Dominique Davalos Movies

A sexy female rock band is forced to fight for their lives when their tour van breaks down in the middle of Wisconsin and a murderous trio of backwoods maniacs emerges to carve them up and claim their feet. They say that life on the road can be a living hell, and this band is about to learn that truth the hard way. Advised to take a shortcut on their was to a record company showcase in Los Angeles, the girls realize that they might not make it past Wisconsin when their van suddenly stalls out in the middle of nowhere. But this godforsaken place isn't entirely abandoned, because lurking nearby is a psychotic trio of maniacal deviants who have been waiting too long for their next victims to arrive. Needless to say, running away isn't easy after your feet have been chopped off to satisfy an axe-wilding psycho's peculiar foot fetish. ~ Jason Buchanan, All Movie Guide

In this sci-fi comedy from executive producer George Lucas, Howard the Duck is an extra-terrestrial fowl who is accidentally beamed to earth by physicist Dr. Jenning (Jeffrey Jones) and his assistant Phil (Tim Robbins). The two go looking for Howard and find him in the home of Beverly Switzer (Lea Thompson), who was rescued by the interstellar duck from some mean-looking thugs. Beverly and Phil are friends, and when the government finds out about Howard, she helps Phil and Dr. Jenning hide him from the authorities until they can zap him back home. In the meantime, several wild chases and spectacular special effects keep the picture rolling along. ~ Eleanor Mannikka, All Movie Guide

John Cassavetes' harrowing masterpiece charts the emotional meltdown of a suburban housewife and its effects on her blue-collar Italian family. Gena Rowlands stars as Mabel Longhetti, a mother of three whose husband Nick (Peter Falk) works as a construction worker; a mismatched couple like so many others in Cassavetes films, the Longhettis seem to be complete opposites: she's impetuous, extroverted, and fragile, while he's controlling, distant, and hard-bitten. Their differences underscore a series of domestic dramas, culminating in a nervous breakdown that sends Mabel to a psychiatric hospital for six months, only to return to a home environment on even thinner ice than before. The improvisational style central to Cassavetes' vision is at its most acute throughout A Woman Under the Influence. Like its title heroine, the film threatens to veer out of control at any time, its shape and scope defined not by narrative but by the emotional upheaval at its center. Embracing the full spectrum of the Longhettis' relationship, from seismic bursts of high drama to small, even trivial moments of domestic tedium, its long scenes relentlessly probe every nook and cranny of the family's life, drawing out each moment for maximum emotional impact; the film is by turns beautiful and ugly, illuminating and frustrating, and it features a performance by Rowlands as heartwrenching and unforgettable as any ever committed to celluloid. ~ Jason Ankeny, All Movie Guide