Keith David Movies

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide

Buck McGriff (Willem Dafoe) and Albaby Perkins (Gregory Hines) are military police from the army's Criminal Investigation Department assigned to find a serial killer in 1968 war-torn Saigon. Hookers have been ritualistically murdered, and the two cops spend their final days of active duty in the sleazy back alleys of Saigon tracking down the killer in this military mystery. One by one, possible witnesses who can shed light on the case are systematically murdered. ~ Dan Pavlides, All Movie Guide

Marilu Henner stars as a Los Angeles police detective in The Ladykillers. Thomas Calabro co-stars as Henner's new partner, who also happens to be her lover. Together, Henner and Calabro attempt to solve the murder of a stripper. No, the title does not refer to the murderer: "The Ladykillers" is a male stripper club, and the victim is certifiably masculine. Also starring Lesley-Anne Down and Susan Blakely, this leering little escapade was first broadcast November 9, 1988. ~ Hal Erickson, All Movie Guide

Forest Whitaker stars as the brilliant jazz saxophonist Charlie "Bird" Parker in this elegiac biopic. Director Clint Eastwood pays full homage to Parker's musical genius, but also devotes ample time to the musician's twin demons--drugs and alcohol-which accelerated his death at the age of 34. In his struggles to gain widespread acceptance for his music, "Bird" is forever stymied by his own self-destructiveness, and forever bailed out by the love of his life, Chan Richardson Parker (Diane Venora). The film bemoans the decline of the brand of jazz fathered by Parker, which came to be replaced by more conventional material -- as illustrated by the "descent" into the mainstream of Parker's mentor Buster Franklin. Also starring in Bird is Samuel E. Wright as Dizzy Gillespie. That's the real Charlie "Bird" Parker on the film's soundtrack, though most of the background music has been re-orchestrated. ~ Hal Erickson, All Movie Guide

John Carpenter wrote and directed this science fiction thriller about a group of aliens who try to take over the world by disguising themselves as Young Republicans. Wrestler Roddy Piper stars as John Nada, a drifted who makes his way into an immense encampment for the homeless. There he stumbles upon a conspiracy concerning aliens who have hypnotized the populace through subliminal messages transmitted through television, magazines, posters, and movies. When Nada looks through special Ray-Bans developed by the resistance leaders, the aliens lose their clean-cut "Dan Quayle" looks and resemble crusty-looking reptiles. Nada joins the underground, teaming up with rebel-leader Frank (Keith David) to eradicate the lizard-like aliens from the body politic. ~ Paul Brenner, All Movie Guide

For all its state-of-the-art special effects, Always is essentially a remake of the 1943 Spencer Tracy-Irene Dunne fantasy vehicle A Guy Named Joe--minus the wartime context. Richard Dreyfuss stars as a reckless fire-fighting pilot who is killed in what was to have been his final mission. Ascending to Heaven, Dreyfuss is introduced to businesslike angel Audrey Hepburn (playing the equivalent of the Lionel Barrymore role in A Guy Named Joe). Hepburn instructs the spectral Dreyfuss to pass on his aviation knowhow to his young successor, Brad Johnson. Our ghostly hero also smoothes the course of romance for his earthly girl friend Holly Hunter, who after several months' worth of grieving has fallen in love with Johnson. John Goodman injects a dose of comedy relief as Dreyfuss' faithful buddy. ~ Hal Erickson, All Movie Guide

In Marked for Death, Steven Seagal is told to "try to find the gentle person inside yourself." But he doesn't spend too much time looking, preferring instead to crack the spines of his victims. Seagal plays John Hatcher, a burned-out narcotics agent who resigns from the Drug Enforcement Administration after his partner is killed. He returns to his hometown and finds the city in the thrall of a vicious Jamaican drug gang, led by the nasty Screwface (Basil Wallace). He meets an old friend, now a high school football coach, who tells John about losing his best player and his 13-year-old nephew to drug overdoses. Soon John's family is threatened and his prize Mustang stolen, so John joins forces with his buddy to take on Screwface and the drug gang themselves. ~ Paul Brenner, All Movie Guide

A pair of garbage workers (Charlie Sheen and Emilio Estevez) are shocked to find the body of a city councilman in one of their trash cans. With help from a supervisor (Keith David), the duo must solve the case and find the man's killer while hiding the body from the cops. Estevez also directed and provided the screenplay for Men at Work. ~ John Bush, All Movie Guide

In Final Analysis, Richard Gere stars as Isaac Barr, a San Francisco psychiatrist whose alluring patient Diana Baylor (Uma Thurman) is being treated for traumatic memories. In order to find out more about her trauma, Diana suggests that Isaac speak to her sister and question her about what went on between them in the past. But when Isaac sets eyes on Diana's sister Heather (Kim Basinger), they become involved in a torrid and steamy sex affair. Unfortunately, Heather is married to psychotic sadist Jimmy Evans (Eric Roberts). ~ Paul Brenner, All Movie Guide

The Reading Rainbow series has won many awards in its PBS history, dealing with a variety of topics, including sociological issues. In this episode, Keith David reads Follow the Drinking Gourd by Jeanette Winter, which tells of the constellation that escaping slaves could use as a guide to the relative safety of the North. LeVar Burton discusses the heritage of African-Americans with Sweet Honey in the Rock, a folk group. In a segment near the end of Reading Rainbow: Follow the Drinking Gourd, the student critics review A Picture Book of Harriet Tubman and Shake It to the One That You Love. ~ Alice Day, All Movie Guide

This National Geographic documentary examines the numerous species of aquatic life that use the oceans' currents to travel the globe. Cameras follow several of these underwater highways, showing sea turtles, portuguese men-of-war, giant squid and the hundreds of other creatures as they chase and prey on each other. ~ Ed Atkinson, All Movie Guide

This film was one of the more mainstream offerings in the array of films that emphasized the overly hyped "Generation X" phenomenon, a list that ranges from Slacker to Singles and includes a host of other films. Winona Ryder stars as Lelaina, a recent college graduate. Out on her own and independent from her supportive, but out-of-touch parents, Lelaina faces the realities of careers and relationships. She can't stand her internship under a local television personality (John Mahoney), and she's forced to choose between Michael (Ben Stiller), a well-intentioned music-video network executive, and Troy (Ethan Hawke), a brooding, sensitive slacker. Meanwhile, she must also protect the artistic integrity of "Reality Bites," a video documentary that depicts the everyday lives of her friends (Hawke, Janeane Garofalo, and Steve Zahn). This 1994 release also marks the feature directorial debut of Ben Stiller. ~ Jonathan E. Laxamana, All Movie Guide

This documentary explores the people and stories behind the photographs that have made National Geographic Magazine the standard for photojournalism. Several of the photographers responsible for some of the magazine's most memorable images detail, in their own words, what it is like to endure malaria, freezing temperatures, and angry animals to get the perfect shot. In some sequences film cameras follow the still photographers into the field. ~ Ed Atkinson, All Movie Guide