Jane Darwell Movies

Whenever things got slow at 20th Century-Fox, the studio revved up its old reliable "three girls looking for millionaires" plotline. Three Kansas sisters (Loretta Young, Marjorie Weaver and Pauline Moore) use a small inheritance to set themselves up in a Manhattan penthouse. Figuring that Young has the best chance of snaring a rich husband, she is allowed to pose as a wealthy heiress, while Weaver and Moore pose as her servants. Young wins Joel McCrea, who isn't as rich as everyone thinks. Weaver ends up with a rancher (David Niven) who likewise is cash poor. But Moore hits the jackpot with a slow-witted working stiff (Stu Erwin) who turns out to be the only millionaire in the bunch. Three Blind Mice was remade (with much of the dialogue intact) as the 1941 musical Moon Over Miami, then re-remade in period costume as Three Little Girls in Blue (47). In 1953, elements of Three Blind Mice were combined with the basic plotline of the 1932 comedy The Greeks Had a Word for Them--and the result was How to Marry a Millionaire. ~ Hal Erickson, All Movie Guide

Universal ran into censorship problems with this farfetched but well-acted courtroom drama directed by silent screen veteran Edward Sloman. When corrupt tycoon Brandon Williams (Samuel S. Hinds) is found murdered, the obvious suspect is young William Sheldon (Larry Blake), who had publicly feuded with the victim. The real killer, however, is Williams' ghostwriter Walter Russell (Kent Taylor), an embittered newspaperman who finds himself on the jury hearing Sheldon's case. Confident at first that Walter will vote for an acquittal, New York reporter Linda Ware (Fay Wray) is not so sure after stumbling over the truth of the killing. Using a bit of subterfuge, the girl manages to convince Walter to confess in the proverbial nick of time, thus saving Sheldon from the gas chamber. ~ Hans J. Wollstein, All Movie Guide

Loretta Young is the wife, Warner Baxter the doctor and Virginia Bruce the nurse in this 20th Century-Fox trifle. Society gal Young marries Park Avenue medico Baxter, little guessing that humble nursie Bruce also loves the doc. Young raises vociferous objections, compelling Bruce to leave. Baxter's practice suffers due to Bruce's absence. Young realizes that the doctor needs his nurse, while Bruce comes to accept that Young needs her doctor. You may need one too after 85 minutes of this. ~ Hal Erickson, All Movie Guide

It was from this military musical that the US Marine Corps got it's signature anthem, "The Song of the Marines." The story chronicles the exploits of a young recruit who wins a radio contest and becomes an overnight singing sensation. Unfortunately, the sudden fame has caused a bad case of ego edema in the man and his Corps buddies begin to avoid him. Even his girl friend grows tired of his swaggering. Busby Berkeley staged the musical numbers. The songs include: "I Know Now," "'Cause My Baby Says It's So," "Night Over Shanghai," "The Lady Who Couldn't Be Kissed," "You Can't Run Away from Love Tonight." ~ Sandra Brennan, All Movie Guide

Don Ameche is called upon to testify in his married friends' divorce case. Unwilling to take sides, he skips town and hides out at a country inn. A young girl (Ann Sothern) stumbles into Ameche's rural hideaway; she thinks he's an escaped gangster, while he thinks she's a process server. The local sheriff (John Qualen), who also believes Ameche is a gangster, converges on the inn during a snowstorm. Trapped inside by the snow and by the deputies, Ameche and Sothern fall in love. The real gangster (Douglas Fowley) is captured and there's smiles all around at "The End" time. ~ Hal Erickson, All Movie Guide

The film is called Laughing at Trouble, but feisty female newspaper publisher Glory Bradford (Jane Darwell) doesn't waste much of her time laughing. Using her paper as a forum, Glory does her best to clear innocent John Campbell (Allan Lane) of a trumped-up murder charge. When John escapes from jail, he hides out in Glory's home, a circumstance she takes in her usual stride. Figuring out the identity of the actual murderer, the publisher employs a bit of unorthodox (and frankly unethical) trickery to force a confession. Laughing at Trouble puts the lie to the long-held assumption that Jane Darwell never played a movie leading role until The Grapes of Wrath. ~ Hal Erickson, All Movie Guide

This period adventure drama was directed by Tay Garnett and adapted from a story by William Faulkner. The skipper of a slave trading vessel operating along the West African coast in 1860, Captain Jim Lovett (Warner Baxter) is troubled by his flesh-peddling trade. He's marrying the beautiful Nancy Marlowe (Elizabeth Allan) and wants to replace his morally-indefensible business with a more respectable foray into standard goods shipping. So he orders his first mate, Jack Thompson (Wallace Beery) to fire most of the crew and replace them with new hands. However, the ship's swabbies are accustomed to their lucrative line of work and, under the sway of the greedy Lefty (George Sanders), they mutiny, resulting in high seas histrionics and swashbuckling sword fights, with comedy relief provided by Mickey Rooney as Swifty the cabin boy. Lon Chaney, Jr. appears unbilled in the film's opening, where his character is crushed during a ship's launching. ~ Karl Williams, All Movie Guide

In this action film, a rebellious cop doesn't hesitate to bend the rules when it comes to roughing up prisoners and bringing in deadly gangsters. His insistence on working alone and on using excessive violence causes conflict with his superiors. They change their minds when he engages in a great shoot-out with a notorious gun-toting gang leader and brings him to justice. ~ Sandra Brennan, All Movie Guide

A remake of the 1917 Mary Pickford vehicle of the same name, Poor Little Rich Girl stars Shirley Temple in the title role. Neglected by her widowed soap-tycoon father (Michael Whalen), lonely Barbara Barry (Temple) spends most of her time in the company of her nursemaid Collins (Sara Haden). While on a shopping excursion in the City, Collins is killed in a traffic accident, and Barbara gets lost in the crowd. She finds shelter in the warm and loving tenement home of barber Tony (Henry Armetta), where she makes the acquaintance of vaudeville entertainers Jerry and Jimmy Dolan (Alice Faye and Jack Haley). Assuming that the girl is an orphan, the Dolans invite her to join their act when they discover that she possesses considerable singing and dancing talents. As fate would have it, Jerry, Jimmy and Barbara audition for a radio program which happens to be sponsored by Barbara's dad! For all its music, charm and vivacity, Poor Little Rich Girl has an unsettling inner lining of cruelty: Not only is the plot motivated by the death of Shirley's governess, but our poor heroine spends a good portion of the film avoiding a seedy would-be child molester (John Wray)! ~ Hal Erickson, All Movie Guide

In her much vaunted screen debut, Metropolitan Opera star Gladys Swarthout takes on David Belasco's 30-year-old operetta about the female leader of a gang of vigilantes battling usurpers plotting to steal valuable land grants. The masked Don Carlos (aka Rosita Castro) uses her operatic voice as a call to arms, singing Ralph Rainger and Leo Robin's "If I Should Love You," "Thunder Over Paradise," "Where Is My Love?," and other selections, but her attempt to lynch accused bandit leader Joe Kincaid (Charles Bickford) fails when government agent Jim Kearney (John Boles) puts a stop to the unlawful proceedings. Despite interference from Don Castro (H.B. Warner), who has promised his daughter to Don Louis Espinoza (Don Alvarado), Kearney falls in love with the songstress, unaware that she is Don Carlos. But when Kincaid and his hordes storm the Castro rancho, Kearney is battling right alongside the lovely vigilante. Rose of the Rancho had previously been filmed in 1914 by Cecil B. De Mille as a vehicle for silent star Bessie Barriscale. ~ Hans J. Wollstein, All Movie Guide

After several light comedy roles, Rosalind Russell proved her salt as a dramatic film actress in this 1936 adaptation of George Kelly's Pulitzer Prize-winning play Craig's Wife. Russell plays Harriet Craig, whose obsession with keeping her house and its furnishings spotless has driven away most of her friends. Harriet's husband Walter (John Boles) loves her and will not brook any criticism of her fastidiousness. But even he has a breaking point: this comes when, during a moment of dire crisis, she reveals that she is more concerned with her own well-being than her husband's. Walter declares his independence by smoking a cigarette in Harriet's spotless living room, strewing his ashes all over her nice clean rug, smashing one of her precious vases, and walking out on her. The final image is of Harriet Craig standing alone in her "perfect" house, so benumbed by events that she fails to notice that her armful of roses is leaving a path of petals on her hitherto unsullied floor. Previously filmed in 1928, Craig's Wife was remade in 1950 with Joan Crawford as Harriet Craig. ~ Hal Erickson, All Movie Guide

The well-publicized (and overexploited) birth of Canada's Dionne Quintuplets in 1934 formed the basis of The Country Doctor. Jean Hersholt starred as Dr. Allan Dafoe, the real-life medico who delivered the famous quints (who appear in person towards the end of the film). The film recounts Dafoe's difficulties in ministering to the somewhat backward residents of his tiny Canadian community, and his battle with a local bigwig who wants to bring in a "modern" doctor. The Dionne births transform Dafoe into a local hero, leading to his winning of the Order of the British Empire. In real life, Dr. Dafoe effectively wrested custody of the Dionne quints away from the parents, then cashed in on the subsequent merchandising; later on, public opinion would turn against Dafoe, defiling him as an opportunistic cad. ~ Hal Erickson, All Movie Guide

Based on Jack London's famous story of the same name, White Fang was first filmed in 1925. It is set in the Gold Rush era in Alaska and the Yukon. Sylvia Burgess (Jean Muir) is traveling with her brother Hal (Thomas Beck) to a gold mine that they have inherited from their father. Their guide is Weedon Scott (Michael Whalen), who owns the tracking dog, White Fang. Along the arduous journey, Hal dies. Beauty Smith (John Carradine), the leader of a criminal gang, claims that Scott murdered Hal. His men try to take possession of the mine, but they are thwarted by White Fang. Eventually, Hal's diary reveals that he killed himself in despair, and Smith's plans are foiled. ~ Michael Betzold, All Movie Guide