George Melly Movies
Part of The Blues documentary film series on PBS, Red, White & Blues is directed by British filmmaker Mike Figgis. This installment explores the impact of black American blues music on mostly white audiences in the U.K., who then reintroduced the style to mainstream America during the British invasion of the early '60s. Kids from London, Birmingham, Manchester, and other parts of England were heavily influenced by the "race music" that middle-class white America largely ignored. Figgis himself was involved in the British blues music scene in one of Bryan Ferry's early bands. Tom Jones, Jeff Beck, Van Morrison, and Lulu come together for a live improvised recording session at Abbey Road Studios. Eric Clapton, John Mayall, Mick Fleetwood, and Steve Winwood offer commentary in interview segments. Red, White & Blues was originally broadcast by PBS on October 3, 2003. ~ Andrea LeVasseur, All Movie Guide
- 1974
Like his WR: Mysteries of the Organism, Dusan Makavejev's controversial 1974 feature Sweet Movie is firmly rooted in the principles of psychoanalyst Wilhelm Reich. In cinematic terms, this means bombarding the audience with an onset of imagery so visceral, disgusting and repellent that it "awakens" the viewer in a Brechtian manner by "short-circuiting" the audience's reactions. Sweet Movie interweaves two narratives. One begins with a trip to the "Miss World Virginity Contest," whose winner, Miss Monde 1984 (Carole Laure) is auctioned off to Mr. Kapital (Animal House's John Vernon), a Texas oil billionaire with an odd perversion. Instead of deflowering her on her wedding night, he sterilizes the terrified girl's body with rubbing alcohol and showers her in urine with his massive gold-plated penis, while an audience watches bemusedly through his bedroom window. She later escapes from her bridegroom, in a suitcase, and winds up at a wild Viennese commune whose participants indulge in public defecation and a food orgy that wraps with a massive display of gurgling, yakking, and vomiting. At the tale's conclusion, Miss Monde shoots a television commercial that involves writhing nude in a giant vat of chocolate, with which she is completely drenched from head to toe, as the cameras roll. The second story involves a woman, Anna Planeta (Anna Prucnal) piloting a candy-filled boat down a river, with a massive papier-mache head of Lenin on the prow and a lover in-tow who is a refugee from the Battleship Potemkin. She eventually does a seductive striptease and seduces a pack of children, then makes love to her paramour in a vat of sugar and stabs him through the heart. Throughout the film, Makavejev includes shock cuts to Nazi autopsy footage and medical experimentation footage, some of which involves physical abuse of infants under the guise of "baby gymnastics." Although it has its admirers, Sweet Movie is something of an acquired taste. And that's putting it kindly. ~ Nathan Southern, All Movie Guide
- Starring:
- Carole Laure, Pierre Clémenti, (more)
- 1970
- R
This 1970 British sex farce stars Hayley Mills as Jenny Bunn, a naïve young schoolteacher from the north of England who comes to swinging London to teach. She moves into a suburb and becomes friends with Anna (Geraldine Sherman). Anna is dating Patrick Standish (Oliver Reed), but when Anna introduces them, Patrick becomes smitten with Jenny. Patrick keeps trying to get Jenny to return his affections, but she is prim and resists. At a party at the home of Julian Ormerod (oel Harrison), she meets Patrick again. They talk, and he convinces her that his intentions are honorable. They agree to have a rendezvous a few days later. But in the meantime, Julian tells Jenny that Patrick really isn't sincere and only wants to see if he can be the one to conquer her virginity. The romantic comedy is based on a play by Louis S. Peterson. ~ Michael Betzold, All Movie Guide
- Starring:
- Noel Harrison, Oliver Reed, (more)
- 1967
Smashing Time attempts to turn British actresses Rita Tushingham and Lynn Redgrave into a female Laurel and Hardy. The film's second mistake is to prolong the joke for 96 minutes. Tushingham and Redgrave play a couple of dimwitted North Country girls who head to London, in hopes of breaking into the mad, mod world of fashion modeling. Instead they spend most of their screen time getting in each other's way and wreaking havoc on innocent pedestrians. The comic "highlight" of Smashing Time is supposed to be a mammoth pie fight; but outside of one cute throwaway gag involving a street minister, the sequence makes one wish, in the words of Laurel and Hardy buff Leonard Maltin, that Smashing Time "had been handled by someone other than [director] Desmond Davis." ~ Hal Erickson, All Movie Guide
- Starring:
- Rita Tushingham, Lynn Redgrave, (more)
