Harry Davenport Movies

Harry Davenport was descended from a long and illustrious line of stage actors who could trace their heritage to famed 18th-century Irish thespian Jack Johnson. Davenport made his own stage bow at the age of five, racking up a list of theatrical credits that eventually would fill two pages of Equity magazine. He started his film career at the age of 48, co-starring with Rose Tapley as "Mr. and Mrs. Jarr" in a series of silent comedy shorts. He also directed several silent features in the pre-World War I era. Most of his film activity was in the sound era, with such rich characterizations as Dr. Mead in Gone With the Wind (1939) and Louis XI in The Hunchback of Notre Dame (1939) to his credit. He also essayed a few leading film roles, notably as a lovable hermit in the 1946 PRC programmer The Enchanted Forest. At the time of his final screen performance in Frank Capra's Riding High (1950), much was made in the press of the fact that this film represented Davenport's seventy-eighth year in show business. Married twice, Harry Davenport was the father of actors Arthur Rankin and Dorothy Davenport. ~ Hal Erickson, All Movie Guide
1937  
 
A young wife butts head with her beautiful best friend after her husband hires the latter to be his personal secretary and then begins spending too much time at the office. ~ Sandra Brennan, All Movie Guide

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Starring:
Jean MuirBeverly Roberts, (more)
1937  
 
Less than a week after the press preview of his second starring feature Man in Blue, Robert Wilcox was seen on-screen in his first starrer, Armored Car. Wilcox plays detective Larry Willis, who goes undercover as an armored-car guard. Larry deliberate messes up his job so that he'll be fired, thereby convincing a gang of hijackers that he's desperate enough to join them. Our hero works his way into the confidence of "intellectual" head crook Walinsky (Irving Pichel), much to the displeasure of the boss' distrustful henchman Petack (Cesar Romero). Things get hairy when the hoods threaten the life of heroine Ella (Judith Barrett), forcing Larry to blow his cover. ~ Hal Erickson, All Movie Guide

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Starring:
Robert WilcoxJudith Barrett, (more)
1937  
 
In this anti-Japanese WW II propaganda film, Japanese invaders attempt to raid Alaska and are totally obliterated. The trouble begins when a stranger visits a small town and tells them that the U.S. is going to be taken over by a powerful country. The story turns out to be true when the Japanese bomb Pearl Harbor. The town then rises up and slaughters a Japanese raiding party. ~ Sandra Brennan, All Movie Guide

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Starring:
William LundiganVirginia Dale, (more)
1937  
 
Director James Whale, well known for his witty horror films, tackled comedy head-on in this period piece, set in the 18th Century. David Garrick (Brian Aherne) is a gifted but supremely arrogant British actor whose fame is exceeded only by his ego. After finishing a starring run at London's Drury Lane Theatre, Garrick informs the audience his next engagement will be at the Comedie Francaise in Paris, and adds that he plans to use the opportunity to teach the French a few things about acting. Stung by the insult, the Comedie Francaise company plan to take their revenge against Garrick by pulling an elaborate prank; on his first night in Paris, Garrick is taken to an inn where, unbeknown to him, the staff and clientele have been taken over by actors, who stage an lively evening for his benefit. Garrick soon sees through the ruse but plays along, and acts cool towards a lovely young woman, Germaine De Le Corbe (Olivia de Havilland), even though he's smitten with her. After giving Germaine the brush off, Garrick informs the assembled thespians that he saw through their trick, only to discover that Germaine happened upon the inn by accident and wasn't part of the act. Garrick realizes he's alienated the woman who has stolen his heart, and his grief begins to effect his performance as Don Juan. The Great Garrick also features Lionel Atwill, Edward Everett Horton, and Melville Cooper; a young Lana Turner has a bit part. ~ Mark Deming, All Movie Guide

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Starring:
Brian AherneOlivia de Havilland, (more)
1937  
 
Throwing together elements that had previously worked in Cabin in the Cotton and They Won't Forget, Warner Bros. White Bondage is a swampy melodrama set amongst the sharecroppers of the Deep South. Turning brunette for the occasion, Jean Muir plays Betsy Ann, surrounded by lecherous, inbred poor-trash males -- and by equally libidinous fat-cat landowners. When investigative reporter David Graydon (Gordon Oliver) arrives from the North to write an exposé on the deplorable living conditions of the sharecroppers, he is opposed by the landlords who get rich from the labors of their glorified slaves. An attempt is made to lynch the troublesome Graydon, but he is saved at the last moment by Betsy Ann, who has fallen in love with him. Though there are surprisingly few black faces in White Bondage, Eddie "Rochester" Anderson has a good minor role as a sharecropper named Glory. ~ Hal Erickson, All Movie Guide

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Starring:
Jean MuirGordon Oliver, (more)
1937  
 
Based on a popular novel by Samuel Hopkins Adams, this screwball comedy stars Errol Flynn in the title-role, the heir to an industrial fortune kept hidden from the world by his imperious grandmother (May Robson). Intrigued by the secrecy, peppy Joan Blondell literally crashes the estate to liberate the young man and the two embark on a whirlwind trip through Pennsylvania. Falling in love with the intruder along the way, Flynn learns how life is lived by the other half -- or at least by the wacky Warner Bros. stock company -- and proves himself to be much more capable than "Grandma" Robson ever imagined. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Errol FlynnJoan Blondell, (more)
1936  
 
Four Days Wonder is adapted from the A. A. Milne novel of the same name. New Universal contractee Jeanne Dante stars as precocious 13-year-old Judy Widdell, a devoted fan of dime-novel detective stories. When a real murder occurs in the vicinity, Judy insists upon playing sleuth, dragging teenaged astronomer Tom Fenton (Kenneth Howell) into her Sherlock shenanigans. It's no trick for Judy or Tom to out-guess dimwitted police detective Duffy (Walter Catlett), but the murderer isn't so easy to flummox, and for a while it looks as though our heroine will never reach adulthood. As it turned out, star Jeanne Dante, a youthful veteran of the Broadway stage, was something of a four-day wonder herself, disappearing from films not long after this one was released. ~ Hal Erickson, All Movie Guide

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Starring:
Ken HowellMartha Sleeper, (more)
1936  
 
King of Hockey was one of three low-budget hockey films released during the 1936-37 season, each one produced by a different studio. Dick Purcell stars as swell-headed hockey champ Gabby Dugan, whose career is abruptly terminated when he's accused of shaving points during a crucial game. Even worse, a blow on the skull induces temporary blindness, causing Gabby to wonder if he'll ever get to play again. Not only does he stage a spectacular comeback, but he also wins back the love of his estranged sweetheart Kathleen O'Rourke (Anne Nagel). A goodly portion of the film is given over to juvenile performer Ann Gillis, whom Warner Bros. evidently hoped would develop into the "new Shirley Temple" (even though there was still plenty of mileage left in the "old" Shirley Temple). ~ Hal Erickson, All Movie Guide

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Starring:
Dick PurcellAnne Nagel, (more)
1936  
 
Legion of Terror was the first in a cycle of "exposé" films inspired by the upsurge in such hate groups as the KKK, the Silver Shirts and the Black Legion. The titular vigilante organization, which cloaks its extortionist motivations in the guise of patriotism, has a habit of sending mail bombs to its enemies -- and that's how Postal Inspector Frank Marshall (Bruce Cabot) becomes involved in the story. Before Marshall is able to expose the Legion of Terror for the cowards that they are, the group has murdered Don Foster (Ward Bond), the brother of Marshall's sweetheart Nancy (Marguerite Churchill). The film closes with an admonition to the audience to avoid getting suckered in by similar phony "All American" organizations. Legion of Terror was released just before Warner Bros. similar (and superior) The Black Legion. ~ Hal Erickson, All Movie Guide

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Starring:
Bruce CabotMarguerite Churchill, (more)
1936  
 
Warner Bros.' "Perry Mason" series quietly slipped from the "A" to the "B" category with this adaptation of Erle Stanley Gardner's The Case of the Caretaker's Cat. Ricardo Cortez and June Travis take over from Warren William and Claire Dodd as criminal attorney Perry Mason and his faithful secretary Della Street. Though the characters had been married in Case of the Velvet Claws, they're unattached again here, though Della is still hoping. This time there are three murders, all connected with a hectic treasure hunt and a screeching feline (grey, not black!) Throwing an added spanner into the works is the fact that one of the murders is a phony, designed to permit a millionaire from escaping his responsibilities. Case of the Black Cat was later redone as an hour-long episode of the Perry Mason TV series. ~ Hal Erickson, All Movie Guide

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Starring:
Ricardo CortezJune Travis, (more)
1936  
 
All but forgotten today, the George Abbott-John Cecil Holm stage comedy Three Men on a Horse was once a staple of the community theatre and summer-stock circuit (a 1958 TV production starred no less than Johnny Carson). Though a faithful adaptation of the Broadway original, this 1936 film version avoids staginess thanks to the sprightly direction of Mervin LeRoy. Frank McHugh plays a meek, henpecked greeting-card writer who has an uncanny knack for picking winning race horses. Wandering into a bar after a spat with his wife (Carol Hughes), the prognosticative McHugh is "adopted" by Runyonesque horseplayers Sam Levene, Allen Jenkins and Teddy Hart. Held a virtual prisoner by the three gamblers, McHugh is unable to return to his job at the greeting card company, forcing his boss Guy Kibbee to realize for the first time the indispensability of his missing employee. A very slight piece, Three Men on a Horse is buoyed by the talents of the above-mentioned actors, as well as such reliables as Joan Blondell, Edgar Kennedy and Eddie "Rochester" Anderson. ~ Hal Erickson, All Movie Guide

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Starring:
Frank McHughJoan Blondell, (more)
1935  
 
This modern "Flying Dutchman" story stars actor/playwright Noel Coward as a class-A heel. Coward uses his position as a powerful publisher to break as many hearts as is humanly possible. When Coward does his usual hatchet job on poet Julie Haydon, she plants a curse on his head, praying that he'll die and that no one will mourn him. Within the week, Coward is killed in a plane crash. Slated for Purgatory, Coward is given a second chance; if he can find someone who will weep for him, his soul will be saved. As expected, the sole mourner turns out to be Haydon, whose fiance's life is saved by the repentant Coward. As with most of the Ben Hecht-Charles MacArthur film productions of 1930s, The Scoundrel is hard to warm up to because the characters are so unappealing. Still, it's fascinating to see Noel Coward playing a villain, and to spot legendary critic/curmudgeon Alexander Woollcott in a supporting role. ~ Hal Erickson, All Movie Guide

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Starring:
Noël CowardJulie Haydon, (more)
1931  
 
In all three of her 1931-32 movie vehicles, Tallulah Bankhead played variations of that familiar soap opera standby, the Fallen Woman. My Sin casts Bankhead as a college-educated nightclub entertainer named Carlotta, working in a seedy dive in Panama. Tormented by her blackmailing husband, she shoots and kills the bounder then finds that no self-respecting attorney will take her case. Fortunately for her, alcoholic lawyer Dick Grady (Fredric March) has no respect for himself, and it is he who agrees to defend her in court. Acquitted of murder, Carlotta heads to New York to start life anew, only to have her unsavory past catch up with her again. Once more, however, she is rescued by Grady, who has sworn off booze and metamorphosed into a pillar of society. ~ Hal Erickson, All Movie Guide

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Starring:
Tallulah BankheadFredric March, (more)
1931  
 
In this drama, a remake of Sal of Singapore(1929), the captain of a freighter becomes an instant father when his crew rescues a drifting Navy boat that contains a baby. The captain decides that he will keep the baby and take it back to the U.S. instead of turning it in to the authorities. He begins advertising for a "mother" for the baby to help him while he runs the ship. His call is answered by a woman with a dubious, secret past. During the interview she lies about her character and qualifications and gets the job and a free cruise to the States. It is smooth sailing until one of the sailors recognizes her and attempts to blackmail her into sleeping with him. Fortunately, the captain rescues her and tosses the loutish seaman into the sea. The woman immediately falls for the good captain who has also fallen for her. They encounter more rough seas when, upon docking in New York, the captain is arrested for attempted murder. The woman becomes his witness, but when he learns the truth about her, he loses his respect and they go their separate ways. She again becomes a loose woman, and he begins to drink heavily. When the baby gets deathly ill, the two are reunited--this time it is for good, and happiness ensues. ~ Sandra Brennan, All Movie Guide

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Starring:
Gary CooperClaudette Colbert, (more)
1930  
 
Elisha Cook Jr. made his screen debut in this early exploitation talkie from De Forest Phonofilm. Cook and Pauline Drake appear as innocent lovers who can only stand by and watch while their friend Dorothy Kennedy (Adele Ronson) becomes pregnant by careless Jack Conover (Paul Clare). When Jack refuses to marry her, Dorothy seeks an abortion from the kindhearted Dr. Remington (Harry Davenport), who instead notifies her mother (Frances Underwood). Meanwhile, Jack learns that his domineering aunt (Doris Rankin), is actually his mother and has a complete change of heart, proposing to Dorothy. Produced in New York City, Her Unborn Child also marked the screen debut of venerable Broadway actor Harry Davenport. ~ Hans J. Wollstein, All Movie Guide

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1917  
 
After his wife has run off with another man, New Yorker Bide Bennington (Lionel Barrymore) decides to stay in Europe. After hearing of his wife's death years later, he returns home but finds it lonely there and heads West. While he is gone his house is robbed, and the leader of the crooks, Richard Glendon (Harry S. Northrup), leaves Bennington's coat and identification on an East River pier. The newspapers pick up on this and announce Bennington's "suicide." Since he is now officially deceased, Bennington decides to start life all over again -- but first he must foil a scheme by a gang of con artists, who have forced pretty Constance Brent (Evelyn Brent) to pose as Bennington's widow so that they can lay claim to his estate. After routing the crooks, Bennington falls in love with the phony widow -- who turns out to be a "nice kid" withal -- and with his marriage to the girl he returns triumphantly to the Land of the Living. ~ Janiss Garza, All Movie Guide

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1917  
 
This Northwoods drama stars Ruth Sinclair and Irving Cummings. Ruth (Sinclair) is an orphan who lives with her foster-father, Jim Vance, a crude mountaineer (Arthur Morrison). One night he tries to attack her and she stabs him. Fleeing the cabin in the belief that she has killed Vance, she is found by handsome French-Canadian Jules LeClerc (Cummings), and the two fall in love. Ruth and LeClerc marry and head for the DuBois settlement, where he goes into partnership with Mackenzie, who runs the general store (Roy Applegate). Late one night, Ruth catches a man rifling the cash drawer, who turns out to be Vance. He escapes, and the next morning when Mackenzie discovers the money is missing, he thinks that LeClerc is the culprit. LeClerc overhears Vance talking at the local saloon and comes to believe that he was Ruth's lover. He gives chase and they head into the woods. A fierce battle between the two men ensues, and Vance is drowned in the river. Ruth explains everything to her husband and they are happily united. ~ Janiss Garza, All Movie Guide

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1917  
 
Friends William Ramsdell (Robert Warwick) and DeWitt Clinton (Earl Schenck) both love the same girl, Virginia Farrell (Gail Kane). The rich and spoiled Clinton has a valet, Byron (Louis Edgard), who does his bidding. At his command, he dopes Ramsdell to disgrace him in front of Virginia's family -- proving that Clinton isn't such a great friend after all. The plot works and the heart-broken Virginia agrees to marry Clinton. Ramsdell, meanwhile, goes to work in a lumber camp and works his way up to foreman. Clinton and Virginia come there for the summer, and a fight ensues between the two men. It's ended when the valet, fed up with Clinton's evil ways, shoots him and then kills himself. Virginia, who now knows the truth, is free to be with Ramsdell. ~ Janiss Garza, All Movie Guide

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1917  
 
If the name "Tillie" appears in the title and the film is made in the latter half of the 1910s, it's a sure bet that Marie Dressler is starring. Here, she plays Tillie Tinkelpaw, the put-upon family breadwinner, and her foil is Johnny Hines as henpecked husband Mr. Pipkins. The pair decide to escape for an afternoon from their horrendous mates (Frank Beamish as Mr. Tinkelpaw and Rubye DeRemer as Mrs. Pipkins) and go to Coney Island. They arrive via an ice wagon and have a bit of Scotch to take away the chill. Naturally, the liquor revs up all the slapstick antics to come. This was a great two-reel idea stretched out to five (how many times can Dressler sit on Hines and have it be funny?), but the stars' talents and some very funny titles carry it through. The scenario was written by Dressler's good friend Frances Marion. ~ Janiss Garza, All Movie Guide

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1917  
 
Alice Brady plays a farm girl who marries the son of her next-door neighbor. Her dreams of a gay social whirl are shattered when her husband takes a job as a railway station agent in a lonely prairie outpost. Desperate for companionship, she begins an affair with the railroad president's son, unaware at first that her lover is likewise married. Leaving her husband, Brady heads to Chicago, hoping that her new sweetheart will find her a job. He does, but only so he can keep her "in reserve" whenever his wife is out of town. Upon discovering that her protector is a philanderer, Brady tries to escape his clutches, but he refuses to let her go. The heroine is rescued by the unexpected appearance of her own husband, who thoroughly trounces the lover and forgives his wife all past indiscretions. ~ Hal Erickson, All Movie Guide

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1917  
 
Antonio Moreno stars in this wooden Vitagraph drama as Sandy Morley, a young man from the South who can no longer stand living under the same roof as his abusive stepmother. He leaves home only to become ill with typhoid fever. He is taken in and cared for by John Markham, a Northern business magnate. Markham offers to send his nephew, Lansing Hartford, to college if he works in his factory for a year; Hartford refuses, but Morley is quick to accept in his place. He graduates from the university with honors, and Markham sends him back to his home in the South to build a factory. Hartford, meanwhile, goes South as well and tries to stir up trouble with Jeff Crothers, a rival factory-owner (William Balfour). He also tricks Morley's former sweetheart, Cynthia Starr (Belle Bruce), into marrying him. Morley wins the trust of Crother's workers, and when an old flame of Hartford's shows up with a baby, Cynthia leaves him and returns to Morley. ~ Janiss Garza, All Movie Guide

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1915  
 
Although this brutal story of the sea was not written by Jack London, it clearly was inspired by the author's books. Captain John Waverlie (Harry T. Morey) tries to save his sister Minnie (Edith Storey), who has been badly used and become a drug addict. In spite of his care, however, she dies. The ship owner's daughter, Irene, falls in love with Waverlie, but since he's too much of a gentleman to acknowledge her attention, she turns to Sargent, a lawyer (Harry Northrup), instead. Waverlie recognizes him as the man who ruined his sister, and undergoes an operation to change his appearance. He takes command of a ship and mans with a rough pair of mates. Among the men he has shanghaied for the crew are his two enemies, Glasgow Mike and Sargent. Waverlie makes sure these two are treated as cruelly as possible, and Mike blames Sargent for their predicament. Sargent kills Mike in a fight and is put in irons. One of the mates fatally wounds Sargent and this is when Waverlie takes the opportunity to reveal his true identity and denounce him for ruining Minnie. He then leaves the lawyer to die with photos of Minnie, Irene and himself nearby. ~ Janiss Garza, All Movie Guide

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1915  
 
Long before he was kindly old Dr. Meade in Gone With the Wind, Harry Davenport was a sort of renaissance man of the American theatre, serving as actor, writer, producer and director. Wearing his director's cap, Davenport helmed the 1915 silent feature Island of Regeneration. Juvenile star (and future Warner Bros. director) Bobby Connolly plays the young gadfly in a group of tourists trapped on a desert island. While Connolly remains pretty much the same from first reel to last, each of the adult members undergoes a life transformation during their enforced stay. A well-handled earthquake sequence climaxes this adaptation of a novel by Cyrus Townsend Brady. ~ Hal Erickson, All Movie Guide

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