Adela Rogers St. John Movies

A good man tries to warn his daughter away from a bad man who has stolen her heart in this melodrama. Steve Latimer (William Powell) is a successful defense attorney who has gone out of his way to give his daughter Jean (Elizabeth Taylor) every advantage in life. However, Steve's generosity and open minded attitude begin to backfire on him when Jean decides to throw off her boyfriend, the solid and sensible Vance Court (Gig Young), in favor of Victor Ramondi (Fernando Lamas), a handsome but dangerous man with criminal connections whom Steve is representing. Steve tries to warn Jean away from Victor, but she remains undeterred, and accepts his proposal of marriage, even as the authorities tighten their grip on Victor and his crime syndicate. The Girl Who Had Everything was a remake of the 1931 Norma Shearer vehicle A Free Soul. ~ Mark Deming, All Movie Guide

In this melodrama, a self-absorbed mother unwittingly teaches her daughter some terrible habits. From her, the girl learns that she should simply take everything she wants without considering the consequences of her actions. Her conniving tactics make her rich, but unlucky in love. Fortunately, her second husband teaches her some important life lessons and the girl changes her ways. ~ Sandra Brennan, All Movie Guide

This rambling historical drama covers 109 years in the life of one woman. Encased in convincing old-age makeup, Barbara Stanwyck reminisces on her experiences in the American West. As a young woman, she is squired by gambler Brian Donlevy, but her heart belongs to dreamer Joel McCrea. She chooses McCrea, and the first years of their marriage are poor but happy. Then McCrea strikes oil, becoming one of his state's richest men. With Stanwyck at his side, McCrea climbs up the ladder of success all the way to the political arena--while Donlevy lurks in the background in hopes of reclaiming his girl. The Great Man's Lady is a surprisingly sedate vehicle for both Stanwyck and action director William A. Wellman. ~ Hal Erickson, All Movie Guide

In this newsroom drama, a tabloid's ace reporter's investigations lead to a chorine's conviction for murdering her husband. The trouble begins when the reporter digs a little deeper and realizes that the showgirl is really innocent. Now, despite the objections of her editor, the reporter must hurry to keep the dancer off of death row. ~ Sandra Brennan, All Movie Guide

German actress Dorothea Wieck, who achieved international fame in Maedchen in Uniform, was given a brief shot at Hollywood stardom in 1933 and 1934. Miss Fane's Baby is Stolen stars Ms. Wieck as an actress whose child (Baby LeRoy) is kidnapped. As Wieck takes to the radio to beg for her boy's safe return, the abductors cover their trail by disguising the kid with black hair dye. Farm wife Alice Brady, who gives the impression of being a little light in the belfry, saves the day when she tumbles to the kidnappers' deception. Based on the recent Lindbergh kidnapping, Miss Fane's Baby is Stolen did absolutely nothing to advance the reputation of Dorothea Wieck. ~ Hal Erickson, All Movie Guide

The first film version of Philip Barry's Broadway play The Animal Kingdom stars Ann Harding, Leslie Howard and Myrna Loy. Howard plays a wealthy publisher who decides to marry the socially prominent Loy, leaving his mistress Harding in the lurch. In comically convoluted fashion, Loy behaves like a callous libertine, while Harding is the soul of love and fidelity. The frustrated Howard declares at the end that he is going back to his "wife"--meaning, of course, the faithful Harding. Animal Kingdom was long withdrawn from public view due to the 1946 remake One More Tomorrow; a pristine 35-millimeter print was discovered in the Warner Bros. vaults in the mid-1980s. ~ Hal Erickson, All Movie Guide

In this Academy Award-winning film, Stephen Ashe (Lionel Barrymore) is a hotshot Californian lawyer from a well-to-do family, whose main failing is his indulgence in alcohol. After winning a case for mobster Ace Wilfong (Clark Gable), Stephen brings his client along to a party at his parents' house for a little celebrating. However, when they arrive at their destination, Ace manages to steal the heart of Stephen's wild daughter, Jan (Norma Shearer), and the two run off together, much to the family's dismay. Stephen struggles to win his foolhardy daughter back from the clutches of her lowlife boyfriend, as she defies her father at every turn. ~ Iotis Erlewine, All Movie Guide

In this early sound drama, an ex-socialite is forced to get a job after hard times cause her to lose her fortune. In her new job she runs into many of her old pals, including her ex-boyfriend who is currently married. Later his wife is murdered and he begins to woo the girl. Though she secretly loves him, she rejects him and he marries another. She rejected him so she could testify on his behalf after he is accused of killing his first wife as she and he had been together when the tragedy occurred. ~ Sandra Brennan, All Movie Guide

Such was Richard Barthelmess' popularity in 1927 that audiences were willing to sit through all 12 reels (approximately 130 minutes) of The Patent Leather Kid. Barthelmess plays a cocky prizefighter who isn't the least bit concerned when America enters World War 1. Doing his best to avoid the army, the boxer is shamed into signing up by his girl friend Molly O'Day. Once on the battlefields of France, Barthelmess forsakes his previous selfishness and begins to pull together with his buddies. While performing a conspicous act of bravery, he is permanently crippled. The finale, in which the paraplegic Barthelmess painfully and courageously salutes the American flag, is still capable of reducing an audience to tears. ~ Hal Erickson, All Movie Guide

Returning from the war, Tom Mason (Tom Mix) rides square into a raging feud between the his family and the neighboring Brady gang. Dad Mason (George Irving) is wounded in an ambush, and Tom goes out to get revenge. At the Brady ranch he meets the lovely stepdaughter Paulita (Helene Costello), which naturally complicates matters somewhat. The untenable situation comes to an end, however, when both families are threatened by a gang of crooks determined to blow up a Spanish mission. The director of this fine Mix western was one Orville O. Dull who later became a producer at MGM. None of his films, it is safe to say, was ever released as a "Dull Production." ~ Hans J. Wollstein, All Movie Guide

Skyrocket was a vehicle for non-actress Peggy Hopkins Joyce, a former Ziegfeld dancer who managed to get herself into the headlines by romancing and marrying a series of millionaires. Here Ms. Joyce plays Sharon Kimm, a girl of tenements who through a combination of luck and determination becomes a movie star. Unfortunately, once she's made it to the top, Sharon sabotages her career with her prima donna behavior. Plummeting to obscurity, Sharon realizes that there are more important things in the world than fame or fortune, so she settles for middle-class security as the wife of her childhood sweetheart Mickey Reid (Owen Moore) -- who happens to be the screenwriter of the film which made Sharon a star in the first place! Contemporary reviews indicate that Peggy Hopkins Joyce was as endearingly awful in Skyrocket as she was opposite W.C. Fields in 1933's International House. ~ Hal Erickson, All Movie Guide

Three of Hollywood's more enterprising women created this sentimental treatise on sin and redemption: Mrs. Wallace Reid (the former actress Dorothy Davenport) produced and co-directed (with Walter Lang) and Dorothy Arzner's screenplay was based on a story by influential journalist Adela Rogers St. Johns. Priscilla Bonner starred as Gabrielle Darley, a real-life prostitute acquitted of murdering her procurer in 1917. Left in a New Orleans brothel by a bounder she mistakenly believed to be her fiancé, Gabrielle tracks down the man (Carl Miller) in a Los Angeles jewelry shop and kills him in cold blood. Immediately regretting her brutal act, Gabrielle is resigned to her fate when the jury surprisingly returns a verdict of not guilty. A free woman, Gabrielle wants to change her wayward life by becoming a nurse, but is instead invited to live in the palatial Wilshire Boulevard estate of Mrs. Fontaine (Virginia Pearson). With Freddy the chauffeur (Theodore Von Eltz) as her only ally, Gabrielle is cruelly paraded in front of Mrs. Fontaine's society friends, some of whom "have skipped a matinee to see you." Tiring of the notoriety quickly enough, Mrs. Fontaine arranges for an interview with the local hospital, knowing full well that Gabrielle's sordid past will prohibit her ever becoming a nurse. Distraught and penniless, Gabrielle returns to New Orleans, never realizing that Freddy is desperately searching for her. Chased by a pimp in the French Quarter, the exhausted girl runs out into the crowded street and is hit by a passing car. While recovering in the hospital, she fortuitously learns that the hospital needs personnel due to the devastating influenza epidemic and is soon employed as a cleaning woman. It is in the hospital where she is finally found by Freddy as he arrives with soldiers wounded overseas. Despite being shipped off to fight the war in Europe the following day, the former chauffeur vows to return and make Gabrielle his wife. A huge box-office success, The Red Kimono ended up nearly bankrupting Mrs. Reid when the real Gabrielle Darley sued for libel. In the end, Darley won a huge settlement that included the Beverly Hills home which Reid had shared with her late husband, 1910s matinee-idol Wallace Reid. ~ Hans J. Wollstein, All Movie Guide