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Harry Miller Movies

British sound editor Harry Miller made an important contribution to film in 1929 by becoming the first dubbing editor. He accomplished this while working on Hitchcock's early talkies, most notably Blackmail, in which he had actress Joan Barry speak the dialogue outside the camera's range while the film's leading lady, Anna Ondra, whose Czech-accented English was unintelligible, mouthed the words. The actual title "dubbing editor" was ascribed to Miller in 1939 on the credits for Goodbye, Mr. Chips. Miller did sound work on films through the mid-'60s. ~ Sandra Brennan, Rovi
1993  
R  
In this crime thriller, Leslie Steckler (Peter Firth) is an inoffensive, polite and very quiet man. He does, however, have a particular animus against blondes wearing white. In fact, among that small group of women, he is a cold-blooded serial killer, instead of the meek dentist he usually appears to be. He is looking for someone to tell his story to, and when he discovers that the (brunette) writer Ellen Carter (Harriet Robinson) has murdered her husband, he feels that he has found a perfect person. It helps, of course, that her novelistic specialty is serial killers. However, Inspector Taylor (Don Henderson) of Scotland Yard is on Ellen's case, and will soon be on Leslie's. ~ Clarke Fountain, Rovi

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Starring:
Peter FirthHarriet Robinson, (more)
 
1992  
 
Add Fool's Gold: the Story of the Brink's-Mat Robbery to Queue Add Fool's Gold: the Story of the Brink's-Mat Robbery to top of Queue  
A daring criminal finds that his troubles are only beginning after executing the biggest robbery in Britain's history in this crime drama starring Sean Bean and based on actual events. A low-level thug looking to turn heads in the London underworld, Mickey McAvoy (Bean) rounds up a fearless crew of criminals in preparation for the perfect heist. When the crew makes an unexpected discovery in the course of the crime and loyalties start to shift, the police pick up on a flaw in the plan and start to put the pressure on the one person who can blow the whole investigation wide open. As the authorities begin to close in on the brazen criminals, McAvoy has one more brilliantly devious trick up his sleeve that the police could never anticipate. ~ Jason Buchanan, Rovi

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1971  
 
Skin Game was historically significant as the 2000th film produced by Warner Bros. studios. The film is a comedy western starring James Garner and Louis Gossett Jr. as a pair of clever Antebellum con men. Garner regularly "sells" the black Gossett into slavery for an exalted price, then "liberates" Gossett so that they can move on to the next sucker. Unfortunately, they outsmart themselves, and before long Gossett seems doomed to a lifetime of forced servitude. They are rescued by pretty pickpocket Susan Clark, who has a few surprises in store for them. Skin Game was supposed to be spun off into a TV series, but the project never got any farther than the 1974 pilot film Sidekicks. ~ Hal Erickson, Rovi

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1947  
 
Carol Reed's taut character study (disguised as a suspense melodrama) was adapted from the novel by F.L. Green and stars James Mason in his star-making role as I.R.A. operative Johnny McQueen. Breaking out of jail, Johnny takes it on the lam, but idealism forces him out of hiding in order to raise money for the I.R.A. cause he believes in so strongly. He decides to rob a bank, but the hold-up goes bad and Johnny is seriously wounded by the police. Staggering through the streets of Belfast, Johnny meets a succession of people who either want to help him or turn him over to the authorities. Johnny finally stumbles into a pub, where he is taken in by a homosexual artist (Robert Newton) who wants Johnny to pose for him in order to capture the desperation in his eyes. Johnny breaks free from the artist and tries to make his way to the waterfront in a final effort to escape ... but the police are slowly closing in. ~ Paul Brenner, Rovi

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Starring:
James MasonRobert Newton, (more)
 
1943  
 
Erich Kohler (Eric Portman) is a decorated Luftwaffe pilot recruited for a daring propaganda mission in Belgium -- to drop bombs on a civilian target in Ghent and then parachute out wearing an British Royal Air Force uniform and, once on the ground, spread the story that the RAF is attacking civilian targets in the Nazi-occupied nation. Kohler, a dedicated Nazi who was educated in England and speaks unaccented English, is perfectly prepared to carry out his orders, but his mission goes awry when he immediately gets "rescued" by the Belgian underground, and put in with a group of real British flyers who are being returned to their homeland that very night. Now, with his life at risk, he must hide his real identity and fall in with them, going along for the trip to England. Once there, he tries to re-establish contact with people he knew who were sympathetic to Hitler, but discovers that those German emigres whom he could trust most are being interned. He looks up an old girlfriend (Ann Dvorak), who had some sympathy for the Hitler government, only to discover that he has begun thinking a lot more clearly about the Nazis, and for a time takes shelter with an emigre couple (Martin Miller, Beatrice Varley) whose cooperation is a result of coercion. But he needs more than shelter -- Kohler is already fearful of being caught by British intelligence, but soon learns that the German agents operating in England have orders to kill him, as well. Having failed in his mission, he is, at best, an embarrassment to the German nation, and a liability. He has no choice but to make the best escape he can, the way he knows best, into the air, and the safe neutral territory of Ireland. ~ Bruce Eder, Rovi

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Starring:
Eric PortmanAnn Dvorak, (more)