believe that Phillips Lord, so convincing as the kindly Parker, was the same man responsible for the blood-and-thunder radio serial I Love a Mystery. In England, where the radio program was an unknown commodity, Way Back Home was retitled Old Greatheart. ~ Hal Erickson, Rovi
- Starring:
- Mrs. Phillips Lord, Effie L. Palmer, (more)
- 1932
George Arliss is a world-renowned pianist, engaged to a young woman (Bette Davis) much younger than himself. An explosion renders Arliss completely deaf, but he soon becomes an expert lip-reader. To practice this skill, he looks out his window through binoculars, reading the lips of those who pass through the public park below. He learns that many people have problems far worse than his own, so he secretly arranges to solve the financial and emotional crises of those whose words he has read. Arliss' talent backfires on him when he spots his fiancee in the park with another man; she reveals that she does not love Arliss, but is staying with him out of loyalty. Though broken-hearted, Arliss expansively allows his fiancee to marry the man she truly loves, and even arranges for their future security. The Man Who Played God was based on a stage play also starring George Arliss, which he'd previously filmed in 1922. It was remade in 1955 as Sincerely Yours, starring the inimitable Liberace! ~ Hal Erickson, Rovi
- Starring:
- George Arliss, Violet Heming, (more)
- 1933
In this comedy drama, a wealthy shoe magnate is bored with his life. The trouble really begins when his chief rival dies. His company was on the brink of financial ruin and now the bored shoemaker finds himself without even the joy of competition to motivate him. The fellow decides to take a vacation. He leaves his eager-beaver nephew to run the company. During the holiday, he meets a free-spirited and rambunctious brother and sister. As they are the heirs to his rival company, he decides to masquerade as an impoverished hobo. They hire him to work in the factory. Soon he takes the place and turns it into a financial success and a genuine competitor to his smarty-pants nephew. He also teaches the carefree brother and sister a few lessons about real life when he forces them to begin working in their own factory. Eventually he becomes their legal guardian. At the story's end, he reveals his true identity and allows his new step-daughter to marry his chastened nephew. ~ Sandra Brennan, Rovi
- Starring:
- George Arliss, Bette Davis, (more)
- 1933
Grounded daredevil pilot Douglas Fairbanks Jr. secures a job protecting shady Leo Carrillo from his many enemies. Carrillo takes a liking to the young man and promotes him to a flying job--smuggling narcotics into the United States. Fairbanks eventually redeems himself with the help of good girl Bette Davis. Frank McHugh is also around to do his "best buddy" specialty, as Fairbanks' pilot chum. Parachute Jumper was one of Bette Davis' least favorite pictures, a dislike which is all too evident in her substandard performance. In 1962, clips from Parachute Jumper were used in What Ever Happened to Baby Jane?, which costarred Bette Davis and Joan Crawford, to illustrate that the character Davis was playing was a lousy actress! ~ Hal Erickson, Rovi
- Starring:
- Douglas Fairbanks, Jr., Leo Carrillo, (more)
- 1933
In this romantic sex-comedy from director Robert Florey, Bette Davis stars as Helen Bauer, a free-spirited, self-sufficient feminist who would rather pursue her career as a graphic artist than settle down and marry Don Peterson (Gene Raymond), the advertising writer she loves, out of fear that marriage will destroy the romance. Eventually, Don wears Helen down and the couple marry. But when the flame quickly burns out, Don begins an affair with a female client. Not to be outdone and without missing a beat, Helen takes up with Nick Malvyn (Monroe Owsley), another ad writer, who by no coincidence also happens to be Don's biggest rival. In light of their respective bouts of infidelity, the couple must consider whether or not they want to give the marriage another shot. ~ Matthew Tobey, Rovi
- Starring:
- Bette Davis, Gene Raymond, (more)
- 1933
Sent to Sing Sing prison, influential crook Tom Connors (Spencer Tracy) is unregenerate and refuses to adhere to the rules. While in solitary confinement, Connors reconsiders his attitude. Thanks to the correctional facility's compassionate warden (Arthur Byron), he becomes a model prisoner, even refusing to participate in a jailbreak. The warden sets up a special program permitting selected prisoners a degree of freedom and even suggests allowing an occasional furlough. When Connors' girlfriend Fay (Bette Davis) is hurt in an auto accident, he is given a 24 hour pass to visit her. It's a test case--if he doesn't return, the warden will be discredited and replaced. While on the "outside," Connors learns that his old rival (Louis Calhern) was responsible for his girl's injuries. Fay shoots the rival, who in turn fingers Connors as the one responsible; the convict thus risks execution upon returning to the arms of the law. Based on the book by real-life Sing Sing warden Lewis E. Lawes, 20,000 Years in Sing Sing was remade in 1940 as Castle on the Hudson. ~ Hal Erickson, Rovi
- Starring:
- Spencer Tracy, Bette Davis, (more)
- 1933
Although claiming to be based on actual cases, this mild crime drama appears to have been derived more from a screenwriter's manual than a police blotter. Newly transferred from robbery to missing persons, glib Butch Saunders (Pat O'Brien) is like the proverbial bull in a china shop at first, but quickly gets the hang of things. In walks pretty Norma Roberts (Bette Davis), claiming to be missing her new husband, whom she accuses of shipping out. Despite being married to nagging Belle (Glenda Farrell), Butch falls in love with the dame, until, that is, he learns the truth. Norma's last name isn't Roberts at all, but Williams, and she is wanted in Chicago for the murder of her boss, Therme Roberts. Begging Butch to cover for her -- "just for a little while. I'll explain everything later" -- Norma does a disappearing act herself and makes it look like suicide. But Butch refuses to buy the act and with the help of his boss, Captain Webb (Lewis Stone), the fast-talking cop arranges for a corpse to be lying in state at a local funeral parlor under the name of Norma Williams, hoping to flush out the real Norma. Norma walks right into the trap with another cockamamie story at the ready. But this time, it may just be the truth and Butch becomes determined to clear the lady of murder. ~ Hans J. Wollstein, Rovi
- Starring:
- Bette Davis, Lewis Stone, (more)
The first of three film versions of Somerset Maugham's Of Human Bondage stars Leslie Howard as sensitive, clubfooted artist-cum-med student Philip Carey. Despite his yearnings for the finer things in life, Carey cannot extricate himself from a mutually destructive relationship with sluttish waitress Mildred Rogers (Bette Davis). After an incredible series of emotional disasters, Carey finally finds happiness in the arms of Sally Altheny (Frances Dee). The industry buzz in 1934 indicated that Bette Davis was a shoe-in for an Academy Award for her savage portrayal of Mildred, but her home studio Warner Bros. failed to mount an adequate publicity campaign on Davis' behalf, allegedly because she'd made the film on loan-out to RKO and Warners wasn't about to heap praise upon a rival. It is now generally conceded that Davis' Oscar win for 1935's Dangerous was consolation for her losing the statuette in 1934. Long out of circulation due to the 1946 remake, the 1934 Of Human Bondage has since slipped into the public domain, and is now seen more often than either of the subsequent remakes (the last was in 1964). ~ Hal Erickson, Rovi
- Starring:
- Leslie Howard, Bette Davis, (more)
- 1934
Cited by film historian William K. Everson as one of the fastest-moving crime melodramas of the 1930s (if not the fastest) Fog Over Frisco still manages to leave viewers breathless. Top-billed Bette Davis plays giddy heiress Arlene Bradford, whose perverse fascination with gangsters gets her mixed up in a stolen-securities scheme. Arlene's more sensible sister Val (Margaret Lindsay) tries to keep her out of trouble, but this proves impossible. Entering into the fray are hotshot society reporter Tony (Donald Woods) and goofy photojournalist Izzy (Hugh Herbert), who like Val get in over their heads when they stumble upon the body of the murdered Arlene. The identity of the killer remains a well-concealed secret until Izzy, of all people, stumbles across a vital clue. Things really begin to accelerate when Val is kidnapped by Arlene's gangster cohorts (who, interestingly enough, are very reluctant to take her prisoner and do so only when there's no other option!), leading to a mile-a-minute rescue and hasty plot wrap-up. Among the many good guys, bad guys and red herrings are Alan Hale as an Irish cop, Robert H. Barrat as a butler who isn't a butler, and Henry O'Neill as a gosh-knows-what who may be the murderer. Though physical action is at a minimum, Fog Over Frisco is kept constantly on the move by director William Dieterle, using every cinematic trick and optical effect (wipe dissolves, iris-outs, swish-pans etc.) at his disposal. The film was less effectively remade as Spy Ship in 1942. ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Donald Woods, (more)
- 1934
An idealistic but naive pharmacist believes the mobsters who claim they want him to manufacture illegal medicine to help out the poor. That the deal will pad his own pockets with much-needed cash only sweetens the arrangement. This melodrama chronicles the tragic results of his actions. He wants the extra money so he can get married. The scheme works and things are fine until his bride announces her pregnancy and insists that he get out of the racket. Unfortunately, the brutal mobsters refuse to let him out. Not long after, his bride miscarries the baby and nearly dies when a well-meaning doctor injects her with some of the druggist's own bad medicine. This causes the pharmacist to go berserk with rage and have a violent confrontation with the villainous mob boss. ~ Sandra Brennan, Rovi
- Starring:
- Charles Farrell, Bette Davis, (more)
- 1934
James Cagney runs a shady missing-heir tracing service, occasionally providing phony heirs in order to collect his fee. He suffers a tinge of jealousy when he takes a gander at the offices of a legitimate tracing firm, where his former girlfriend (Bette Davis) has taken a job. Jimmy soon learns that the reputable organization's boss (Alan Dinehart) is more crooked than Jimmy ever was, but he can't convince the girl of this fact. Using his own street smarts, Cagney exposes the "honest" heir tracer and agrees to go straight if his girl will come back to him. At the time Jimmy the Gent was filmed, James Cagney was getting tired of the formula pictures being handed him; rather than go on suspension, he expressed his displeasure by shaving his hair almost down to the bone, which is why he appears in this film with an uncharacteristic buzz-cut. ~ Hal Erickson, Rovi
- Starring:
- James Cagney, Bette Davis, (more)
- 1934
A pre-stardom Bette Davis struggles mightily as the "other woman" in this rather obvious divorce court drama from Warner Bros. George Brent stars as William Reynolds, a hardworking but markedly unmotivated office manager whose wife, Nan (Ann Dvorak), manages to make ends meet with the little she's got. Enter Patricia Berkeley (Davis), a high-powered advertising exec, with whom William falls madly in love. Does he leave the little wife for the glamorous co-worker? Well almost, but all bets are off when young Buddy Reynolds (Ronnie Cosbey) is hit by a car and nearly killed. ~ Hans J. Wollstein, Rovi
- Starring:
- George Brent, Bette Davis, (more)
- 1934
Now known simply as Fashions, the lavish Warner Bros. musical Fashions of 1934 stars the unlikely but copacetic team of William Powell and Bette Davis. It all begins when genial con artist Sherwood Nash (Powell) transfers his base of operations from New York to Paris. Sensing that the fashion "racket" is a hot commodity, Nash puts all his energies into promoting heroine Lynn (Davis) as France's foremost fashion designer. Along the way, of course, Nash and Lynn fall in love, but first the plotline must find a nice way to dispose of Nash's former partner-in-crime The Duchess (Veree Teasdale), currently posing as a White Russian Countess. Fashions is the picture in which a bevy of Busby Berkeley beauties are dressed (but just barely) as harps, prompting the apocryphal admonition from a chorus girl's mother, "Mr. Berkeley, I didn't raise my daughter to be a human harp!" ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, William Powell, (more)
- 1935
Not even considered a good film back in 1935, Dangerous is held together by the mesmerizing performance of Bette Davis. The star is cast as alcoholic, self-destructive stage actress Joyce Heath, a character obviously based on Jeanne Eagels. Wealthy architect Don Bellows (Franchot Tone) becomes convinced that Joyce can be rehabilitated with the "right" stage vehicle, and begins pulling strings to bring her back to the footlights. She rises to the occasion, falling in love with Don in the process. But Joyce becomes convinced that she's a jinx to any man who gets near her, as proven by her spineless, dissolute husband, Gordon Heath (John Eldredge), who refuses to give her a divorce. Deliberately hurting Don's feelings so he will escape her "curse," Joyce determines to rid the world of both herself and her husband. But things don't work out that way, and as a result Joyce is left in an inextricable Ethan Frome-like dilemma at film's end, while Don finds happiness with his socialite Gail Armitage (Margaret Lindsay). It is generally conceded that Bette Davis won her Academy Award for Dangerous because she was denied the Oscar for her performance in the previous season's Of Human Bondage. Dangerous was remade (and considerably reshaped) in 1941 as Singapore Woman. ~ Hal Erickson, Rovi
- Starring:
- Bette Davis, Franchot Tone, (more)
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