Jane Darwell Movies

This was the first of five profitable RKO Radio quickies based on the popular radio series The Great Gildersleeve. Harold Peary, a normally slender actor who went through an arduous fattening-up process before shooting started, repeats his radio role as Throckmorton P. Gildersleeve, pompous water commissioner of the town of Springfield. While trying to wend his way through the complicated political system in his tiny metropolis, "Gildy" endeavors to escape the various matrimonial traps set by wealthy spinster Mary Field. He also must find a way to maintain custody of his niece Margie (Nancy Gates) and nephew LeRoy (Freddie Mercer). Other characters carried over from the radio version of The Great Gildersleeve include Gildy's friendly enemy Judge Hooker (Charles Arnt) and cheerful houskeeper Birdie (Lillian Randolph)-but where's Peavy the druggist? ~ Hal Erickson, All Movie Guide

In this comedy, a grandmother decides to help her naive grandson get the money he needs to marry his girl by allowing him to get his inheritance, a mattress factory, before she dies. She suggests that he use it as collateral on a loan, but instead the young man sells the business to a crook who ends up charging another interested buyer an exorbitant interest rate for it. The angry buyer then tries to force the lad's father to buy back the factory. That doesn't work, so he ends up kidnapping the grandmother. This is not a wise move as the grandmother is far more clever than her captor and quickly turns the situation around to her advantage. Soon the kidnapper hands the factory back and gets nothing in return. ~ Sandra Brennan, All Movie Guide

This classic fantasy was based on a story by Stephen Vincent Benet. Jabez Stone (James Craig) is a simple New England farmer who has been suffering from a long run of bad luck. One day he mutters that he'd sell his soul for a little money and a decent crop. Moments later, who should appear but The Evil One himself, Mr. Scratch (Walter Huston). Scratch offers Stone seven years of wealth and good fortune in exchange for his soul; Stone, assuming it's some sort of joke, agrees. Soon Stone's fields are plentiful and money is rolling in, but his financial success comes with a price; he becomes a cold and greedy tyrant, losing the affection of his family and the respect of his peers. In time, Stone realizes that he's made a terrible mistake and that Scratch won't let him out of their deal without a fight. Desperate to regain his soul, Stone turns to the greatest legal and oratorical mind of his day, Daniel Webster (Edward Arnold), who challenges Scratch to put his contract with Stone to the test in a fair trial. While a critical success and a favorite of film buffs, The Devil and Daniel Webster fared poorly at the box office; it was eventually released under five different titles and clipped to 85 minutes in hopes of winning a larger audience, though it was restored to a 107-minute length for release on home video. ~ Mark Deming, All Movie Guide

The adaptation of Nobel Prize-winner John Steinbeck's Pulitzer Prize-winning novel of dirt-poor Dust Bowl migrants by 4-time Oscar-winning director John Ford starred Henry Fonda as Tom Joad, who opens the movie returning to his Oklahoma home after serving jail time for manslaughter. En route, Tom meets family friend Casey (John Carradine), a former preacher who warns Tom that dust storms, crop failures, and new agricultural methods have financially decimated the once prosperous Oklahoma farmland. Upon returning to his family farm, Tom is greeted by his mother (Oscar-winner Jane Darwell), who tells him that the family is packing up for the "promised land" of California. Warned that they shouldn't expect a warm welcome in California--they've already seen the caravan of dispirited farmers, heading back home after striking out at finding work--the Joads push on all the same. Their first stop is a wretched migrant camp, full of starving children and surrounded by armed guards. Further down the road, the Joads drive into an idyllic government camp, with clean lodging, indoor plumbing, and a self-governing clientele. When Tom ultimately bids goodbye to his mother, who asks him where he'll go, he delivers the film's most famous speech: "I'll be all around...Wherever there's a fight so hungry people can eat...Whenever there's a cop beating a guy, I'll be there...And when the people are eatin' the stuff they raise and livin' in the houses they build. I'll be there too." ~ Hal Erickson, All Movie Guide

Inspired by the true story of the leader of the Mormon Church, this film features Dean Jagger in the title role. The members of the Church of Latter Day Saints are subjected to religious persecution by the people of Nauvoo, Illinois, where they've settled; so under the leadership of Brigham Young, the Mormons head west, facing tremendous adversity along the way. However, a gravely ill Young has a prophetic dream in which he sees what he believes is his people's promised land, where they will be allowed to live and worship as they see fit. Soon they discover the land Young saw in his dream -- Salt Lake City, Utah. Young and his followers settle there, but their hardship does not end soon. The first winter in Utah is cruel, and while the spring brings the promises of a bountiful planting season, soon a plague of locusts appears, threatening to devour the crops the settlers have just planted. A huge flock of seagulls arrives to save the day by consuming the insects. Tyrone Power and Linda Darnell play a pair of settlers who fall in love in the course of the journey. Brigham Young downplays the more controversial aspects of the Mormon church (particularly polygamy) in favor of portraying Young as a trail-blazing man of the land; in some markets, the film was shown as Brigham Young, Frontiersman. ~ Mark Deming, All Movie Guide

A courageous doctor braves a fierce blizzard in the Canadian wilderness to save a remote community from a deadly epidemic. He has come North to visit and ends up stealing a wife from her husband. When the epidemic hits, he and the wife begin their arduous journey. At one point, they are stranded. Fortunately, the husband and a dogsled saves them, but the husband later freezes to death. Happiness ensues because after saving the community, the doctor and the wife are free to pursue their love. ~ Sandra Brennan, All Movie Guide

Unexpected Father was designed as a showcase for Universal's infant "star" Baby Sandy (Sandy was a girl, but she played a boy here). Dancer Dennis O'Keefe resigns himself to being stuck with his late partner's baby, but when trying to adopt a child he faces a tough court custody battle. Lovely Shirley Ross is the other applicant, so figure out the ending yourself. The highlight in Unexpected Father is a tense process-screen sequence wherein Sandy toddles around a high skyscraper ledge. Mischa Auer, who'd played a comic doorman in the previous Baby Sandy film East Side of Heaven, repeats the role for Unexpected Father. ~ Hal Erickson, All Movie Guide

Hankies are not optional for this grim melodrama that tells the story of a kindly producer who mentors a beautiful young girl and helps her to become a big Broadway star. In time the two fall in love and decide to wed. Unfortunately, en route to a justice of the peace, tragedy strikes the happy couple and the would-be groom ends up permanently paralyzed. Still, his girl remains devoted to him and the marriage proceeds. Nine years pass and the woman decides she wants to adopt a child. All things seem to be in place for the adoption, but unfortunately, a widower shows up to claim the child. The wife and the widower begin an affair soon after meeting. When the husband finds out, he selflessly executes his final option to ensure his wife's future happiness. ~ Sandra Brennan, All Movie Guide

Gone With the Wind boils down to a story about a spoiled Southern girl's hopeless love for a married man. Producer David O. Selznick managed to expand this concept, and Margaret Mitchell's best-selling novel, into nearly four hours' worth of screen time, on a then-astronomical 3.7-million-dollar budget, creating what would become one of the most beloved movies of all time. Gone With the Wind opens in April of 1861, at the palatial Southern estate of Tara, where Scarlett O'Hara (Vivien Leigh) hears that her casual beau Ashley Wilkes (Leslie Howard) plans to marry "mealy mouthed" Melanie Hamilton (Olivia de Havilland). Despite warnings from her father (Thomas Mitchell) and her faithful servant Mammy (Hattie McDaniel), Scarlett intends to throw herself at Ashley at an upcoming barbecue at Twelve Oaks. Alone with Ashley, she goes into a fit of histrionics, all of which is witnessed by roguish Rhett Butler (Clark Gable), the black sheep of a wealthy Charleston family, who is instantly fascinated by the feisty, thoroughly self-centered Scarlett: "We're bad lots, both of us." The movie's famous action continues from the burning of Atlanta (actually the destruction of a huge wall left over from King Kong) through the now-classic closing line, "Frankly, my dear, I don't give a damn." Holding its own against stiff competition (many consider 1939 to be the greatest year of the classical Hollywood studios), Gone With the Wind won ten Academy Awards, including Best Picture, Best Director, Best Screenplay, Best Actress (Vivien Leigh), and Best Supporting Actress (Hattie McDaniel, the first African-American to win an Oscar). The film grossed nearly 192 million dollars, assuring that, just as he predicted, Selznick's epitaph would be "The Man Who Made Gone With the Wind." ~ Hal Erickson, All Movie Guide

In this drama, an ingenious journalist finds himself at odds with his brother the district attorney over his unconventional methods of investigating a story; especially when they interfere with the judicial process as they did when he began eavesdropping upon a grand jury. One of the reporter's tricks involves several ham radios strategically placed around the city. With the help of the operators, the journalist is able to get scoops. When he is kidnapped by a crime boss who is sick of his constant snooping, the operators come to his rescue. ~ Sandra Brennan, All Movie Guide

The financial exploitation of Canada's Dionne Quintuplets rolled ever forward with 20th Century-Fox's Five of a Kind, the third Dionne feature-length vehicle. Under the watchful eye of kindly obstetrican Dr. Dafoe (Jean Hersholt), the lovable quints, now 4 1/2 years old, play with their pets and toys, and even sing and dance. Meanwhile, reporter Christine Nelson (Claire Trevor) and radio commentator Duke Lester (Cesar Romero) battle over the exclusive rights to the Dionne girls' life story. The story ends with an experimental television broadcast, a rarity for a 1938 film. Knowing what we know now about the Dionne Quintuplets' far from happy home lives and difficult transitions to adulthood, it is hard to watch Five of a Kind objectively today. ~ Hal Erickson, All Movie Guide

In this witty comedy mystery, a dim-bulbed news photographer and an equally dull-witted reporter try their hand at sleuthing when they begin investigating a murder to prove that the prime suspect is innocent. Things get really sticky when the accused's bill-collector gets involved. The real killer is in plain view, but the sleuths don't figure this out 'til the end. ~ Sandra Brennan, All Movie Guide