Walter Wills Movies

1942  
 
Venerable minstrel-show impresario Walter Wills makes his third and final Our Gang appearance in the one-reel comedy Doin' Their Bit. Hoping to entertain the military troops stationed in Greenpoint, Mr. Wills organizes the Our Gang kids into a junior USO troupe. In addition to performing a distressingly unfunny "boot camp" sketch (which attempts to garner laughs by making jokes about "dead Japs"), the gang participates in a brace of production numbers, slickly choreographed by Bud Murray. In the final analysis, the regular Our Gang members are virtually expendable: Most of the entertaining is done by a batallion of talented young dancers and singers. Doin' Their Bit was originally released on July 18, 1942. ~ Hal Erickson, All Movie Guide

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Starring:
George "Spanky" McFarlandMickey Gubitosi, (more)
1942  
 
Just as they did in the 1941 Our Gang comedy Ye Olde Minstrels, the gang prevails upon old-time minstrel impresario Walter Wills to help them stage a fund-raising musical show. Highlights include the ensemble number "When Grandma Wore a Bustle", the barbershop-quartet set piece "Songs of Long Ago", and the grand finale "Dances Old and New". Alas, the kids are unable to post the profits because gang member Mickey (Robert Blake) has allowed most of the audience to enter for free, but good old Walter Wills comes to the rescue once again. This one-reel entry was originally released on January 24, 1942. ~ Hal Erickson, All Movie Guide

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Starring:
George "Spanky" McFarlandMickey Gubitosi, (more)
1939  
 
In this episode of the Three Mesquiteers series of westerns the trio must help two rival sides involved in a range war settle their differences. The story is set in 1906, and the rivals are homesteaders trying to take advantage of Roosevelt's Reclamation Act and the landowners who oppose the act and want to see the Act repealed. ~ Sandra Brennan, All Movie Guide

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Starring:
Robert LivingstonRaymond Hatton, (more)
1939  
 
To raise money for the local chapter of the Red Cross, the Our Gang kids stage an old-fashioned minstrel show with the help of Billy "Froggy" Laughlin's uncle, played by real-life minstrel man Walter Wills. What follows is not an Our Gang comedy at all, but an overproduced and somewhat tiresome musical revue. Nonetheless, the show is a success, netting the Red Cross a munificent $208.40. The one-reel Ye Olde Minstrels was originally released on March 18, 1941. ~ Hal Erickson, All Movie Guide

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Starring:
George "Spanky" McFarlandMickey Gubitosi, (more)
1939  
 
This "Three Mesquiteers" western is based upon the exploits of one James Addison Reavis, a clever 19th century con artist who through a series of elaborate land swindlers tried to declare himself owner of the state of Arizona (Reavis' checkered career was later the basis for Samuel Fuller's The Baron of Arizona, starring Vincent Price). George Douglas plays the Reavis character, here named Talbot. Establishing himself as dictator of an unnamed western territory, Talbot taxes the citizens beyond endurance. Enter the Three Mesquiteers-Stony Brooke (John Wayne), Tucson Smith (Ray Corrigan) and Lullaby Joslin (Max Terhune)-who don capes and masks to do battle with Talbot's minions under cover of darkness. Part of the plot hinges on the fact that only President Garfield knows that the Mesquiteer's "crimes" are being committed on behalf of Liberty and Justice For All-and when Garfield is assassinated, our heroes are up the proverbial creek without the proverbial paddle. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneMax "Alibi" Terhune, (more)
1939  
 
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A fearless young pilot helps turn around the lives of some young punks in this exciting episode of the "Tailspin Tommy" trio of films. Tommy helps them get off the street and into building working model airplanes. He and the kids then figure out how to use the models to do some skywriting, a trick that ultimately saves Tommy's life after a terrible crash of his real plane. ~ Sandra Brennan, All Movie Guide

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Starring:
John TrentMarjorie Reynolds, (more)
1938  
 
Co-directed by former supporting player Mack V. Wright and Sam Nelson, The Great Adventures of Wild Bill Hickok is considered by connoisseurs of the genre the best serial Columbia Pictures ever made. The star, former supporting actor Gordon Elliott (born Nance) changed his first name to Bill for the occasion and emerged a full-fledged star. He later went all the way and became known as William "Wild Bill" Elliott, hero of first-rate Republic Westerns and for years a top sagebrush moneymaker. Robert J. Fiske played Wild Bill's adversary, Morrell, a nasty character who leads his Phantom Raiders in attacks on both the old Chisholm Trail and the encroaching railroad. Wild Bill Hickok is appointed U.S. marshal and assigned to ensure safe passage for both cattle and the railroad. Columbia screenwriters George Rosener, Charles A. Powell, G.A. Durlam, Tom Gibson, and Dallas Fitzgerald made sure that there was something for everyone in this serial, including a shapely heroine (Carole Wayne) to please the adults in the audience and no less than three juvenile actors -- Frankie Darro, Sammy McKim, and Dickie Jones -- for the small fry to root for. Roscoe Ates, he of the bobbing Adam's apple, and veteran slapstick comic Monte Collins provided laughs, and producer Jack Fier rounded up a fine supporting cast that included such veterans as Monte Blue, Kermit Maynard, Chief Thundercloud, George Cheseboro, Edmund Cobb, Hal Taliaferro, Art Mix, Tom London, and Lew Meehan. ~ Hans J. Wollstein, All Movie Guide

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1938  
 
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The Republic Three Mesquiteers series western Santa Fe Stampede stars John Wayne as Stony Brooke, Ray "Crash" Corrigan as Tucson Smith, and Max Terhune as Lullaby Joslin. The plot finds our heroic trio butting heads and exchanging gunfire with a gang of crooked politicians. Head crook LeRoy Mason frames Wayne for the murder of William Farnum, but Big John proves his innocence with the help of his fellow mesquiteers. A startling moment occurs when two mischievous kids are killed in a runaway buckboard. As western historian Don Miller has observed, "Rough treatment of children was a near-taboo in westerns." In other words, Santa Fe Stampede isn't your usual run-of-the-mill Three Mesquiteers opus. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneMax "Alibi" Terhune, (more)
1929  
 
When silent star Colleen Moore nervously faced a microphone for her first "sound" test, the results were so positive that virtually every member of the First National executive board shouted unanimously, "Thank God! She can talk!" In the long run, however, it probably wouldn't have mattered if she could have talked or not, since most of her early talkies -- including Smiling Irish Eyes -- were produced by her then-husband John McCormick, who was disinclined to fire his own wife! In her first musical appearance, Moore plays Kathleen O'Connor, an Irish lass in love with would-be songwriter Rory O'More (James Hall). Upon achieving success on Broadway, O'More forgets all about Kathleen and begins dallying with such sophisticated tootsies as Frankie West (Betty Francisco) and Goldie DeVeer (Julanne Johnston). Heading to America herself to be reunited with O'More, Kathleen finds nothing but disappointment and heartache -- not to mention ample opportunities to sing. Adding to the ethnic mix of Smiling Irish Eyes is the presence of two stereotypical Jews, played by William Strauss and Otto Lederer; also on hand is future cowboy sidekick George "Gabby" Hayes, plus teeth and minus beard, as a New York cabbie. ~ Hal Erickson, All Movie Guide

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Starring:
Colleen MooreJames Hall, (more)
1923  
 
After she inherits a fortune, Ann Clemance (Viola Dana) travels to Paris to indulge herself in frivolity. She meets up with an old friend, writer Adrian Torrens (Warner Baxter), who disparages her lifestyle. Ann sees him befriend an Apache dancer and she believes he finds women in need of salvation more appealing. To spark his interest she disguises herself as an Apache (in this instance it refers to a member of the Parisian underworld, not a Native American), and robs his house. Although Torrens sees through her disguise, he doesn't let on. He just takes her through the slums of Paris to show her the misery and suffering of those less fortunate than her. The experience transforms her and she winds up adopting an orphan. Her change in attitude also wins Torrens' Heart. ~ Janiss Garza, All Movie Guide

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Starring:
Viola Dana

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