Gordon Parks Movies
African-American filmmaker Gordon Parks had little chance of cracking the all-white Hollywood cinematographers' fraternity in the '50s, despite impeccable credentials as a photojournalist for Life magazine. Parks' entry into feature-length moviemaking came by way of the 1969 adaptation of his own autobiographical work The Learning Tree, which related the experience of growing up black in Kansas. Parks sold the story to Hollywood on the proviso that he be allowed to direct -- thus making him the first-ever "mainstream" black director. 1971's Shaft (starring Richard Roundtree), wherein Parks utilized the no-nonsense street savvy he'd gleaned in his teen years as a whorehouse piano player and dope runner, put the director on Hollywood's A-List. He helmed Shaft's Big Score in 1972 (and composed the music for it), but his subsequent films, Leadbelly and Supercops, while critically acclaimed, failed to match the box-office appeal of the street hero that Parks and Roundtree had created. He took his final bow as a director with 1985's Solomon Northrup's Odyssey, a slavery-era period piece produced for PBS' American Playhouse, but - despite his retirement from the cinema -- remained incredibly active in many other arenas, proving himself a bona fide renaissance man of innumerable talents. His additional accomplishments include authoring fiction (the 1978 Flavio and the 1981 Shannon), poetry (the 2000 collection A Star for Noon), a myriad of photographic compilations, memoirs, and even a ballet, Martin, on the life of Martin Luther King, Jr.. Parks triumphed in every arena, consistently drawing critical adulation, and worked well into his nineties. He died at age 93, on Tuesday, March 7, 2006.Parks fathered four children, one of whom -- Gordon Parks Jr. -- became a successful director in his own right (Superfly). ~ Hal Erickson, Rovi
- 2005
Melvin Van Peebles created a new style of African-American filmmaking in 1971, when on a shoestring budget he made Sweet Sweetback's Baadasssss Song, a violent action picture about a sex-show stud on the run from the police that below the surface served as a call for revolution in the black community. But Sweet Sweetback was hardly Van Peebles' first or only bold achievement in the arts. After brief careers piloting cable cars in San Francisco and flying fighter planes in the Korean War, Van Peebles moved to Paris, where he wrote five novels, became a regular contributor to an anarchist journal, and directed his first feature film, The Story of a Three-Day Pass. On the strength of its critical acclaim, Van Peebles returned to America and made his first (and only) major studio film, Watermelon Man, which helped him gather the money and connections it took to make Sweet Sweetback. Alongside these cinematic triumphs, Van Peebles launched a recording career in the late '60s, making literate but streetwise albums that paved the way for rap and hip-hop, and staged a series of hit Broadway plays including Don't Play Us Cheap and Ain't Supposed to Die a Natural Death. In the 1980s, Van Peebles switched careers and became a successful Wall Street options trader, and watched his son Mario Van Peebles become a star. (Mario would also go on to make a film about his dad's adventures making Sweet Sweetback, entitled Baadasssss!) How to Eat Your Watermelon in White Company (and Enjoy It) is a documentary made with Van Peebles' participation that looks back at his multi-faceted career and the brilliant, uncompromising man behind it all. The film includes interviews with a number of Van Peebles' colleagues and admirers, including Spike Lee, Gil Scott-Heron, Gordon Parks, and Elvis Mitchell. ~ Mark Deming, Rovi
- Starring:
- Dick Hehmeyer
- 2001
- Add Half Past Autumn: The Life and Art of Gordon Parks to Queue Add Half Past Autumn: The Life and Art of Gordon Parks to top of Queue
In this video, viewers consider the work and life of Gordon Parks. Perhaps best known as a photojournalist, Parks was also a novelist, poet, musician, and filmmaker. This video offers commentary on every facet of this man's remarkable career, concentrating on the motivation and techniques he used in creating his best-known work, his portraits of American poverty and racial tension. Along with his photography, Parks is well remembered for the essays that accompanied his photos, essays that influenced the way people approached the subjects he documented. ~ Rob Ferrier, Rovi
This action drama puts a new spin on Shaft, one of the key "blaxploitation" films of the 1970s. John Shaft (Samuel L. Jackson), the namesake nephew of the legendary private eye (Richard Roundtree), is a street-smart police detective who with his partner Carmen Velez (Vanessa L. Williams) has been assigned to a racially motivated murder case, in which a black college student was killed in front of a restaurant by Walter Williams Jr. (Christian Bale), the sociopathic son of a New York construction tycoon, who then fled the country rather than face prosecution. Diane Palmieri (Toni Collette), a waitress on a smoke break, saw the murder, but she doesn't want to talk to the police. Two years later, Walter is forced to return to New York, but without Diane's testimony, the city doesn't have much of a case. Soon, Shaft, Walter Junior, and Walter Senior's goons are all looking for Diane, with Junior enlisting the help of Peoples Hernandez (Jeffrey Wright), a small-time drug dealer who will do anything to move into the big leagues. Shaft and Carmen find Diane, but discover that she had a good reason for being on the lam for the past two years. Amidst all this activity, John gets frequent advice from his uncle, with whom he ponders the idea of quitting the force and opening a detective agency. Shaft was directed by John Singleton, from a screenplay by Singleton, Richard Price, and Shane Salerno. ~ Mark Deming, Rovi
- Starring:
- Samuel L. Jackson, Vanessa Williams, (more)
- 1991
Photographer, author, scriptwriter, and director, Gordon Parks' visions are captured in this video. ~ Rovi
Half Slave, Half Free is the reissue title for African-American director Gordon Parks' TV movie Solomon Northup's Odyssey. Based on the autobiography Twelve Years a Slave, the film relates the story of Solomon Northup, a black freedman who, in 1841, was kidnapped in Washington D.C. and sold into slavery. Avery Brooks stars as Northup, having spent a dozen years' servitude in Louisiana before managing his escape. Northup's own written words bespeak a rebellious spirit not far removed from the firebrand freedom fighters of the '60s. Curiously, director Parks downplays this in favor of sentimentality. Under its original title, Half Slave, Half Free was originally telecast December 10, 1984, on PBS. ~ Hal Erickson, Rovi
- 1976
- PG
This biographical picture explores the troubled life of blues singer and master guitarist Leadbelly, who developed his style and wrote many of his songs during his frequent stints in prison. Featured performances are "&Rock Island Line" and "&Goodnight Irene". ~ Rovi
- Starring:
- Roger E. Mosley, Paul Benjamin, (more)
- 1976
Frenchman Joseph Nicéphore Niepce made the first photograph in 1826, and Americans quickly took to the new technology, with photographers such as Matthew Brady, who made improvements and created a huge demand for photographs. The British photographer Eadweard Muybridge did his most important work in the United States, ultimately creating a primitive version of motion pictures. As this documentary reveals, photography, initially seen as a tool to help painters, quickly became a way to record history, to communicate news, and to influence public opinion. Brady's photographs of the Civil War dead brought the reality of war home to Americans who had never seen a battlefield. This is the ninth installment in the 13-volume American Documents documentary series, which presents United States history in an entertaining, yet well-researched manner. Highlights of this program include archival daguerreotypes and photographs. The episode is hosted by famed motion picture director Gordon Parks, who helmed The Learning Tree and the original Shaft. ~ Steve Blackburn, Rovi
- 1974
- R
"Batman and Robin" are the principal characters in the fact-based The Super Cops. Well, not the real Batman and Robin; these just happen to be the nicknames of two irrepressible New York City cops, Dave Greenberg (Ron Leibman) and Bob Hantz (David Selby). Flying in the face of departmental procedure and protocol, Greenberg and Hantz use bizarre (and often amusing) extreme methods to rid the streets of drug merchants. The two gonzo cops find an unexpected ally in the form of a prostitute named Sara (Sheila E. Frazer). Adapted by Lorenzo Semple Jr. (who coincidentally wrote the Batman TV pilot episode) from the best-selling book by L. H. Whitemore, The Super Cops features the genuine Dave Greenberg and Bob Hantz in minor roles...as cops, naturally. ~ Hal Erickson, Rovi
- Starring:
- Ron Leibman, David Selby, (more)
This is the hurriedly produced sequel to Gordon Parks' trend-setting hit Shaft. Richard Roundtree is on hand once again, portraying "the cat who's a bad mutha." In this installment, Shaft investigates the murder of a well-respected Harlem figure and funeral-home director, Cal Asby (Robert Kya-Hill), who is blown to smithereens after stashing money in a coffin. Cal's funeral is attended by Bumpy Jonas (Moses Gunn), the local Harlem boss. Since Bumpy is attending Cal's funeral, Shaft suspects some dirty dealings between Bumpy and Cal's business partner Kelly (Wally Taylor). After the funeral, Shaft returns home to find that his place has been ransacked. Kelly arrives to inform him that he is taking over Cal's funeral-home business. When Kelly leaves, Captain Bollin (Julius Harris) makes an appearance and takes Shaft downtown for questioning about Cal's murder. Bollin reveals that Cal and Kelly were in cahoots -- running a numbers racket and involved with Gus Mascola (Joseph Mascolo), another local gangster. Bollin agrees to let Shaft go on the provision that he will inform him of any leads. Now Shaft must track down the real killer to get his Harlem neighbors off the hook. ~ Paul Brenner, Rovi
- Starring:
- Richard Roundtree, Moses Gunn, (more)
Richard Roundtree cuts a startlingly new and powerful heroic figure as John Shaft, "the cat who won't cop out, when there's danger all about" in Gordon Parks' seminal action film, Shaft. John Shaft is a black private eye with a small office near Times Square. On his way there one day, he gets pumped for information by Lt. Victor Androzzi (Charles Cioffi), a friend of his on the police force, about something big going down in Harlem involving black crime kingpin Bumpy Jonas (Moses Gunn). Shaft can't help him and leaves, only to just miss being waylaid by two of Bumpy's strong-arm men at his office, one of whom ends up dead on the pavement eight floors or so below. Squeezed by the cops, who are holding a potential manslaughter arrest over his head, Shaft contacts Bumpy, who reveals that his teenage daughter, whom he's always kept away from his business, has been kidnapped. There's been no ransom demand and no clue as to who did it, and he wants Shaft to find the culprits, insisting that he start with a group of Harlem-based black militants led by Shaft's onetime friend Ben Buford (Christopher St. John). No sooner does he find Buford, holed up in a decaying part of Harlem, however, than his friend's comrades are mowed down by submachine gun fire, and Shaft and Buford barely escape. With Shaft angry and out for blood, everyone is forced to come clean -- Bumpy knows that it's the Mafia that kidnapped his daughter, as they want in on the Harlem drug trade that he controls; they're holding her somewhere else outside of Harlem, where his men are no good to him, which is why he wanted Shaft to hook up with Buford. Androzzi tells Shaft that a dozen Mob trigger men from out of town have been spotted in Greenwich Village. He doesn't know why they're there, but he does know that if fighting breaks out between Bumpy's men and the Mafia, it's going to look like a race war, and the whole city could erupt. Shaft doesn't like the way he's been manipulated, but he sees Androzzi's point -- he links the trigger men to the kidnapping and finds the girl, but loses her again, getting shot in the process. Even though he's wounded, Shaft heads for a final confrontation with the kidnappers, supported by Ben's friends in an armed assault on the building where they're holed up. ~ Bruce Eder, Rovi
- Starring:
- Richard Roundtree, Moses Gunn, (more)
- 1969
- PG
Gordon Parks' adaptation of his own novel The Learning Tree stars Kyle Johnson as Newt, a black teenager living in 1920s Kansas. He is an intelligent even-tempered young man who meets the many racial prejudices he faces with composure and pride. His best friend Marcus (Alex Clarke) is hot-headed and prone to react emotionally when confronted with life's problems. Newt gets into a difficult situation when he witnesses a murder and must decide if he should come forward to clear the man being framed for the crime. Doing so would forever change his own life, as well as Marcus'. In 1989, the film was selected to the National Film Registry in the Library of Congress. ~ Perry Seibert, Rovi
- Starring:
- Kyle Johnson, Alex Clarke, (more)
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