Brian Davies Movies

Not long after a wealthy gay man adopts an infant son, the man's partner is killed and the baby is kidnapped. At first, ransom is thought to be the motive, but then the homophobic biological father of the child becomes a prime suspect. The upshot of all this is the decision by the DA's office to prosecute the case as a hate crime. ~ Hal Erickson, All Movie Guide

Johnny Twenties (Gibson Frazier) is a man who lives up to his name; from his snazzy suits to his snappy lingo, Johnny is a walking embodiment of the era when liquor was illegal, swing was being born, and the movies were just learning to talk. There's just one problem -- Johnny is living in New York City in the late 1990s, and he seems to have no idea that he's a man out of his era. When not courting his girlfriend Samantha (Susan Egan), who's not sure what to make of her beau's time-warp personality, Johnny does battle with a vicious gangster and his thugs. Man of the Century was written by leading man Gibson Frazier and director Adam Abraham, and features supporting performances from comic/impressionist Frank Gorshin and jazz pianist Bobby Short. The film was shown at the 1999 Slamdance and South by Southwest film festivals. ~ Mark Deming, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide

Colors stars Robert Duvall and Sean Penn as partners on the LAPD's gang crime division. Duvall had hoped to spend more time with his family, but he's pulled back into active service because of a step-up in gang activity. He makes no secret of his contempt for his novice partner Penn, but eventually comes to rely on the younger man as a valuable street contact. The central crisis is the battle for supremacy between the "Crips" and the "Bloods", with every effort to call a truce stymied by the gang members themselves and by undue police intervention. ~ Hal Erickson, All Movie Guide

American-born French film director Bob Swaim directed this sordid tale of greed, deception, machinations and murder. The darkly beautiful Meg Tilly stars as Olivia Lawrence, member of the Hamptons social elite and heiress to a vast fortune, who becomes attracted to dangerous newcomer Tim Whalen (Rob Lowe). She unwittingly falls into his web of deceit, as he and her stepfather (John Glover) plot her murder in order to gain the $3,000,000 in her trust fund. Inspired in plot by the film noir classics of the '40s, Masquerade lacks the style and originality of the originals. The film noticeably lacks suspense; there is no sustained tension, and many of the characters seem included simply for the sake of bizarreness. However, Tilly manages to carry the film all on her own with her considerable talent and natural screen presence. ~ Jeremy Beday, All Movie Guide

A slick Los Angeles callboy finds love and redemption in Paul Schrader's ultra-stylish drama. High-living prostitute Julian Kay (Richard Gere, stepping in for John Travolta) has it all: the Mercedes, the clothes, access to Beverly Hills' swankiest establishments, and a stable of rich, older female clients. But it all falls apart after he does a favor for his former pimp (Bill Duke) and the trick turns up dead a short while later; Julian's actual client won't give him an alibi, and police detective Sunday (Hector Elizondo) doesn't believe the gigolo's denials. The one person who can help him is frustrated politician's wife (and sole non-paying bedmate) Michelle (Lauren Hutton), if only Julian could let down his defenses and accept her gesture of love. Mixing his admiration for European art cinema with a voyeuristic view of the seamier side of sex and affluence, Schrader renders Julian an inscrutable, emotionally disengaged purveyor of pleasure, decked out in Giorgio Armani clothes coordinated with Ferdinando Scarfiotti's meticulous production design. Amid critical doubts about its artiness and distanced eroticism, American Gigolo surprised everyone by not dying on the box office vine. With some audiences reportedly showing up for repeat viewings of Gere's seductive charms, it became a moderate hit, turning Gere into a star and Armani into the new fashion sensation. Whatever reservations one may have about the movie, it provided two indelible images of 1980s decadence to come: Gere's perusing his "artist's palette" of shirts, ties, and jackets, and Gere's cruising down the Pacific Coast Highway in his convertible to the New Wave strains of Blondie's "Call Me". ~ Lucia Bozzola, All Movie Guide

This war-drama centers more on the effects of battle on civilians than it does on the bravery of the fighters as it tells the story of a courageous squadron of Yankee soldiers endeavoring to protect and bring to safety a village full of French civilians whom they saved from German captors following the Allied invasion of Normandy. During the battle to free them, the soldiers also capture a German officer. They then begin heading toward the beach with the civilians so they can go to England. Unfortunately, the beachmaster does not know they are coming and regretfully sends them back. Twice more the squadron and the civilians go back to the beach, but they are still not allowed to go. Things get even worse when the Germans begin bombing the remains of their town and they are forced to find some place to hide until help arrives. ~ Sandra Brennan, All Movie Guide