Jimmy Lewis Movies

Stephen Frears' Hero is a contemporary re-working of a Frank Capra-styled fable about a two-bit criminal named Bernie (Dustin Hoffman) who saves several passengers from a plane crash and leaves the scene without being identified, leaving only a lost shoe for identification. One of the passengers happens to be news-reporter Gale (Geena Davis) who is intent on finding her savior, and offers a million dollars to the "hero" of the crashed flight. Bernie has since given his remaining shoe to a homeless man named John (Andy Garcia) who decides to cash in on the offer. A handsome, charming man, John wins the hearts of the entire city. Soon, Bernie realizes that he's been cheated out of a million dollars, and he begins an effort to get his proper recognition--and his money. Hero manages to be quite funny and satirical while sticking to a story that is essentially a Hollywood fable. That is to the credit of director Frears and the cast, who turn in uniformly excellent performances. Nevertheless, Hoffman is superb as a bitterly comic and spiteful variation on his classic Ratso Rizzo character. By the way, be on the lookout for Chevy Chase in a very funny cameo. ~ Stephen Thomas Erlewine, All Movie Guide

Hider in the House is a well-made and produced but ultimately unsatisfying and formulaic slasher thriller. Tom (Gary Busey) was an abused child who learned to avoid the abuse by hiding under sinks, in closets or anywhere he could be out of sight. After spending 10 years in a mental institution for setting a fire that killed his parents, Tom is released and finds a newly built house where he makes his home in the attic. The house is bought by Julie (Mimi Rogers) and Phil Dryer (Michael McKean) and their children. Tom begins to feel that he is part of the family, but when Phil is unfaithful to Julie, Tom plots his revenge. Busey is compelling in his role and builds Tom's character with skill to show him as both a dangerous and sympathetic psychopath. Unfortunately, the film does not fulfil its potential and slides into a predictable, formula ending, but the skillful direction and the good performance of Busey make this film well-worth viewing. ~ Linda Rasmussen, All Movie Guide

Sally Field goes the Roseanne route in Punchline. Field plays a housewife and mother who suddenly develops the urge to be a comedienne. Her comic instincts are on target, but her timing and delivery stinks. Tom Hanks, a stand-up comic with a few years' experience under his belt, offers to teach Field the ropes. As they get to know each other, Hanks and Field begin to pick up on each other's shortcomings; though Hanks has far more talent than Field, for example, he has a positively ruinous habit of expressing his deep-down dislike of everyone else in the world, and this frequently alienates his audience. Writer-director David Seltzer times Punchline like a good joke; he continually sets up for the expected, then pulls a last-minute fast one, keeping the film lively and unpredictable throughout. The supporting cast, coincidentally including future Roseanne star John Goodman, is uniformly superb. ~ Hal Erickson, All Movie Guide

This standard, tongue-in-cheek, gangsters and good guys saga is carried on the star power and screen presence of Clint Eastwood as Lt. Speer, a taciturn, tough, play-it-by-the-book cop, and on Burt Reynolds as Mike Murphy, Speer's old friend in the force, now turned private eye but still a captivating rogue at heart. With a sub-text of playing their well-known screen personas off each other, Eastwood and Reynolds provide more than a surface interpretation of the characters that made them famous. After Murphy's partner is murdered, he focuses on pitting one mob boss against another in an attempt to have both mobsters kill each other. In the meantime, Lt. Speer -- who has never approved of Murphy's private detective business -- does not really know if Murphy is for or against the two top gangsters. Set in the era of speakeasies and Prohibition, an added layer of "film noir" can be discerned under the complex plot, verbal repartée, and episodes of toned-down violence (a kind of parody in themselves). Although this may not be the best film either star has made, it is still interesting to see them together on screen. ~ Eleanor Mannikka, All Movie Guide

The action and stunts in this fourth racing vehicle for Burt Reynolds could be accurately foreseen by most youngsters. Stroker Ace (Reynolds) is a race car driver who gets the short end of a contract with a fried-chicken entrepreneur (Ned Beatty) but can be expected to end up with the woman (Pembrook) in compensation -- and actually did (Pembrook is played by Loni Anderson in her first movie with Reynolds). By this time, the formula of racing cars, wild stunts, blond co-stars (Goldie Hawn, Farrah Fawcett, and Dolly Parton were the most recent) was wearing thin and Reynolds starred in only one more "Cannonball" film, ending his car-chase series there. ~ Eleanor Mannikka, All Movie Guide

We'd rather not speculate over how much of Best Friends is autobiographical. We'll just note that this story of a male-female screenwriting team was written by real-life married scenarists Barry Levinson and Valerie Curtin. Lovers as well as collaborators, scriveners Richard Babson (Burt Reynolds) and Paula McCullen (Goldie Hawn) decide to make their union legal. Predictably enough, they discover that their relationship goes straight downhill after they say "I do." The stars are far less interesting than the supporting cast, including Jessica Tandy and Barnard Hughes as Hawn's parents, Audra Lindley and Keenan Wynn as Reynolds' folks, Ron Silver as an avaricious producer (no names, please!), and Richard Libertini as a Mexican justice of the peace. ~ Hal Erickson, All Movie Guide

Sal Watts, produced, wrote, co-directed, co-edited and starred in this dull adventure that has him heading into the Arabian desert to get revenge upon the Arabs who murdered his ex-girl friend, a princess. Baseball legend Tito Fuentes makes a cameo appearance. ~ Sandra Brennan, All Movie Guide