Kevin Kavanagh Movies
The contrast between modern, urban civilization and life in the natural world lies at the heart of Nicolas Roeg's visually dazzling drama Walkabout. In broad outline, the plot might resemble a standard fish-out-of-water tale: two city children become stranded in the Australian outback, and struggle to find their way back to civilization with the help of a friendly aborigine boy. But Roeg and screenwriter Edward Bond are concerned with far more than the average wilderness drama, as a shocking act of violence near the story's beginning makes clear. This is particularly true in regards to the relationship between the white children and the aborigine boy, who ultimately develops a troubled romantic attraction towards the older sister. Obviously intended as a statement on the exploitation of the natural world and native cultures by European civilization, the film nevertheless maintains an evocative vagueness that usually -- but not always -- favors poetry over didacticism. Most importantly, the film's justifiably acclaimed cinematography is likely to sway even those who find fault with the film's narrative and message. The shift between the sterile city images and the truly stunning, beautifully composed Australian landscapes provide the film's single best argument, making the film a vivid and convincing experience. ~ Judd Blaise, All Movie Guide
- Starring:
- Jenny Agutter, Lucien John, (more)
- 1967
Two Yankee spies team up with British intelligence to stop the beautiful but deadly Su-Muru, a woman with eyes literally on ruling the world. Having gathered an enormous army of gorgeous women, she and her minions use their considerable wiles and natural attributes to enslave the world's most important men. ~ Sandra Brennan, All Movie Guide
- Starring:
- Frankie Avalon, George Nader, (more)
- 1963
Death Drums Along the River was the come-on American title for this 1963 remake of 1935's Sanders of the River. Both films were loosely based on a very popular Edgar Wallace novel. Richard Todd assumes the leading role of Harry Sanders (originally R. G. Sanders), a British police investigator working in Africa. While counting the clues in a hospital murder case, Sanders is led to hidden diamond mine. The patronizing racial attitudes prevalent in the first Sanders of the River have been muted and altered out of respect for the ever-changing Africa of the 1960s. Sanders did well enough to inspire a 1964 sequel, Coast of Skeletons. ~ Hal Erickson, All Movie Guide
- 1962
This effective crime caper involves an attempted robbery of no one less than the U.S. Army, a heist which has its beginnings when Turpin (Stanley Baker) is drummed out of the service for his black-market activities. Apparently chaffing at this unjust treatment and also fueled by greed, Turpin enlists two cohorts -- Swavek and Fenner (Helmut Schmid and Tom Bell) to help him carry out his revenge. After much rehearsal of his plan, the three put on uniforms and walk into an army camp just before the troops are mustered out to the Middle East during a crisis over the Suez Canal. The trio's intention is to rob the payroll ($700,000), stash the cash in a spare tire, and drive out of there. That is the plan, but the reality turns out quite different, after one of the three gets a reaction to a vaccination and another is called up for KP duty ("kitchen police"). ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Stanley Baker, Helmut Schmidt, (more)
