Jane Darwell Movies

A transport pilot is ordered to fly a risky mission. The pilot, Scott, refuses the dangerous mission and is fired from his job. Scott starts up a pilot school which struggles to stay in business. As an inspector for the government, Foster gives Scott trouble about his school, Scott hopes a new government pilot program will help him out. ~ All Movie Guide

I Live in Grosvenor Square is better known by its American release title, A Yank in London. Anna Neagle, whose husband Herbert Wilcox produced and directed the film, stars as Lady Patricia Fairfax, who enters into a brief wartime romance with American air force sergeant John Patterson (Dean Jagger). The plot proper is based on a true WW II incident, wherein an Air Corps crew deliberately sacrificed their lives to save an English village of no strategic importance. The multinational supporting cast includes Rex Harrison, Robert Morley, Jane Darwell, and real-life American PFC Elliot Arluck. At the time of its release, I Live in Grosvenor Square was praised for the authenticity of its settings and characterizations. ~ Hal Erickson, All Movie Guide

It was probably pretty simple for William C. DeMille to adapt this comedy stage hit to the screen -- he and his brother, director Cecil B. DeMille, were the playwrights. When his broker friend offers big returns, Ted Ewing (Edward Abeles) invests both his own money and that of his fiancée, Nora Heldreth (Betty Schade). But then the broker disappears and Ewing, believing that he has squandered his girl's money, takes out an insurance policy on himself and then sets out to get "accidentally" killed. Of course, nothing he tries works -- he falls in front of a train only to have it switch tracks on him, a fall from a window is broken by an awning, etc. Since members of a black hand society seem to be following him around, Ewing finally gets the idea of hiring them to murder him and gives the payment to Oki, his Japanese valet (Sessue Hayakawa). But then the broker returns and Ewing discovers that the money he invested has doubled. Now he has to figure out how to call off the black hand men, who have followed him and Nora to her aunt's cottage in Maine. Eventually a deal is worked out to everyone's satisfaction. ~ Janiss Garza, All Movie Guide

Quite a bit of stock footage accompany this aerial melodrama from Columbia, which was directed by low-budget action specialist Albert S. Rogell. Pretty TWA air hostess Kitty King (Evalyn Knapp) falls in love with and marries dashing stunt pilot Ted Hunter (James Murray), despite the young man's rather rough lifestyle. She willingly accepts his plans for building a new kind of airplane in Albuquerque, NM, but upon arrival there finds him in the arms of a haughty socialite (Thelma Todd). A dejected Kitty hurriedly boards a train for home, unaware it is headed straight for a collapsing bridge. Learning of the possible disaster, Ted takes to the air in a final effort to warn the train's engineer. But the latter ignores the roaring plane and Ted is forced to crash land right on the tracks. None the worse for wear, the heroic pilot apologizes to Kitty for his bad behavior and they fly home to happiness. ~ Hans J. Wollstein, All Movie Guide

This 1933 movie version of Sinclair Lewis's novel Ann Vickers stars Irene Dunne in the title role. Left alone and pregnant by her soldier sweetheart (Bruce Cabot), Ann turns her life around by devoting herself to social work. A frustrating tenure as psychologist in a poorly maintained woman's prison only strengthens Ann's resolve to improve the world around her. She falls in love with the politically progressive judge (Walter Huston) who helps finance her career, standing by him when he is unjustly accused of graft. Ann Vickers contains one startling sequence in which Ann, following the premature end of her pregnancy, walks with great discomfort around her garden while she speaks wistfully about,"the daughter I'll never have." Otherwise, the film suffers from its adaptors' soap-opera mindset, as well as the decision to cram Lewis's complex novel into a brief 75 minutes' screen time. ~ Hal Erickson, All Movie Guide

The titular battle is the one that noisily rages between American legionnaires Big Ben Wheeler (Victor McLaglen) and Chesty Webb (Brian Donlevy). While attending a convention in New York, the two friendly enemies are ordered by their boss Homer C. Bundy (Raymond Walburn) to break up the romance between Bundy's son Jack (Robert Kellard) and showgirl Marjorie Clark (Lynn Bari). In the course of their merry misadventures along the Great White Way, our heroes get mixed up with nightclub entertainer Linda Lee (Louise Hovick, aka Gypsy Rose Lee). When their boss shows up, he is immediately smitten by Linda and forgets all about his son's "scandalous" affair. It ain't art, but it's fun. ~ Hal Erickson, All Movie Guide

This suspenseful, exciting mystery is based upon an Edgar Wallace story and centers upon the search for $1 million in buried loot. Only the original thief, Joe Valerie knows its location. He tells the crazed Austrian Dr. Cornelius about it. The good doc secretly schemes to get it for himself, but first he must evade a determined detective and the bogus psychic he has hired to help him out. The search leads the gumshoe to a spooky, seemingly haunted mansion. Three people die during the hunt and as they go, the mystic and the detective find themselves falling in love. ~ Sandra Brennan, All Movie Guide

In this drama a store clerk gets involved with a radio singer and ends up in a home for unwed mothers. The home is run by a cruel tyrant. ~ Sandra Brennan, All Movie Guide

Despite stiff competition like Poor Little Rich Girl and Heidi, Bright Eyes is arguably the best of Shirley Temple's 1930s vehicles. The little curly-top is cast as Shirley Blake, daughter of Mary Blake (Lois Wilson), the widowed housemaid of snooty J. Wellington and Anita Smythe (Theodore Von Eltz and Dorothy Christy). Though continually terrorized by the Smythe's obnoxious, doll-destroying daughter Joy (Jane Withers), Shirley finds comfort in the fact that she is the darling of the airplane-pilot buddies of her late father. Especially fond of our heroine is flyboy Loop Merritt, who arranges a birthday party for the girl. Alas, even as Shirley sings "On the Good Ship Lollipop" to a gathering of beaming airmen, her mother Mary is run over by a car while shopping for her daughter's birthday cake. It thus becomes Loop's painful duty to tell Shirley that her mother "cracked up," just like her father did (if this scene doesn't move the viewer to tears, the viewer is made of granite). Fortunately, the Smythe's irascible Uncle Ned takes a liking to Shirley, securing her financial future at the expense of his repulsive relatives. But before this happy ending can come about, Shirley must be rescued from an imperiled passenger plane by the resourceful Loop. Though Shirley Temple is inarguably the main drawing card in Bright Eyes, 9-year-old Jane Withers is equally terrific as the pint-sized "villainess"; indeed, some critics felt that Withers stole the show, and it was this as much as anything else that earned Withers her own starring series at 20th Century-Fox. ~ Hal Erickson, All Movie Guide

Previously filmed as a vehicle for Baby Peggy Montgomery in 1922, Laura E. Richard's Captain January was warmed up as a Shirley Temple picture 14 years later. Temple plays Star, a child of divorce who is looked after by crusty-but-lovable lighthouse keeper Captain January (Guy Kibbee). Truant officer Agatha Morgan (Sara Haden) determines that the Captain is not providing Star with suitable surroundings or a proper education, and before long our sobbing heroine is whisked away to a boarding school. She is rescued by kindly Mr. and Mrs. Morgan (George Irving and Nella Walker), distant relatives who try to provide the girl with a decent home, but the poor child still yearns for the company of Captain January and his friends Paul (Buddy Ebsen) and Nazro (Slim Summerville). All ends happily when January and his two chums are hired as crew members on the Morgans' yacht. One of Shirley Temple's best films, Captain January would be memorable if only for her singing-dancing duet with Buddy Ebsen, "At the Codfish Ball." Thanks to a legal loophole, the film has lapsed into public domain, joining A Little Princess as the most accessible of Temple's vehicles. ~ Hal Erickson, All Movie Guide

Henry Fonda plays Chad Hanna, a New York country bumpkin of the mid-nineteenth century who joins a travelling circus. He falls in love with beauteous bareback rider Dorothy Lamour, but she spurns him. Chad Hanna then finds himself attracted to another runaway, country girl Linda Darnell. Though everybody assumes that the boy is slow on the uptake, Chad Hanna manages to save the circus from financial ruin. He also secures the services of a trained elephant; when asked how he acquired such a prize, Chad laconically responds "I gave him half interest in the circus." A lightweight period piece, Chad Hanna is visually impressive, and best viewed in its original pristine Technicolor state. ~ Hal Erickson, All Movie Guide

Four courageous college graduates become heroes when they successfully complete a 15-hour coast-to-coast plane flight. Alas, things don't go so well for the foursome when they return to earth to seek out employment. Chris Thring (Charles Farrell) has a particularly rough time of it, but his sweetheart Catherine Furness (Janet Gaynor) remains faithful through thick and thin. Trouble brews in the form of Chris and Catherine's mutual friends Mack McGowan (James Dunn) and Madge Rountree (Ginger Rogers): Catherine thinks Chris is in love with Madge, while Mack falls in love with Chris? and on and on it goes. Shirley Temple shows up in the early scenes as a plane passenger, while that grand old trouper Gustav von Seyfertitz sheds his usual villainous image as the film's avuncular last-minute problem-solver. Change of Heart is based on a novel by Kathleen Norris. ~ Hal Erickson, All Movie Guide

After several light comedy roles, Rosalind Russell proved her salt as a dramatic film actress in this 1936 adaptation of George Kelly's Pulitzer Prize-winning play Craig's Wife. Russell plays Harriet Craig, whose obsession with keeping her house and its furnishings spotless has driven away most of her friends. Harriet's husband Walter (John Boles) loves her and will not brook any criticism of her fastidiousness. But even he has a breaking point: this comes when, during a moment of dire crisis, she reveals that she is more concerned with her own well-being than her husband's. Walter declares his independence by smoking a cigarette in Harriet's spotless living room, strewing his ashes all over her nice clean rug, smashing one of her precious vases, and walking out on her. The final image is of Harriet Craig standing alone in her "perfect" house, so benumbed by events that she fails to notice that her armful of roses is leaving a path of petals on her hitherto unsullied floor. Previously filmed in 1928, Craig's Wife was remade in 1950 with Joan Crawford as Harriet Craig. ~ Hal Erickson, All Movie Guide